"Impressionist" Quotes from Famous Books
 ... of which is correct, yet we respectfully submit that the theatre, like a picture, has its optics: its foreground, middle distance, background, and foreshortening. Destroy the perspective and the stage is transformed into something that resembles staring post-Impressionist posters. The gentle arts of development, of characterisation, of the conduct of a play may not be flouted with impunity. The author more than the auditor is the loser. Wedekind works too often in bold, bright primary ...
— Ivory Apes and Peacocks • James Huneker
... Maupassant's, nor the brilliancy of M. Daudet's—but what of it? They have qualities of their own; they have sympathy, poetry, and a power of suggesting pictures not exceeded, I think, by those of either M. de Maupassant or M. Daudet. M. Coppee's street views in Paris, his interiors, his impressionist sketches of life under the shadows of Notre Dame, are convincingly successful. They are intensely to be enjoyed by those of us who take the same keen delight in the varied phases of life in New York. They are not, to my mind, really rivalled either by those of M. de Maupassant, who is a Norman by ...
— Ten Tales • Francois Coppee
... merely defending myself. I hope Mr. Hawk will be able to do as well when his turn comes. My aim, my dear Phyllis, is to show you in a series of impressionist pictures the sort of thing I have to go through when I'm not here. Then perhaps you won't rend me so savagely over a matter of five minutes' lateness ...
— Love Among the Chickens - A Story of the Haps and Mishaps on an English Chicken Farm • P. G. Wodehouse
... me baffled. Others perhaps may admire the pains lavished by the author in analysing the emotions of a group of characters whose temperaments certainly give him every opportunity for this exercise. An impressionist, and impressionable, youth, whom I have (reluctantly) to call hero, intrigues his unpleasant way through the plot; first in Paris—where you may make a shrewd guess at his pre-occupations—then in an English village, to which he has eloped ...
— Punch, or The London Charivari, Vol. 152, February 21st, 1917 • Various
... (or haikai) which consists of only three lines, namely, 17 syllables. Necessarily the ideas embodied in such a narrow vehicle must be fragmentary. Thus it results that Japanese poems are, for the most part, impressionist; they suggest a great deal more than they actually express. ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi
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