"Lyric" Quotes from Famous Books
... reticences, not easily putting herself "en rapport" with those around her. Books were her world from her earliest years; in them she literally lost and found herself. She was eleven years old when the War of Succession broke out, which inspired her first lyric outbursts. Her poems and translations written between the ages of fourteen and seventeen were collected, and constituted her first published volume. Crude and immature as these productions naturally ... — The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... rendering of "bell um pomum" by "he's a daisy," and remarks, appropriately enough, "that this was well enough for 1898; but we would now be more inclined to render it 'he's a peach.'" Again, Peck renders "illud erat vivere" by "that was life," but, in the words of our lyric American jazz, we would be more inclined to render it "that was the life." "But," as Professor Gaselee has said, "no rendering of this part of the Satyricon can be final, it must always be in the ... — The Satyricon, Complete • Petronius Arbiter
... a pity that truth and beauty turn to cant on the second delivery, for it makes poetry, as a profession, impossible. The lyric poets have always spent most of their time in trying to write lyric poetry, and the very attempt ... — Emerson and Other Essays • John Jay Chapman
... impressions of mood and landscape reveal a remarkably receptive artistic temperament; splendid and vigorous movement of lines shows that the artist is a poet. Then we are in a cul-de-sac. There is no hint of what kind of poet—too reserved to be consistently lyric, there is not sufficient evidence of the dramatic faculty to help us on to the true scent. All we can say is that we have before us a mind capable of very complete and real illusions, haunted by imagination, always fantastic, and often terrible; ... — Emily Bront • A. Mary F. (Agnes Mary Frances) Robinson
... lyric, the pathetic tenderness of which commends it to every feeling heart, is all that Burns has left in evidence that the sea had to him, ... — Chambers's Edinburgh Journal, No. 429 - Volume 17, New Series, March 20, 1852 • Various
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