"Critique" Quotes from Famous Books
 ... can't be prepared by next winter. As to the title, I think, after all, Herder's is the best: "Philosophy of Humanity," or I should as lief say, "On the Problem of Evil in the World." You said of me once in some critique, I believe, that I always seemed to write as in the presence of objectors. I shall be very likely to do so now. Well, here is work for me for two years ahead, if I have life and health, and work that I like above all other. In the third place, I don't think I shall do much for the "Inquirer." My ...
— Autobiography and Letters of Orville Dewey, D.D. - Edited by his Daughter • Orville Dewey
... compare snobbishness to immodesty, and profess that the pleasure of acquaintance with the great should be so enjoyed that the great themselves are but half-conscious of the homage offered them: this is rather a subtle and finicky critique of what is in honest minds ...
— On Nothing & Kindred Subjects • Hilaire Belloc
... Roland, texte critique, traduction et commentaire," by Leon Gautier, Tours, 1881, 8vo; "La Chanson de Roland, traduction archaique et rythmee," by L. Cledat, Paris, 1887, 8vo. On the romances of the cycle of Charlemagne composed in England, see G. ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... appreciated, and form a more leading feature of the paper than their merit warrants. The anecdotes are often new and always admirably told, but the comments are weak. 'The Theatres' contains one general critique of the newest play in Melbourne—sometimes two—followed by short detailed criticisms, hashed up from the Argus, of whatever is on the boards at the different theatres. 'The Essayist' is one of the best features in the paper, though it appeals to a very limited audience. Those ...
— Town Life in Australia - 1883 • R. E. N. (Richard) Twopeny
... Francis—and perhaps the beautiful Diane de Poitiers and Duchesse d'Etampes—to critique plays in that tiny gem of a theatre at the palace, or to feed the carp in the pool; but also it gave him pleasure to wander into the rooms where the high-warp looms lifted their utilitarian lengths and artists played ...
— The Tapestry Book • Helen Churchill Candee
|
