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More "Beethoven" Quotes from Famous Books



... Senator, Member of the Institut, Ingres died in 1869. Within a year of ninety, he was Dominique Ingres to the last, undertaking new works with the enthusiasm and vitality of Titian. A few days before his death he gave a musical party, favourite works of Haydn, Mozart and Beethoven being performed by skilled amateurs. His funeral was a veritable apotheosis, disciples, admirers and detractors ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards

... and looking at fat German women knitting, while an orchestra played dull music, Adams went with them for the sake of the company, but with no presence of enjoyment; and when Mr. Apthorp gently protested that he exaggerated his indifference, for of course he enjoyed Beethoven, Adams replied simply that he loathed Beethoven; and felt a slight surprise when Mr. Apthorp and the others laughed as though they thought it humor. He saw no humor in it. He supposed that, except ...
— The Education of Henry Adams • Henry Adams

... jewels of surpassing lustre. The sand was of grains of gold, and my keel slid through them without jar or sound. The air was radiant with excess of light, though no sun was to be seen. I inhaled the most delicious perfumes; and harmonies, such as Beethoven may have heard in dreams, but never wrote, floated around me. The atmosphere itself was light, odor, music; and each and all sublimated beyond anything the sober senses are capable of receiving. Before me—for a thousand leagues, as it seemed—stretched a vista of rainbows, whose ...
— The Lands of the Saracen - Pictures of Palestine, Asia Minor, Sicily, and Spain • Bayard Taylor

... to find in real life such love as this, eternal and absolute, is but to seek on public squares a woman such as Venus, or to expect nightingales to sing the symphonies of Beethoven. ...
— Child of a Century, Complete • Alfred de Musset

... Beethoven's Symphony in A, that knell which ever and ever comes back and beats upon your heart? Yes, I see very well, you feel as I do, music is a communion—Beethoven, ah, me! how sad and sweet it is to be two to understand him ...
— His Masterpiece • Emile Zola

... in the smallest degree for what anybody who passed down the road outside her house might be thinking of the roulades that poured from her open window: she was simply Emmeline Lucas, absorbed in glorious Bach or dainty Scarletti, or noble Beethoven. The latter perhaps was her favorite composer, and many were the evenings when with lights quenched and only the soft effulgence of the moon pouring in through the uncurtained windows, she sat with her profile, cameo-like (or like perhaps to the head on a postage stamp) against the dark ...
— Queen Lucia • E. F. Benson

... their strength in the sphere for which their own nature fits them. Even though millions of women are enabled to do the work which men could do better the gain for mankind is nil. To put women to do men's work is (Ellen Key has declared) as foolish as to set a Beethoven or ...
— The Task of Social Hygiene • Havelock Ellis

... effect that genius is a form of insanity, and that therefore one ought to be careful about discouraging the marriage even of epileptics and mentally unbalanced persons for fear a possible Napoleon or Julius Caesar or Beethoven should be lost to the world. "Careful scientific investigation," he says, "has clearly disproved this notion. For one thing, elaborate statistical studies of eminent persons have shown them to be less liable to insanity ...
— Mental Defectives and Sexual Offenders • W. H. Triggs, Donald McGavin, Frederick Truby King, J. Sands Elliot, Ada G. Patterson, C.E. Matthews

... invective are duly dwelt on, while the charming tone and temper of the work may be gathered from the headings of some of the chapters: "The Curse of Conservatoriums;" "The Tyranny of Tune;" "The Dethronement of WAGNER;" "A bas BEETHOVEN." ...
— Punch, or the London Charivari, Vol. 146, June 17, 1914 • Various

... "mysterious island," and we expected him to arrive home in October. For me it would be like becoming acquainted with a stranger. I was somewhat anxious to know whether he would love me when he met me, if he would approve of a thousand little things I did,—how, for instance, my way of playing Beethoven would please him. ...
— The Story of a Child • Pierre Loti

... Nothing like that. A grand concert piece such as the Masters played. De Beriot's famous "Seventh air varie." A melody with variations, by the great composer De Beriot. To be sure it was not equal to some of the grand works of Haydn or Beethoven, but for those days it was considered a remarkable composition. Since the little Camilla has grown up people have learned more about violin playing, and what was then thought to be a great piece of music would not now be considered ...
— Camilla: A Tale of a Violin - Being the Artist Life of Camilla Urso • Charles Barnard

... There are a million ways to communicate. Michelangelo communicated, Bach, Beethoven, yes, Elvis Presley communicates. Hemingway, Martha Graham, actors, dancers, even ...
— The Alternate Plan • Gerry Maddren

... of Beethoven, experienced by you on duty in the drawing room, it would be curious to know whether it was really something greater than Beethoven had any idea of. You sat and listened, and tried to fix a passage in your mind as a kind of half-way mark, with the deliberate provident ...
— The Children • Alice Meynell

... dressing for dinner. He changed his riding-clothes for the evening dress of modern civilization, and went at once to the drawing-room. Here all was luxury, nothing to suggest the privations of a new country. A thick red carpet covered the floor, red arras the walls; the music of Mozart and Beethoven was on the grand piano. The furniture was rich and comfortable, the large carved table was covered with ...
— The Doomswoman - An Historical Romance of Old California • Gertrude Franklin Horn Atherton

... place of whispering leaves and gloom, I saw, too dark, too dumb for bronze or stone, One tragic head that bowed against the sky; O, in a hush too deep for any tomb I saw Beethoven, dreadfully alone With his own grief, and ...
— The New Morning - Poems • Alfred Noyes

... the same time picturesque, story of Beethoven and his "Fidelio" is told in "Musical Sketches," by Elise Polko, with all the sentimentality that a German writer can command. Whole paragraphs might be lifted from that book and included in this ...
— Operas Every Child Should Know - Descriptions of the Text and Music of Some of the Most Famous Masterpieces • Mary Schell Hoke Bacon

... silky reflections. In the centre of the room was a Roller and Blanchet "baby grand" piano in rosewood, but holding the potentialities of an orchestra in its narrow and sonorous cavity, and groaning beneath the weight of the chefs-d'oeuvre of Beethoven, Weber, Mozart, Haydn, Gretry, and Porpora. On the walls, over the doors, on the ceiling, were swords, daggers, Malay creeses, maces, battle-axes; gilded, damasked, and inlaid suits of armor; dried plants, minerals, and stuffed birds, their flame-colored ...
— The Count of Monte Cristo • Alexandre Dumas, Pere

... almost shouted Pinac, pointing to the spot on the wall where that musician's portrait had once reposed. "And Beethoven! And where is Gluck?" Then looking around: "Nom de Dieu! even his metronome have gone—his ...
— The Music Master - Novelized from the Play • Charles Klein

... a conviction that because they were born in Tooting or Camberwell, they were the natural superiors of Beethoven, of Rodin, of Ibsen, of Tolstoy and all other benighted foreigners. Those of them who did not think it wrong to go to the theatre liked above everything a play in which the hero was called Dick; was continually fingering a briar pipe; and, ...
— Getting Married • George Bernard Shaw

... polite young man. When I made a mistake yesterday he said: 'Pray, mademoiselle, why do you take so much pains to improve upon Beethoven?'" ...
— More Toasts • Marion Dix Mosher

... general belief that the mistake made by the managers of the symphony concert in Central Music Hall night before last was in not opening the concert with Beethoven's "Eroica," instead of making it the last number on the programme. We incline to the opinion, however, that, in putting the symphony last, the managers complied with the very first requirement of dramatic composition. This requirement is to ...
— Second Book of Tales • Eugene Field

... Schloss containing the University, with a library (200,000 volumes) and a museum rich in Roman antiquities. The Muenster (or Cathedral) dates from the 12th and 13th centuries. In the Muensterplatz stands a fine bronze statue of Beethoven, a celebrated German musician, who was born in the Bonngasse, No. 515. This statue faces south, (as do most of the statues that I have seen in Europe, except when the surroundings are unfavorable). One side of the pedestal contains ...
— The Youthful Wanderer - An Account of a Tour through England, France, Belgium, Holland, Germany • George H. Heffner

... paraphrased Walther's song to his masters, and signaled the composers who had aided him most in his development. To-day, the debt is very plain. At every turn, one sees him benefiting, and benefiting very beautifully, by the work of Beethoven. The structure of his great and characteristic works is based on the symphonic form. The development of the themes of "Tristan" and "Die Meistersinger" and "Parsifal" out of single kernels; the fine logical ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld

... him in notoriety. His sole rival as a popular hero is Admiral Dewey, whose name is in every mouth and on every boarding. He is the one living celebrity whom the Italian image-vendors admit to their pantheon, where he rubs shoulders with Shakespeare, Dante, Beethoven, and the Venus of Milo. It is related that, at a Camp of Exercise last year, President McKinley chanced to stray beyond bounds, and on returning was confronted by a sentry, who dropped his rifle and bade him halt. "I ...
— America To-day, Observations and Reflections • William Archer

... would pass quickly away, in reading Shakspeare, Corneille, Racine, Metastasio, or the modern writers of English literature: after which we would remain till the night had far advanced, enjoying the beautiful compositions of Beethoven, Gluck, and Mozart, or the brilliant overtures of Donizetti, ...
— Monsieur Violet • Frederick Marryat

... from Mrs. Carnaby, that you are back in town. Could you spare us tomorrow evening? It would be so nice of you. The quartet will give Beethoven's F minor, and Alma says it will be well done—the conceit of the child! We hope to have some interesting people What a shocking affair of poor Mrs. Carnaby's! I never knew anything quite ...
— The Whirlpool • George Gissing

... create it. All the girls in the "dancings" and sportsmen at the bar who like a fox-trot or a maxixe have been given to believe, by people who ought to know better, that they are more sensitive to music than those who prefer Beethoven. The fact that Stravinsky wants his music to be enjoyed in the cafes gives pub-loafers fair ground for supposing that Stravinsky respects their judgement. Well, the music of Brahms is not enjoyed by pub-loafers; but formerly the concert-goers were allowed to know better. Stravinsky ...
— Since Cezanne • Clive Bell

... which now grandiloquently assumes the title of 'German culture' is a sort of cosmopolitan aggregate, which bears the same relation to the German spirit as Journalism does to Schiller or Meyerbeer to Beethoven: here the strongest influence at work is the fundamentally and thoroughly un-German civilisation of France, which is aped neither with talent nor with taste, and the imitation of which gives the society, the press, ...
— On the Future of our Educational Institutions • Friedrich Nietzsche

... the preceding, second daughter of Madame Guenee, and sister of Madame Auffray. Having taken pity on Pierrette Lorrain in her sickness, she gave to her, in 1828, the pleasures of music, playing the compositions of Weber, Beethoven or ...
— Repertory Of The Comedie Humaine, Complete, A — Z • Anatole Cerfberr and Jules Franois Christophe

... and Max linger were expected, and Miss Lavinia Clendenning, completing with Richard a quartette for 'cello, flute, piano, and violin, for which Unger had arranged Beethoven's Overture ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith

... effects of the twin great London institutions for teaching music upon the individualities of the young geniuses entrusted to them, and if not that the part played by the most earnest amateurs in the destruction of opera, and if not that the total eclipse of Beethoven, Brahms and Wagner since the efflorescence of the Russian Ballet. And always there ran like a flame through the conversations the hot breath of a passionate intention to make Britain artistic in the eyes of ...
— Mr. Prohack • E. Arnold Bennett

... who accuse Landor of having sacrificed all things to style: it were as wise to assert that Beethoven sacrificed harmony to time. If his accusers would but read Landor before criticising, a proper regard for their own reputations would prevent them from hazarding such an opinion. "Style," writes Landor, "I consider as nothing, if what ...
— The Atlantic Monthly, Volume 17, No. 104, June, 1866 • Various

... virginal decay, I view her as she enters, day by day, As a sweet sunset almost overpast. Kindly and calm, patrician to the last, Superbly falls her gown of sober gray, And on her chignon's elegant array The plainest cap is somehow touched with caste. She talks BEETHOVEN; frowns disapprobation At BALZAC'S name, sighs it at 'poor GEORGE SAND'S'; Knows that she has exceeding pretty hands; Speaks Latin with a right accentuation; And gives at need (as one who ...
— Poems by William Ernest Henley • William Ernest Henley

... take pains. How very pretty is that scrap on a country church! Mrs. Browning is at Florence, but is going to Rome. She says that your countryman, Mr. Story, has made a charming statuette, I think of Beethoven, or else of Mendelssohn, which ought to make his reputation. She is crazy about mediums. She says (but I have not heard it elsewhere) that Thackeray and Dickens are to winter at Rome, and Alfred Tennyson at Florence. Mrs. Trollope ...
— Yesterdays with Authors • James T. Fields

... Shakespeare write the sonnet, 'When in disgrace with fortune and men's eyes', gave Milton five pounds for 'Paradise Lost', kept Samuel Johnson cooling his heels on Lord Chesterfield's doorstep, reviled Shelley as an unclean dog, killed Keats, cracked jokes on Glueck, Schubert, Beethoven, Berlioz, and Wagner, and committed so many other impious follies and stupidities that a thousand letters like this could not suffice even ...
— The Poems of Sidney Lanier • Sidney Lanier

... full well the deep resounding swell Of mighty symphonies with chords inwoven; But sometimes, too, a song of Burns—don't you? After a solemn storm-blast of Beethoven. ...
— The Poetical Works of Oliver Wendell Holmes, Complete • Oliver Wendell Holmes, Sr.

