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Antiphonal   Listen
Antiphonal

adjective
1.
Containing or using responses; alternating.  Synonym: responsive.  "Antiphonal laughter"
2.
Relating to or resembling an antiphon or antiphony.  Synonym: antiphonary.
noun
1.
Bound collection of antiphons.  Synonym: antiphonary.






WordNet 3.0 © 2010 Princeton University








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"Antiphonal" Quotes from Famous Books



... came out from behind the brow of a hill, sending his whiffs of smoke dreamily into the air; and a little lower still, beyond a projecting spur on the opposite side, the train appeared, waiting in the plain, with its engine puffing a sort of antiphonal response. The station stood at the foot of the tramway, which tumbled to it after the manner of a cascade over what looked to be a much lower pass, thus apparently supporting the theory of "supererogatory climb." ...
— Noto, An Unexplored Corner of Japan • Percival Lowell

... a gay antiphonal chant. A bright color had come up in Lydia's cheeks. She looked very sunny and good-humored, like a cheerful child, an expression which up to that year had been habitual to her. Dr. Melton ...
— The Squirrel-Cage • Dorothy Canfield

... such magnificent power in the dirge of Siegfried. It is followed by a solo from the Emperor, "I see assembled round the Throne,"—a slow and dignified air, leading to the great ensemble closing the work, and descriptive of the canonization of Elizabeth. It begins as an antiphonal chorus ("Mid Tears and Solemn Mourning"), the female chorus answering the male and closing in unison. Once more the Crusaders' March is heard in the orchestra as the knights sing, "O Thou whose Life-blood streamed." The church ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton

... first sung by the class with antiphonal responses, then with a fugued finale, and ...
— Old Fogy - His Musical Opinions and Grotesques • James Huneker

... characteristic phrase, which is repeated in the second bar by the second cembalo; points of imitation, in fact, continue throughout the movement. At the seventh bar there is modulation to the dominant, and at the ninth, to the subdominant, in which the opening theme recurs. A stately antiphonal passage leads back to the principal key, and the movement concludes with a cadence such as we find in many a work of Bach's or Handel's. The Adagio opens with short phrases for each instrument alternately. ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock


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