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Oil painting   /ɔɪl pˈeɪntɪŋ/   Listen
noun
Oil  n.  Any one of a great variety of unctuous combustible substances, more viscous than and not miscible with water; as, olive oil, whale oil, rock oil, etc. They are of animal, vegetable, or mineral origin and of varied composition, and they are variously used for food, for solvents, for anointing, lubrication, illumination, etc. By extension, any substance of an oily consistency; as, oil of vitriol. Note: The mineral oils are varieties of petroleum. See Petroleum. The vegetable oils are of two classes, essential oils (see under Essential), and natural oils which in general resemble the animal oils and fats. Most of the natural oils and the animal oils and fats consist of ethereal salts of glycerin, with a large number of organic acids, principally stearic, oleic, and palmitic, forming respectively stearin, olein, and palmitin. Stearin and palmitin prevail in the solid oils and fats, and olein in the liquid oils. Mutton tallow, beef tallow, and lard are rich in stearin, human fat and palm oil in palmitin, and sperm and cod-liver oils in olein. In making soaps, the acids leave the glycerin and unite with the soda or potash.
Animal oil, Bone oil, Dipple's oil, etc. (Old Chem.), a complex oil obtained by the distillation of animal substances, as bones. See Bone oil, under Bone.
Drying oils, Essential oils. (Chem.) See under Drying, and Essential.
Ethereal oil of wine, Heavy oil of wine. (Chem.) See under Ethereal.
Fixed oil. (Chem.) See under Fixed.
Oil bag (Zool.), a bag, cyst, or gland in animals, containing oil.
Oil beetle (Zool.), any beetle of the genus Meloe and allied genera. When disturbed they emit from the joints of the legs a yellowish oily liquor. Some species possess vesicating properties, and are used instead of cantharides.
Oil box, or Oil cellar (Mach.), a fixed box or reservoir, for lubricating a bearing; esp., the box for oil beneath the journal of a railway-car axle.
Oil cake. See under Cake.
Oil cock, a stopcock connected with an oil cup. See Oil cup.
Oil color.
(a)
A paint made by grinding a coloring substance in oil.
(b)
Such paints, taken in a general sense.
(c)
a painting made from such a paint.
Oil cup, a cup, or small receptacle, connected with a bearing as a lubricator, and usually provided with a wick, wire, or adjustable valve for regulating the delivery of oil.
Oil engine, a gas engine worked with the explosive vapor of petroleum.
Oil gas, inflammable gas procured from oil, and used for lighting streets, houses, etc.
Oil gland.
(a)
(Zool.) A gland which secretes oil; especially in birds, the large gland at the base of the tail.
(b)
(Bot.) A gland, in some plants, producing oil.
Oil green, a pale yellowish green, like oil.
Oil of brick, empyreumatic oil obtained by subjecting a brick soaked in oil to distillation at a high temperature, used by lapidaries as a vehicle for the emery by which stones and gems are sawn or cut.
Oil of talc, a nostrum made of calcined talc, and famous in the 17th century as a cosmetic. (Obs.)
Oil of vitriol (Chem.), strong sulphuric acid; so called from its oily consistency and from its forming the vitriols or sulphates.
Oil of wine, OEnanthic ether. See under OEnanthic.
Oil painting.
(a)
The art of painting in oil colors.
(b)
Any kind of painting of which the pigments are originally ground in oil.
Oil palm (Bot.), a palm tree whose fruit furnishes oil, esp. Elaeis Guineensis. See Elaeis.
Oil sardine (Zool.), an East Indian herring (Clupea scombrina), valued for its oil.
Oil shark (Zool.)
(a)
The liver shark.
(b)
The tope.
Oil still, a still for hydrocarbons, esp. for petroleum.
Oil test, a test for determining the temperature at which petroleum oils give off vapor which is liable to explode.
Oil tree. (Bot.)
(a)
A plant of the genus Ricinus (Ricinus communis), from the seeds of which castor oil is obtained.
(b)
An Indian tree, the mahwa. See Mahwa.
(c)
The oil palm.
To burn the midnight oil, to study or work late at night.
Volatle oils. See Essential oils, under Essential.





Collaborative International Dictionary of English 0.48


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"Oil painting" Quotes from Famous Books



... like him very much, in spite of our differences of view. He wanted to give me the sketch he made of you in the Park, but what can I do with it now? And to tell you the truth, I like it no better than the oil painting. It is not a likeness, as I know you. I hope I didn't hurt his feelings, the feelings of an artist are so very easily wounded. There is one thing I must tell you. Leila has gone back to South Africa; she came round one evening ...
— Forsyte Saga • John Galsworthy
... personates the Cathedral, and expresses his rejoicing, "I have had more sweeping, brushing, and cleaning, than in forty years before. My workmen looke like him they call Muldsacke after sweeping of a chimney." An oil painting by Farley in the collection of the Society of Antiquaries, which we reproduce by permission, shows the houses built against the cathedral, and blackening it with wreaths of smoke, to which attention is drawn by this ...
— Old St. Paul's Cathedral • William Benham
... appeared from which I quote as follows: "On the walls of the beautiful tessellated corridor of the eastern gallery floor of the Senate wing of the Capitol at Washington, just opposite the door of the caucus room of the Senate Democrats, hangs a large oil painting that never fails to attract the keenest curiosity of sightseers and legislators alike. And for good reason: that painting depicts in glowing colors a scene of momentous import, a chapter of American political history of graver consequence and more far-reaching results ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... the will to leave, perhaps. I stay here in the same spirit that a man or a woman lingers before a dreadful oil painting, like the shark picture of Sorolla; it is terrible, but it is fascinating. I cannot leave. If I did, I would come back, as you come back, time after time. Is that ...
— Peter the Brazen - A Mystery Story of Modern China • George F. Worts
... motor trip was from Los Angeles to Santa Barbara; there the scenery compares with that of Nevada as an exquisite water color compares to a grand old oil painting. We went spinning along over a perfect road from Los Angeles to Santa Barbara, and I felt that America might well be proud of this wonderful state. Surely none other possesses such a variety of climate, ...
— Reno - A Book of Short Stories and Information • Lilyan Stratton


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