... happy days spent under the Roman sky, and, by directing the attention of others to what they have overlooked, may open a door to a new pleasure. Chi sa? The plainest Ranz des Vaches may sometimes please when the fifth symphony of Beethoven would be ...
— Atlantic Monthly, Vol. 3, No. 18, April, 1859 - [Date last updated: August 7, 2005] • Various

... by the hand of Quilter-Beckett, who sits at a table grim with knobs, buttons, dial-faces, in a cabinet near a saloon where Hogarth, Loveday, and five lieutenants are lunching; and where he sits he can hear the band in an alcove rendering for the eaters Beethoven's Ninth Symphony: hear, not heed: for two gunners in each casemate have sighted a ship through pivoted glasses, whose fixing, disturbing an electrical circuit, prints the ship's distance on an indicator ...
— The Lord of the Sea • M. P. Shiel

... view of these facts, does it not appear that if there is any one distinctively feminine characteristic, it is the mother-instinct for government? But now with clearer vision we reread the record of the past. True, we find no Raphael or Beethoven, no Phidias or Michael Angelo among women. No woman has painted the greatest picture, carved the finest statue, composed the noblest oratorio or opera. Not many women's names appear after Joan of Arc's in the ...
— History of Woman Suffrage, Volume III (of III) • Various

... minutes, and then breaks suddenly into a rhythmic clatter, always changing in distance and intensity. When it comes near, you should get into a tunnel, and stand there while it passes. I did that once, and it was like the last page of an overture by Beethoven—thunderingly impetuous. I cannot conceive how any person can hope to disparage a train by comparing it with a stage-coach; and I know something of stage-coaches—or, at least, of diligences. Their effect on the men employed about them ought to decide the superiority of steam without ...
— Cashel Byron's Profession • George Bernard Shaw

... approach of death, and struggling with distress and suffering, he sat down to compose the great works which have made his name immortal in music. Mozart composed his great operas, and last of all his "Requiem," when oppressed by debt and struggling with a fatal disease. Beethoven produced his greatest works amidst gloomy sorrow, when oppressed by ...
— Architects of Fate - or, Steps to Success and Power • Orison Swett Marden

... described, let us ask how we are to interpret the development of the musical faculty. I will not enlarge on the family antecedents of the great composers. I will merely suggest the inquiry whether the greater powers possessed by Beethoven and Mozart, by Weber and Rossini, than by their fathers, were not due in larger measure to the inherited effects of daily exercise of the musical faculty by their fathers, than to inheritance, with increase, of spontaneous variations; ...
— Essays: Scientific, Political, & Speculative, Vol. I • Herbert Spencer

... sing his song again; but he protested that he did not wish to torture the ears of the musical German, and suggested to Lisa that they should attack Beethoven's sonata. Then Marya Dmitrievna heaved a sigh, and in her turn suggested to Gedeonovsky a walk in the garden. "I should like," she said, "to have a little more talk, and to consult you about our poor Fedya." Gedeonovsky bowed with a smirk, and with two fingers picked ...
— A House of Gentlefolk • Ivan Turgenev

... organically defective, as were the ears of the great composer, Beethoven, but tone-deaf, as a person ...
— Writing for Vaudeville • Brett Page

... philosophy. How the imagination is piqued by anecdotes of some great man passing incognito, as a king in gray clothes!—of Napoleon affecting a plain suit at his glittering levee!—of Burns, or Scott, or Beethoven, or Wellington, or Goethe, or any container of transcendent power, passing for nobody!—of Epaminondas, "who never says anything, but will listen eternally!"—of Goethe, who preferred trifling subjects and common expressions in intercourse with strangers, worse rather than better ...
— Atlantic Monthly, Volume 6, Issue 35, September, 1860 • Various

... of Clara Wieck, on September 13, 1819, took place at Leipsic. That city had not yet entered upon the period of musical greatness that it was soon to enjoy. The day of Beethoven and Schubert was apparently passing, and only the lighter and more trivial styles of composition held sway. Her father, however, Friedrich Wieck, was a piano teacher of extensive reputation and most excellent qualities, and did his best to raise the ...
— Woman's Work in Music • Arthur Elson

... marriage should have robbed his relations of the charm of illegality, of the delight of the prohibited, Mary would discover some orchestra leader who bore a still greater resemblance to the other man, or some ugly violinist with long hair and possessed of youth who would remind her of Beethoven in his boyhood. Besides, he was of different race, different customs and passions; he was tired of her shamefaced reserve in love, of her resistance to final submission which had pleased him at first, but which had come at last ...
— The Dead Command - From the Spanish Los Muertos Mandan • Vicente Blasco Ibanez

... two sages were obliviously engrossed in a heated battle as to whether Berlioz or Beethoven had exposited in their compositions the deeper intellect, Graham managed his escape. Clearly, his goal was to find his hostess again. But she had joined two of the girls in the whispering, giggling seclusiveness of one of the big chairs, and, most of ...
— The Little Lady of the Big House • Jack London

... time; for the whole real secret of versification is a musical secret, and is not attainable to any vital effect, save by the ear of genius. All the mere knowledge of feet and numbers, of accent and quantity, will no more impart it, than a knowledge of the 'Guide to Music' will make a Beethoven or a Paisiello. It is a matter of sensibility and imagination; of the beautiful in poetical passion, accompanied by musical; of the imperative necessity for a pause here, and a cadence there, and a quicker ...
— English Critical Essays - Nineteenth Century • Various

... their enthusiasms. There are schools of painting to suit every conviction, and the work that one man would give his all to possess would not find hanging space upon the wall controlled by another. But before Velazquez even artists forget their controversies; he stands, like Bach and Beethoven in the world of music, respected even by those who do not understand. No controversy rages round him; he has marched unchallenged to the highest ...
— Velazquez • S. L. Bensusan

... church of Saint Hilaire, where the clergy of the four parishes had assembled. High mass was performed by the full choir. The Miserere of Beethoven was given, and some exquisite pieces from Mozart. Deep emotion was produced by the introduction, in the midst of this beautiful music, of some popular airs from the romance of Franconnette and Me Cal Mouri, Jasmin's ...
— Jasmin: Barber, Poet, Philanthropist • Samuel Smiles

... had none, for she now had sense. Had she not brought her husband to be sensible, so that they moved together in Milanese society, instead of stupidly fighting at Rome? so that what he could not take to himself—the marvellous voice—he let bless the multitude! "She is the Beethoven of singers," Pericles concluded. Wilfrid thought so on the night when she sang to succour the Lombard widows. It was at a concert, richly thronged; ostentatiously thronged with Austrian uniforms. He fancied that he could not bear to look on her. ...
— The Shaving of Shagpat • George Meredith

... nothing more than an abstracted frown over the tip-top edge of his paper, I defiantly swung into The Humming Coon, which apparently had no more effect than Herman Lohr. So with malice aforethought I slowly and deliberately pounded out the Beethoven Funeral March. I lost myself, in fact, in that glorious and melodic wail of sorrow, merged my own puny troubles in its god-like immensities, and was brought down to earth by ...
— The Prairie Mother • Arthur Stringer

... Cathedral. They waver and float through those vast halls until the ear catches only a faint echo from some far, dim aisle. "How many centuries elapsed before this subterranean organ gave forth its delightful tones!" It lacked only the soul of a Beethoven or Chopin to interpret them aright. How like many noble lives whose talents perhaps shall only bud "unseen" or waste upon the desert air of environment. One thinks of Keats, whose wonderful Ode to the Nightingale and lovely Nature Poems might never have ...
— See America First • Orville O. Hiestand

... myself," Roly-Poly immediately commenced to grimace, putting his hand up to his brim in military fashion, "a right honourable privy frequenter of the local agreeable establishments, Prince Bottlekin, Count Liquorkin, Baron Whoatinkevich-Giddapkovski—Mister Beethoven! Mister Chopin!" he greeted the musicians. "Play me something from the opera The Brave and Charming General Anisimov, or, A Hubbub in the Coolidor. My regards to the little political economist Zociya.[5] A-ha! Then you kiss only at Easter? We shall write that down. Ooh-you, ...
— Yama (The Pit) • Alexandra Kuprin

... Prel and Professor Fortescue arrived on the scene, I had about enough privileges; but no, Destiny, waking up at last to her duties, remembers that I have a maniacal passion for music, and that this has been starved. So she hastens to provide for me a fellow maniac, a brother in Beethoven, who comes and fills my world with music and my soul with——But I must not rave. The music is still in my veins; I am not in a fit state to write reasonable letters. Here comes Mr. Temperley for our practice. No ...
— The Daughters of Danaus • Mona Caird

... whether all the best love-poetry in existence (except, perhaps, the "Sonnets from the Portuguese ") has not been written by men; whether the song which embodies the ideal of pure and tender passion—"Adelaida "—was written by Frau Beethoven; whether it was the Fornarina, or Raphael, who painted the Sistine Madonna. Nay, we have known one such heretic go so far as to lay his hands upon the ark itself, so to speak, and to defend the startling paradox that, even in physical ...
— Science & Education • Thomas H. Huxley

... lingering notes of an andante from one of Beethoven's sublime symphonies clashed ...
— The Girl from Montana • Grace Livingston Hill

... Being no painter; and bad luck Be mine, if I can bear that Gluck! Old Tycho Brahe, and modern Herschel, Had something in them; but who's Purcel? The devil, with his foot so cloven, For aught I care, may take Beethoven; And, if the bargain does not suit, I'll throw him Weber in to boot. There's not the splitting of a splinter To chuse 'twixt him last named, and Winter. Of Doctor Pepusch old queen Dido Knew just as much, ...
— The Works of Charles and Mary Lamb IV - Poems and Plays • Charles and Mary Lamb

... involved once more in the evergrowing holiday crowd, and Millard saw with vexation that his opportunity was slipping away from him. When they had traversed the length of the Mall and were approaching the bust of Beethoven, Phillida ...
— The Faith Doctor - A Story of New York • Edward Eggleston

... monster, Jahweh, the Father of Christ? Is he the God who inspired Buddha, and Shakespeare, and Herschel, and Beethoven, and Darwin, and Plato, and Bach? No; not he. But in warfare and massacre, in rapine and in rape, in black revenge and deadly malice, in slavery, and polygamy, and the debasement of women; and in the pomps, vanities, and greeds of royalty, of clericalism, and ...
— God and my Neighbour • Robert Blatchford

... Lubotshka kept repeating some unbearably tedious passage on the piano about a hundred times in succession, while Woloda, who was dozing on a settee in the drawing-room, kept addressing no one in particular as he muttered, "Lord! how she murders it! WHAT a musician! WHAT a Beethoven!" (he always pronounced the composer's name with especial irony). "Wrong again! Now—a second time! That's it!" and so on. Meanwhile Katenka and I were sitting by the tea-table, and somehow she began to talk about her favourite subject—love. I was ...
— Youth • Leo Tolstoy

... career; and Ghirlandajo may be excused if, without being positively jealous of the young eagle settled in his homely nest, he failed to do the utmost for this gifted and rough-natured child of promise. Beethoven's discontent with Haydn as a teacher offers a parallel; and sympathetic students of psychology will perceive that Ghirlandajo and Haydn were almost superfluous in the training of phenomenal natures ...
— The Life of Michelangelo Buonarroti • John Addington Symonds

... few things that I can play. I always had a taste for music; and up in one of the forts there was an old melodeon, so I hammered away for years. I had to learn difficult things at the start, or none at all, or else those I improvised; and that's how I can play one or two of Beethoven's symphonies pretty well, and this song, and a few others, and go a cropper with a ...
— The Judgment House • Gilbert Parker

... What was the motive? Hypocrisy was very generally assigned. We only affected to love music. It was intellectual, spiritual, in all respects creditable to our moral nature, to be able to appreciate Mozart and Beethoven, and so we set up for connoisseurs, and martyrised ourselves that Europe might think us musical. Is there more truth in this theory than the other? Hypocrisy is not generally so lasting as the musical fervour has proved ...
— Chambers's Edinburgh Journal, No. 436 - Volume 17, New Series, May 8, 1852 • Various

... power, one must give full play to all the force that is in him. It is significant that the men of creative genius are, as a rule, men of the greatest productive power. One marvels at the magnitude of the work of such men as Michelangelo and Rembrandt, as Beethoven and Wagner, as Shakespeare, Balzac, Thackeray, Carlyle, and Browning; not discerning that, as these master workers gave form and substance to their visions and insight, the power to see and to understand deepened and ...
— Essays On Work And Culture • Hamilton Wright Mabie

