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Vocal   /vˈoʊkəl/   Listen
adjective
Vocal  adj.  
1.
Of or pertaining to the voice or speech; having voice; endowed with utterance; full of voice, or voices. "To hill or valley, fountain, or fresh shade, Made vocal by my song."
2.
Uttered or modulated by the voice; oral; as, vocal melody; vocal prayer. "Vocal worship."
3.
Of or pertaining to a vowel or voice sound; also, spoken with tone, intonation, and resonance; sonant; sonorous; said of certain articulate sounds.
4.
(Phon.)
(a)
Consisting of, or characterized by, voice, or tone produced in the larynx, which may be modified, either by resonance, as in the case of the vowels, or by obstructive action, as in certain consonants, such as v, l, etc., or by both, as in the nasals m, n, ng; sonant; intonated; voiced. See Voice, and Vowel.
(b)
Of or pertaining to a vowel; having the character of a vowel; vowel.
Vocal cords or Vocal chords. n. pl. (Anat.) The two pairs of mucous membranes that project into the larynx, and which produce the sounds of speech by vibrating under the influence of air exhaled from the lungs. See Larynx, and the Note under Voice, n., 1.
Vocal fremitus (Med.), the perceptible vibration of the chest wall, produced by the transmission of the sonorous vibrations during the act of using the voice.
Vocal music, music made by the voice, in distinction from instrumental music; hence, music or tunes set to words, to be performed by the human voice.
Vocal tube (Anat.), the part of the air passages above the inferior ligaments of the larynx, including the passages through the nose and mouth.



noun
Vocal  n.  
1.
(Phon.) A vocal sound; specifically, a purely vocal element of speech, unmodified except by resonance; a vowel or a diphthong; a tonic element; a tonic; distinguished from a subvocal, and a nonvocal.
2.
(R. C. Ch.) A man who has a right to vote in certain elections.






Collaborative International Dictionary of English 0.48








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"Vocal" Quotes from Famous Books



... possessed too much noble and generous feeling to be guilty of a dishonorable act." The Rev. G. Winfred Hervey[102] thinks that "in any controversy between mules and muledrivers, the latter have several advantages among which one of the most important is that they have the exclusive use of vocal attack and defence. Cary was too prudent a man to publish an apology for constructive sedition; and as he has not left us his own explanation of any of the facts in the case, we have not all the materials on which to base ...
— The Journal of Negro History, Volume 7, 1922 • Various

... illumined her countenance, and developed the dimples that lurked in her cheek and underlip. Her features were regular, her gait exceedingly graceful, and her voice musical in the highest degree. Seldom, indeed, would she indulge in the pleasure of vocal music, but when she did, as was sometimes the case to please the Countess of Smatterton, her ladyship, who was a most excellent judge, used invariably to pronounce Miss Primrose as the finest and purest singer that ...
— The Mirror of Literature, Amusement, and Instruction, - Volume 12, No. 329, Saturday, August 30, 1828 • Various

... August, Being the Day of His Majesty's Happy Accession to the Throne.' Jack Sheppard's library consisted of a few ragged and well-thumbed volumes abstracted from the tremendous chronicles bequeathed to the world by those Froissarts and Holinsheds of crime—the Ordinaries of Newgate. His vocal collection comprised a couple of flash songs pasted against the wall, entitled 'The Thief-Catcher's Prophecy,' and the 'Life and Death of the Darkman's Budge;' while his extraordinary mechanical skill was displayed ...
— Jack Sheppard - A Romance • William Harrison Ainsworth

... its basis. His early repetitions of sounds are probably largely pleasure in muscle patterns. We all know that a child uses first his large muscles,—arm, leg and back,—and that he early enjoys any regular recurrent use of these muscles. So at the time when the vocal muscles tend to become his means of expression, he enjoys repeating the same sounds over and over. And soon he gets enjoyment from listening to repetitions or rhythmic language,—a vicarious motor enjoyment. Surely it is important that stories should furnish him this exercise and pleasure. ...
— Here and Now Story Book - Two- to seven-year-olds • Lucy Sprague Mitchell

... Virginians. Bears rolled their bulk through these forests; deer went whither they would. The explorers might meet foxes and catamounts, otter, beaver and marten, raccoon and opossum, wolf and Indian dog. Winged Virginians made the forests vocal. The owl hooted at night, and the whippoorwill called in the twilight. The streams were filled with fish. Coming to the mouth of the Rappahannock, the travelers' boat grounded upon sand, with the tide at ebb. Awaiting the water that should ...
— Pioneers of the Old South - A Chronicle of English Colonial Beginnings, Volume 5 In - The Chronicles Of America Series • Mary Johnston


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