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Melodramatic   /mˌɛlədrəmˈætɪk/   Listen
Melodramatic

adjective
1.
Having the excitement and emotional appeal of melodrama.
2.
Characteristic of acting or a stage performance; often affected.  Synonym: histrionic.  "An attitude of melodramatic despair" , "A theatrical pose"






WordNet 3.0 © 2010 Princeton University








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"Melodramatic" Quotes from Famous Books



... the audience if not select are enthusiastic; the stage is narrow, but affords room for a deal of strutting and striding about on the part of an overpowering actor in the inevitable belt and boots of the melodramatic highwayman. The play represents certain startling passages in the career of one Claude Duval, formerly a running footman, afterwards—strange anomaly!—a robber on horseback, distinguished for polite manners ...
— M. or N. "Similia similibus curantur." • G.J. Whyte-Melville

... his genius as a director. To counteract the depression caused by all the recent melodramatic and tragic happenings, he had brought in an eight- piece orchestra, establishing the men in the set itself so as to get full photographic value from their jazz antics. Where Werner and Manton had dispensed with music, in a desperate effort ...
— The Film Mystery • Arthur B. Reeve

... glory, not to say money, that no obstacle was allowed to stand in his way. During the last few years he had composed a number of occasional things—which we need not stop to consider—but nothing on the sumptuous scale of Rienzi. Heroic personages, dramatic or melodramatic situations, opportunities for huge gaily-dressed crowds and scenic display—these were what the young man was after; and in the story of Rienzi he found plenty to fire an imagination always prone to flame and flare at the slightest suggestion. The libretto was written; the music was partly ...
— Wagner • John F. Runciman

... unlikely that he could be trying to trap her by any such cheap melodramatic threat ...
— The Dust Flower • Basil King

... what would be most effective, so that there is a hollowness and a superficiality about his best work which we cannot ignore, even while we admit the ingenuity of the means employed. His influence upon modern opera has been extensive. He was the real founder of the school of melodramatic opera which is now so popular. Violent contrasts with him do duty for the subtle characterisation of the older masters. His heroes rant and storm, and his heroines shriek and rave, but of real feeling, and even of real expression, there is little in ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild


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