... there was a hush in the house, and then a short burst of applause, and Josephine, looking down, saw John standing alone upon the platform in front of the great bronze statue of Beethoven. He looked exactly as he did when she met him in society; there was no change in the even color of his face, nor any awkwardness or self-consciousness in his easy attitude as he stood there, broad-shouldered and square, his strong hand just resting on the plain desk that ...
— An American Politician • F. Marion Crawford

... constantly with her under the very eyes of her tiresome courtiers. What an interest in her life! She took up music again for her poet's sake, and revealed the world of sound to him, playing grand fragments of Beethoven till she sent him into ecstasy; and, happy in his delight, ...
— Lost Illusions • Honore De Balzac

... From you, Beethoven, Bach, Mozart, The substance of my dreams took fire. You built cathedrals in my heart, And lit my pinnacled desire. You were the ardour and the bright Procession of my thoughts toward prayer. You were the wrath of storm, the ...
— Counter-Attack and Other Poems • Siegfried Sassoon

... literature in the works of a few great masters who have set the pace and established the limits for all the rest. In the line of purely instrumental music this has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Chopin, Liszt, and Wagner. The latter, who exercised a vast influence upon the manner of developing a musical thought and in the selection of the orchestral colors in which it can be expressed advantageously, ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews

... which at that time surged through my soul, I have never been able to discover. It must have been an old church hymn, like those which many a time stirred the rugged soul of our Luther. I never heard it again, but many a time even now when I hear an adagio of Beethoven's, or a psalm of Marcellus, or a chorus of Handel's, or a simple song in the Scotch Highlands or the Tyrol, it seems to me as if the lofty church windows again glistened and the organ-tones once more surged through my soul, and a new world revealed itself—more beautiful than the ...
— Memories • Max Muller

... placed permanently in the Civic Auditorium, the two most important musical items found on the schedule of Exposition enterprises are the engagements of Camille Saint-Saens and the Boston Symphony Orchestra. The former, who maintained that "Beethoven is the greatest, the only real, artist, because he upheld the idea of universal brotherhood," is perhaps better fitted than any living composer to write special music for the Exposition. This he has done,—writing two compositions in fact; and their presentation has been ...
— The Jewel City • Ben Macomber

... The great white and red roses of the d'aubusson carpet are spread enigmatically about her feline feet; a grand piano leans its melodious mouth to her; and there she sits when her visitors have left her, playing Beethoven's sonatas in the dreamy firelight. The spring-tide shows but a bloom of unvarying freshness; August has languished and loved in the strength of the sun. She is stately, she is tall. What sins, what disappointments, what aspirations lie in those grey eyes, mysteriously still, and ...
— Confessions of a Young Man • George Moore

... free, wide horizon and background for culture. She was passionately devoted to music, which inspired some of her best poems; and during the last years of her life, in hours of intense physical suffering, she found relief and consolation in listening to the strains of Bach and Beethoven. When she went abroad, painting was revealed to her, and she threw herself with the same ardor and enthusiasm into the study of the great masters; her last work (left unfinished) was a critical analysis of the ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus

... Sordello. Nowhere in Browning's poetry can we find any very exhaustive study of any of the great men who are the favourites of the poet and moralist. He has written about philosophy and ambition and music and morals, but he has written nothing about Socrates or Caesar or Napoleon, or Beethoven or Mozart, or Buddha or Mahomet. When he wishes to describe a political ambition he selects that entirely unknown individual, King Victor of Sardinia. When he wishes to express the most perfect soul of music, he unearths some extraordinary persons called Abt Vogler and Master Hugues of Saxe-Gotha. ...
— Robert Browning • G. K. Chesterton

... sadness of a grand and aspiring order. Let, for instance, (since without individual illustrations there is the greatest risk of being misunderstood,) any person of musical sensibility listen to the exquisite music composed by Beethoven, as an opening for Burger's "Lenore," the running idea of which is the triumphal return of a crusading host, decorated with laurels and with palms, within the gates of their native city; and then say whether the presiding feeling, in the midst of this ...
— Autobiographic Sketches • Thomas de Quincey

... the beholder is fundamental; there is an intelligent activity in the one that is not in the other. Now no scientific analysis of a body will reveal the secret of this activity. As well might your analysis of a phonographic record hope to disclose a sonata of Beethoven latent in the waving lines. No power of chemistry could reveal any difference between the gray matter of Plato's brain and that of the humblest citizen of Athens. All the difference between man, all that makes a man ...
— The Breath of Life • John Burroughs

... Gardens in 1739, was exhibited at the Royal Military Exhibition, London, in 1890. Owing to its faulty construction and weak rattling tone the double bassoon fell into disuse, in spite of the fact that the great composers Haydn, Mozart and Beethoven scored for it abundantly; the last used it in the C minor and choral symphonies and wrote an obbligato for it in Fidelio. It was restored to favour in England by Dr W. ...
— Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 2 - "Constantine Pavlovich" to "Convention" • Various

... unconsciously or with that imitation that is sincerest flattery is very evident. Many passages suggest Wagner, and one can easily imagine the ardent young American worshiping the great German master, as he in turn had adored Beethoven. ...
— Edward MacDowell • Elizabeth Fry Page

... appearance, the{54} vibration of each one fibre giving rise, it is believed, to the sensation of one particular tone, and combinations of such vibrations producing chords. It is by the action of this complex organ then, that all the wonderful intricacy and beauty of Beethoven and Mozart come, most probably, ...
— On the Genesis of Species • St. George Mivart

... that—it was known by Dante, who all his life possessed the soul of Beatrice; and Beethoven, who was united from afar with Therese von Brunswick, knew it, though she was the wife ...
— The Road to Damascus - A Trilogy • August Strindberg

... out, following the two Cathedral servants. He seemed to go unwillingly, as though forced to a task that was to him both irksome and painful. He hummed absently while giving his hand to Gabriel, who thought he recognised a fragment of Beethoven's Seventh Symphony in the low and uneven tones that came from the lips of the ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez

... form, in other arts than that of painting. The art of music is most germane to the Austrian spirit; and we have a ready key to the peculiarities of the Austrian disposition in the difference between Haydn, Mozart, Schubert, and Johann Strauss, on the one hand, and Haendel, Beethoven, Schumann, and Wagner on the other. Moreover, the Austrians are in all respects conservative, in literary taste no less than in politics and religion. The pseudo-classicism of Gottsched maintained its authority in Austria not merely after the time of Lessing, but also after ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke

... Obliquely, do the thing shall breed the thought, Nor wrong the thought, missing the mediate word. So may you paint your picture, twice show truth, Beyond mere imagery on the wall,— So, note by note, bring music from your mind, Deeper than ever e'en Beethoven dived,— So write a book shall mean beyond the facts, Suffice the eye and save the ...
— Before the War • Viscount Richard Burton Haldane

... when Baron Spaun, an old Viennese character and a friend of Beethoven's, entered the composer's lodgings, he found the man, every line of whose face denoted, above all else, strength of character, bending over a portrait of a woman and weeping, as he muttered, "You were too good, too angelic!" A moment later, he had thrust the portrait into ...
— The Loves of Great Composers • Gustav Kobb

... them, or rather to let them see through my eyes. It is the mind after all that really sees, shapes, and colors all things. What visions of beauty and sublimity passed before the inward and spiritual sight of blind Milton and Beethoven! ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier

... melodies was attributed to remoter and remoter periods; the most soulful hymns were adapted to frivolous airs. Later still, at a time when German music had risen to its zenith, when Bach, Handel, Haydn, Mozart, and Beethoven flourished, the Jewish strolling musician Klesmer, a mendicant in the world of song as in the world of finance, was wandering through the provinces with ...
— Jewish Literature and Other Essays • Gustav Karpeles

... Music risky? Bach? Beethoven! No, I don't agree. On the contrary, I think it is most elevating—most morally inspiring. No, I tremble before it because it is so wonderful ...
— Aaron's Rod • D. H. Lawrence

... a disharmony to have an active spirit in a sickly body. It is a disharmony to have, like one of the very greatest of Christ's disciples, "a thorn in the flesh to buffet him." Who shall deliver us from this body of death? When you hear of a Beethoven deaf or of a Robert Louis Stevenson spitting blood, are you not conscious of disharmony? Where there is perfect harmony—perfect, I say—such a dislocation could not be. Epilepsy has been called "la maladie des ...
— Sex And Common-Sense • A. Maude Royden

... Vienna, and the internal consumption is apparently as great as ever: there is now-a-days no Mozart or Haydn to supply imperishable fabrics for the markets of the world; but the orchestras are as good as ever. The Sinfonia-Eroica of Beethoven catching my eye in a programme, I failed not to renew my homage to this prince of sweet and glorious sounds, and was loyally indignant on hearing a fellow-countryman say, that, though rich in harmony, he was poor in melody. No; Beethoven's wealth is boundless; ...
— Servia, Youngest Member of the European Family • Andrew Archibald Paton

... of Bonn is one of the most beautiful of all those situated on the banks of the Rhine, and being the birthplace of no less celebrated a composer than Beethoven, it naturally attracts a goodly number of pilgrims every year, these coming from many distant lands to do homage at the shrine of genius. But Bonn and its neighbourhood have older associations than this—associations ...
— Hero Tales and Legends of the Rhine • Lewis Spence

... music from Bach to Beethoven and from Beethoven to Wagner—yes, even to Richard Strauss—but enthusiasm with discipline? German music has been our mobilization; it has gone on just as in a partitur by Richard ...
— What Germany Thinks - The War as Germans see it • Thomas F. A. Smith

... Shakespeare's power, I find I am not regarding it simply as a drama, but am grouping it in my mind with works like the Prometheus Vinctus and the Divine Comedy, and even with the greatest symphonies of Beethoven and the statues in ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley

... course of this story, the author has had occasion to refer to Beethoven's Sonata Appassionata as containing a suggestion of the opening theme of the Fifth Symphony. He has often seen this stated, and believed that the statement was generally accepted as true. Since writing, however, he has heard ...
— King Midas • Upton Sinclair

... miracles than anyone of us has faculties to appreciate fully. So that, in some of Titian's pictures and Michael Angelo's frescoes, the great Greek sculptures, certain cantos of Dante and plays of Shakespeare, fugues of Bach, scenes of Mozart and quartets of Beethoven, we can each of us, looking our closest, feeling our uttermost, see and feel perhaps but a trifling portion of what there is to be seen and felt, leaving other sides, other perfections, to be appreciated by our neighbours. Till it comes to pass that ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee

... Empire was to be republican. But it quickly passed away; and no Frenchman, except perhaps Carnot, made so manly a protest as the man of genius at Vienna, who had composed the "Sinfonia Eroica," and with grand republican simplicity inscribed it, "Beethoven a Bonaparte." When the master heard that his former hero had taken the imperial crown, he tore off the dedication with a volley of curses on the renegade and tyrant; and in later years he dedicated the immortal work to the ...
— The Life of Napoleon I (Volumes, 1 and 2) • John Holland Rose

... double lines of cavalry and led by a military band. At Osborn Hall they turned to the right and moved slowly along College Street to the Battell Chapel, where they turned again and advanced diagonally across the green, the band playing Beethoven's funeral march. ...
— The Conquest of America - A Romance of Disaster and Victory • Cleveland Moffett

... music, Haydn, Mozart and Beethoven, advanced this art beyond the limits of their predecessors by identifying themselves more closely with the development of active life itself. By their creative power they invested the life of the nation and mankind with profounder ...
— Life of Wagner - Biographies of Musicians • Louis Nohl

... fellows. Good at their job, they tell me, but no polish. I suppose I oughtn't to say that—ungrateful of me! But I'm sick of it all, the invasion of the classes, the women in trousers, the beggars on horseback, the Jazz music. I want the old world back—the womanly women, everybody labeled, and Beethoven." ...
— The Kingdom Round the Corner - A Novel • Coningsby Dawson

... getting a bow of hair with rosin, is a blaspheming wretch, and shall die the death,"—I ask you, what effect would that have had upon music? If that course had been pursued, would the human ears, in your judgment, ever have been enriched with the divine symphonies of Beethoven? Suppose the king, if there was one, and the priest, had said: "That crooked stick is the best plow that can be invented: the pattern of that plow was given to a pious farmer in a holy dream, and that twisted ...
— The Ghosts - And Other Lectures • Robert G. Ingersoll

... hands had unconsciously wandered into the mazes of a rich Beethoven voluntary, and the notes, firm, grand, and harmonious, rolled out in the silence with a warm deep tenderness that thrilled the air as with a rhythmic beat of angels' wings. Lost in thought, she scarcely knew what she played, nor how she was playing,—but she was conscious ...
— The Master-Christian • Marie Corelli

