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Schumann   /ʃˈumən/   Listen
Schumann

noun
1.
German pianist and composer of piano music; renowned for her interpretation of music, especially the music of her husband Robert Schumann (1819-1896).  Synonym: Clara Josephine Schumann.
2.
German romantic composer known for piano music and songs (1810-1856).  Synonyms: Robert Alexander Schumann, Robert Schumann.



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"Schumann" Quotes from Famous Books



... written and argued a hundred times that the sonata form was 'played out,' he went to work and wrote four sonatas to confute me. To be sure, I might have my revenge and say they are 'not sonatas'; but they are no more unorthodox than the sonatas of Chopin, Schumann, Liszt and Grieg, though they have a freedom of their own which is captivating. They are brimful of individuality and charm; they will be heard often in the ...
— Edward MacDowell • Elizabeth Fry Page

... alternately brilliant, charming and sad, of the intimacy of the ballroom, and that they possess an innate grace which no other composer has been able to impart to the form. They have been characterized as salon music of the noblest kind and were well described by Schumann when he said that if they were played for dances, half the ladies present should be countesses—which exactly hits off the distinguished quality of these valses. To play them is like looking at a dance through a fairy ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb

... connection with Venice, the mixture having a special roundness of tone or flavour. Similarly, I once heard Bach's Magnificat, with St. Mark's of Venice as a background in my imagination. Again, certain moonlight songs of Schumann have blended wonderfully with remembrances of old Italian villas. King Solomon, in all his ships, could not have carried the things which I can draw, in less than a second, from one tiny convolution of my brain, from one corner of my mind. No ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee

... our dead life, a mountaintop on which we pause and ponder, and very often looking into the twilight we ask ourselves whether it would be well to send a letter or some token. Now we had agreed upon one which should be used in case of an estrangement—a few bars of Schumann's melody, "The Nut Bush," should be sent, and the one who received it should at once hurry to the side of the other and all difference should be healed. But this token was never sent by me, perhaps because I did not know how to scribble the musical phrase: pride perhaps kept her from ...
— Memoirs of My Dead Life • George Moore



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