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More "Chopin" Quotes from Famous Books
 ... gently in the light breeze. The town band was now allowed a moment's rest. The whole way from the church it had played incessantly an indescribable air; and it was only in the evening, when an account appeared in the papers, that the air was recognized as Chopin's Funeral March. ...
— Garman and Worse - A Norwegian Novel • Alexander Lange Kielland
... then Georgie sat down to practise, and Candace settled herself in a deep cushioned chair in the library with Motley's "Dutch Republic," which she was reading for the first time. It was the chapter on the siege of Leyden; and the wild, fantastic nocturne by Chopin which Georgie was playing, seemed to blend and mix itself with the tragic narrative. Candace did not know how long the reading and the music had been going on, each complementing the other. She was so absorbed in ...
— A Little Country Girl • Susan Coolidge
... deliciously restful they were after the loud roar of the cannon and the rattle of the machine-guns! Who would have thought that such deep, and also such solemn, notes could come from so small a steeple? It stirred the heart and brought tears to the eyes, like some of Chopin's music. Those bells seemed to speak to us, they seemed to call us to prayer and preach courage and virtue ...
— In the Field (1914-1915) - The Impressions of an Officer of Light Cavalry • Marcel Dupont
... the bed, and if we have learned to love it too much to cut off its feet and thus make it fit (as did that old robber of Attica), why we run the risk of having some critic wise in his theoretical knowledge, say, as was and is said of Chopin, "He is weak ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... at her best during a very difficult lesson at the piano from a professor who came from London. Betty had always a passionate love of music, and to-day she revelled in it. She had been learning one of Chopin's Nocturnes, and now rendered it with exquisite pathos. The professor was delighted, and in the midst of the performance Mrs. Haddo came into the music-room. She listened with approval, and when the girl rose, said, ...
— Betty Vivian - A Story of Haddo Court School • L. T. Meade
... his shoulders, and plunges into the program that he has played at all weddings for fifteen years past. It begins with Mendelssohn's Spring Song, pianissimo. Then comes Rubinstein's Melody in F, with a touch of forte toward the close, and then Nevin's "Oh, That We Two Were Maying" and then the Chopin waltz in A flat, Opus 69, No. 1, and then the Spring Song again, and then a free fantasia upon "The Rosary" and then a Moszkowski mazurka, and then the Dvorak Humoresque (with its heart-rending cry in the middle), and then some vague and turbulent thing (apparently the disjecta membra ...
— A Book of Burlesques • H. L. Mencken
... he stopped as he was descending the stairs. A German voice said, 'Sure enough, my jolly landlord, she's there, in Worms—your Bormio. Found her at the big hotel: spoke not a syllable; stole away, stole away. One chopin of wine! I'm off on four legs to the captain. Those lads who are after her by Roveredo and Trent have bad noses. "Poor nose—empty belly." Says the captain, "I stick at the point of the cross-roads." Says I, "Herr Captain, I'm back to you first ...
— The Shaving of Shagpat • George Meredith
... leave Paris.... Of course I was playing Chopin bits, with an ache in my heart to match, that I couldn't bear and was enjoying to the utmost. What do girls play now? Then all of us had attacks of Chopin. Madame used to laugh and say, 'I hear the harbour bar still ...
— O Henry Memorial Award Prize Stories of 1919 • Various
... a long golden hour at the piano, she chanced to take down the Largo in the Chopin sonata. As she began it, something stirred in her mind, some memory that instantly lived with the first notes of the music. How thick-clustered with associations music became, waking a hundred ...
— The Brimming Cup • Dorothy Canfield Fisher
... small, as well as great, harmonies of nature, paused for a moment to listen to the luscious piping of the feathered minstrel, that in its own wild woodland way had as excellent an idea of musical variation as any Mozart or Chopin. Leaning against one of the park benches, with his back turned to the main thoroughfare, he did not observe the approach of a man's tall, stately figure, that, with something of his own light, easy, swinging step, had followed him rapidly along for some little distance, and that now halted ...
— Ardath - The Story of a Dead Self • Marie Corelli
... pleasures of the summer Jacques kept as near as he could to Serena. If he learned a new tune, by listening to the piano—some simple, artful air of Mozart, some melancholy echo of a nocturne of Chopin, some tender, passionate love-song of Schubert—it was to her that he would play it first. If he could persuade her to a boat-ride with him on the lake, Sunday evening, the week was complete. He even learned ...
— The Ruling Passion • Henry van Dyke
... unheard-of fiddling. It was his privilege to drive Liszt back to the piano with an ambition to rival Paganini; as rival him he did. Next Berlioz and romanticism fevered his brain, and then in 1831, the twenty-year-old Liszt and the twenty-one-year-old Chopin struck up their historic friendship, and the two men glittered and flashed in the most artistic salons of Paris. It was about this time that the Polish Countess Plater said, speaking of the genial Ferdinand Hiller and the ...
— The Love Affairs of Great Musicians, Volume 2 • Rupert Hughes
... many lives for himself: a general, like Caesar, he was to conquer the world and die murdered in a great marble hall; a wandering minstrel, he would go through all countries singing and have intricate endless adventures; a great musician, he would sit at the piano playing, like Chopin in the engraving, while beautiful women wept and men with long, curly hair hid their faces in their hands. It was only slavery that he had not foreseen. His race had dominated for too many centuries for that. And yet the world was made of ...
— Three Soldiers • John Dos Passos
... only study which ever conquered her indolence. Here it happened that a famous musician, who settled in Cambridge for a time, came across her gift and took notice of it. And to please him she worked with industry, even with doggedness. Brahms, Chopin, Wagner—these great romantics possessed her in music as Shelley or Rossetti did in poetry. "You little demon, Laura! How do you come to play like that?" a girl friend—her only intimate friend—said to her once in despair. "It's the expression. Where do you get it? And I practise, ...
— Helbeck of Bannisdale, Vol. I. • Mrs. Humphry Ward
... he went into one of the glass showrooms, a prettily furnished apartment whose most notable article of furniture was a grand piano in exquisitely matched Circassian walnut. Absorbed and radiant, Mark put back the cover, twirled the stool, and carefully opened a green book marked "Chopin." Then he sat down, and, with the sigh of a happy child falling upon a feast, ...
— The Story Of Julia Page - Works of Kathleen Norris, Volume V. • Kathleen Norris
... fruit. Schnitz, schnitzen,(Ger.) - To chop, chip, snip. Schönheitsidéal,(Ger.) - The ideal of beauty. Schopenhauer - A celebrated German "philosophical physiologist." Schoppen,(Ger.) - A liquid measure, chopin, pint. Schrocken(Erschrocken) - Frightened. Schwaben - Suabia. Schwan,(Ger.) - Swan. Schweinblatt - (Swine) Dirty paper. Schweitzer kase,(Ger.) - Swiss cheese. Schwer,(Ger.) - Heavy. Schwig, Swig, ...
— The Breitmann Ballads • Charles G. Leland
... dost thou remember, we sat under an agate tree and thou didst say to me, 'Why love? See ochra is growing all around and I love thee; but the ochra will cease to grow, and I shall cease to love.'" Then the fog comes on again, Hoffman appears on the scene, the wood-nymph whistles a tune from Chopin, and suddenly out of the fog appears Ancus Marcius over the roofs of Rome, wearing a laurel wreath. "A chill of ecstasy ran down our backs and we parted for ever"—and ...
— The Possessed - or, The Devils • Fyodor Dostoyevsky
... the pianist's real attractiveness. If Mr. Frohman's "vitality" means the "vital spark," the "life element," it comes very close to a true definition of magnetism, for success without this precious Promethean force is inconceivable. It may be only a smouldering ember in the soul of a dying Chopin, but if it is there it is irresistible until it becomes extinct. Facial beauty and physical prowess all made way for the kind of magnetism that Socrates, George Sand, Julius Caesar, Henry VIII, Paganini, Emerson, Dean Swift or ...
— Great Pianists on Piano Playing • James Francis Cooke
... dynasties, and through Jesuit instrumentality, religious liberty and national independence were lost, and Poland disappeared from the map of Europe. As a race the Poles boast such names as Copernicus the astronomer, Kosciusko the patriot warrior, and Chopin the composer."[66] ...
— Aliens or Americans? • Howard B. Grose
... had been served in the drawing-room, Hood, again dominating the company (much to Deering's disgust), suggested music. Pierrette contributed a flashing, golden Chopin waltz and Pantaloon Schubert's "Serenade," which he played atrociously, whereupon Hood announced that he would sing a Scotch ballad, which he proceeded to do surprisingly well. The evening could not last forever, and Deering chafed at his inability ...
— The Madness of May • Meredith Nicholson
... But my fingers were stiff and my touch was wooden—so it was small wonder my poor lord and master tried to bury himself in his four-day-old newspaper. Then I tried Schubert's Rosamonde, though that wasn't much of a success. So I wandered on through Liszt to Chopin. And even Chopin struck me as too soft and sugary and far-away for a ...
— The Prairie Mother • Arthur Stringer
... smooth and velvety. Indeed, it was a little harsh and was likened to the taste of a bitter orange. But it was just the voice for a tragedy or an epic, for it was superhuman rather than human. Light things like Spanish songs and Chopin mazurkas, which she used to transpose so that she could sing them, were completely transformed by that voice and became the playthings of an Amazon or of a giantess. She lent an incomparable grandeur to tragic parts and to the severe dignity of ...