... book. Handel's Israel in Egypt—the wonder of the scientific musician in his closet—yet sways to and fro, like a mighty wind upon the waters, the hearts of assembled thousands at an Exeter Hall oratorio. To take an instance more striking still, Beethoven, the sublime, the rugged, the austere, is also, as even Mons. Jullien could tell us, fast becoming a popular favourite. Now why is this? Simply because these master minds, under the divine teaching of genius, have known how to clothe their works in a beauty ...
— Early Reviews of English Poets • John Louis Haney

... Poor Naldi, whom most of us remember, and all who remember must respect, said to our poet once at a concert—"That he did not seem much interested with a piece of Rossini's which had just been performed." Coleridge answered, "It sounded to me exactly like nonsense verses. But this thing of Beethoven's that they have begun—stop, let us listen to ...
— Famous Reviews • Editor: R. Brimley Johnson

... perceived things were not right, Home suddenly returned at dead of night. His boots he'd taken off; He was careful not to cough; And his plans so well were woven, That they still performed Beethoven. But, neither being deaf, They at last heard Pozdnisheff. Poor wife! He so affrights her, That she plays ...
— Punch, or the London Charivari, Vol. 99, July 5, 1890 • Various

... boy! Opera!" repeated Spouter. "I expect some day that he will thrill great audiences with exquisite renderings of the famous solos by Wagner, Beethoven, Mozart, Donizetti——" ...
— The Rover Boys at Colby Hall - or The Struggles of the Young Cadets • Arthur M. Winfield

... monster the Father of Christ? Is he the God who inspireth Buddha and Shakespeare and Beethoven and Darwin and Plato? No, not he. But in warfare and massacre, in rapine and rape, in black revenge and in deadly malice, in slavery and polygamy, and the debasement of women, and in the pomps, vanities and greeds of royalty, of clericalism, and of ...
— The Red Conspiracy • Joseph J. Mereto

... music for a profession in preference to an offered commission in the East Indian army. His talent as a composer, especially of sacred music, was marvellous, and, though he became blind, his loss of sight was no more hindrance to his genius than loss of hearing to Beethoven. ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth

... yet more memorable by the unveiling of a statue to Beethoven. But, by an unlucky contretemps, the royal party on the balcony found the back of the statue presented to their gaze. The Freischutzen fired a feu-de-joie. A chorale was sung. The people cheered and the band played a Dusch—such a flourish of trumpets as is given ...
— Life of Her Most Gracious Majesty the Queen, (Victoria) Vol II • Sarah Tytler

... spiritual heritage of Germany: when one thinks of Herder, Schiller and Goethe; Tauler, Luther and Schleiermacher; Froebel, Herbart and Richter; Kant, Fichte and Novalis; Mozart, Beethoven and Wagner; one feels that something of the old German heritage must survive. When the German people find out what has happened to them and why, that heritage surely ought to show in some reaction against the present autocratic regime, after the War closes, if not ...
— The Soul of Democracy - The Philosophy Of The World War In Relation To Human Liberty • Edward Howard Griggs

... gentle music, quivering like the voice of a great-grandmother in powdered hair. Mozart, he's the precursory genius—the first who endowed an orchestra with an individual voice; and those two will live mostly because they created Beethoven. Ah, Beethoven! power and strength amidst serene suffering, Michael Angelo at the tomb of the Medici! A heroic logician, a kneader of human brains; for the symphony, with choral accompaniments, was the starting-point of all ...
— His Masterpiece • Emile Zola

... exaltation of mind, the same intellectual transport, which the trained musician feels when listening to the celestial harmonies of a great orchestra. In proportion as one conceives, or can imagine, the fineness of the musical endowment of a Bach or Beethoven, and in proportion as he can realize in his own mind the infinity of training and preparation which has contributed to the development of such a master musician—in such proportion may he comprehend and appreciate the unusual ...
— American Big Game in Its Haunts • Various

... She floated forth with the serene grace of a frail bubble ascending through the still atmosphere of a June day. The perfect roundness of her limbs formed suave and enchanting curves. It was like listening to the most spiritual symphony of Beethoven the divine, to watch the harmonious flow of lines. This, indeed was a pleasure cheaply purchased at any price. What cared I if I had waded to the portal of this wonder through another's blood. I would have given my own to enjoy one such moment of ...
— The Diamond Lens • Fitz-James O'brien

... said Millard. A rush of feeling came over him. He remembered Mina Schulenberg as she sat that day about a year ago—the day of his engagement—near the bust of Beethoven in the park. She had been the beginning and in some sense she had been the ending of his engagement. Millard walked away from Rudolph in a preoccupied way. Suddenly he ...
— The Faith Doctor - A Story of New York • Edward Eggleston

... sequence, however, rather fits a collection aiming at instruction than at pleasure, and the Wisdom which comes through Pleasure:—within each book the pieces have therefore been arranged in gradations of feeling or subject. The development of the symphonies of Mozart and Beethoven has been here thought of as a model, and nothing placed without careful consideration. And it is hoped that the contents of this Anthology will thus be found to present a certain unity, "as episodes," in the noble language of Shelley, "to that great Poem which all poets, like the co-operating ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various

... in England, he never wished to see it again; the memories which it would arouse would be too bitter.... The shade of Beethoven touched him as it passed; Mozart, Mendelssohn, Chopin. But he was thinking only of his loneliness, and the marvelous touch of the hands which evoked the great spirits was ...
— The Puppet Crown • Harold MacGrath

... upwards of an hour. All the vocal and instrumental talent of the city was present, and the audience was treated to a rare and most happily rendered repertoire. Miss Hartmann had just finished an Arietta of Beethoven's, which was rapturously received, when Alice Merivale stole up behind me, radiant in pale green mist—as it seemed to me—to ask ...
— The Doctor's Daughter • "Vera"

... Sonata" is an absurd title which has for years been attached, both in Germany and England, to one of Beethoven's sonatas. It is said to have been derived from the expression of a German critic comparing the first movement to a boat wandering by moonlight ...
— The Girl's Own Paper, Vol. VIII: No. 353, October 2, 1886. • Various

... achievements in scholarship and science, at our universities, at our systems of education, at our literature, our music, and our painting; at our great men of thought and imagination: at Luther, Duerer, Goethe, Beethoven, Kant." ...
— The War and Democracy • R.W. Seton-Watson, J. Dover Wilson, Alfred E. Zimmern,

... explained. Painting and sculpture began slowly to emit their rays through the eclipse of more than a century. The allied art shared in this second and secondary renaissance. Haydn was in full fruit, Mozart ripening, and Music watched, in the cradle of Beethoven, her budding Shakespeare. A fourth Teuton was studying the symphonies of the spheres; and within the first five years of the century, while the "crowning mercy" of Yorktown was maturing, a planet that had never before dawned on the eye of man took its place with the ancient six, and "swam ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 17, - No. 97, January, 1876 • Various

... getting her coat and hat when Mr. Clendon began to play; she changed her mind about the walk and went to the door to open it an inch or so, that she might hear more distinctly the soft strains of the Beethoven Sonata which came floating up to her. As she opened the door, she heard a strange sound rising above the notes of the music; it was that, perhaps, most terrible of all sounds, the unbidden, irresistible groan, ...
— The Woman's Way • Charles Garvice

... the pupils a few facts about Beethoven and, if possible, will have shown them his picture. He will also have asked them to read the lesson at home and become familiar ...
— Ontario Teachers' Manuals: Literature • Ontario Ministry of Education

... we find not the slightest evidence of their having been inspired by any outward agencies. Not till the art stood upon its own independent foundations does it appear that any musicians ever thought of turning such natural sounds to account; and—though with Beethoven's exquisite Pastoral Symphony ringing in our ears, with its plaintive clarionet cuckoo to contradict our words—we should say that no compositions could be of a high class in which such sounds were conspicuous.—Murray's Reading ...
— Chambers's Edinburgh Journal, No. 462 - Volume 18, New Series, November 6, 1852 • Various

... electricity, for example. Why may it not be so with the world? Why may there not be different points of view for surveying it, within each of which all data harmonize, and which the observer may therefore either choose between, or simply cumulate one upon another? A Beethoven string-quartet is truly, as some one has said, a scraping of horses' tails on cats' bowels, and may be exhaustively described in such terms; but the application of this description in no way precludes the simultaneous applicability of an entirely different description. Just so a thorough-going ...
— The Will to Believe - and Other Essays in Popular Philosophy • William James

... that child, father, for she is getting entirely beyond my control. If I attempt to make her study she writes poetry instead of her exercises, draws caricatures instead of sketching properly, and bewilders her music teacher by asking questions about Beethoven and Mendelssohn, as if they were personal friends of his. If I beg her to take exercise, she rides like an Amazon all over the Island, grubs in the garden as if for her living, or goes paddling about the bay till I'm distracted ...
— Moods • Louisa May Alcott

... upright, noble beyond description, if Christianity be true, is in hell this moment. That is what they call "solace"—"tidings of great joy." LaPlace, who read the heavens like an open book, who enlarged the horizon of human thought, is there too. Beethoven, Master of melody and harmony, who added to the joy of human life, and who has borne upon the wings of harmony and melody millions of spirits to the height of joy, with his heart still filled with melody—he is in hell today. ...
— Lectures of Col. R. G. Ingersoll, Volume I • Robert Green Ingersoll

... sense! They would hardly say that Handel or Beethoven speaks to a wider audience than Homer or Shakspeare, and certainly no musician or painter or sculptor can hope to delight mankind for as many centuries as a poet. And, then, to think what an idea can accomplish—what Greek ideas have done in England, ...
— Name and Fame - A Novel • Adeline Sergeant

... another piece of Beethoven, Die Schlacht bei Vittoria. Malbrook is introduced at the beginning of the performance, as indicative of the brisk advance of the French army. Then come drums, trumpets, thunders of artillery, and groans of the dying, and at last, ...
— Vanity Fair • William Makepeace Thackeray

... has been, like all young bridegrooms, very careless about every thing else but his beloved, since he got it. Painting, sculpture, architecture, all must yield to music. Nor can all the fascinations of Raphael or Rubens vie in his estimation with the melodies of Mozart, or the harmonies of Beethoven. So, yesterday, when we found the picture gallery shut, he profanely remarked, "What a mercy!" And this morning I could enlist none of the party but W. to go with me. We were paid for going. There were two or three magnificent ...
— Sunny Memories of Foreign Lands V2 • Harriet Beecher Stowe

... in words. Any one must admit the futility of the attempt to give a dramatic interpretation or language to instrumental music, who reads the description attempted by Lenz and other writers of some of Beethoven's sonatas. Instrumental music does not lend itself to these interpretations, since it is an art with an independent existence. We have observed that in its first development it was used as an accompaniment ...
— Myth and Science - An Essay • Tito Vignoli

... of the top segment stands often one man, and only one. His joyful vision cloaks a vast sorrow. Even those who are nearest to him in sympathy do not understand him. Angrily they abuse him as charlatan or madman. So in his lifetime stood Beethoven, solitary and insulted. ...
— Concerning the Spiritual in Art • Wassily Kandinsky

... Laws of Harmony made before his day and set down new ones—and these marked his limitations, that was all. Beethoven upset all these, and Wagner succeeded by breaking most of Beethoven's rules. And now comes Grieg, and writes harmonious discords that Wagner said were impossible, and still it is music, for by it we are transported on the wings of song ...
— Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard

... lingering, Lay music's bud too long unblown, Till thou, Beethoven, breathed the spring: Then bloomed the ...
— The Poems of Sidney Lanier • Sidney Lanier

... with the Dante et Virgile (1822) and the Massacre de Scio (1823). In music Berlioz, at this time a student in the Conservatoire, was fighting hard against Cherubini and the bewigged ones for liberty of expression and leave to admire and imitate the audacities of Weber and Beethoven, and three years hence, in the year of Hernani, was to set his mark upon the art with the Symphonie fantastique. On the stage as early as 1824 Frederick and Firmin had realised in the personages of Macaire and Bertrand the grotesque ideal, the combination of humour and ...
— Views and Reviews - Essays in appreciation • William Ernest Henley

... Kew only sang a few bars of Beethoven in a small voice. He was rather sad, because of Jay. He had not realised till he came home how very thoroughly Jay had disappeared. He led the conversation to Jay. It often happened that Kew led conversations, because conversations, like the public, ...
— This Is the End • Stella Benson

... at his garden table writing the "Ode to Autumn," the lonely Shelley in the Cascine at Florence composing the "West Wind," Wordsworth pacing the narrow walk behind Dove Cottage and mumbling verses, Beethoven in his garret writing music. But the creative act thus performed in solitude has a singular potency, after all, for arousing that communal feeling which in the moment of creation the artist seems to escape. What he produces in his loneliness the world ...
— A Study of Poetry • Bliss Perry

... Sermon on the Mount are discoveries in God, but so are the advances in knowledge made by Plato, Aristotle, Roger Bacon, and Thomas Edison. He shows Himself through Abraham, Moses, Isaiah, and St. Paul, but also through Homer, Shakespeare, Michael Angelo, Beethoven, Darwin, George Eliot, William James, and Henry Irving. I take the names at random as illustrating different branches of endeavour, and if I use only great ones it is not that the lesser are excluded. No one department of human effort is specially His, or is His special expression. The ...
— The Conquest of Fear • Basil King

