"Soprano" Quotes from Famous Books
 ... Weymar I spoke to you of Vesque's new opera "Der lustige Rath." Various local circumstances have delayed the performance at Vienna of this really pretty, nicely worked out opera. The mise-en-scene does not require any special efforts; the piece only requires a somewhat piquant and not unskillful soprano singer. Altogether the opera appears to me to be written in a charming style, not too superficially conservative, and to be one of the best among the new operas mezzo-carattere. In case you still have ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... always satisfied our ideal of Apollo, and the soprano were always as sylph-like as she is described in the libretto, even then I should doubt the average operatic chorus being regarded by the connoisseur as a cheap and pleasant substitute for a bas relief from the Elgin marbles. The great thing required of that operatic chorus is experience. ...
— Idle Ideas in 1905 • Jerome K. Jerome
... hands and raised their childish faces. Cliantha had a thin, high piping soprano like a small flute, and Pendrilla sang "counter" to it. They were repositories of all the old ballads of the mountains—ballads from Scotland, from Ireland, from England, and from Wales, that set the ferocities and the love-making of Elizabeth's time or earlier most quaintly ...
— Judith of the Cumberlands • Alice MacGowan
... such a spectacle before. He that will prefer Dilettantism in this world for his outfit, shall have it; but all the gods will depart from him; and manful veracity, earnestness of purpose, devout depth of soul, shall no more be his. He can if he like make himself a soprano, and sing for hire;—and probably that is the ...
— History Of Friedrich II. of Prussia, Vol. III. (of XXI.) - Frederick The Great--The Hohenzollerns In Brandenburg--1412-1718 • Thomas Carlyle
... an enormous excavation, and behind the summer-house I happened upon a bear asleep and retreated hurriedly. But on going towards the house I heard a well-known voice. "That is Augusta Holmes singing her opera," I said; "she sings all the different parts—soprano, contralto, tenor, and bass." At this time we were all talking about her, and I stood by the window listening until suddenly a well-known smell interrupted her. It was Ninon's cat that had misconducted herself. A window was thrown open, but ...
— Memoirs of My Dead Life • George Moore
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