"Choice of words" Quotes from Famous Books
 ... performed his task. In the prose there is naturally less inequality, and here, where excellence is quite as important as in the verse, the translator's work is irreproachable. His vigilant taste seems never to have failed him in the choice of words which should keep at once all the dignity and all the quaintness of the original, while they faithfully ...
— The Atlantic Monthly, Volume 20, No. 121, November, 1867 • Various
... within their reach. The later one begins his reading, the more difficult it is for him to master the art. He has not the simplest standards of literary judgment nor even the ideas from which such standards are to be formed. Elegance of style and skill in the choice of words are entirely lost upon him, as is the delicate meaning involved in the play of appropriate figures and in the brilliance of the pictures limned in colors to which his eye is blind. Such a person can come to enjoy the pleasures of literature, but it is by way of a long and careful ...
— Journeys Through Bookland, Vol. 10 - The Guide • Charles Herbert Sylvester
... building—a large luminous room, without furniture, beautifully matted. And we sit down upon the floor and chat. He tells me he is a student in the temple. He learned English in Tokyo and speaks it with a curious accent, but with fine choice of words. Finally he ...
— Glimpses of an Unfamiliar Japan - First Series • Lafcadio Hearn
... no monopoly of literary merit. There is a sense in which Addison is superior to Carlyle; a sense in which Cicero is better than Tacitus, in which Voltaire excels Montaigne: it certainly lies not in the choice of words; it lies not in the interest or value of the matter; it lies not in force of intellect, of poetry, or of humour. The three first are but infants to the three second; and yet each, in a particular point of literary art, excels his superior in the ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 16 (of 25) • Robert Louis Stevenson
... is the only inconvenience with which Rhyme can be charged. This is that, which makes them say, "Rhyme is not natural. It being only so, when the Poet either makes a vicious choice of words; or places them, for Rhyme's sake so unnaturally, as no man would, in ordinary speaking." But when 'tis so judiciously ordered, that the first word in the verse seems to beget the second; and that, the next; till that becomes the last word in the line, which, in the negligence of Prose, would ...
— An English Garner - Critical Essays & Literary Fragments • Edited by Professor Arber and Thomas Seccombe
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