... with strange characters, in a language entirely unknown to him. The initial letters were splendidly illuminated, the margins ornamented with elaborate designs. Cecil gazed on the scrolls, as one who loves music but who is ignorant of its technicalities might look at a sonata of Beethoven or an opera of Wagner, and be moved ...
— The Bridge of the Gods - A Romance of Indian Oregon. 19th Edition. • Frederic Homer Balch

... and was wondering how on earth they were to get through the evening. Various dreadful possibilities occurred to him; music (Miss Tancred and Beethoven on the grand piano); family prayers; cards; in some places they sat up half the night playing whist, a game that bored him to extinction. Thank heaven, as there were but three of them, it would not be whist. Meanwhile it was past ...
— The Return of the Prodigal • May Sinclair

... I make it a point to know the accompaniments, for in case I am ever left without an accompanist, I can play for myself, and it has a great effect on audiences. They may not know or care whether you can play Beethoven or Chopin, but the fact that you can play while you ...
— Vocal Mastery - Talks with Master Singers and Teachers • Harriette Brower

... direct line the piano cannot have been more than ten feet from the reader's chair; and the strain of reading aloud for an hour against a powerful rendering of the most vigorous compositions of Liszt, Wagner, Beethoven, Brahms and Chopin was a most trying ordeal for voice, brain and nerves. Mr. Pulitzer could apparently enjoy the music and the reading at the same time. Often, when something was played of which he knew the air, he would follow the notes by means of a sort of subdued whistle, ...
— An Adventure With A Genius • Alleyne Ireland

... German talks of symphonies he means Beethoven; the two names are to him one and indivisible; his joy, his pride. As Italy has its Naples, France its Revolution, England its Navigation, so Germany has its Beethoven symphonies. The German forgets in his Beethoven that he has no school of painting; with Beethoven he imagines ...
— The Girl's Own Paper, Vol. VIII: No. 356, October 23, 1886. • Various

... England, he never wished to see it again; the memories which it would arouse would be too bitter.... The shade of Beethoven touched him as it passed; Mozart, Mendelssohn, Chopin. But he was thinking only of his loneliness, and the marvelous touch of the hands which evoked the great spirits was lost ...
— The Puppet Crown • Harold MacGrath

... eyes', gave Milton five pounds for 'Paradise Lost', kept Samuel Johnson cooling his heels on Lord Chesterfield's doorstep, reviled Shelley as an unclean dog, killed Keats, cracked jokes on Glueck, Schubert, Beethoven, Berlioz, and Wagner, and committed so many other impious follies and stupidities that a thousand letters like this could not suffice even to catalogue ...
— The Poems of Sidney Lanier • Sidney Lanier

... a piece of music, like a movement in a sonata by Beethoven. The chords, the volume of sound are gravely added to, till that solemn close on a single note. It is emotion, perfectly rendered, so grave, so sincere, so restrained as to be almost inimitable. And alike in the music of the ...
— Hilaire Belloc - The Man and His Work • C. Creighton Mandell

... Mary," he said, "give us some music, now the urn has gone away. Play me that beautiful air of Beethoven, the one I call 'The ...
— Loss and Gain - The Story of a Convert • John Henry Newman

... more solemn key, and once more talked off the words. He left you with a slight feeling of anxiety. You began to be afraid that the little girl would fall out of the trees and hurt herself. But no, instead he grabbed something by the hair right out of a Beethoven adagio, and began to want that little girl with the blue eyes as a little girl with blue eyes has seldom been wanted before; she became Psyche, Trojan Helen, a lover's dream; all that is most exquisite and to be desired in the world—and then suddenly he lost all ...
— We Three • Gouverneur Morris

... question speedily. "I'll take Rags and run up the beach to our bungalow and bring them to you, if Phyllis will lend me her slickers," she declared. "No, you mustn't come with me, Ted. I'll be perfectly safe with Rags, and while I'm gone, you can all be giving that Beethoven sonata that you promised Aunt Marcia. I won't be ...
— The Dragon's Secret • Augusta Huiell Seaman

... hard as his pupil to maintain his reserve of instruction. Mark took long walks with Richard Ford when Richard was home in his vacations, and long walks by himself when Richard was at Cooper's Hill. He often went to Wychford Rectory, where he learnt to enjoy Schumann and Beethoven and Bach ...
— The Altar Steps • Compton MacKenzie

... elegant little book of dilettante criticism, "A Ramble among the Musicians in Germany." He latterly contributed to the "Musical Times" a whole series of masterly essays and analyses upon the Masses of Haydn, Mozart, and Beethoven. But the work upon which his reputation will rest was a "Life of Mozart," which was purchased ...
— Atlantic Monthly Volume 7, No. 39, January, 1861 • Various

... beforehand what he wanted to sing. (I might have spared myself the trouble.) He went toward the piano, but before he sang he took out of the mysterious basket an egg, which he broke and swallowed raw, to clear his voice. He began at the first song on the list, "Adeleide" (Beethoven), and sang that and one after another of those on the list. It seemed queer to have the roles reversed in this way. I generally sang for royalty, but here royalty was singing ...
— The Sunny Side of Diplomatic Life, 1875-1912 • Lillie DeHegermann-Lindencrone

... consideration of the public. In St. George's Church there is an organ which may be placed in the "h c" category. It is a splendid instrument—can't be equalled in this part of the country for either finery or music—and is played by a gentleman whose name ranks in St. George's anthem book, with those of Beethoven, Handel, and Mozart. We have heard excellent music sung and played at St. George's; but matters would be improved if the efforts of the choir were seconded. At present the singers have some time been ...
— Our Churches and Chapels • Atticus

... them music is a language. Says Mayhew, in his elaborate work on the Rhine, in speaking of the free education in music in Germany: "To tickle the gustatory nerves with either dainty food or drink costs some money; but to be able to reproduce the harmonious combinations of a Beethoven or a Weber, or to make the air tremble melodiously with some sweet and simple ballad, or even to recall the sonorous solemnities of some prayerful chorus or fine thanksgiving in an oratorio, is not only to fill the heart and brain with affections ...
— ZigZag Journeys in Northern Lands; - The Rhine to the Arctic • Hezekiah Butterworth

... the young people of our happy century, has been accustomed, for three or four consecutive years, to press her fingers on the keys of a piano, a long-suffering instrument. She has hammered out Beethoven, warbled the airs of Rossini and run through the exercises of Crammer. I had already taken pains to convince her of the excellence of music; to attain this end, I have applauded her, I have listened without yawning to the most tiresome sonatas in the world, and I have at last consented ...
— Analytical Studies • Honore de Balzac

... good music—Mozart, Bach, Beethoven—and were almost priggish in their contempt for anything of a lighter kind; especially with a lightness English or French! It was only the musical lightness of Germany they could endure at all! But whether in Paris or London, ...
— The Martian • George Du Maurier

... as we can know anything, that there is music and supermusic. Rubinstein wrote music; Beethoven wrote supermusic (Mr. Finck may contradict this statement). Bellini wrote operas; Mozart wrote superoperas. Jensen wrote songs; Schubert wrote supersongs. The superiority of Voi che sapete as a vocal melody over Ah! non giunge ...
— The Merry-Go-Round • Carl Van Vechten

... justly so. At her receptions one always heard the best singers and players of the season, and Epicurus' soul could rest in peace, for her chef had an international reputation. Oh, remember, you music-fed ascetic, many, aye, very many, regard the transition from Tschaikowsky to terrapin, from Beethoven to burgundy with hearts aflame with anticipatory joy—and Mrs. ...
— The Fifth String, The Conspirators • John Philip Sousa

... sweet sunset almost overpast. Kindly and calm, patrician to the last, Superbly falls her gown of sober gray, And on her chignon's elegant array The plainest cap is somehow touched with caste. She talks BEETHOVEN; frowns disapprobation At BALZAC'S name, sighs it at 'poor GEORGE SAND'S'; Knows that she has exceeding pretty hands; Speaks Latin with a right accentuation; And gives at need (as one who ...
— Poems by William Ernest Henley • William Ernest Henley

... say, not the rule, but the discovery of the rule, men whose intuitive perception led them to the right practice. We cannot imagine Homer to have studied rules, and the infant genius of those giants of their art, Handel, Mozart, and Beethoven, who composed at the ages of seven, five, and ten, must certainly have been unfettered by them: to the less brilliantly endowed, however, they have a use as being compendious safeguards against error. Let me then lay down as the best of all rules for writing, "forgetfulness ...
— Samuel Butler's Cambridge Pieces • Samuel Butler

... posthumous is probably the result of his exceeding simplicity and diffidence, for he always shrank from popular applause; therefore we may believe his compositions were not placed in the proper light during his life. It was through Mozart, Haydn, and Beethoven, that the musical world learned what a master-spirit had wrought in the person of John Sebastian Bach. The first time Mozart heard one of Bach's hymns, he said, "Thank God! I learn something absolutely new." Bach's great compositions include his "Preludes and Fugues" ...
— The Great German Composers • George T. Ferris

... in them: I have a palace on the grand canal. I find modern clothes prosaic. I dont wear them, except, of course, in the street. My ears are offended by the Cockney twang: I keep out of hearing of it and speak and listen to Italian. I find Beethoven's music coarse and restless, and Wagner's senseless and detestable. I do not listen to them. I listen to Cimarosa, to Pergolesi, to Gluck and Mozart. ...
— Fanny's First Play • George Bernard Shaw

... nature fits them. Even though millions of women are enabled to do the work which men could do better the gain for mankind is nil. To put women to do men's work is (Ellen Key has declared) as foolish as to set a Beethoven or ...
— The Task of Social Hygiene • Havelock Ellis

... aiming at instruction than at pleasure, and the Wisdom which comes through Pleasure:—within each book the pieces have therefore been arranged in gradations of feeling or subject. The development of the symphonies of Mozart and Beethoven has been here thought of as a model, and nothing placed without careful consideration. And it is hoped that the contents of this Anthology will thus be found to present a certain unity, "as episodes," in the noble ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various

... mentioned above it is significant that so little has been attempted in the way of alteration or improvement, and it is still more so that of that little such a small proportion is worthy of a second thought. As Bach stands in relation to the fugue, as Beethoven to the symphony and Stradivari to the violin, so is Tourte to the bow. Superior alike to his predecessors and successors, he stands high poised upon the ...
— The Bow, Its History, Manufacture and Use - 'The Strad' Library, No. III. • Henry Saint-George

... Mischa Elman, Harry Lauder, Sousa, Liszt, Beethoven, Chopin, Wagner, Brahms, Grieg, Moszkowsky, the "latest song hit" from anything you please. Ask and you will find along this thoroughfare. There are no more prosperous looking bazaars on this street than those consecrated to the sale of "musical phonographs" ...
— Walking-Stick Papers • Robert Cortes Holliday

... musicians and the great painters live in their work in a singularly vivid sense. Music and painting are more direct in popular appeal than great poetry. Yet none can ridicule the sentiment which is embodied in the statue of Beethoven at Bonn, or in that of Paolo Veronese at Verona. To accept literally the youthful judgment of Milton and his imitators is to condemn sentiments and practices which are in universal vogue among civilised peoples. It is to deny to the Poets' ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee

... with voice and lute would be worthy of him, as it is; for in the growth of music, the fine art, his masterpiece of oratorio are left behind and forgotten, being too thin and primitive for an age that began with Beethoven and ended in Richard Wagner; but his songs have not lost their hold on those simpler natures that are still responsive to a melody and vibrate to ...
— Stradella • F(rancis) Marion Crawford

... welfare of his fellow, if he did not believe in a future life, in that proportion is he wanting in the genuine feelings of justice and benevolence; as the musician who would care less to play a sonata of Beethoven's finely in solitude than in public, where he was to be paid for it, is wanting in ...
— The Essays of "George Eliot" - Complete • George Eliot

... days of "long, long ago" when as a little chap in my native Bonn, I had first listened with interest to the charming voices of the golden-haired daughters of old Albion who came in large numbers to reside in the famous Beethoven-town. ...
— Legends of the Rhine • Wilhelm Ruland

... delight or disappointment, or else lay motionless, plunged in the same kind of ecstatic reverie which enthusiastic admirers of classical music yield themselves up to while listening to one of the great Beethoven's divine sonatas. ...
— Monsieur Lecoq • Emile Gaboriau

... greatest beauty—Yosemite Valley, Yellowstone Park, Niagara Falls, may pass before your vision; you may climb the lofty Alpine summit and behold the snow-streaked and snow-capped peaks towering to the heavens around you—or you may listen to the best music ever composed by a Mozart, a Handel, or a Beethoven, or the finest ever executed by a Liszt, a Rubenstein, or a Paderewski; yet I must tell you upon the authority of God's word that "eye hath not seen, nor ear heard, neither have entered into the heart of man, the things which God hath prepared for them that love ...
— The Revelation Explained • F. Smith

