"Voltaic" Quotes from Famous Books
 ... see any reason why a sufficiently penetrating thinker, who can see his way through a thousand years or so, should not conceive a parliament of machines, in which the manners were excellent and the motions infallible in logic: one honourable instrument, a remote descendant of the Voltaic family, might discharge a powerful current (entirely without animosity) on an honourable instrument opposite, of more upstart origin, but belonging to the ancient edge-tool race which we already at Sheffield see paring thick iron as if it were mellow cheese—by this unerringly directed ...
— Impressions of Theophrastus Such • George Eliot
... away, the sometimes desperate struggles. They took unpardonable liberties. They pinched her haunches and attacked her in unheard-of ways. Sometimes her blood really came up in the fight, and she felt as if, with her hands, she could tear any man, any male creature, limb from limb. A super-human, voltaic force filled her. For a moment she surged in massive, inhuman, female strength. The men always wilted. And invariably, when they wilted, she touched them with a sudden gentle touch, pitying. So that she always remained friends ...
— The Lost Girl • D. H. Lawrence
... silver are said (p. 237) to "produce a taste resulting from the galvanic concussion, and not from any actual flavour." This is incorrect; zinc and silver produce a taste when in voltaic communication, because they decompose the saliva, and eliminate acid ...
— Blackwood's Edinburgh Magazine - Volume 57, No. 352, February 1845 • Various
... Heathen's art, but only pilfer it; we cannot revive the Christian's art, but only galvanize it; we are, in the sum of us, not human artists at all, but mechanisms of conceited clay, masked in the furs and feathers of living creatures, and convulsed with voltaic spasms, in mockery ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
... the time of night. The accomplished and ingenious person of whom we speak, has been a little infected by the tone of his countrymen—he is too didactic, too pugnacious, too full of electrical shocks, too much like a voltaic battery, and reposes too little on his own excellent good sense, his own love of ease, his cordial frankness of disposition and unaffected candour. He ought to have ...
— The Spirit of the Age - Contemporary Portraits • William Hazlitt |