— Musical Memories • Camille Saint-Saens
... that the rhythmic pulses | | which come most naturally to us are in twos and threes and | | their multiples; while even to beat time in fives requires a | | special effort. In music 5/8 or 5/4 time is extremely rare. | | There is an example of the latter in Chopin's Sonata I (the | | larghetto movement). ...
— The Principles of English Versification • Paull Franklin Baum
... drooped in shower of gold over a bush of delicate white guelder-rose as Zeus over Danae. Upon the wall of the home wistaria hung her pastel-shaded pendants of flower, like the notes of some beautiful melody, sweet and sad, along the giant staves of her stem. A Chopin could have harmonized the melody, weaving in little trills and silvery treble notes from the joy-song of the ...
— Swirling Waters • Max Rittenberg
... gift of singing speech, but his poetry lacks intellectual content. In the volume Nocturne of Remembered Spring (1917), there is a dreamy charm, like the hesitating notes of Chopin. ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps
... it was now a Queen Anne Chateau dripping with Dew-dads of Scroll Work and congested with Black Walnut. The Goddess took her Mocha in the Feathers, and a Music Teacher came twice each week to bridge the awful chasm between Dorothy and Chopin. Dinner had been moved up to Milking Time. Sweetbreads and Artichokes came into the Lives of the Trio thus favored ...
— Ade's Fables • George Ade
... cover all the space; but now they bear, For clover-blooms, fair, stately heads of men With poets' faces heartsome, dear and pale — Sweet visages of all the souls of time Whose loving service to the world has been In the artist's way expressed and bodied. Oh, In arms' reach, here be Dante, Keats, Chopin, Raphael, Lucretius, Omar, Angelo, Beethoven, Chaucer, Schubert, Shakespeare, Bach, And Buddha (sweetest masters! Let me lay These arms this once, this humble once, about Your reverend necks — the ...
— The Poems of Sidney Lanier • Sidney Lanier
... the piano, as was a not infrequent custom of hers before going to bed, not so much because of her enthusiasm for music, but because she did not want to retire to rest too early. On such occasions she played, for the most part, the few pieces which she still knew by heart—mazurkas by Chopin, some passages from one of Beethoven's sonatas, or the Kreisleriana. Sometimes she improvised as well, but never pursued the theme beyond a succession of chords, which, indeed, were always ...
— Bertha Garlan • Arthur Schnitzler
... against it but to draw down the blinds and shut out this angry gloom in the glow of the lamps within. And, with a half hour of such glow to cozen them, the two women were soon merry again over their reminiscences, Mrs. Pollard at her embroidery, Mrs. Reeves at the piano, strumming something from Chopin in the intervals ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various
... as a matter of mercy, say something in defence of those who cannot understand or win emotions from such things as classical music or the "advanced" drama. Pray, in pity's name, what is to be said against the commonplace man who hears an accomplished musician play Beethoven, Bach, or Chopin in his—the commonplace one's—drawing-room, and who says in agony, "Very fine! Very deep! Very profound—profound indeed, sir! Full of breadth and symmetry and that sort of thing! Now do you think we might ...
— Side Lights • James Runciman
... within a hundred yards of home, and had read the stinging paragraph beneath a lamp-post almost at his own doorstep. He entered the house noiselessly, and from Madge's music-room there floated down to him the sound of Chopin's great Funeral March. She played this and some other favourites of her own as few musicians play them, for music had been the one delight of her life, and but for the fleeting theatrical ambition, and for Paul, she ...
— Despair's Last Journey • David Christie Murray
... secretary wrote me a note. It was a nice enough note, of course, but I knew what it meant. I see now well enough that my fingers were rather stiffer than I realized, and that my 'Twinkling Sprays' and 'Fluttering Zephyrs' were not quite up to date. They wanted Grieg and Lassen and Chopin. 'Very well,' said I, 'just wait.' Now, I never knuckle under. I never give up. So I sent right out for a teacher. I practised scales an hour a day for weeks and months. Granger thought I was going crazy. I tackled Grieg and Lassen ...
— With the Procession • Henry B. Fuller
... very much better than you did a month after your illness, Mrs. Fullerton," said Joseph Fleming, who was to take a hand, while Hadria played Grieg or Chopin, or Scottish melodies to please the old people. The whist-players enjoyed ...
— The Daughters of Danaus • Mona Caird
... a higher star, 'Twill then be time earth's daisies to despise; But not till then. And if the child can sing Sweet songs like "Robin Gray," why should I fling A cloud over her music's joy, and set for her the heavy task Of learning what Bach knew, or finding sense under mad Chopin's mask? ...
— Lippincott's Magazine Of Popular Literature And Science, No. 23, February, 1873, Vol. XI. • Various
... the Duke had begun to play, an invisible figure came and stood by and listened; a frail man, dressed in the fashion of 1840; the shade of none other than Frederic Chopin. Behind whom, a moment later, came a woman of somewhat masculine aspect and dominant demeanour, mounting guard over him, and, as it were, ready to catch him if he fell. He bowed his head lower and lower, he looked up with ...
— Zuleika Dobson - or, An Oxford Love Story • Max Beerbohm
... caught a pile of music that lay on the table next to Miss Stanton's dolls' cabinet in the corner of the room opposite the piano. He observed the Beethoven Concerto for pianoforte which had Helene Stanton's name on it, also the C Minor and F Minor concertos of Chopin, besides other compositions for pianoforte of an exceedingly difficult character; all this music was marked with her name and ...
— The Music Master - Novelized from the Play • Charles Klein
... length having Chopin for its subject was Liszt's "Frederic Chopin," which, after appearing in 1851 in the Paris journal "La France musicale," came out in book-form, still in French, in 1852 (Leipzig: Breitkopf and Hartel.—Translated into English by M. W. Cook, and published by William Reeves, London, 1877). ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... during an evening call he interned him in the vitals of a tuneless Baby Grand, and for three hours played on him CHOPIN'S polonaise in A flat major, with the loud pedal down. On his release Feodor had lost his reason and rushed to the nearest police-station to ask to be sent to the Front immediately. His object, he explained, was to end the War. The Bulgar authorities thought the ...
— Punch, Or The London Charivari, Vol. 152, January 24, 1917 • Various
... attitude, the attitude of an old and understanding professor, shaking his head musingly as his tender pupils, unmellowed yet in the autumnal fragrances of life, giggle covertly over the pages of Balzac and Flaubert, over the nudes of Manet, over even the innocent yearnings of the bachelor Chopin. ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
... Washington's Headquarters in Newburgh, bears the name of "Geo. Astor & Co., Cornhill, London;" while still another in my immediate neighborhood in Washington has the inscription of "Astor and Camp, 79 Cornhill, London." Their octaves were few in number, and a pupil of Chopin would have regarded them with scorn; but upon these little spindle-legged affairs a duet could be performed. My first knowledge of instrumental music was derived from one of these pianos, and among ...
— As I Remember - Recollections of American Society during the Nineteenth Century • Marian Gouverneur
... "OLD EMMET." If there is, let him be brought forward—not to be chucked out of the window, as Mrs. F.'s AUNT might suggest,—but to be thanked and wondered at as an inchoate OFFENBACH, who might, under other circumstances, have written an American opera-bouffe, or, better still, as a possible CHOPIN, who might have written a second "March Funebre" as hopeless and desolate and fascinating as that of the despairing and poetic Pole. (I am coming to "FRITZ" in a moment, but I won't be hurried ...
— Punchinello, Vol. 1, No. 18, July 30, 1870 • Various
... blossoms, came the tinkling music of contadini bells, the bleating of kids, the twittering of happy birds, the distant chime of an Angelus; all the subtle harmony, the fragmentary melody that flickers through an Impromptu of Chopin or Schubert. She saw the simulacrum of her former self, the proud, happy Beryl of old, singing from the score of the "Messiah", in the organ loft of a marble church; she heard the rich tenor voice of her handsome brother, as he trilled a barcarole one ...
— At the Mercy of Tiberius • August Evans Wilson
... humming-bird's throat. Over such spots one sits in his boat spell-bound, color-entranced, and the ears of his soul listen to color music as thrilling, as enchanting as melodies by Foster and Balfe, minuets by Mozart and Haydn, arias by Handel, nocturnes and serenades by Chopin and Schumann, overtures by Rossini, massive choruses and chorals by Handel, Haydn and Mendelssohn, fugues by Bach, and concertos ...
— The Lake of the Sky • George Wharton James
... insisted, against the protest of the Countess, upon sitting at the piano and playing; and of how they came out again, the eyes of the Countess streaming with tears, and of her saying, as they drove away, "Never, never forget, my child, as long as you live, that you have heard Chopin play." It was in one of the lubberly houses of the Place Vendome that the poet of the keyboard died a few days later. Just around the corner, in the Rue du Mont Thabor, died Alfred de Musset. A brass ...
— Marse Henry, Complete - An Autobiography • Henry Watterson
... but not too much; for when a cognate mind becomes thoroughly imbued with the spirit of an author, the transmutation of his ideas into another form of speech becomes a simple and natural process. To those who already know Chopin and are striving to play his music, this book will be invaluable, as giving a deep insight into the meaning and proper mode of rendering his compositions. To those who know nothing of him, and who are still floundering amid the fade and flimsy productions ...