... anything. Among other things, he could play splendidly on the violin—an instrument which he styled a fiddle, and which MacSweenie called a "fuddle." His repertoire was neither extensive nor select. If you had asked for something of Beethoven or Mozart he would have opened his eyes, perhaps also his mouth. But at a Strathspey or the Reel o' Tulloch he was almost equal to Neil Gow himself—so admirable were his tune and time. In a lonesome land, where amusements are few and the nights long, the power to "fuddle" counts ...
— The Walrus Hunters - A Romance of the Realms of Ice • R.M. Ballantyne

... and highly-wrought comparison of the early lives of Turner and Giorgione, and of the different circumstances under which their art-minds severally dawned and developed. The remainder of the book is almost wholly devoted in glowing strains, like the pompous glory of the crowning movement of a Beethoven symphony, to loving yet deferential homage to Turner. His works and life are traced out and lingered over, not with biographical exactness, but with some effort to make them explicable of the character of the great painter. 'Much of his mind and heart I do not know—perhaps ...
— Art in England - Notes and Studies • Dutton Cook

... Quilter-Beckett, who sits at a table grim with knobs, buttons, dial-faces, in a cabinet near a saloon where Hogarth, Loveday, and five lieutenants are lunching; and where he sits he can hear the band in an alcove rendering for the eaters Beethoven's Ninth Symphony: hear, not heed: for two gunners in each casemate have sighted a ship through pivoted glasses, whose fixing, disturbing an electrical circuit, prints the ship's distance on an indicator ...
— The Lord of the Sea • M. P. Shiel

... world faded away and grew to seem worthless and unmeaning. Only the soft golden voice remained and the grey hard voice that said, 'You've got to look after Philip, you know!' And the two voices together made a harmony more beautiful than you will find in any of Beethoven's sonatas. Because Lucy knew that she should follow the grey voice, and remember the golden voice as long as ...
— The Magic City • Edith Nesbit

... Commandments and the Sermon on the Mount are discoveries in God, but so are the advances in knowledge made by Plato, Aristotle, Roger Bacon, and Thomas Edison. He shows Himself through Abraham, Moses, Isaiah, and St. Paul, but also through Homer, Shakespeare, Michael Angelo, Beethoven, Darwin, George Eliot, William James, and Henry Irving. I take the names at random as illustrating different branches of endeavour, and if I use only great ones it is not that the lesser are excluded. No one department of human effort is specially His, or is His special expression. ...
— The Conquest of Fear • Basil King

... culture. She was passionately devoted to music, which inspired some of her best poems; and during the last years of her life, in hours of intense physical suffering, she found relief and consolation in listening to the strains of Bach and Beethoven. When she went abroad, painting was revealed to her, and she threw herself with the same ardor and enthusiasm into the study of the great masters; her last work (left unfinished) was a critical analysis of the genius and ...
— The Poems of Emma Lazarus - Vol. II. (of II.), Jewish Poems: Translations • Emma Lazarus

... can never be made to understand the glories of sunrise, or the light upon the far-off mountains; just as a deaf man may read books about acoustics, but they will not give him a notion of what it is to hear Beethoven, so we must have love to Christ before we know what love to Christ is, and we must consciously experience the love of Christ ere we know what the love of Christ is. We must have love to Christ in order to have a deep and living possession ...
— Expositions of Holy Scripture - Ephesians; Epistles of St. Peter and St. John • Alexander Maclaren

... too great a person to be "Mistered." Fancy Mr. Beethoven, or Mr. Paderewski! Joyselle the Great and Glorious would help him. The mater appeared to like him. It was strange, for she had been in a terrible rage the first day or two—but she certainly was as pleased ...
— The Halo • Bettina von Hutten

... Humaine. In art, Sir Henry Raeburn, William Blake, Flaxman, Canova, Thorwaldsen, Crome, Sir Thomas Lawrence, Constable, Sir David Wilkie, and Turner were in the exercise of their happiest faculties: as were, in the usage of theirs, Beethoven, Weber, Schubert, Spohr, ...
— Life of Robert Browning • William Sharp

... passing through Bonn, on his homeward journey, that Haydn met Beethoven, and praised the composition which the young assistant Hof-organist submitted to him.[10] The reception accorded to the composer on his arrival at Vienna was in every way worthy of the fame which his London visit had added to his reputation, and every one was anxious ...
— Story-Lives of Great Musicians • Francis Jameson Rowbotham

... the earth at sunrise, and that the birds catch the music of it, and that songs are their efforts to imitate it. An afternoon was not badly spent in discussing this. We recall the fact that it isn't the human ear-drum exactly which will get this—if it ever comes to us—and that Beethoven was stone-deaf when he heard his last symphonies, the great pastoral and dance and choral pieces, and that he wrote them from his inner listening. Parts of them seem to us strains from that great harmony that the birds are ...
— Child and Country - A Book of the Younger Generation • Will Levington Comfort

... getting entirely beyond my control. If I attempt to make her study she writes poetry instead of her exercises, draws caricatures instead of sketching properly, and bewilders her music teacher by asking questions about Beethoven and Mendelssohn, as if they were personal friends of his. If I beg her to take exercise, she rides like an Amazon all over the Island, grubs in the garden as if for her living, or goes paddling about the bay till I'm distracted lest ...
— Moods • Louisa May Alcott

... the long leaves lean out as if to touch her neck. The great white and red roses of the d'aubusson carpet are spread enigmatically about her feline feet; a grand piano leans its melodious mouth to her; and there she sits when her visitors have left her, playing Beethoven's sonatas in the dreamy firelight. The spring-tide shows but a bloom of unvarying freshness; August has languished and loved in the strength of the sun. She is stately, she is tall. What sins, what disappointments, what ...
— Confessions of a Young Man • George Moore

... and turned towards her a moment. "Possibly not a very high order of art," he said; "a little too 'easy,' perhaps, like the Bougereau, but 'Consolation' should appeal very simply and directly, after all. Do you care for Beethoven?" ...
— The Pit • Frank Norris

... engagement of the whole forces of their mind; and the changing views which accompany the growth of their experience are marked by still more sweeping alterations in the manner of their art. So that criticism loves to dwell upon and distinguish the varying periods of a Raphael, a Shakespeare, or a Beethoven. ...
— The Art of Writing and Other Essays • Robert Louis Stevenson

... upwards from the Delphic caves of human life, he will know that the rapture of life (or any thing which by approach can merit that name) does not arise, unless as perfect music arises—music of Mozart or Beethoven—by the confluence of the mighty and terrific discords with the subtle concords. Not by contrast, or as reciprocal foils do these elements act, which is the feeble conception of many, but by union. They are the sexual ...
— Blackwood's Edinburgh Magazine, Vol 58, No. 357, July 1845 • Various

... enter, not only into the spirit of their text, but even into the slightest shade, the minutest detail of it, so as to make the music, as it were, a translation of their words into a higher kind of language. What, on the other hand, is possible or impossible for the voice is, since the time of Beethoven, but rarely considered; many composers, even the most distinguished ones, having evidently little knowledge of the most beautiful of instruments, for which they are nevertheless ...
— The Mechanism of the Human Voice • Emil Behnke

... vibration of each one fibre giving rise, it is believed, to the sensation of one particular tone, and combinations of such vibrations producing chords. It is by the action of this complex organ then, that all the wonderful intricacy and beauty of Beethoven and Mozart come, most probably, ...
— On the Genesis of Species • St. George Mivart

... belief that the mistake made by the managers of the symphony concert in Central Music Hall night before last was in not opening the concert with Beethoven's "Eroica," instead of making it the last number on the programme. We incline to the opinion, however, that, in putting the symphony last, the managers complied with the very first requirement of dramatic composition. This requirement is to the effect ...
— Second Book of Tales • Eugene Field

... to read aloud to them the poems of the revolutionary Venetian poet Dall' Ongaro, to their great applause. Then I must tell you of his music. He is strong in music for ten years old—and plays a sonata of Beethoven already (in E flat—opera 7) and the first four books of Stephen Heller; to say nothing of various pieces by modern German composers in which there is need of considerable execution. Robert is the maestro, and sits by him two hours every day, with an amount of patience ...
— The Letters of Elizabeth Barrett Browning, Volume II • Elizabeth Barrett Browning

... unspeakable monster, Jahweh, the Father of Christ? Is he the God who inspired Buddha, and Shakespeare, and Herschel, and Beethoven, and Darwin, and Plato, and Bach? No; not he. But in warfare and massacre, in rapine and in rape, in black revenge and deadly malice, in slavery, and polygamy, and the debasement of women; and in ...
— God and my Neighbour • Robert Blatchford

... a fardingale of gold with the negro page to find a bambino Moses kicking in Venetian sunlight; the Raeburns, coarse and wholesome as a home-made loaf; the lent Whistler collection like a hive of butterflies. And at the Music Hall Frederick Lamond was playing Beethoven. How his strong hands would beat out the music! Oh, as to the beauty of the world ...
— The Judge • Rebecca West

... fixed now to one refrain—"I must have my freedom." Freedom, at that moment, had a mocking, lovely face, the darkest blue eyes, and quantities of long, black hair. She wore a violet dress, her hands were white, and she talked like a Blue Book set to music by Beethoven. Yes, he must ...
— Robert Orange - Being a Continuation of the History of Robert Orange • John Oliver Hobbes

... intimate with some few families, drop in and set the young ladies down to play Beethoven and Mendelssohn, and it is a nice ...
— Life of John Coleridge Patteson • Charlotte M. Yonge

... glades. She missed Adriana very much, and for a few days always expected her to enter the room when the door opened; and then she sighed, and then she flew to her easel, or buried herself in some sublime cantata of her favourite master, Beethoven. Then came the most wonderful performance of the whole day, and that was the letter, never missed, to Adriana. Considering that she lived in solitude, and in a spot with which her daughter was quite familiar, it was really marvellous that the mother should every day be able ...
— Endymion • Benjamin Disraeli

... again to his wife, "health and spirits good, but with a soft touch of melancholy, a little homesickness, a longing for deep woods and lakes, for a desert, for yourself and the children, and all this mixed up with a sunset and Beethoven." ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. X. • Kuno Francke

... who were gifted with the lyrical temperament and powers of expression in poetry and music in corresponding measure to Giorgione in painting. It would show want of critical acumen to expect from Keats the consistency of Milton, or that Schubert should keep the unvarying high level of Beethoven, and it is equally unreasonable to exact from Giorgione the uniform excellence which characterises Titian. I do not propose at this point to work out the comparison between the painter, the musician, and the poet; ...
— Giorgione • Herbert Cook

... the pianoforte players by whom I have heard Beethoven's music more or less successfully rendered, Charles Halle has always appeared to me the one who most perfectly communicated the mind and ...
— Records of Later Life • Frances Anne Kemble

... its beauty or demand that beauty from the artist. When they themselves become like little children, then they see that the greatest artists, in all their seeming triumphs, are like little children too. For in Michelangelo and Beethoven it is not the arrogant, the accomplished, the magnificent, that moves us. They are great men to us; but they achieved beauty because in their effort to achieve it they were little children to themselves. They impose awe on us, ...
— Essays on Art • A. Clutton-Brock

... Yet even I (and none will bow 30 Deeper to these) must needs allow, They yield us not, to soothe our pains, Such multitude of heavenly strains As from the kings of sound are blown, Mozart, deg. Beethoven, ...
— Matthew Arnold's Sohrab and Rustum and Other Poems • Matthew Arnold

... to promise," said the Colonel, addressing Honoria in an under voice, "that Darrell should hear you play Beethoven." ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton

... will be placed permanently in the Civic Auditorium, the two most important musical items found on the schedule of Exposition enterprises are the engagements of Camille Saint-Saens and the Boston Symphony Orchestra. The former, who maintained that "Beethoven is the greatest, the only real, artist, because he upheld the idea of universal brotherhood," is perhaps better fitted than any living composer to write special music for the Exposition. This he has done,—writing two compositions in fact; and ...
— The Jewel City • Ben Macomber

... naught but a copy of Chopin or Spohr; That the ballad you sing is but merely "conveyed" From the stock of the Ames and the Purcells of yore; That there's nothing, in short, in the words or the score, That is not as out-worn as the "Wandering Jew"; Make answer—Beethoven could scarcely do more— That the man who ...
— The Home Book of Verse, Vol. 4 (of 4) • Various

... Antonino, which Leo X. had almost promised the brethren of S. Marco on his triumphant entry in 1515. The work, if it had been painted in the larger form, would have been a perfect masterpiece of composition, "a very Beethoven symphony in colour," if we may judge from the sketch at Panshanger, where a living crowd groups round the bier of the archbishop, and life, earnestness, harmony, ...
— Fra Bartolommeo • Leader Scott (Re-Edited By Horace Shipp And Flora Kendrick)

