"Dekker" Quotes from Famous Books
 ... that it links these writers to the later realists, Ben Jonson, and that student of London life, who is surely one of the most charming of all the Elizabethan dramatists, whimsical and delightful Thomas Dekker. Mother Bombie was an experiment in the drama of realism, the realism that Nash was employing so successfully in his novels. It has been labelled as our earliest pure farce of well-constructed plot and literary form, but, though it is certainly on a much higher plane ...
— John Lyly • John Dover Wilson
... thought of treating it in an English history,—but not a whit less considerable, because it was cheap, and of no account, like a baker's-shop. The best proof of its vitality is the crowd of writers which suddenly broke into this field; Kyd, Marlow, Greene, Jonson, Chapman, Dekker, Webster, Heywood, Middleton, Peele, ...
— Representative Men • Ralph Waldo Emerson
... (as he calls Munday), and Mr Gifford was of opinion that Middleton meant to censure him in his "Triumphs of Truth," as the impudent "common writer" of city pageants; but this is hardly consistent with the mention Middleton introduces of Munday at the close of that performance. Besides, Dekker wrote the pageant for the year 1612, immediately preceding that for which Middleton was engaged; and that Munday was not in disrepute is obvious from the fact that in 1614, 1615, and 1616, his pen was again in request for ...
— A Select Collection of Old English Plays, Vol. VIII (4th edition) • Various
... Christmas next." In the next August Jonson was in collaboration with Chettle and Porter in a play called "Hot Anger Soon Cold." All this points to an association with Henslowe of some duration, as no mere tyro would be thus paid in advance upon mere promise. From allusions in Dekker's play, "Satiromastix," it appears that Jonson, like Shakespeare, began life as an actor, and that he "ambled in a leather pitch by a play-wagon" taking at one time the part of Hieronimo in Kyd's famous play, "The Spanish Tragedy." By the beginning of 1598, Jonson, though ...
— Every Man In His Humour • Ben Jonson
... lustre of the wickedness of Italy that their finest dramas, without exception, are minute and carefully studied psychological analyses of great Italian tales of crime. The same, in a less degree, is true of Middleton and Dekker. Massinger makes a story of the Sforza family the subject of one of his best plays. Beaumont and Fletcher draw the subjects of comedies and tragedies alike from the Italian novelists. Fletcher in his 'Faithful Shepherdess' transfers the pastoral style of Tasso and Guarini to the ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds |
