"Fortissimo" Quotes from Famous Books
 ... Gentile world was in many places worshipped. Camulus and Camillus were in a manner antiquated among the Romans; but their worship was kept up in other countries. We find in Gruter an inscription [52]DEO CAMULO: and another, CAMULO. SANCTO. FORTISSIMO. They were both the same Deity, a little diversified; who was worshipped by the Hetrurians, and esteemed the same as Hermes. [53]Tusci Camillum appellant Mercurium. And not only the Deity, but the minister and ...
— A New System; or, an Analysis of Antient Mythology. Volume I. • Jacob Bryant
... same time four or five dogs that had followed in the lady's wake began to bark as if they, too, were echoing the plaint: "What a frightful odor! Salts, Jane, salts!" And as they barked in many keys, but always fortissimo, they ran frantically this way and that as though chased by somebody, or something (perhaps the odor of gasolene), or chasing one another in a mad outburst ...
— A Man and His Money • Frederic Stewart Isham
... one of the party develop a phenomenal capacity for snoring in his heavy sleep, and in the quiet his nasal trumpeting grew more pronounced. It proceeded by phrases, as it were, each effort stronger than the preceding, till a fortissimo passage came and ended with a snort which echoed through the room and was followed by perfect silence. From the corner of the room came a drawling voice with a sigh as of deep relief, "Thank God he's dead." The shout of laughter which followed showed that nearly all had roused ...
— Military Reminiscences of the Civil War V2 • Jacob Dolson Cox
... theatres whose stages are near the street. A musical farce was current there. From an open window came the tune, waylaying us as we walked. The orchestra was playing it fortissimo. You could hear it above the footfalls, the laughter, and the ...
— Tales From Bohemia • Robert Neilson Stephens
... full orchestra, it has the accompaniment of the strings and first and second horns only, reminding one of Bach's method of accompanying the part assigned to Jesus in his St. Matthew Passion. This number is followed by a spirited fortissimo chorus ("Therefore with Joy shall ye draw Water"), sung to the full strength of voice and orchestra. After the dialogue in which Jesus acquaints the Woman with the incidents of her past life, the contralto voice ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
|
