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Clef   /klɛf/   Listen
noun
Clef  n.  (Mus.) A character used in musical notation to determine the position and pitch of the scale as represented on the staff. Note: The clefs are three in number, called the C, F, and G clefs, and are probably corruptions or modifications of these letters. They indicate that the letters of absolute pitch belonging to the lines upon which they are placed, are respectively C, F, and G. The F or bass clef, and the G or treble clef, are fixed in their positions upon the staff. The C clef may have three positions. It may be placed upon the first or lower line of the staff, in which case it is called soprano clef, upon the third line, in which case it called alto clef, or upon the fourth line, in which case tenor clef. It rarely or never is placed upon the second line, except in ancient music. See other forms of C clef under C, 2.
Alto clef, Bass clef. See under Alto, Bass.






Collaborative International Dictionary of English 0.48








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"Clef" Quotes from Famous Books



... up into her head with horror; she could only gasp, "Mais si quelqu'un ouvrait la porte?" "Mais je la ferme toujours a clef," I said, and then I asked her if in France they also dried themselves in their wet chemises? But she said that that was a childish question, as I must know it would be an impossibility; and when I said I could not see any difference ...
— The Visits of Elizabeth • Elinor Glyn

... that it was by her. This was rapturously encored. Between the parts, Sir George took her to the piano, and tried her voice by skips, striking notes here and there at random, without connection, from D in alto to A first space in bass clef. She followed with unerring precision, striking the sound nearly at the same instant his finger touched the key. This brought out a ...
— Music and Some Highly Musical People • James M. Trotter

... this portend—this entrance of another theme, written for the treble clef, played with the right hand, but mysteriously interwoven with the bass? What but that Bluebeard is not to be the sole personage in this music-drama; and we judge the stranger to be a female on account of the overwhelming ...
— Bluebeard • Kate Douglas Wiggin

... those of the New Testament rest? For the death of Christ there is no evidence at all. There is evidence that he was believed to have been dead (under circumstances where a misapprehension was singularly likely to arise), by men whose minds were altogether in a different clef to ours as regards the miraculous, and whom we cannot therefore fairly judge by any modern standard. We cannot judge THEM, but we are bound to weigh the facts which they relate, not in their balance, but in our own. It is not ...
— The Fair Haven • Samuel Butler

... Germany would hardly be sung with much effect were the airs denied to the masculine voice, yet if it be man's prerogative to sing bass, it is surely woman's to sing treble. If it be usurpation for her to grope among the gutturals of the masculine clef, it is gross presumption for him to attempt to leap the five-rail fence that stands between him and high C. I put this consideration forward for the purpose of stopping every caviller's mouth upon the subject, ...
— Lessons in Life - A Series of Familiar Essays • Timothy Titcomb

... and at a first glance it appeared to the operative's puzzled eyes to be a mere portion of a page of music. Then he observed that old figures and letters, totally foreign to the notes of a printed score, were interspersed between the rest, and moreover only the treble clef had been used. ...
— The Crevice • William John Burns and Isabel Ostrander

... division, and the mechanism and position of the keys are entirely different from what had been before. The full compass of the Boehm flute is chromatic, from middle C to C, two octaves above the treble clef C, a range of three octaves, which is common to all concert flutes, and is not peculiar to the Boehm model. Of course this compass is partly produced by altering the pressure of blowing. Columns of air inclosed in pipes vibrate like strings in sections, but, unlike strings, the ...
— Scientific American Supplement No. 819 - Volume XXXII, Number 819. Issue Date September 12, 1891 • Various



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