— The Continental Monthly, Vol. III, No. V, May, 1863 - Devoted to Literature and National Policy • Various
... croquet, Then she daintily dusted her face; Then she sprinkled herself with "Ess Bouquet," Fished out from the foregoing case; And we chattered of Gassier and Grisi, And voted Aunt Sally a bore; Discussed if the tight rope were easy, Or Chopin much ...
— Collected Poems - In Two Volumes, Vol. II • Austin Dobson
... many other good writers that it would require a volume to do them justice. We name only, by way of indicating the wide variety that awaits the reader, the charming stories of Grace King and writers Kate Chopin dealing with plantation life; the New England stories, powerful or brilliant or somber, of Sarah Orne Jewett, Rose Terry Cooke and Mary E. Wilkins; the tender and cheery southern stories of Thomas Nelson Page; the impressive stories of mountaineer life ...
— Outlines of English and American Literature • William J. Long
... again, and her smile in the moonlight reminded him of a rippling passage of Chopin. Prosaic enough, however, was what she went on to tell him of her struggle for life by day and for learning by night. 'Of course, I could only attend the night medical school. I lived by lining cloaks with fur; my bed was the corner of a room inhabited by a whole family. A ...
— Ghetto Comedies • Israel Zangwill
... hint, O Musician, the piece that you played Is naught but a copy of Chopin or Spohr; That the ballad you sing is but merely "conveyed" From the stock of the Ames and the Purcells of yore; That there's nothing, in short, in the words or the score, That is not as out-worn as the "Wandering Jew"; Make answer—Beethoven could scarcely do more— That the man ...
— The Home Book of Verse, Vol. 4 (of 4) • Various
... profits amounting to $16,000, Mme. Sembrich sang an aria; then came upon the stage and played a violin obbligato to Mme. Nilsson's performance of the familiar Bach-Gounod "Ave Maria"; again she appeared and this time played a Chopin Mazourka on the pianoforte. In every instance she was the complete artist, and the public, who had been charmed by her witcheries as Mozart's Zerlina and melted by the pathos of her singing in the last act of "La ...
— Chapters of Opera • Henry Edward Krehbiel
... to superstition— to lend a patient ear to earth's self-constituted vice- gerents of Omniscience. But God spoke to him through nature. The flowers he so passionately loved were reminders of His loving tenderness; in the divine music of Wagner, Liszt and Chopin, he recognized the voice of God. His faith was broad as the universe—deep as infinity. He loved purity; he hated hypocrisy; and for this he died ...
— Volume 12 of Brann The Iconoclast • William Cowper Brann
... movement of Chopin's Marche Funebre affects me very disagreeably. The music is, to me, absolutely repugnant. The beautiful melody in the second movement is, however, to me exceedingly agreeable and affords me intense pleasure and gratification. ...
— The Dawn of Reason - or, Mental Traits in the Lower Animals • James Weir
... far-off blue mountains, while little birds sing their love-songs, and golden-haired children weave garlands of wild roses; or when in the solemn twilight we listen to wondrous harmonies of Beethoven and Chopin that stir the heart like voices from an unseen world; at such times one feels that the profoundest answer which science can give to our questionings is but a superficial answer after all. At these moments, when the world seems fullest of beauty, one feels most strongly that it ...
— The Unseen World and Other Essays • John Fiske
... great artist. As an interpreter of Chopin she had no rival among women, and only one man was her equal. She had fire, tenderness, passion, strength; she had beyond all these, soul, which is worth more in true expression than the most marvelous technique. She had chosen Chopin for his ...
— The Place of Honeymoons • Harold MacGrath
... the genius of the man were vain—he had elements in his character that made him akin to Keats, Shelley, Burns, Byron, Chopin and Stephen Crane. With these his name will in brotherhood be forever linked. He was one made to suffer, sin and die—a few short summers, and autumn came with yellow leaves and he was gone. And the principal legacy he left us is ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... tumultuous sky—the latter an architectural mass of pale cloud, spanned by a vivid rainbow. Across the lower part of the picture is a scroll, on which are written, in musical notation, two bars from Chopin's Twentieth Prelude. At the top are the words, Studies in Harmony: it is an advertisement ...
— The Healthy Life, Vol. V, Nos. 24-28 - The Independent Health Magazine • Various
... share; then Georgie sat down to practise, and Candace settled herself in a deep cushioned chair in the library with Motley's "Dutch Republic," which she was reading for the first time. It was the chapter on the siege of Leyden; and the wild, fantastic nocturne by Chopin which Georgie was playing, seemed to blend and mix itself with the tragic narrative. Candace did not know how long the reading and the music had been going on, each complementing the other. She was so absorbed in her book as not to heed the sound of the bell or Frederic's ...
— A Little Country Girl • Susan Coolidge
... the past weeks—a kind of painful pleasure, such as he had tried to screw into those lines about the voice in the night crying; a feeling such as he had known as a small boy listening avidly to Chopin, yet wanting to cry. And he wondered why it was that he couldn't say to her quite simply what she had said ...
— Forsyte Saga • John Galsworthy
... replied, "Pardon my hasty remark—you speak but truth." And then he played Chopin's "Funeral March," a dirge not only to the great men of Poland gone, but to ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard
... look through and through one. But after she had heard him play she lost her shyness, for in his music she heard the voices she loved. He called her "little one," and told her long stories of Liszt and Chopin and the other masters. "They are the people that live ...
— Keineth • Jane D. Abbott
... game that I actually ceased to hear the piano. Then, after a while I heard it again, played in quite an unusual manner. The player had got beyond "Irish Eyes" and the rest of those tunes. He was playing, with the tenderest feeling, one of Chopin's Nocturnes. He asked me afterwards if I could by any means borrow for him a volume of Beethoven, one which contained the "Waldstein" if possible. He confessed that he could not play the "Waldstein" without the score. He was an elderly man, ...
— A Padre in France • George A. Birmingham
... band music, and down the road, outside the high wire fence, a little procession led by soldiers in gray-blue, playing Chopin's "Funeral March." Behind them came the hospital hearse, priests, and a weeping peasant family. The little procession moved slowly behind the wailing trumpets—it was an honor given to all who died here, except the enemy—and ...
— Antwerp to Gallipoli - A Year of the War on Many Fronts—and Behind Them • Arthur Ruhl
... silence until the room was quite dark, lit only by the vague lamplight which shone in through the fine lace curtains from the street. Then Mary rose and played a little, very softly, in the darkness, morsels of Chopin, until the footman came in with a bright lamp, announcing that dinner was on the table. And Charles Sylvester ...
— A Comedy of Masks - A Novel • Ernest Dowson and Arthur Moore
... of Balzac's "Polar Star" was Madame Delphine Potocka who was a great friend of Chopin, to whom he dedicated some of his happiest inspirations, and whose voice he so loved that he requested her to sing while he was dying. Her box at the opera was near Balzac's so that he saw her frequently, and dined with her, but did not ...
— Women in the Life of Balzac • Juanita Helm Floyd
... the bone-'" said Jock. "What's that? Chopin? Sydney, will you condescend to the ...
— Magnum Bonum • Charlotte M. Yonge
... helmet and sabre stood a piano open, and with a piece of music on the stand—a movement by Chopin; a violoncello leaned in its case in one corner, a cornet-a-piston showed itself, like an arrangement in brass macaroni packed in red velvet upon a side-table; and in front of it lay open a small, flat flute-case, wherein were the two halves of a silver-keyed instrument ...
— The Queen's Scarlet - The Adventures and Misadventures of Sir Richard Frayne • George Manville Fenn
... were making the Natchez pilgrimage and came unwarned upon "Goat Castle." Lovely strains of music could be heard, coming from an old piano, sometimes improvised, sometimes a bit of Bach, Mozart, Chopin, played with much feeling. As the strangers approached the house they were shocked at the dilapidation—sash missing in the windows, doors off hinges, boards decayed and missing from the house and porch. ...
— Seaport in Virginia - George Washington's Alexandria • Gay Montague Moore
... no great performer, but what she could play she played by heart, and Nature had provided her with a sweet, thrush-like voice, with that true musical thrill which no teaching can impart. At the first few bars of a Chopin nocturne Mr Macalister's newspaper wavered, and fell to his knee. Margot heard the rustle of it, slid gradually into a simpler melody, and was conscious of a heavy hand waving ...
— Big Game - A Story for Girls • Mrs. George de Horne Vaizey
... him to come as soon as possible to the fountainheads of this literature in the works of a few great masters who have set the pace and established the limits for all the rest. In the line of purely instrumental music this has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Chopin, Liszt, and Wagner. The latter, who exercised a vast influence upon the manner of developing a musical thought and in the selection of the orchestral colors in which it can be expressed advantageously, powerfully stimulated all composers later than himself, nevertheless ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... piano, but also the way of writing it, authors give to performers all necessary indications, and they have only to carefully observe them. There are, however, some interesting remarks applicable to the music of Chopin which recent editions unfortunately are commencing to falsify. Chopin detested the abuse of the pedal. He could not bear that through an ignorant employment of the pedal two different chords should be mixed in tone together. Therefore, he has given indications with the greatest ...
