"Malthusian" Quotes from Famous Books
 ... so accustomed have you become to mistake the pictures which this veil shows to you for the actual world that you are not able to free yourselves from them even after you have roused yourselves to tear the veil in pieces. The false notions and erroneous conclusions of the Malthusian theory arose from the fact that its author was not able to discover the true source of the misery of mankind. He asked himself why did the Irish peasant and the Egyptian fellah suffer hunger? He was prevented by the above-mentioned veil from ...
— Freeland - A Social Anticipation • Theodor Hertzka
... choked, that wherever these strong hands of mine stretch towards action, they find themselves met by octavo ramparts, flanked with quarto crenellations. For first, this college life, opening to scholarships, and ending, perchance, as you political economists would desire, in Malthusian fellowships,—premiums for celibacy,— consider what ...
— The Caxtons, Complete • Edward Bulwer-Lytton
... bother,— While printers' devils correct the other. Just think, my own Malthusian dear, How much more decent 'tis to hear From male or female—as it may be— "How is your book?" than "How's your baby?" And whereas physic and wet nurses Do much exhaust paternal purses, Our books if rickety may go And be well dry-nurst in the Row; And ...
— The Complete Poems of Sir Thomas Moore • Thomas Moore et al
... dimensions of these germs it is easily shown that the body formed by conjugation may, at a low estimate, have given exit to thirty thousand of them; a result of a matrimonial process whereby the contracting parties, without a metaphor, "become one flesh," enough to make a Malthusian despair of ...
— Discourses - Biological and Geological Essays • Thomas H. Huxley
... is only in part—and in that part mainly as regards France—revolutionary. It is a passionate gospel of "Cultivate both gardens! Produce every ounce of food that can be raised to eat, and every child that can be got to eat it:" an anti-Malthusian and Cobbettist Apocalypse, smeared with Zolaesque grime and lighted up with flashes, or rather flares, of more than Zolaesque brilliancy. The scene where the hero (so far as there is one) looks back on Paris at night, and his tottering virtue sees in it one enormous theatre of ...
— A History of the French Novel, Vol. 2 - To the Close of the 19th Century • George Saintsbury
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