"Gamba" Quotes from Famous Books
 ... soubriquet of "The Magnificent." He loved ostentation and glitter above all things, wearing at times a uniform bedecked with diamonds. But he loved music as well. More, he was a performer himself, and played the baryton, a stringed instrument not unlike the viola-da-gamba, in general use up to the end of the eighteenth century. Haydn naturally desired to please his prince, and being perpetually pestered to provide new works for the noble baryton player, he thought it would flatter ...
— Haydn • J. Cuthbert Hadden
... of Gamba's 'Travels in South Russia.' He was Consul of France, but writes like a Russian. He talks of restoring the commercial communication with Asia by the Phasis, Caspian, and Oxus. All this is absurd. Unless indeed the Russians, after occupying China, ...
— A Political Diary 1828-1830, Volume II • Edward Law (Lord Ellenborough)
... side-saddle in an Italian city, where the sight was unusual, she was universally gazed at by the populace; to some she appeared an object of astonishment, to others of compassion:—"Ah! poverina," they exclaimed, "n'ha che una gamba!" ...
— Tales And Novels, Vol. 8 • Maria Edgeworth
... le 7,30, mentre Giuseppe Sciatti, di anni 55, di Casellina e Torri, passava dal Ponte Vecchio, stando seduto sopra un barroccio carico di verdura, perse l' equilibrio e cadde al suolo, rimanendo con la gamba destra sotto una ruota ...
— Innocents abroad • Mark Twain
... by the 30th of September 1818 and published with "An Ode" (on Venice) on the 28th of June 1819. In the spring of 1819 Byron met in Venice, and formed a connexion with, an Italian lady of rank, Teresa (born Gamba), wife of the Cavaliere Guiccioli. She was young and beautiful, well-read and accomplished. Married at sixteen to a man nearly four times her age, she fell in love with Byron at first sight, soon became and for nearly four years remained his mistress. A good and ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... head are grouped the stops which imitate the tones of such stringed instruments as the Viola, the Violoncello, the Double Bass, and more especially the old form of Violoncello, called the Viol di Gamba, which had six strings and was ...
— The Recent Revolution in Organ Building - Being an Account of Modern Developments • George Laing Miller
... 28-3/4 in., and from the mortices in the head and nut one would suppose that it was intended to take somewhat broader hair than the preceding examples. The date of the bow is somewhere between 1760 and 1780. The other bows in Fig. 26 are viola da gamba bows; the upper one I use frequently myself in certain pieces for that instrument. It is very elegant and I should say is of French make. It is extremely flexible and most adapted to sustaining chords of three notes, as the great distance ...
— The Bow, Its History, Manufacture and Use - 'The Strad' Library, No. III. • Henry Saint-George |
