"Idyl" Quotes from Famous Books
 ... others, all dedicated to some mistress real or imaginary. Pastorals, too, were written in great number, such as William Browne's Britannia's Pastorals and Shephera's Pipe (1613-1616) and Marlowe's charmingly rococo little idyl, {95} The Passionate Shepherd to his Love, which Shakspere quoted in the Merry Wives of Windsor, and to which Sir Walter Raleigh wrote a reply. There were love stories in verse, like Arthur Brooke's Romeo and Juliet (the source of Shakspere's tragedy), ...
— Brief History of English and American Literature • Henry A. Beers
... legno effect conveyed from "L'Africaine," that the music seemed most effective. "Zanetto" is nothing more than an operatic sketch in one act. In its original shape, as it came from the pen of Franois Coppe, under the title "Le Passant," the story is a gracious and graceful idyl. A woman of the world, sated and weary with a life of amours, meets a young singer, feels the sensations of a pure love pulsing in her veins and sends him out of her presence uncontaminated. Here are poetry and beauty; but not matter for three-quarters ...
— Chapters of Opera • Henry Edward Krehbiel
... who had so often called up her tears by my ill conduct, filled me with confusion. At the remembrance of my injustice and of her love, even the tears came into my eyes; I hastened to implore pardon of her, doubly and trebly: and I turned this incident into an idyl, [Footnote: Die Laune des Verliebten, translated as The Lover's Caprice, see p. 241.] which I never could read to myself without affection, or ...
— Autobiography • Johann Wolfgang von Goethe
... Lapham An Open-eyed Conspiracy—an Idyl of Saratoga The Landlord at Lions Head, v1 The Landlord at Lions Head, v2 Their Wedding Journey The Outset A Midsummer-day's Dream The Night Boat A Day's Railroading The Enchanted City, and Beyond Niagara Down the St. Lawrence The Sentiment of Montreal ...
— Henry James, Jr. • William Dean Howells
... all worthy lovers of Charles Lamb. The verse underlined and immortalized by his admiration—"For heaven's sake, when you kill him, hurt him not"—should suffice to preserve and to embalm the name of the writer. I can scarcely think that a later scene, apparently imitated from the most impudent idyl of Theocritus, can have been likely to elevate the moral tone of the young gentleman who must have taken the part of Callisto; but the honest laureate of the city, stern and straightforward as he was in the enforcement of domestic duties and contemporary morals, ...
— The Age of Shakespeare • Algernon Charles Swinburne
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