"Macaulay" Quotes from Famous Books
 ... driving carefully in an old-fashioned gig, in one of the lulls of the storm, along the edge of a pine wood, early in the afternoon. The old Doctor,—for it was MacAulay, (Dennis,) from over in Monmouth County, she was with,—the old man did not answer, having enough to do to guide his mare, the sleet drove so in his eyes. Besides, he was gruffer than usual this afternoon, looking with the trained ...
— The Atlantic Monthly, Volume 15, No. 91, May, 1865 • Various
... later he writes: "I returned from the House of Commons delighted with the speeches of Robert Grant, Mr Macaulay, Sir James Mackintosh, Lord Morpeth, and Mr W. Smith, in our favour. Sir Robert Inglis, the Chancellor of the Exchequer, and the Solicitor-General (Sugden) were against us. The numbers were—For, 115; against, 97,—majority, 18. We called to congratulate ...
— Diaries of Sir Moses and Lady Montefiore, Volume I • Sir Moses Montefiore
... should have inspired Martin. Perhaps its mad fantasy did, for all we know—there is no authentic compilation of his compositions. Heine has spoken of Martin, as has Theophile Gautier; and his name, by some kink of destiny, is best known to the present generation because of Macaulay's mention of it ...
— Promenades of an Impressionist • James Huneker
... significance, and poetic charm, is different, indeed, from the effect of words in Addison or Fielding. Or, to take an example nearer home, the words in Carlyle seem electrified into an energy of lineament, like the faces of men furiously moved; whilst the words in Macaulay, apt enough to convey his meaning, harmonious enough in sound, yet glide from the memory like undistinguished elements in a general effect. But the first class of writers have no monopoly of literary merit. There is a sense ...
— The Art of Writing and Other Essays • Robert Louis Stevenson
... subtleties of metaphysics, a memory well-nigh inexhaustible in the recovery of facts; in one respect, at least, he was a great scholar, for his mind was dominated by an imagination as vigorous as that which created Macaulay's England, almost as sensitive to dramatic effect as that which painted Carlyle's French Revolution. Therefore when he wrote narrative, historical narrative, or reminiscence, he lived in the experiences he pictured, as great historians do; perhaps living over again the scenes ...
— De Quincey's Revolt of the Tartars • Thomas De Quincey
|
