"Progress to" Quotes from Famous Books
 ... phenomenon, which, apart from the miraculous, the world ever saw; we allude to the wonderful Temperance Movement, as it is called, which, under the guiding hand of the Almighty, owes its visible power and progress to the zeal and incredible exertions of one pious and humble man—the Very Rev. Theobald Matthew, of Cork. When we consider the general, the proverbial character, which our countrymen have, during centuries, borne for love ...
— Phelim O'toole's Courtship and Other Stories • William Carleton
... rulers had neither the strength nor the prestige to keep the turbulent spirit of their subjects in due bounds. The school of painting which now arose so rapidly to perfection under the Dukes of Burgundy thus owed a portion of its progress to the wealth and independence of the commercial classes. The taste, power, and cultivation of a Court gave it an additional spur; and the clergy throwing in their weight, added their support in ...
— Six Centuries of Painting • Randall Davies
... lover and that is the greatest poet. He consumes an eternal passion and is indifferent which chance happens and which possible contingency of fortune or misfortune and persuades daily and hourly his delicious pay. What baulks or breaks others is fuel for his burning progress to contact and amorous joy. Other proportions of the reception of pleasure dwindle to nothing to his proportions. All expected from heaven or from the highest he is rapport with in the sight of the daybreak or a scene of the winter woods or the presence of children playing or with his arm round the ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... a Voltairian—he renounced horsemanship, and Liberalism. Although he was a simple deputy, he had a twinge of democracy now and then; but after he was invested with the peerage, he felt sure from that moment that the human species had no more progress to make. ...
— Serge Panine • Georges Ohnet
... is gradually finding his way to his self-appointed end, which is the glorification of England in narrative verse. Reynard the Fox marks we believe, the end of a stage in his progress to this goal. He has reached a point at which his mannerisms have been so subdued that they no longer sensibly impede the movement of his verse, a point at which we may begin to speak (though not too loud) of mastery. We feel that he now approaches ...
— Aspects of Literature • J. Middleton Murry
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