"Duomo" Quotes from Famous Books
 ... Chamouny, we returned to Martigny, and pursued our mount up the Valais, along the Rhine, to Brig. At Brig we quitted the Valais, and passed the Alps at the Simplon, in order to visit part of Italy. The impressions of three hours of our walk among these Alps will never be effaced. From Duomo d'Ossola, a town of Italy which lay in our route, we proceeded to the lake of Locarno, to visit the Boromean Islands, and thence to Como. A more charming path was scarcely ever travelled over. The banks ...
— The Prose Works of William Wordsworth • William Wordsworth
... had taken great pleasure in certain frescoes by Ghirlandaio in the choir of that very church; but it appeared from one of the little books that these frescoes were as naught. I had much admired Santa Croce and had thought the Duomo a very noble affair; but I had now the most positive assurance I knew nothing about them. After a while, if it was only ill-humour that was needed for doing honour to the city of the Medici, I felt that I had risen to a proper level; only now it was ...
— Italian Hours • Henry James
... to the introduction of the Sonata that the rapid progress in the cultivation of Violin-playing is due. Dr. Burney tells us the earliest Sonatas or Trios for two Violins and a Bass he discovered were published by Francesco Turini, organist of the Duomo, at Brescia, under the following title: "Madrigali a una, due, e tre voci, con alcune Sonate a due e a tre, Venezia, 1624." He says: "I was instigated by this early date to score one of these Sonatas, which consisted of only a single movement in figure and imitation throughout, in which so ...
— The Violin - Its Famous Makers and Their Imitators • George Hart
... in his time, but that was more than a hundred years before. The slips and dock had long been abandoned, as Smollett is careful to point out in his manuscript notes, now in the British Museum. He also explains with superfluous caution that the Duomo of Pisa is not entirely Gothic. Once arrived in the capital of Tuscany, after admitting that Florence is a noble city, our traveller is anxious to avoid the hackneyed ecstasies and threadbare commonplaces, derived in those days from Vasari through Keysler and other German commentators, ...
— Travels Through France and Italy • Tobias Smollett
... architect, born in Florence, bred a goldsmith, studied at Rome; returned to his native city, built the Duomo of the Cathedral, the Pitti Palace, and the churches of San ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... we both like it extremely. The city is full of beauty and repose,—and the purple mountains gloriously seem to beckon us on deeper into the vine land. We have rooms close to the Duomo, and leaning down on the great Collegio built by Facini. Three excellent bed-rooms and a sitting-room matted and carpeted, looking comfortable even for England. For the last fortnight, except the last few sunny days, we have had rain; but ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... comparative area taken up by the walls, pillars, and other points of support. This area amounts to seventeen per cent., and compares favourably with St. Peter's at Rome, which is more than half as much again, as well as with St. Sophia and the Duomo at Florence. On the other hand many of our Gothic cathedrals require only ten per cent.[70] Wren would have said that they lack stability, and that he had calculated accurately on the minimum of massiveness ...
— Bell's Cathedrals: The Cathedral Church of St. Paul - An Account of the Old and New Buildings with a Short Historical Sketch • Arthur Dimock
... battle was won. Sta. Sophia at Constantinople was building between 532 and 537; the finest mosaics in S. Vitale, S. Apollinare-Nuovo and S. Apollinare-in-Classe belong to the sixth century; so do SS. Sergius and Bacchus at Constantinople and the Duomo at Parenzo. In fact, to the sixth century belong the most majestic monuments of Byzantine art. It is the primitive and supreme summit of the Christian slope. The upward spring from the levels of Graeco-Romanism is immeasurable. The terms ...
— Art • Clive Bell
... Italy with Mme. de Maufrigneuse, and now sent his journal to his aunt. Every sentence was instinct with love. There were enchanting descriptions of Venice, and fascinating appreciations of the great works of Venetian art; there were most wonderful pages full of the Duomo at Milan, and again of Florence; he described the Apennines, and how they differed from the Alps, and how in some village like Chiavari happiness lay all ...
— The Jealousies of a Country Town • Honore de Balzac |
