"Violoncello" Quotes from Famous Books
 ... were," says Byron, in his Diary ('Life', p. 31), "rival swimmers, fond of riding, reading, and of conviviality. Our evenings we passed in music (he was musical, and played on more than one instrument—flute and violoncello), in which I was audience; and I think that our chief beverage was soda-water. In the day we rode, bathed, and lounged, reading occasionally. I remember our buying, with vast alacrity, Moore's new quarto (in 1806), and reading it together in the ...
— The Works Of Lord Byron, Letters and Journals, Vol. 1 • Lord Byron, Edited by Rowland E. Prothero
... Alsace. Opposite their door, on the other side of the well staircase, dwelt one Monsieur Cliquot, an elderly employe in some public office; next to him, Signor Milanesi, an Italian refugee who played in the orchestra at the Varietes every night, was given to practising the violoncello by day, and wore as much hair about his face as a Skye-terrier. Lastly, in the apartment to my right, resided a lady, upon whose door was nailed a small visiting-card engraved ...
— In the Days of My Youth • Amelia Ann Blandford Edwards
... was a fine performer on the violin and harpsichord. At the representation of Arsinoe and the other earliest operas, he played the harpsichord and Haym the violoncello. Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... orchestra, as the only instrument for the deepest adorations in man; . . . when our young women shall ask themselves for any serious reason why they should all, with one accord, devote themselves to the piano instead of to the flute, the violin, the hautboy, the harp, the viola, the violoncello, the horn instruments which pertain to women fully as much as to men, and some of which actually belong by nature to those supple, tactile, delicate, firm, passionate, and tender fingers with which ...
— Sidney Lanier • Edwin Mims
... rapt in the story. His voice had the deep tone of the violoncello, powerful, vibrant, and colorful. He had lived in that strange past, and the things he recalled were ...
— White Shadows in the South Seas • Frederick O'Brien
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