— On the Execution of Music, and Principally of Ancient Music • Camille Saint-Saens
... at Versailles, he saw but seldom. In lieu of these, he regularly visited George Sand, who was at present settled in a small flat of the Rue Pigalle in Paris, and was there enjoying the society of Chopin. With a connoisseur's envy, the novelist describes to Eve the interior, the elegantly furnished dining-room in carved oak, the cafe-au-lait upholstered drawing-room, with its superb Chinese vases of fragrant flowers, its cabinet of curiosities, ...
— Balzac • Frederick Lawton
... lines would tend to eliminate many of the great geniuses of the world who were not only "Bohemian," but actually and pathologically abnormal—men like Rousseau, Dostoevsky, Chopin, Poe, Schumann, Nietzsche, Comte, Guy de Maupassant,—and how many others? But such considerations should not lead us into error of concluding that such men were geniuses merely because they were pathological specimens, and that the only way ...
— The Pivot of Civilization • Margaret Sanger
... indefatigably. The advent of a more elastic rhythm and tempo has undoubtedly made all musical performance infinitely more pleasurable to the listener than it formerly was; but unfortunately (especially since the advent of Chopin's music) there has been a great deal of misunderstanding as to the use and meaning of this ...
— Essentials in Conducting • Karl Wilson Gehrkens
... as well as on individual habits and popular customs. The odor of manure is no doubt pleasant to a farm laborer, but it is unpleasant to us. The male invert finds man more beautiful than woman. A savage or a peasant regards as beautiful what a cultured man considers ugly. The music of Wagner or Chopin is tiresome to a person with no musical education or ear, while a melomaniac goes into raptures ...
— The Sexual Question - A Scientific, psychological, hygienic and sociological study • August Forel
... atmosphere of Juliet's tomb Prepared for all the things to be said, or left unsaid. We have been, let us say, to hear the latest Pole Transmit the Preludes, through his hair and finger tips. "So intimate, this Chopin, that I think his soul Should be resurrected only among friends Some two or three, who will not touch the bloom That is rubbed and questioned in the concert room." —And so the conversation slips Among velleities and carefully caught regrets Through ...
— Prufrock and Other Observations • T. S. Eliot
... no marche funebre upon her piano, even though Chopin's romantic lamentation was then at the top of nine-tenths of the music-racks in the country, American youth having recently discovered the distinguished congeniality between itself and this deathless ...
— The Magnificent Ambersons • Booth Tarkington
... would begin the career of duty: she would enjoy boundless equanimity: she would raise her whole being to the level of her sublime passion. She would practise charity, humility, piety,—in fine, all the virtues: together with certain morceaux of Beethoven and Chopin. She would walk the earth like one glorified. She would do homage to the best of men by inviolate secrecy. Here, by I know not what gentle transition, as she lay in the quiet darkness, Elizabeth covered her pillow with ...
— The Atlantic Monthly, Volume 15, No. 89, March, 1865 • Various
... again through the warm twilight. In Southernhay, as I was passing a house of which the ground-floor windows stood open, there sounded the notes of a piano—chords touched by a skilful hand. I checked my step, hoping, and in a minute or two the musician began to play that nocturne of Chopin which I love best—I don't know how to name it. My heart leapt. There I stood in the thickening dusk, the glorious sounds floating about me; and I trembled with very ecstasy of enjoyment. When silence came, I waited in the hope ...
— The Private Papers of Henry Ryecroft • George Gissing
... grieves Low overhead, Above grey mosses whispering of leaves Fallen and dead. And through the lonely night sweeps their refrain Like Chopin's prelude, sobbing 'neath ...
— Flint and Feather • E. Pauline Johnson
... times the term has been widened to include music in which there is one chief melody to which other portions of the musical texture are subordinate; e.g., the homophonic style of Chopin in whose works the chief melody, often in the upper voice, seems to float on ...
— Music: An Art and a Language • Walter Raymond Spalding
... if it had any key at all, was rather in the mood of Chopin's Nocturne in D flat major. A little sigh for the death of a day, a sob for the beauty of that death, and a hope and ecstasy for the new day yet unborn—all of that on a ...
— The Vertical City • Fannie Hurst
... court usually being present. It was not until this time, however, that Chase felt that he could sit through a concert without being bored to extinction. He loved music, but not the kind that the royal orchestra rendered; Wagner, Chopin, Mozart were all the same to him—he hated them fervently and he was not yet given to stratagems and spoils. He sat at a table with the French attache just below the box occupied by the Princess and her party. In spite of the fact that he was a gentleman, ...
— The Man From Brodney's • George Barr McCutcheon
... rhythmic pulses | | which come most naturally to us are in twos and threes and | | their multiples; while even to beat time in fives requires a | | special effort. In music 5/8 or 5/4 time is extremely rare. | | There is an example of the latter in Chopin's Sonata I (the | | ...
— The Principles of English Versification • Paull Franklin Baum
... was nothing in the world she loved so much as a symphony orchestra. She sat back in her chair, close to the edge of the box, with a happy sigh, and studied her program. Everything that she liked best, Chopin, Saint-Saens, and Wagner—Siegfried's Death. Gyp, eyeing her chaperon's happy anticipation, ...
— Highacres • Jane Abbott
... passed through Antwerp made his rooms a favorite resort and house of call. And Barty was introduced into a world as delightful to him as it was new—and to music that ravished his soul with a novel enchantment: Chopin, Liszt, Wagner, Schumann—and he found that Schubert had written a few other songs besides the ...
— The Martian • George Du Maurier
... a Pole, and for a large part of his life a resident of France, among the German composers, may require an explanatory word. Chopin's whole early training was in the German school, and he may be looked on as one of the founders of the latest school of pianoforte composition, whose highest development is in contemporary Germany. He represents German music by his affinities ...
— The Great German Composers • George T. Ferris
... hers before going to bed, not so much because of her enthusiasm for music, but because she did not want to retire to rest too early. On such occasions she played, for the most part, the few pieces which she still knew by heart—mazurkas by Chopin, some passages from one of Beethoven's sonatas, or the Kreisleriana. Sometimes she improvised as well, but never pursued the theme beyond a succession of chords, which, indeed, were always ...
— Bertha Garlan • Arthur Schnitzler
... Alwyn, whose every sense was pleasantly attuned to the small, as well as great, harmonies of nature, paused for a moment to listen to the luscious piping of the feathered minstrel, that in its own wild woodland way had as excellent an idea of musical variation as any Mozart or Chopin. Leaning against one of the park benches, with his back turned to the main thoroughfare, he did not observe the approach of a man's tall, stately figure, that, with something of his own light, easy, swinging ...
— Ardath - The Story of a Dead Self • Marie Corelli
... "Chopin, my friend," said the lady who had attached herself to Harkless. She tapped Tom's shoulder with her ...
— The Gentleman From Indiana • Booth Tarkington
... whisper, you may say, more to himself than to us, he sang that Scotch song, "Turn ye to me," which to my ear at least stands a head and shoulders taller and lovelier than any folk song in all the world, unless it's that Norman sailor song that Chopin used ...
— We Three • Gouverneur Morris
... few are known to fame beyond the frontiers of Italy. The younger men follow religiously in the steps of Mascagni or Puccini, while their elders still hang on to the skirts of 'Aida.' Giacomo Orefice won a success of curiosity in 1901 with his 'Chopin,' a strange work dealing in fanciful fashion with the story of the Polish composer's life, the melodies of the opera being taken ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... the piano. She played really well. Otherwise she would not have played to him, or to any one. She was specially at home in the music of Chopin, and had studied minutely many of the "Etudes." Now she began to play the Etude in E flat. As she played she felt that the intense nervous irritation which had possessed her was diminishing slightly, was becoming more bearable. She played several of the Etudes, and presently began the one in ...
— In the Wilderness • Robert Hichens
... "Cabinet of Gems," or that divine prelude the Englishman was at that moment pouring out from his piano in a neighboring palazzo, in a flood of harmony as golden and rich as the wine of Capri, every note of which, we know, had been a life-drop wrung from the proud, breaking heart of Chopin, when he sat alone, that solemn, stormy midnight, in the old convent-chamber at Majorca. But the toil and suffering are forgotten in the enjoyment of creation, and genius itself, when going down into the fiery baptism of sorrow, or walking over the red-hot ploughshares of temptation, would ...
— The Atlantic Monthly, Volume 4, No. 24, Oct. 1859 • Various
... "Rocks of St. Malo." The result was she had been requested to go on with lessons that had had such a favorable beginning, and my musical education was entrusted to her until it came time for me to play the music of Chopin and Liszt. ...
— The Story of a Child • Pierre Loti
... and somewhat relieved. "Haven't we? And what a friendship it has been! A triangular affair, like a loving cup—you and I and some one of the great masters of melody. Shall it be Chopin to-night, or shall we begin with something lighter and finish with the ...