... in music. He was a good performer on the piano, and could get such full harmonies out of the organ that stood in one corner of his entrance room at Little Grange as did good to the listener. Sometimes it would be a bit from one of Mozart's Masses, or from one of the finales of some one of his or Beethoven's Operas. And then at times he would fill up the harmonies with his voice, true and resonant almost to the last. I have heard him say, "Did you never observe how an Italian organ-grinder will sometimes put in a few notes of his own in such perfect keeping with the air which he was grinding?" He was ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald

... America has yet contributed to literature. Huxley, had he not been the greatest intellectual duellist of his age, might have been its greatest satirist. Bismarck, pursuing the gruesome trade of politics, concealed the devastating wit of a Moliere; his surviving epigrams are truly stupendous. And Beethoven, after soaring to the heights of tragedy in the first movement of the Fifth Symphony, turned to the sardonic bull-fiddling ...
— Damn! - A Book of Calumny • Henry Louis Mencken

... laughed at this purity and fraternity! His eyes were good and Concha, for her part, was no model of prudence in hiding her feelings. Monteverde was her lover, just as formerly a musician had been, at a period when the countess talked of nothing but Beethoven and Wagner, as if they were callers, and long before that a pretty little duke, who gave private amateur bull-fights at which he slaughtered the innocent oxen after greeting lovingly the Alberca woman, who, wrapped in ...
— Woman Triumphant - (La Maja Desnuda) • Vicente Blasco Ibanez

... dignity of processional bas-relief. And in the case of all these creative critics of art it is evident that personality is an absolute essential for any real interpretation. When Rubinstein plays to us the Sonata Appassionata of Beethoven, he gives us not merely Beethoven, but also himself, and so gives us Beethoven absolutely—Beethoven re-interpreted through a rich artistic nature, and made vivid and wonderful to us by a new and intense personality. When a great actor plays Shakespeare we have the same experience. His ...
— Intentions • Oscar Wilde

... giving them a more intense and poignant expression, which at some moments is all the divinest music seems to do. Their influence is always benign and serene, and we may always have recourse to it, while the secrets of Beethoven, Mendelssohn, Chopin, Schumann lie hidden between leaves, in the keeping of crabbed little hieroglyphs, and a voice, an instrument, or perhaps an orchestra, is needed to reveal them. The picture, the statue, has no secrets but open secrets. You stand before it, and the very soul and essence of ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 90, June, 1875 • Various

... soul and body, and finally came to the wise conclusion that everyone who loved music was not a composer. Returning from one of Mozart's grand operas, splendidly performed at the Royal Theatre, he looked over his own, played a few of the best parts, sat staring at the busts of Mendelssohn, Beethoven, and Bach, who stared benignly back again. Then suddenly he tore up his music sheets, one by one, and as the last fluttered out of his hand, he said ...
— Little Women • Louisa May Alcott

... Mary Ann he did not remember having seen her before. This time she was a biped, and wore a white cap. Besides, he hardly glanced at her. He was in a bad temper, and Beethoven was barking terribly at the intruder who stood quaking in the doorway, so that the crockery clattered on the tea-tray she bore. With a smothered oath Lancelot caught up the fiery little spaniel and rammed him into the pocket ...
— Merely Mary Ann • Israel Zangwill

... be so; it may be that the Germany of Goethe, Schiller, and Beethoven has been absorbed by the Germany of Bismarck, Moltke, and Roon; but it must not be forgotten at the same time that, since their day, yet another Germany has come into being, the Germany of Marx, Engels, and Bebel, a Germany which is represented ...
— The War and Democracy • R.W. Seton-Watson, J. Dover Wilson, Alfred E. Zimmern,

... often made with a genius between the "man" and the "artist" has been justly ridiculed by Wagner himself. For the truest individuality of an artist is in his art, not when he leaves his own proper sphere and enters one that is foreign to him. Beethoven is the writer of symphonies and sonatas, not the suspicious friend and unmannerly plebeian. The man is the same in both relations, i.e. his character remains the same, only it manifests itself differently under changed ...
— Wagner's Tristan und Isolde • George Ainslie Hight

... composers?" I said, pointing to sheet music by Weber, Rossini, Mozart, Beethoven, Haydn, Meyerbeer, Hrold, Wagner, Auber, Gounod, Victor Mass, and a number of others scattered over a full size piano-organ, which occupied one of the ...
— 20000 Leagues Under the Seas • Jules Verne

... that Beethoven's Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man. All sorts and conditions are satisfied by it. Whether you are like Mrs. Munt, and tap surreptitiously when the tunes come—of course, not so as to disturb the others—; or like ...
— Howards End • E. M. Forster

... other arts than that of painting. The art of music is most germane to the Austrian spirit; and we have a ready key to the peculiarities of the Austrian disposition in the difference between Haydn, Mozart, Schubert, and Johann Strauss, on the one hand, and Haendel, Beethoven, Schumann, and Wagner on the other. Moreover, the Austrians are in all respects conservative, in literary taste no less than in politics and religion. The pseudo-classicism of Gottsched maintained its authority in Austria not merely after the time of Lessing, ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke

... with English phrases like "rare technique," "vonderful touch," "bee-youtiful tone," or "poeytic temperament." She assured me that her son was the youngest boy in the United States to play Brahms and Beethoven successfully. At first I thought that she was prattling these words parrot fashion, but I soon realized that, to a considerable extent, at ...
— The Rise of David Levinsky • Abraham Cahan

... regard the opera as one of the great civilizers. No one can listen to the symphonies of Beethoven, or the music of Schubert, without receiving a benefit. And no one can hear the operas of Wagner without feeling that he has ...
— The Works of Robert G. Ingersoll, Volume VIII. - Interviews • Robert Green Ingersoll

... it seemed to me that it would be easy to give the reader a course in musical development, beginning with the simpler pieces of Bach, like the bourrees and gavottes; then taking up the sonatas of Mozart and Beethoven; the compositions of the romantic school from Schubert to Chopin; and ending with the modern school of Wagner, Liszt and Richard Strauss—in other words giving a survey of the whole evolution ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb

... Augustus Clare dropped in after dinner, but Rose hardly deigned to look at them. She reclined gracefully on a sofa, with half shut eyes, listening to Kate playing one of Beethoven's "Songs without Words," and seeing—not the long, lamp-lit drawing-room with all its elegant luxuries, or the friends around her, but the bare best room of the old yellow farm-house, and the man lying lonely and ill before the blazing fire. ...
— Kate Danton, or, Captain Danton's Daughters - A Novel • May Agnes Fleming

... able even to have a bath, or go to the Italian Opera, two things that are more necessary to him than bread. His works abound in references to his beloved art, and when he was writing "Massimilla Doni" he employed a professional musician to instruct him about it. Beethoven, in particular, he speaks of with the utmost enthusiasm, and after hearing his "Symphony in Ut mineur," he says that the great musician is the only person who makes him feel jealous, and that he prefers him even to Rossini and Mozart. "The spirit of the ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars

... musicians were Germans, but Lanier was an American and a Southerner, who had graces of manner and goodness of soul. He was a close friend of the Baltimore musicians, such as Madame Falk-Auerbach, a pupil of Rossini's and a teacher in the Conservatory of Music, "a woman who plays Beethoven with the large conception of a man, and yet nurses her children all day with a noble simplicity of devotion such as I have rarely seen," said Lanier. Outside of musical circles he had access to the homes of the most prominent people of Baltimore, in which he frequently played the flute ...
— Sidney Lanier • Edwin Mims

... the University, with a library (200,000 volumes) and a museum rich in Roman antiquities. The Muenster (or Cathedral) dates from the 12th and 13th centuries. In the Muensterplatz stands a fine bronze statue of Beethoven, a celebrated German musician, who was born in the Bonngasse, No. 515. This statue faces south, (as do most of the statues that I have seen in Europe, except when the surroundings are unfavorable). One side of the ...
— The Youthful Wanderer - An Account of a Tour through England, France, Belgium, Holland, Germany • George H. Heffner

... zither, cornet and trombone, and by 1877 he had already appeared in concert at Danzig. His family was very poor, and his early years were full of difficulties. It is said that, at the age of nine, he copied the whole score of Wagner's Ring, the scores of the nine Beethoven symphonies and the complete works of Mozart. His regular teacher, in those days, was Stadtpfeifer Schmidt, who instructed him in piano and thorough-bass. In 1884, desiring to have lessons in counterpoint from Prof. Kalbsbraten, of Mainz, ...
— A Book of Burlesques • H. L. Mencken

... garden finished, mellow, blooming with such blossoms as were sold in Saint Luke's Market; he had scarcely ever seen flowers growing in the mass. He saw himself reclining in the garden with a rare and beautiful book in his hand, while the sound of Beethoven's music came to him through the open window of the drawing-room. In so far as he saw Maggie at all, he saw her somehow mysteriously elegant and vivacious He did not see his father. His fancy had little relation ...
— Clayhanger • Arnold Bennett

... constantly came more for the doctor. From time to time he turned and signed to De Silvis, as he heard the loved notes of 'unser Schumann,' 'unser Beethoven,' or even ...
— Norse Tales and Sketches • Alexander Lange Kielland

... thinks the musician's life the highest life. He says those to whom the revelations of God were committed were musicians. As David and Isaiah received inspiration to the strains of the harp, so, he says, have Bach and Mozart, Handel and Haydn, Beethoven and Mendelssohn. And where, indeed," she continued, in a musing tone, half soliloquizing, "where, indeed, can man rise so near heaven as when he listens to the inspired strains of these ...
— Cord and Creese • James de Mille

... fiddle?" Rubinstein's playing I never liked. To me he seemed only the most violent of all the piano-bangers of the world; but he was literally worshipped by his admirers, and was grand to look at—as fine as Beethoven must have been.' ...
— The Life of the Rt. Hon. Sir Charles W. Dilke V1 • Stephen Gwynn

... see what else one can do with one's life, Miss Granger," her companion answered lightly. "Of course, if a man had the genius of a Beethoven, or a Goethe, or a Michael Angelo—or if he were 'a heaven-born general,' like Clive, it would be different; he would have some purpose and motive in his existence. But for the ruck of humanity, what can they do but ...
— The Lovels of Arden • M. E. Braddon

... would hear and taunt her with it later, she knew. But though she scorned the servile and downtrodden Crosby, Sissy, no more than he, dared disobey that grenadier, his mother. She took her seat at the piano, opened a Beethoven that Mrs. Pemberton had given her the last Christmas, under the impression that she was fostering a taste for the classical, and, with a revengeful little hand that couldn't reach the octaves, she began to ...
— The Madigans • Miriam Michelson

... struggling with distress and suffering, he sat down to compose the great works which have made his name immortal in music. Mozart composed his great operas, and last of all his "Requiem," when oppressed by debt and struggling with a fatal disease. Beethoven produced his greatest works amidst gloomy sorrow, when oppressed by almost ...
— Architects of Fate - or, Steps to Success and Power • Orison Swett Marden

... writers on musical subjects would have us believe that the love of vocal melody is outgrown by one who reaches the heights of musical development. This may be true; but if so, the world has not yet progressed so far. Music without melody may some day be written. But Mozart knew naught of it, nor Beethoven, nor Wagner. Melody is still beautiful, and never more lovely than when artistically sung by a beautiful voice. We have not reached a point where we can afford to toss lightly aside the old art ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor

... beheld nothing more than an abstracted frown over the tip-top edge of his paper, I defiantly swung into The Humming Coon, which apparently had no more effect than Herman Lohr. So with malice aforethought I slowly and deliberately pounded out the Beethoven Funeral March. I lost myself, in fact, in that glorious and melodic wail of sorrow, merged my own puny troubles in its god-like immensities, and was brought down to earth by ...
— The Prairie Mother • Arthur Stringer

... had come over the world that violently affected all processes of thought. And strangely, it was strongest in the land where the great heights of poetry and music had just been reached. Where the high aim of a Beethoven and a Goethe had been proclaimed, arose a Wagner to preach the gospel of brute fate and nature, where love was the involuntary sequence of mechanical device and ended in inevitable death, all overthrowing the heroic idea that teems throughout the classic scores, ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp

... world." And throwing this mission backwards, he sees in what the outer world calls the invasion of the Roman Empire by the Goths and Huns the proof that the Germans have always stemmed the tide of tyrant domination. But Fichte belonged to the generation of Kant and Beethoven. Hegel, coming a little later, though as non-nationalist as Goethe, and a welcomer of the Napoleonic invasion, yet prophesied that if the Germans were once forced to cast off their inertia, they, "by preserving in their contact with outward things ...
— Chosen Peoples • Israel Zangwill

... narrow sense! They would hardly say that Handel or Beethoven speaks to a wider audience than Homer or Shakspeare, and certainly no musician or painter or sculptor can hope to delight mankind for as many centuries as a poet. And, then, to think what an idea can accomplish—what Greek ideas ...
— Name and Fame - A Novel • Adeline Sergeant

... with his official duties, and he was forced to be strictly regular and punctual in his arrangements. He was an excellent man, and an intellectual one, delighting in art, poetry, and music, and loving to talk of Shakespeare, Raphael, and Beethoven. ...
— The World's Greatest Books, Vol VIII • Arthur Mee and J.A. Hammerton, Eds.

