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Diatonic scale   /dˌaɪətˈɑnɪk skeɪl/   Listen
adjective
Diatonic  adj.  (Mus.) Pertaining to the scale of eight tones, the eighth of which is the octave of the first.
Diatonic scale (Mus.), a scale consisting of eight sounds with seven intervals, of which two are semitones and five are whole tones; a modern major or minor scale, as distinguished from the chromatic scale.






Collaborative International Dictionary of English 0.48








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"Diatonic scale" Quotes from Famous Books



... been expected. I also made myself a small flute; and being a tolerable player, amused myself at times with playing snatches from operas, and airs such as "O where and oh where," and "Home, sweet home." This was of great advantage to me, for the people of the country were ignorant of the diatonic scale and could hardly believe their ears on hearing some of our most common melodies. Often, too, they would make me sing; and I could at any time make Yram's eyes swim with tears by singing "Wilkins and his Dinah," "Billy Taylor," "The Ratcatcher's Daughter," or as much ...
— Erewhon • Samuel Butler

... coaxed, enticed. This massage consists of humming exercises, with closed lips. Humming is the sunshine of the voice." The singer illustrated the idea with a short musical figure, consisting of three consecutive tones of the diatonic scale, ascending and descending several times; on each repetition the phrase began on the next higher note of the scale. "You see," she continued, "this little exercise brings the tone fully forward. As you feel the vibration, it should be directly ...
— Vocal Mastery - Talks with Master Singers and Teachers • Harriette Brower

... this melody in any order that we will, we cannot make them conform to any diatonic scale used in modern music. If, however, we ignore the C-flat, which occurs twice in the song, it gives us an incomplete ascending melodic-minor scale in D-flat. But the song is not minor in mode. It is ...
— The Tinguian - Social, Religious, and Economic Life of a Philippine Tribe • Fay-Cooper Cole

... to our do, re, mi[304]—was soon in everybody's mouth. From the first it was evidently destined to enact a role different from that of the old cantillation; none the less the musical ideas that came in with it, the air of freedom from tabu and priestcraft it breathed, and the diatonic scale, the highway along which it marched to conquest, soon produced a noticeable reaction in all the musical efforts of the people. This new seed, when it had become a vigorous plant, began to push aside the old indigenous stock, to cover it with new growths, and, ...
— Unwritten Literature of Hawaii - The Sacred Songs of the Hula • Nathaniel Bright Emerson



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