— An American Suffragette • Isaac N. Stevens
... charmed and captivated the lady on his right, would, when once in this room, sit astride some chair, a pipe in one hand, a mug of beer in the other. Here he would discuss with Simmons or Jack or Oliver his preference of Chopin over Beethoven, or the difference between Parepa-Rosa and Jenny Lind, or any topic which had risen out of the common talk, and all too with a grotesqueness of speech and manner that would have ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... more ambitious spirits spin The web of life for weal or woe, Whilst I above my violin Shall sit and watch the vale below All crimson in the afterglow; And when the patient stars grow bright I'll draw across the strings my bow Till Chopin ushers in ...
— Punch, 1917.07.04, Vol. 153, Issue No. 1 • Various
... spoke no more about music. And long before we reached the hotel she who had played—I cannot say for certain what she played that day in the Luxembourg Gardens; my love of music was not then fully awakened; could it have been?—the names of Bach and Chopin come up in my mind—"I can't speak about music," she said, as we turned into the Rue du Bac, and she ran up the stairs of the hotel possessed completely by the other Mildred. She asked her mother to play the "Brooklyn Cake Walk," and she danced "the lovely two-step," as ...
— Memoirs of My Dead Life • George Moore
... modern piano sonata is to me anathema as a rule, there are none of MacDowell's works that I like better than his writings in this form. They are to me far the best since Beethoven, not excepting even Chopin's (pace his greatest prophet, Huneker). They seem to me to be of such stuff as Beethoven would have woven had he known in fact the modern piano ...
— Contemporary American Composers • Rupert Hughes
... billiard-table. The inn lay a couple of hundred yards back from Huferschingen; but it had been made the headquarters of the keepers, and just outside this room there were a number of pegs for them to sling their guns and bags on when they came in of an evening to have a pipe and a chopin of white wine. Ziska's uncle and aunt were both large, stout, and somnolent people, very good-natured and kind, but a trifle dull. Ziska really had the management of the place, and she was not slow to lend a hand if the servants were remiss in waiting on us. But that, ...
— Stories By English Authors: Germany • Various
... his father. [We have here a suggestion of the tempo rubato as played by Chopin according to the testimony of Mikuli, who said that no matter how free Chopin was either in melody or arabesque with his right hand, the left always adhered strictly to the time. Mozart learned the principle from his father who in his method for the violin condemned the accompanists ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... toward the close of 1831 that Liszt met Chopin in Paris. From the first, these two men, so different, became fast friends. Chopin's delicate, retiring soul found a singular delight in Liszt's strong and imposing personality. Liszt's exquisite perception enabled him perfectly to live in the strange dreamland ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... Learn it in the stocks aright! When our ears wild noises shook, On the sky we cast no look, Neither stock nor stone reviewed, But were punished as we stood. Seest thou now, licentious wight? That, to us, yon flaring sun Is the Heidelbergers' tun; Castles, mountains, trees, and towers, Seem like chopin-cups of ours. Learn'st thou now, licentious wight? Learn it in ...
— The Works of Frederich Schiller in English • Frederich Schiller
... at the piano and began mechanically to play scales, but the somnolent monotony of the tones only added to her nervousness. Later she played some of Chopin's Nocturnes, lingered over those mysterious tones that seemed like strains from another world, full of tears, pain, cries of anguish, and bleak despair; the radiance of cold moonlight nights, moans like the whisper of departing souls, the laughter ...
— The Comedienne • Wladyslaw Reymont
... Lorimer had been more angry than ever before in his life; then the inevitable reaction had come, and it had been a penitent, hopeful sinner who had walked up the pier at Thayer's side, late in the afternoon. But Arlt, who had been playing Chopin at Monomoy, all the previous evening, was quite at a loss to understand how a single day's fishing could so completely exhaust a strong man ...
— The Dominant Strain • Anna Chapin Ray
... Second Series. Chopin, Dvorak, Brahms. With an Essay on Musical Form. With Four Portraits. Crown ...
— Astronomy of To-day - A Popular Introduction in Non-Technical Language • Cecil G. Dolmage
... Field. His first composition appeared in his twelfth year, and soon his songs and two and four hand piano-pieces began to attract the attention of musicians. In 1840 Villoing took him to Paris and placed him in the Conservatory, where he attracted the attention of Liszt, Chopin, and Thalberg. He remained in that city eighteen months, devoting himself to unremitting study, and then made some professional tours, in which he met with extraordinary success, particularly in England. From that country he went to Holland and Sweden, everywhere meeting ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... in his last days, insisted that he wrote more easily in his night-shirt. Richard Wagner deliberately put on certain rich materials in colours and hung his room with them when composing the music of The Ring. Chopin says in a letter to a friend: "After working at the piano all day, I find that nothing rests me so much as to get into the evening dress which I wear on formal occasions." In monarchies based on militarism, royal princes, as soon as they ...
— Woman as Decoration • Emily Burbank
... like Beethoven, tormented by deafness and tremblings for the immediate future; he had no powerful foes to fight, for he did not bid for a great position in the world like Handel. Nor was he a romantic consumptive like Chopin, with a bad cough, a fastidious regard for beauty, and a flow of anaemic melody. He was divinely gifted with a greater richness of invention than was given to any other composers excepting two, Bach and Mozart; and death would not take his gifts ...
— Old Scores and New Readings • John F. Runciman
... gold over a bush of delicate white guelder-rose as Zeus over Danae. Upon the wall of the home wistaria hung her pastel-shaded pendants of flower, like the notes of some beautiful melody, sweet and sad, along the giant staves of her stem. A Chopin could have harmonized the melody, weaving in little trills and silvery treble notes from the joy-song of ...
— Swirling Waters • Max Rittenberg
... An unacknowledged longing possessed him to see how she would carry herself now. He caught up the book he had come for, and went downstairs to the piazza. Sylvia had vanished. Disappointed, he went back into the house. Straying to the piano, he sat down and began to play a Chopin prelude. It was John's one and only instrumental achievement, learned by ear, and dug out of the ivories, as one might say, by long hours of ...
— The Opened Shutters • Clara Louise Burnham
... thing! But I mean other music, the hard things that papa likes. There is one of the Chopin nocturnes that Mrs. Duncan plays, oh, it is so beautiful! I wish you ...
— Betty Leicester - A Story For Girls • Sarah Orne Jewett
... sat under an agate tree and thou didst say to me, 'Why love? See ochra is growing all around and I love thee; but the ochra will cease to grow, and I shall cease to love.'" Then the fog comes on again, Hoffman appears on the scene, the wood-nymph whistles a tune from Chopin, and suddenly out of the fog appears Ancus Marcius over the roofs of Rome, wearing a laurel wreath. "A chill of ecstasy ran down our backs and we parted for ever"—and ...
— The Possessed - or, The Devils • Fyodor Dostoyevsky
... its manifestations, as in song, the opera, and programme music, has a representative and illustrative character. In Chopin's "Funeral March" we hear the tolling of church bells, and it is easy to visualize the slow, straggling file of mourners following the bier; the composition here has a definite objective base drawn from external fact, and the "idea" is not exclusively musical, but admits an infusion of pictorial ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... and some painful experiences. Joachim, the great violinist, and a great favourite of his, died in August, and his death was followed next month, September, by that of the composer Grieg, the "Chopin of the North," as the Emperor called him, whose friendship the Emperor had acquired on one of his Norwegian trips. Quite at the end of the year his early tutor, Dr. Hinzpeter, for whom he always had ...
— William of Germany • Stanley Shaw
... and I will walk out on his nobs. And, anyway, Huneker wrote the story long ago. About a piano player in Coney Island that he called—what was it? Oh, yes, "A Chopin of the Gutter." ...
— A Thousand and One Afternoons in Chicago • Ben Hecht
... plays truant from earth, slips through the wicket of fancy into heaven's meadow, and goes gathering stars. Here we have that absolute virgin-gold of song which is the scarcest among human products, and for which we can go to but three poets—Coleridge, Shelley, Chopin, {8} and perhaps we should add Keats. Christabel and Kubla-Khan; The Skylark, The Cloud, and The Sensitive Plant (in its first two parts). The Eve of Saint Agnes and The Nightingale; certain of the Nocturnes;—these ...
— Shelley - An Essay • Francis Thompson
... be produced by the prosecution, not by the eloquent advocate for the defence. Moreover, I do not believe Mr. Arthur Symons admires them any more than I do; he never mentions them in his text. 'Le Debris d'un Poete,' the 'Coiffing,' 'Chopin's Third Ballad,' and those for Salome would have sufficed. With these omissions the monograph might have been smaller; but it would have been more truly representative of Beardsley's genius ...
— Masques & Phases • Robert Ross
... assassin, George Sand. The man was a Polish musician, of delicate constitution, who seemed to leave a portion of his existence in each one of his works, and who felt himself dying at twenty-nine years of age. He was called Frederic Francois Chopin. The children belonged to the novelist, who was ...
— The Dead Command - From the Spanish Los Muertos Mandan • Vicente Blasco Ibanez
... rush in to the one center in the whole camp where they can congregate. Martin Harvey has just been here to cheer them up, and they were enthusiastic over a fine lecture and recital last night on Chopin. The Colonel in command takes particular pride in the Y M C A for his men, and states that crime among them has been reduced ninety per cent since ...
— With Our Soldiers in France • Sherwood Eddy
... that's sickening. I consider that the most morally relaxing bit of music that I know. It frays the whole moral fibre. Give us one of Chopin's Ballades, or better still a bit of that posthumous Fantasie Impromptu, the largo movement. Ah! ...
