"Playwright" Quotes from Famous Books
 ... Battle," was produced in 1851; but it was not until November, 1852, with the appearance of "Masks and Faces"—the story which he afterwards adapted into prose under the title of "Peg Woffington"—that Reade became famous as a playwright. From 1852 until his death, which occurred on April 11, 1884, Reade's life is mainly a catalogue of novels and dramas. Like many of Charles Reade's works, "Hard Cash, a Matter-of-Fact Romance," is a novel ...
— The World's Greatest Books, Vol VII • Various
... little by little yielding up their secret, disclosing all the subtle interplay of human motives. From the heights of his knowledge the critic surveys the spectacle; with an insight born of his learning, he penetrates the mysteries of the playwright's craft. He knows what thought and skill have gone into this result; he knows the weary hours of toil, the difficulties of invention and selection, the heroic rejections, the intricacies of construction, the final triumph. He sees it all from the point of view of the master-workman, ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... John Wilkes, Joseph, and the girls. All of the boys are known to more or less of fame; none of them in his art has reached the renown of the father; but one has sent his name as far as that of the great playwright to whom they were pupils; wherever Shakspeare is quoted, John Wilkes Booth will be named, and infamously, like that Hubert in "King John," who would have murdered the ...
— The Life, Crime and Capture of John Wilkes Booth • George Alfred Townsend
... PLAYWRIGHT—"There is a great climax in the last act. Just as two burglars climb in the kitchen window the clock ...
— The New Pun Book • Thomas A. Brown and Thomas Joseph Carey
... have been levelled for so long a period at the British theatre—the most important of these reproaches being that it possessed no drama at all—perhaps I say we may grant in a spirit of charity that these reproaches ought not to be wholly laid at the door of the native playwright. If it be true that he has been in the habit of producing plays invariably conventional in sentiment, trite in comedy, wrought on traditional lines, inculcating no philosophy, making no intellectual appeal whatever, may it not be that the attitude of the frequenters ...
— Modern Eloquence: Vol III, After-Dinner Speeches P-Z • Various
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