"Crudeness" Quotes from Famous Books
 ... brilliant tint will give a better shade than if the original tint was satisfactory, but in the same way yarns which are too brilliant can often be made soft and effective by twisting them together with a paler tint. Minute particles of colour brought together in this way are brilliant without crudeness. It is, in fact, the very principle upon which impressionist painters work, giving pure colour instead of mixed, but in such minute and broken bits that the eye confounds them with surrounding colour, getting at the same time the double impression ...
— How to make rugs • Candace Wheeler
... them a loveliness and a charm which attract not only those who are versed in that calling, but also many others who do not belong to the profession. And this springs from facility in the production of the good, which presents no crudeness or harshness to the eye, such as is often shown by works wrought with labour and difficulty; and this grace and simplicity, which give universal pleasure and are recognized by all, are seen in all ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 3 (of 10), Filarete and Simone to Mantegna • Giorgio Vasari
... must present you,—the subtlest intellect under the quietest manner. Once he said to me, 'Would you throughout life be up to the height of your century,—always in the prime of man's reason, without crudeness and without decline,—live habitually while young with persons older, and when old with persons younger, ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton
... basis of a natural mode of feeling, thought, and life, upon which Art prospers in its purest form. In many respects the age itself was in this favourable to the Poet. It maintained a happy medium between crudeness and a vitiated taste: life was not insipid and colourless, as it is nowadays: men still ventured to appear what they were; there was still poetry in reality. Our German poets, in an age of rouge and powder, of hoops and wigs, of stiff manners, rigid proprieties, narrow society, and cold impulses, ...
— Shakespeare: His Life, Art, And Characters, Volume I. • H. N. Hudson
... wonderful art which takes a rugged, knotted block of marble, standing upon a coarse wooden bench, and cuts out of its uncomely crudeness—as I saw it done—the face of my father, with its every feature illumined with prophetic light, so true to life that I felt that to my touch ...
— The War Romance of the Salvation Army • Evangeline Booth and Grace Livingston Hill
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