— The Sky Pilot in No Man's Land • Ralph Connor
... is formal and old-fashioned, and, at times, too thin to attract the sympathy or to excite the interest of pianists of the present day, who enjoy the richer inheritance of Beethoven, the romantic tone-pictures of Schumann and Brahms, the fascinating miniatures of Chopin, and the clever glitter of Liszt. Still it does not deserve utter oblivion. Hear what Fr. Rochlitz says of it in the Allg. Mus. Zeit.: "It (the sonata) is indeed a tragic scene, one so clearly thought out and so definitely expressed, that it ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... asked. Why, Pen, being on the Pincio, had fallen on the French troops, had pushed through, and heard 'l'ordre du jour' read, had made friends with 'ever so many captains,' had marched in the ranks round the Pincio and into the caserne, had talked a great deal about Chopin, Stephen Heller, &c., with musical officers, and most about politics, and had been good-naturedly brought back to our door because he was 'too little to come alone through the crowd.' What had they not ...
— The Letters of Elizabeth Barrett Browning, Volume II • Elizabeth Barrett Browning
... You are a genuine music lover, genuinely musical, but you can't play. You long to reproduce and express at home the music you have heard elsewhere. If only, after hearing Paderewski play your favorite Chopin nocturne, which, as with so many other music lovers, is the exquisite one in G major, Opus 37, No. 2, you could go to your own pianoforte and play it! You think it is one of the most beautiful compositions in the whole repertory, and of all pianists whom you have ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... Harry Lauder, Sousa, Liszt, Beethoven, Chopin, Wagner, Brahms, Grieg, Moszkowsky, the "latest song hit" from anything you please. Ask and you will find along this thoroughfare. There are no more prosperous looking bazaars on this street than those consecrated to the sale of "musical phonographs" of every make. And if the ...
— Walking-Stick Papers • Robert Cortes Holliday
... It was Chopin she played to-night, and Quarles, who had been more interested in her than in the rest of the company, immediately lost himself in the music. He applauded as vociferously as any one in the audience, and after the performance would talk of nothing but music. It pleased ...
— The Master Detective - Being Some Further Investigations of Christopher Quarles • Percy James Brebner
... French originally, and relate to the social position of artists and the state of the art of music in certain cities or even an entire country. A part of his works is devoted to the music of gypsies, and to a true and honest history of the life of his friend Chopin. ...
— Scientific American Supplement, No. 312, December 24, 1881 • Various
... cried Bixiou, ruffling his locks till they stood on end. Gifted with the same talent for mimicking absurdities which Chopin the pianist possesses to so high a degree, he proceeded forthwith to represent the ...
— A Man of Business • Honore de Balzac
... is made to the symphonies of Beethoven, the sonatas of Schubert, the mazurkas of Chopin, and other pianoforte compositions of Mendelssohn, ...
— Lessons in Music Form - A Manual of Analysis of All the Structural Factors and - Designs Employed in Musical Composition • Percy Goetschius
... as I was swimming back, staring at her eyes, it came over me that there had been hyacinths on the piano, almost overpowering in the dusk of the room that will always be nearest to me—I hope I may lie there, dead. I was playing Chopin, and life looked so rich: the boy was not born yet. I said, "If he should die"—but of course I couldn't believe that he would. And then—and then it was as if he had not died, after all, and I saw that this had been a mistake, too! It was so calm, so simple—no shock at ...
— The Strange Cases of Dr. Stanchon • Josephine Daskam Bacon
... with the undertaker, and forget that their one duty is to behave as mutes. But we won't talk about them. They are the mere body-snatchers of literature. The dust is given to one, and the ashes to another, and the soul is out of their reach. And now, let me play Chopin to you, or Dvorak? Shall I play you a fantasy by Dvorak? He writes passionate, ...
— Intentions • Oscar Wilde
... half-starved, perambulating performers, who were giving an entertainment to a crowd of bystanders. It was not a good programme. First a young woman in rags, played on an old piano, with decent precision, some extremely difficult variations of CHOPIN's Funeral March. She was followed by a man who painted a portrait of a leading statesman indifferently well. Then another man jumped into the river, and made his way in the cold water with the ease of a fifth-rate professional swimmer. Then a second young woman recited something ...
— Punch, Or The London Charivari, Vol. 101, December 12, 1891 • Various
... But when Mr. Rodd leaves the problem of the Unconditioned to take care of itself, and makes no attempt to solve the mysteries of the Ego and the non-Ego, he is very pleasant reading indeed. A Mazurka of Chopin is charming, in spite of the awkwardness of the fifth line, and so are the verses on Assisi, and those on San Servolo at Venice. These last have all the brilliancy of a clever pastel. The prettiest thing in the whole volume is this little ...
— Reviews • Oscar Wilde
... something in defence of those who cannot understand or win emotions from such things as classical music or the "advanced" drama. Pray, in pity's name, what is to be said against the commonplace man who hears an accomplished musician play Beethoven, Bach, or Chopin in his—the commonplace one's—drawing-room, and who says in agony, "Very fine! Very deep! Very profound—profound indeed, sir! Full of breadth and symmetry and that sort of thing! Now do you think we might vary that noble masterpiece with a waltz?" ...
— Side Lights • James Runciman
... much time with the children as she could, and until Sir Isaac locked up the piano she played, and was surprised to find far more in Chopin than she had ever suspected in the days when she had acquired a passable dexterity of execution. She found, indeed, the most curious things in Chopin, emotional phrases, that stirred and perplexed and ...
— The Wife of Sir Isaac Harman • H. G. (Herbert George) Wells
... which ever conquered her indolence. Here it happened that a famous musician, who settled in Cambridge for a time, came across her gift and took notice of it. And to please him she worked with industry, even with doggedness. Brahms, Chopin, Wagner—these great romantics possessed her in music as Shelley or Rossetti did in poetry. "You little demon, Laura! How do you come to play like that?" a girl friend—her only intimate friend—said to her once in despair. "It's the expression. Where ...
— Helbeck of Bannisdale, Vol. I. • Mrs. Humphry Ward
... concert was at Beethoven Hall and it snowed so that when we arrived I made pa slip off his shoes under the chair, for his socks to dry. I had been studying for eight years then and my teacher was arranging a recital. Strangest thing, but De Pachman played every single thing of Chopin's that I had on my own little repertoire, only under his touch it was real lace played into perfect design. I think pa must have lived through everything with me that night. He's got the finest musical instinct in the family, Millie included. We didn't say ...
— Star-Dust • Fannie Hurst
... an atelier where a number of art and music students had gathered to discuss chiaroscuro, Wagner, music, Rembrandt's works, pictures, Waldteufel, wall paper, Chopin and Oolong. ...
— The Four Million • O. Henry
... hat, and began to fan herself gently with the brim. Here, in the shade, bees were humming; from the house came faint notes of a piano—Fanny practising a mazurka of Chopin. ...
— Born in Exile • George Gissing
... into the lives around her with delicate sympathy and merry cheer. But it was in music that her nature found its widest outlet. In the lengthening evenings of late August she would play from Schumann, or Chopin, or Grieg, interpreting the vague feelings of gladness or grief which lie too deep for words. Ballads she loved, quaint old English and Scotch airs, folk-songs of Germany, "Come-all-ye's" of Ireland, Canadian chansons. She sang—not like ...
— The Blue Flower, and Others • Henry van Dyke
... like Caesar, he was to conquer the world and die murdered in a great marble hall; a wandering minstrel, he would go through all countries singing and have intricate endless adventures; a great musician, he would sit at the piano playing, like Chopin in the engraving, while beautiful women wept and men with long, curly hair hid their faces in their hands. It was only slavery that he had not foreseen. His race had dominated for too many centuries for that. And yet the world ...
— Three Soldiers • John Dos Passos
... epitaph to the memory of Pitt conveys an impression alike of heroic endeavour and of irretrievable failure. It is the Funeral March of Chopin, not of Handel, and it echoes the feeling of the time. An impenetrable darkness hung over England. Ulm, Austerlitz, the armistice, and the desertion of the Allies by Prussia were successive waves of calamity, which obliterated all landmarks and all means of safety. The dying words of Pitt found ...
— William Pitt and the Great War • John Holland Rose
... stuff may do for those who like it well enough to stand it, but the domestic article suits me. I like the kind of beer that this man Bach turned out in the spring of the year, but I don't seem to be able to care much for his music. And so far as Chopin is concerned, I hope you'll all ...
— Cobb's Bill-of-Fare • Irvin Shrewsbury Cobb
... While Chopin probably did not time his "Minute Waltz" to exactly sixty seconds, some auditors insist that it lives up to its name. Mme. Theodora Surkow-Ryder on one of her tours played the "Minute Waltz" as an encore, first telling ...
— More Toasts • Marion Dix Mosher
... a man sat playing the "Revolutionary Etude" of Chopin. The room was magnificent in its proportions, its furnishings were massive, its paneled oak walls were hung with portraits of men and women in the costumes of a bygone day. Through the lofty windows, the ...
— The Vagrant Duke • George Gibbs
... Bungalow, and it was now a Queen Anne Chateau dripping with Dew-dads of Scroll Work and congested with Black Walnut. The Goddess took her Mocha in the Feathers, and a Music Teacher came twice each week to bridge the awful chasm between Dorothy and Chopin. Dinner had been moved up to Milking Time. Sweetbreads and Artichokes came into the Lives of the ...
