"Basso" Quotes from Famous Books
 ... verra la primavera Fiorann' le mandoline, Vienn' di basso le Trentine Coi 'taliani ...
— Twilight in Italy • D.H. Lawrence
... sopranos since her time. In striking contrast with it comes the majestic aria for Sarastro in the next scene ("In diesen heil'gen Hallen"), familiarly known on the concert-stage by its English title, "In these sacred Halls," the successful performance of which may well be the height of any basso's ambition. In the twelfth scene there is a terzetto by the three boys ("Seid uns zum zweitenmal"), and in the next scene a long and florid aria for Pamina ("Ach! ich fuehl's es ist verschwunden"), full of plaintive chords and very sombre in color. The sixteenth scene contains another ...
— The Standard Operas (12th edition) • George P. Upton
... best room to the official and his aide-de-camp, but unfortunately the inquirer did not improve the situation by persisting in the foolish belief that the foreigner was hard of hearing. He shouted his request into my ear in a stentorian basso, he waved his hands, he pointed, he made signs. The Chinese langage and manner, however, are difficult to an addle-pated foreigner. I, poor foolish fellow, endeavoring to treat the Chinese in a manner identical to that which he would have employed had ...
— Across China on Foot • Edwin Dingle
... numbers admitted, in all probability, would be trebled, on which hypothesis a calculation may be based. What an exercise it would be for the imagination of the audience, were the Statue Scene from Don Giovanni to be given with the Basso Profondo in evening dress, who represents the Stony Commendatore, seated astride a plank resting on tressels placed on a table which would have been substituted for the stone pedestal, while the Don ...
— Punch, or the London Charivari, Vol. 104, February 11, 1893 • Various
... was facing the deer, his head down, blowing the dust in twin clouds before him, hooking the dirt over his back in regular righting bull fashion, and anon saying, "Bh-ur-ur-ooor!" in an adolescent basso-profundo, most ridiculously broken by streaks of soprano. When these shrill notes occurred the little bull rolled his eyes around, as much as to say "Who did that?" and we, swinging our legs on the shed roof, laughed gleefully and encouraged him to ...
— Red Saunders' Pets and Other Critters • Henry Wallace Phillips
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