... one recalls the spiritual heritage of Germany: when one thinks of Herder, Schiller and Goethe; Tauler, Luther and Schleiermacher; Froebel, Herbart and Richter; Kant, Fichte and Novalis; Mozart, Beethoven and Wagner; one feels that something of the old German heritage must survive. When the German people find out what has happened to them and why, that heritage surely ought to show in some reaction against ...
— The Soul of Democracy - The Philosophy Of The World War In Relation To Human Liberty • Edward Howard Griggs

... concert-tours, was to have extended the fame of the Conservatorium; he was the show pupil of the institution, and, in the coming PRUFUNGEN, was to have distinguished himself, and his master with him, by playing Beethoven's Concerto in ...
— Maurice Guest • Henry Handel Richardson

... is a gentle music, quivering like the voice of a great-grandmother in powdered hair. Mozart, he's the precursory genius—the first who endowed an orchestra with an individual voice; and those two will live mostly because they created Beethoven. Ah, Beethoven! power and strength amidst serene suffering, Michael Angelo at the tomb of the Medici! A heroic logician, a kneader of human brains; for the symphony, with choral accompaniments, was the starting-point of all the great ...
— His Masterpiece • Emile Zola

... other girls to stay away. You needn't fear being shocked." At the end of the hall was a little partitioned-off room. Few enough personal goods could be taken along, but she had made this place hers, a painting, a battered Shakespeare, the works of Anker, a microplayer. Her tapes ran to Bach, late Beethoven and Strauss, music which could be studied endlessly. She took hold of a stanchion and nodded, all at once ...
— The Burning Bridge • Poul William Anderson

... astonished. Such power and range of voice; such startling transitions; such endless variety! And withal such boundless enthusiasm and almost incredible endurance! Regarded as pure music, one strain of the hermit thrush is to my mind worth the whole of it; just as a single movement of Beethoven's is better than a world of Liszt transcriptions. But in its own ...
— Birds in the Bush • Bradford Torrey

... himself of unbroken purity, reported to me the words of a foreign artist, that "the world would never be better till men subjected themselves to the same laws they had imposed on women;" that artist, he added, was true to the thought. The same was true of Canova, the same of Beethoven. "Like each other demi-god, they kept themselves free from stain;" and Michael Angelo, looking over here from the loneliness of his century, might meet some eyes that ...
— Woman in the Ninteenth Century - and Kindred Papers Relating to the Sphere, Condition - and Duties, of Woman. • Margaret Fuller Ossoli

... piano cannot have been more than ten feet from the reader's chair; and the strain of reading aloud for an hour against a powerful rendering of the most vigorous compositions of Liszt, Wagner, Beethoven, Brahms and Chopin was a most trying ordeal for voice, brain and nerves. Mr. Pulitzer could apparently enjoy the music and the reading at the same time. Often, when something was played of which he knew the air, ...
— An Adventure With A Genius • Alleyne Ireland

... not look as if it hurt them to pipe. The world may be too small; but the organ cannot possibly be too large. Malibran, Jenny Lind, or Mrs. Mott usually sings to it of an evening, accompanied by Franz, Schubert, or Mendelssohn; or Beethoven drops in to play one of his symphonies. Sunday nights, Handel performs upon it regularly for a choir composed of Vaughan, Herbert, the minister who chants 'Calm on the listening ear of night,' Madame Guyon, and Sarah Adams. Between their hymns, Robertson preaches a sermon and reads from the liturgy ...
— The Continental Monthly, Vol. 6, No 3, September 1864 - Devoted To Literature And National Policy • Various

... hear of Beethoven? He was one of the greatest musical composers that ever lived. His great, his sole delight was in music. It was the passion of his life. When all his time and all his mind were given to music, he became deaf—perfectly deaf; so that he never more heard one single note from the loudest ...
— The Crofton Boys • Harriet Martineau

... the attention of a rustic group to whom you might read from "In Memoriam" in vain. A waistcoat of glaring scarlet will be esteemed by a country bumpkin a garment every way preferable to one of aspect more subdued. A nigger melody will charm many a one who would yawn at Beethoven. You must have rough means to move rough people. The outrageous revival-orator may do good to people to whom Bishop Wilberforce or Dr. Caird might preach to no purpose; and if real good be done, by whatever means, all right-minded ...
— Atlantic Monthly, Vol. 8, No. 46, August, 1861 • Various

... blood, the Prussian military authorities were not losing for centuries the reputation of the great name of Germany." And suppose it were even a small matter if they had lost only the great name of Germany, that the epoch of Goethe, Kant, and Beethoven had covered with glory. But with it they have vilified as well the noble role of the philosopher, of the historian, of the savant, and of the artist. In truth they have betrayed their own gods, and the professions to which they belong can no longer ...
— New York Times Current History; The European War, Vol 2, No. 5, August, 1915 • Various

... one of Keats's poems," I said, "or Beethoven's Ninth Symphony. The odour of a rose doesn't come to anything—bring one anywhere. It would be hard to tell what one really gets out of the taste of roast beef. The sound of the surf on the Atlantic doesn't come to anything, but hundreds of people travel a long way and live ...
— The Lost Art of Reading • Gerald Stanley Lee

... I asked her whether, if she put it to her conscience, she could honestly say that she had holier feelings and higher thoughts, whether, in fact, she felt herself a better human being on her quiet Sunday, than when she heard a Beethoven Symphony, saw a Shakespeare play, or any other noble work of art. She confessed with embarrassment that she could not say so, but nevertheless arrived at the logical conclusion that, for all that, it was very wicked of the Germans ...
— Home Life in Germany • Mrs. Alfred Sidgwick

... dings from Mozart, Beethoven, und Méhul Mit chorals of Sebastian Bach Soopline und peaudiful. Der Breitmann feel like holy saints, De tears roon down his fuss; Und he sopped out, "got verdammich - dis Ist ...
— The Breitmann Ballads • Charles G. Leland

... hoped will lend additional brightness to the vivacious criticisms of The Times, is not to be confined to Opera. The ASTRONOMER-ROYAL will be asked to record his impressions of BEETHOVEN'S "Moonlight Sonata", and the officials of our leading lightships will be asked to report upon PARRY'S ...
— Punch, or the London Charivari, Vol. 146, February 25, 1914 • Various

... hair sitting in the first row of stalls (most uncomfortable seats) who followed every note of the music, turning around and frowning at any unfortunate person in a box who dropped a fan or an opera-glass. It was funny to hear the hum of satisfaction when any well-known movement of Beethoven or Mozart was attacked. The orchestra was perfect, at its best I think in the "scherzos" which they took in beautiful style—so light and sure. I liked the instrumental part much better than the singing. French voices, the women's particularly, are thin, as a rule. ...
— My First Years As A Frenchwoman, 1876-1879 • Mary King Waddington

... a piano-forte, with a number of music-books; upon the walls hang the portraits of Weyse and Beethoven, for our young Baron is musical, nay a ...
— O. T. - A Danish Romance • Hans Christian Andersen

... ages: he did not stir them as much as the morning and evening breezes among the leaves, or the streams trickling down among the great rocks and wearing their way over precipices. But he moved men and women, of all natures and feelings. He could translate Bach and Beethoven, Mendelssohn and Mozart,—all the great poet-musicians that are silent now, and must be listened to through an interpreter. All the great people and all the little people came to hear him. A princess fell in love with ...
— Atlantic Monthly, Vol. XII. July, 1863, No. LXIX. - A Magazine Of Literature, Art, And Politics • Various

... the triumph of woman's love. It is the story of love's redemption. It has something of the tone, colour, and luxuriance of Solomon's Song; both, too, have the same theme, though treated in a different way.... The form is charming—as if the sonatas of Beethoven had been translated into poetry! The denouement is ...
— The Song of the Flag - A National Ode • Eric Mackay

... cities too, and symphonies. Equally her beauty flows Into a savior, or a rose — Looks down in dream, and from above Smiles at herself in Jesus' love. Christ's love and Homer's art Are but the workings of her heart; Through Leonardo's hand she seeks Herself, and through Beethoven speaks In holy thunderings around The awful message of ...
— The Second Book of Modern Verse • Jessie B. Rittenhouse

... passion. He held his performances cheap after the vehement display; he was a happy listener, whether to the babble of his 'dear old Corelli,' or to the majesty of the rattling heavens and swaying forests of Beethoven. ...
— The Shaving of Shagpat • George Meredith

... and modulus of the suffering which it indicates. A fretful or peevish cry cannot by any efforts make itself impassioned. The cry of impatience, of hunger, of irritation, of reproach, of alarm, are all different—different as a chorus of Beethoven from a chorus of Mozart. But if ever you saw an infant suffering for an hour, as sometimes the healthiest does, under some attack of the stomach, which has the tiger-grasp of the Oriental cholera, then you will hear moans that address to their mothers an ...
— The Posthumous Works of Thomas De Quincey, Vol. 1 (2 vols) • Thomas De Quincey

... adored)—and she, listening, would take her place next at the piano, and reproduce the music morsel by morsel, by ear. A professor was appointed to pronounce sentence on me, and declare if I could be trusted not to misinterpret Mozart, Beethoven, and the other masters who have written for the piano. Through this ordeal I passed with success. As for my references, they spoke for themselves. Not even the lawyer (though he tried hard) could pick holes in them. It was arranged ...
— Poor Miss Finch • Wilkie Collins

... second-rate operas, and devoted his declining energies to oratorio, we have to guess at rather than reach by direct disclosure; and till Mr. Thayer shall take away the mantle which yet covers his Beethoven, we shall know but little of the interior nature of that wonderful man. But Mendelssohn now stands before us, disclosed by the most searching of all processes, his own letters to his own friends. And how graceful, how winning, how true, ...
— The Atlantic Monthly, Volume 15, No. 87, January, 1865 • Various

... might have liked music, too. An American isn't inherently incapable of that, I suppose." At which he had turned on sixteen-year-old Lydia with, "Which would you rather have, Lyddy; a husband with a taste for Beethoven or one that'd make you five thousand a year?" Lydia had shudderingly made the answer of sixteen years, that she never intended to have a husband of any kind whatever, and Mrs. Emery had rebuked the doctor later for "putting ideas ...
— The Squirrel-Cage • Dorothy Canfield

... Pons would catch sight of a china cup and buy it in the time that Schmucke took to blow his nose, wondering the while within himself whether the musical phrase that was ringing in his brain—the motif from Rossini or Bellini or Beethoven or Mozart—had its origin or its counterpart in the world of human thought and emotion. Schmucke's economies were controlled by an absent mind, Pons was a spendthrift through passion, and for both the result was the same—they had not a penny ...
— Cousin Pons • Honore de Balzac

... you have brought him into, he will dislike the other work as much as you would yourself. You get hold of a scavenger or a costermonger, who enjoyed the Newgate Calendar for literature, and 'Pop goes the Weasel' for music. You think you can make him like Dante and Beethoven? I wish you joy of your lessons; but if you do, you have made a gentleman of him:—he won't like to ...
— Selections From the Works of John Ruskin • John Ruskin

... excursions, varied, through the zeal of Talleyrand to ingratiate himself with his new master, by a Mass of great solemnity on the anniversary of the execution of Louis XVI. [211] One incident lights the faded and insipid record of vanished pageants and defunct gallantries. Beethoven was in Vienna. The Government placed the great Assembly-rooms at his disposal, and enabled the composer to gratify a harmless humour by sending invitations in his own name to each of the Sovereigns and grandees then in Vienna. Much personal homage, some ...
— History of Modern Europe 1792-1878 • C. A. Fyffe

... human effort should be directed toward increasing morality and suppressing violence." This amounts to saying that well-nigh all the art that the world has hitherto seen is false. Aeschylus, Sophocles, Euripides, Aristophanes, Dante, Tasso, Milton, Shakespeare, Raphael, Michael Angelo, Bach, Beethoven, are all, according to Tolstoi, "false reputations, ...
— Aesthetic as Science of Expression and General Linguistic • Benedetto Croce

... not deaf, like Beethoven," he said, trying to please her. "That would have been worse. Do you know, last night Falloden and I had a glorious talk? He was awfully decent. He made me tell him all about Poland and my people. He never scoffed once. He makes me do what the doctor says. And last night—when ...
— Lady Connie • Mrs. Humphry Ward

... Dog's Tale Abhorred extortion and visible waste. After seventy we are respected—but don't need to behave American public opinion is a delicate fabric Asked forgiveness for the tears he had brought into her life Back Number Beethoven's Fifth Symphony Beethoven's sonatas and symphonies also moved him deeply Bible Blasphemy Cavalleria Rusticana Classic—something that everybody wants to have read Convenient bronchitis Count among my privileges in life that I know you, the author Covetousness ...
— Widger's Quotations from Albert Bigelow Paine on Mark Twain • David Widger









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