— Ade's Fables • George Ade
... quivered in long lances through crimson and blue windows. Then the functionaries began to form an aisle among the spectators, and emotion grew tenser. The organ was silent for a moment, and when it recommenced its song the song was the supreme expression of human grief, the dirge of Chopin, wrapping the whole cathedral in heavy folds of sorrow. And as that appeal expired in the pulsating air, the fresh voices of little boys, sweeter even than grief, rose in ...
— Buried Alive: A Tale of These Days • Arnold Bennett
... influences that are at work in Europe today, he retained his individuality to the end, developing his style, however, and evincing new ideas in each succeeding work. His untimely death at the age of thirty-seven, a short life—like those of Schubert, Mendelssohn, Chopin, and Hugo Wolf—has robbed the world of one of its noblest singers, one of those few men of modern times who found expression in the language of musical song, a lyricist ...
— Darkwater - Voices From Within The Veil • W. E. B. Du Bois
... hall, and entered the room with her. Sir Allan, with his back to them, was seated at the piano, softly playing an air of Chopin's to himself. At the sound of the ...
— The New Tenant • E. Phillips Oppenheim
... life of a great man whatever branch of activity he may adorn. If he is an archbishop, it is interesting to know what he looks like when he has exchanged his leggings for a human dress; if he is a pork millionaire, we like to see whether he enjoys Chopin; if he is a great writer, the interest of his home life is intensified. For the tens of thousands who know an author by his books, the number who know him at home may quite well be measured ...
— Gilbert Keith Chesterton • Patrick Braybrooke
... shoulders, and plunges into the program that he has played at all weddings for fifteen years past. It begins with Mendelssohn's Spring Song, pianissimo. Then comes Rubinstein's Melody in F, with a touch of forte toward the close, and then Nevin's "Oh, That We Two Were Maying" and then the Chopin waltz in A flat, Opus 69, No. 1, and then the Spring Song again, and then a free fantasia upon "The Rosary" and then a Moszkowski mazurka, and then the Dvorak Humoresque (with its heart-rending cry in the middle), ...
— A Book of Burlesques • H. L. Mencken
... this, but that wonderful book was really her introduction to the world. And it brought the whole literary world to her feet. Thereafter her friends were the first men of France. De Lamennais, Pierre Leroux, Michel, Alfred de Musset, Chopin, Liszt, Delacroix, Beranger, Sainte-Beuve, Gustave Planche, Mazzini, were her friends, her ...
— Home Life of Great Authors • Hattie Tyng Griswold
... fingers had for the time recovered all their strength and agility, raising her eyes to heaven like Saint Cecilia, played the "Prayer of Moses in Egypt," which her son had bought for her and which she had learned by heart in a few hours. Godefroid recognized in her playing the same quality as in Chopin's. The soul was satisfied by divine sounds of which the dominant note was that of tender melancholy. Monsieur Bernard had received Godefroid with a look that was long a stranger to his eyes. If tears were not forever dried at their source, withered ...
— The Brotherhood of Consolation • Honore de Balzac
... door. Hearing the clatter of a horse at the porch, he stopped as he was descending the stairs. A German voice said, 'Sure enough, my jolly landlord, she's there, in Worms—your Bormio. Found her at the big hotel: spoke not a syllable; stole away, stole away. One chopin of wine! I'm off on four legs to the captain. Those lads who are after her by Roveredo and Trent have bad noses. "Poor nose—empty belly." Says the captain, "I stick at the point of the cross-roads." Says I, "Herr Captain, I'm back to you first of the lot." My business is to ...
— The Shaving of Shagpat • George Meredith
... sounding-board. Enriched and spiritualized the pianoforte for all time. Universal rather than individual experiences. National tonality. Zwyny and Elsner. Intimate acquaintance with Bach. Prince Charming of the piano. Liszt on Chopin. Raphael of music. Playing and teaching. Tempo rubato. Compositions. Schumann's ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... gifted lady will see to this. She plays the little piece delightfully, and has promised me to let it exercise its charms upon you. I shall, therefore, ere long send you a copy of the new version of the "Berceuse" addressed "to the Princess Marcelline Czartoryska, Klostergasse 4." [A pupil of Chopin's] Wend yourway thither—and, in case you do not find the Princess at home, leave the manuscript with your card. I have already told her of your contemplated visit, and have spoken of you as my heart's kinsman and ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... to the drawing-room, which I found empty. It was a true woman's room, daintily furnished, with little knick-knacks here and there, a work-basket put neatly away for the Sabbath, and an open piano with one of Chopin's works upon the music-rest. Leading out of the drawing-room was a small conservatory, filled with plants. It was a pretty little place and I could not refrain from exploring it. I am passionately fond of flowers, but my life at that time was not one that ...
— My Strangest Case • Guy Boothby
... down-stairs in a bad temper—after you gentlemen have left," remarked Miss Georgie, significantly; and then she prattled away in this careful undertone. "What horrid stuff that fantasia is; don't you think so? A mixture of Wagner, and Chopin, and 'Home, Sweet Home.' Lady Adela has put you in her novel. Oh, yes, she has; she showed me the last pages this morning. You remember the young married English lady who is a great poetess?—well, she is rescued ...
— Prince Fortunatus • William Black
... lingering touch which had something of hesitation in it, and which reduced all music to a succession of soft chords, The Maid of Dundee and Annie Laurie, The Banks of Banna and The Last Rose of Summer, then one of the simpler nocturnes of Chopin, and, following these, a quaint, slow melody which was like all of the ...
— The Early Bird - A Business Man's Love Story • George Randolph Chester
... age she cannot paint the baptism of John upon velvet, does not know a word of that accursed French language, breaks down in the "forward and back" of a cotillon, and cannot with spider fingers spin upon the piano the swiftest Tarantelle of Chopin.— 2558 Metronome? We will find something better and braver than all that, my little Alice! Confound your Italianos!—the birds shall be the music-masters of my tiny dame. Moonrise, and sunset, and the ...
— Atlantic Monthly, Vol. II., November, 1858., No. XIII. • Various
... Mattia, the great musician, has completed his series of concerts, and that, in spite of his tremendous success in Vienna, he is returning to England to keep an engagement which cannot be broken. I did not need to read the article for, although all the world now calls Mattia the Chopin of the violin, I have watched him develop and grow. When we were all three working together under the direction of our tutors, Mattia made little progress in Latin and Greek, but quickly outstripped his professors in music. Espinassous, the barber-musician ...
— Nobody's Boy - Sans Famille • Hector Malot
... in Silesia. The number of killed satisfied him. The description of the women as they stood at the top of the shaft, wept, wrung their hands, and called out the names of their husbands, filled him with the same agreeable sensation that he experienced when he listened to the melancholy finale of a Chopin nocturne. ...
— The Goose Man • Jacob Wassermann
... persons have probably had occasion to observe the susceptibility of dogs to music. It may here suffice to give one personal observation. A dog (of mixed breed, partly collie), very well known to me, on hearing a nocturne of Chopin, whined and howled, especially at the more pathetic passages, once or twice catching and drawing out the actual note played; he panted, walked about anxiously, and now and then placed his head on the player's lap. ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis
... cut and dried fruit. Schnitz, schnitzen,(Ger.) - To chop, chip, snip. Schönheitsidéal,(Ger.) - The ideal of beauty. Schopenhauer - A celebrated German "philosophical physiologist." Schoppen,(Ger.) - A liquid measure, chopin, pint. Schrocken(Erschrocken) - Frightened. Schwaben - Suabia. Schwan,(Ger.) - Swan. Schweinblatt - (Swine) Dirty paper. Schweitzer kase,(Ger.) - Swiss cheese. Schwer,(Ger.) - Heavy. Schwig, Swig, verb. ...
— The Breitmann Ballads • Charles G. Leland
... am waiting for some one. You may talk till that person comes." Her voice was now in its natural tone; and he was convinced that if her face were half as sweet, she must possess rare beauty. "Hush!" as the band began to breathe forth Chopin's polonaise. They listened ...
— The Puppet Crown • Harold MacGrath
... unsuccessful efforts of a literary nature, she wrote Indiana, which immediately made her success. Her articles were sought by the journals, and from about 1830 her life was that of the average artist and writer of the time. Her relations with Chopin and Alfred de Musset are too well known to require repetition. After 1850 she retired to her home, the Chateau de Nohant, where she enjoyed the companionship of her son, her daughter-in-law, and her grandchildren; she died there ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme
... need of it soon enough," promised the other. She crossed to the piano. "What kind of music do you want? No; don't tell me. I should be able to guess." Half turning on the bench she gazed speculatively at the lax figure on the rug. "Chopin, I think. I've guessed right? Well, I don't think I shall play you Chopin to-day. You don't need ...
— Success - A Novel • Samuel Hopkins Adams
... spark," the "life element," it comes very close to a true definition of magnetism, for success without this precious Promethean force is inconceivable. It may be only a smouldering ember in the soul of a dying Chopin, but if it is there it is irresistible until it becomes extinct. Facial beauty and physical prowess all made way for the kind of magnetism that Socrates, George Sand, Julius Caesar, Henry VIII, Paganini, Emerson, Dean Swift ...
