"Stetson" Quotes from Famous Books
 ... generally extremely small, because of his having lived in the saddle from early boyhood up. He wore a heavy woollen shirt, with a gorgeous and costly silk handkerchief tied loosely round his neck. His head-covering was a very large grey felt hat, a "genuine Stetson," which cost him from five to twenty dollars, never less. To keep the big hat in place a thong or cord is tied around and below the back of the head instead of under the chin, experience having proved it to be much more effective in that position. His six-shooter had plates ...
— Ranching, Sport and Travel • Thomas Carson
... cheeks were smooth and almost sallow they were so dark, and she could tell there was not an ounce of flesh save tough sinewy muscle on his body. He was fully dressed except for the white weather-beaten Stetson lying beside the saddle and the chaps and spurs kicked off and tossed with the bridle and rope near by on the ground. A dark woolen shirt open at the throat, blue overalls faded and somewhat dingy, black calfskin boots ...
— The Ramblin' Kid • Earl Wayland Bowman
... or the Century Dictionary, and the exceedingly valuable articles on an almost all-inclusive range of topics found in the new edition of Grove's Dictionary. Especial thanks for valuable suggestions as to the arrangement of the material, etc., are also due to Dr. Raymond H. Stetson, Professor of Psychology, Oberlin College; Arthur E. Heacox, Professor of Theory, Oberlin Conservatory of Music; and Charles I. Rice, Supervisor of Music, Worcester, Mass., as well as to various members of the Music Teachers' National Association who ...
— Music Notation and Terminology • Karl W. Gehrkens
... in the saddle with the relaxed ease of habit which allowed his body to accommodate itself to the steady jogging trot of his horse. A roll comprising clothes wrapped in a black rubber coat was tied behind the cantle. His Stetson hat was tilted up at the rear and down in front almost on his nose—a thin, bony nose, slightly curved and with the suggestion of a hook in the tip, just the sort of nose to accord with his lean, sunburnt cheeks and clean-cut chin and straight-lipped mouth. Under the ...
— The Iron Furrow • George C. Shedd
... canvases by Horatio Walker that are worthy of attention. But finer are Charles W. Hawthorne's four paintings on walls B and D. Their bigness of conception, sincerity and soundness of technique mark a coming master. Wall C is given up to a display by Charles Walter Stetson, which shows, more strongly than any other in the American section, that tendency to the decorative and the idyllic which is to be noted as so strong in recent painting. On wall D are three works of George deForest Brush, a man who has been but little influenced ...
— An Art-Lovers guide to the Exposition • Shelden Cheney
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