"Watteau" Quotes from Famous Books
 ... belief, not without foundation, that every thing was done better under his roof than under that of any other person. The banquet in the air on the present occasion could only be done justice to by the courtly painters of the reign of Louis XV. Vanloo, and Watteau, and Lancres, would have caught the graceful group and the well-arranged colors, and the faces, some pretty, some a little affected; the ladies on fantastic chairs of wicker-work, gilt and curiously painted; the gentlemen reclining on the turf, or bending behind them ...
— Lothair • Benjamin Disraeli
... etching after a drawing by Watteau (plate 216 in Jean de Julienne's compilation of Watteau's work, Figures de differents caracteres, ...
— John Baptist Jackson - 18th-Century Master of the Color Woodcut • Jacob Kainen
... bloom; a model village has sprung up at the Park gates, in which each cottage is a gem, and seems transplanted from the last book on rural ornamentation. But the sight of the village oppresses one with a strange incongruity; the charm of realism is wanting; it needs a population out of one of Watteau's pictures,—clean and deft as the painted figures; flesh and blood are too gross, too prone to muddy shoes, and to—sneeze. The rock-work, also, is incongruous; it belongs on no such wavy roll of park-land; you see it a thousand times grander, ...
— Atlantic Monthly, Volume 12, No. 73, November, 1863 • Various
... in ordinary to the fair Parisians, whom his admirers christened "a Watteau realist" and his detractors a "photographer of gowns and mantles," often received at breakfast or at dinner the beautiful persons whose feature he had reproduced, as well as the celebrated and the well known, who found very amusing these little entertainments ...
— Strong as Death • Guy de Maupassant
... typified the half-savage picturesqueness, Neapolitan Claude the atmospheric enchantments, Carlo Dolce the effeminate grace, Titian the voluptuous energy, Guido the placid self-possession, and Raphael and Correggio the religious sentiment of Italy; Watteau put on canvas the fete champetre; the peasant-life of Spain is pictured by Murillo, her asceticism by the old religious limners; what English rustics were before steam and railroads Gainsborough and Moreland reveal, Wilkie has permanently symbolized Scotch shrewdness and domesticity, and ...
— Atlantic Monthly, Vol. 1, No. 4, February, 1858 • Various
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