— Great Pianists on Piano Playing • James Francis Cooke
... that, like me, she is intensely musical. She plays beautifully on the piano, and we had long hours together playing Chopin and Beethoven; we also played some of Moussorgsky's duets, but I love her best when she plays Chopin, the composer ...
— The Diary of a U-boat Commander • Anon
... form!" was grateful to Mrs Browning's political feelings. French troops were now in Rome; their purpose was somewhat ambiguous; but Pen had fraternised with the officers on the Pincio, had learnedly discussed Chopin and Stephen Heller with them, had been assured that they did not mean to fight for the Holy Father, and had invited "ever so many of them" to come and see mamma—an invitation which they were too discreet to accept. Mrs Browning's excitement ...
— Robert Browning • Edward Dowden
... set the tone for all future conversations with Miss Tancred. "I admit that you can't live on languages, they are not exactly safety-valves for the emotions; nobody can swear in more than three of them at a time. I think music's better. Instead of playing whist you ought to play Chopin." ...
— The Return of the Prodigal • May Sinclair
... modern times at the piano. I have heard all the others scores of times, so don't argue with me. You may all worship whom you will, but the whole musical part of my heart is at Madame Carreno's feet, with a small corner saved for Vladimir de Pachmann, when he plays Chopin. She claims to be an American, but she plays with a heart of a Slav, and as one whose untamed spirit can never be held in leash even by her music. Her playing is so intoxicating that it goes through my veins like wine. The last time I heard her play was ...
— Abroad with the Jimmies • Lilian Bell
... Achilles to the younger hysterical Niobe. There were perfume-bottles enough to start a coiffeur in business, and woolly lambs enough for a dozen pastoral poems or as many bucolic butchers. But the piano was piled high with Beethoven's sonatas and Chopin's delicious dream-music, while a deluge of French novels had evidently surged over that palace ...
— Lippincott's Magazine of Popular Literature and Science, Volume 26, July 1880. • Various
... the Crown Prince of Germany, the Duke of Hesse-Darmstadt, Prince Christian of Schleswig-Holstein, Prince Albert Victor of Wales, and the Duke of Cambridge. The coffin, with its velvet pall nearly hidden by flowers, was again borne by a party of the Seaforth Highlanders to the solemn music of Chopin's "Funeral March" and the firing of the minute-guns, to the principal entrance of St. George's Chapel. Among the same company that had been assembled when the Duke of Albany had been married not two years before, were his father-in-law and sister-in- law, the ...
— Life of Her Most Gracious Majesty the Queen, (Victoria) Vol II • Sarah Tytler
... securely established finds 'kings in exile' a bit embarrassing. Don Manuel was a music-lover, and especially fond of Bach. I had had long talks with the young king at various times, and my sympathies had been aroused in his behalf. On the evening of which I speak I played a Chopin Nocturne, and I know that into my playing there went some of my feeling for the pathos of the situation of this young stranger in a strange land, of my own age, eating the bitter bread of exile. When I had finished, the Marchioness of Ripon touched my arm: 'Look at the King!' she whispered. ...
— Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... was not acquainted with the Funeral March from Chopin's Pianoforte Sonata. His musical education had, in truth, begun only a year earlier—with the advertisements of the "Pianisto" mechanical player. He was a judge of advertisements, and the "Pianisto" literature ...
— The Regent • E. Arnold Bennett
... overture to Pierrot and Pierrette at His Majesty's Theatre he interrupted the orchestra in order to request some members of the audience to stop talking. These speakers were people in the stalls, and the composer-conductor could hear that their conversation was about shopping—not Chopin, which, alas! is sometimes pronounced as if the ...
— Our Stage and Its Critics • "E.F.S." of "The Westminster Gazette"
... will be mistaken if he should infer from such passages as abound in her letters that George Eliot had any particular weakness for domestic or any other kind of idolatry. George Sand, in Lucrezia Floriani, where she drew so unkind a picture of Chopin, has described her own life and character as marked by 'a great facility for illusions, a blind benevolence of judgment, a tenderness of heart that was inexhaustible; consequently great precipitancy, many mistakes, much weakness, fits of heroic devotion ...
— Critical Miscellanies (Vol 3 of 3) - The Life of George Eliot • John Morley
... revere their art? We are told of Chopin that art was for him a high and holy vocation.[8] Do you wonder? Let me read you a few words about his devotion: "In order to become a skilful and able master he studied, without dreaming of the ... fame he would obtain." ...
— Music Talks with Children • Thomas Tapper
... anecdotes represent Beethoven as very susceptible and very passionate. Mendelssohn is described by those who knew him to have been full of fine feeling. And the almost incredible sensitiveness of Chopin has been illustrated in the memoirs of George Sand. An unusually emotional nature being thus the general characteristic of musical composers, we have in it just the agency required for the development of recitative and ...
— Essays on Education and Kindred Subjects - Everyman's Library • Herbert Spencer
... of the emigrant princes, and her mother was the daughter of a Frankfort banker. She was married in 1827 to the comte Charles d'Agoult. In Paris she gathered round her a brilliant society which included Alfred de Vigny, Sainte-Beuve, Ingres, Chopin, Meyerbeer, Heine and others. She was separated from her husband, and became the mistress of Franz Liszt. During her frequent travels in Switzerland, France and Italy she made the acquaintance of George Sand, and figures in the Lettres d'un voyageur as''Arabella.'' By Liszt she had three ...
— Project Gutenberg Encyclopedia
... somewhat heartlessly, good-natured, and (not merely at the times mentioned, but to the end of her life) an affectionate mother, a delightful hostess, and a very satisfactory friend. No imaginary Stenio or Karol, no actual Sandeau or Musset or Chopin could have caused her at any time of her life the misery which the Prince caused Lucrezia, because she would simply have "sent him walking," as the vigorous French idiom has it. But it pleased her to graft ...
— A History of the French Novel, Vol. 2 - To the Close of the 19th Century • George Saintsbury
... Chopin; and he rose and stood at the fireplace, with his hands folded behind his back. As she turned and looked at him, he said, ...
— The Woman's Way • Charles Garvice
... pretty good to me, but if you don't want it, all right." Aileen squeezed his arm. What was the use of arguing with her father? What good would a lone piano do, when the whole house and the whole family atmosphere were at fault? But she played Schumann, Schubert, Offenbach, Chopin, and the old gentleman strolled to and fro and mused, smiling. There was real feeling and a thoughtful interpretation given to some of these things, for Aileen was not without sentiment, though she was so strong, vigorous, and withal so defiant; but it was all lost on him. He looked ...
— The Financier • Theodore Dreiser
... melodist could only be either the Viennese Schubert or the French Pole Chopin, but with my English pronunciation I failed to make the distinction. Then a young lady, who had been sitting near, proposed to clear the matter up by playing a piece composed by Sciupe, and if I would listen attentively I should understand why he is known as the ...
— Castellinaria - and Other Sicilian Diversions • Henry Festing Jones
... those of other people. Oh! I can do it very well. Won't you come and hear me play the castanets, if Monsieur Enguerrand can spare you? There is a young Polish pianist who is to play our accompaniment. Ah, there is nothing like a Polish pianist to play Chopin! He is charming, poor young man! an exile, and in poverty; but he is cared for by those ladies, who take him everywhere. That is the sort of life I should like—the life of Madame Strahlberg—to be a young widow, free to do what ...
— Jacqueline, v2 • Th. Bentzon (Mme. Blanc)
... drawing-room the grand piano sent upwards to Mrs. De Peyster its first strains, they were rapid, careless scales and runs. Quite as she'd expected. Then the player began Chopin's Ballade in G Minor. Mrs. De Peyster listened contemptuously; then with rebellious interest; then with complete absorption. That person below could certainly play the piano—brilliantly, feelingly, with the touch and insight of an artist. Mrs. De Peyster's soul rose and fell ...
— No. 13 Washington Square • Leroy Scott
... great emotional crisis in George Sand's life was that which centers around her relations with Frederic Chopin. Chopin was the greatest genius who ever loved her. It is rather odd that he loved her. She had known him for two years, and had not seriously thought of him, though there is a story that when she first met him she kissed him before he had even been presented to ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr
... rather sad and when New Year's Day came Effi began to grow quite melancholy. It was not cold, only grizzly and rainy, and if the days were short, the evenings were so much the longer. What was she to do! She read, she embroidered, she played solitaire, she played Chopin, but nocturnes were not calculated to bring much light into her life, and when Roswitha came with the tea tray and placed on the table, beside the tea service, two small plates with an egg and a Vienna cutlet carved in small slices, Effi said, as ...
— The German Classics Of The Nineteenth And Twentieth Centuries, Volume 12 • Various
... the occupations and pleasures of the summer Jacques kept as near as he could to Serena. If he learned a new tune, by listening to the piano—some simple, artful air of Mozart, some melancholy echo of a nocturne of Chopin, some tender, passionate love-song of Schubert—it was to her that he would play it first. If he could persuade her to a boat-ride with him on the lake, Sunday evening, the week was complete. He even ...
— The Ruling Passion • Henry van Dyke
... executioner, and nearly always unwittingly so! The other evening I was at Dargenty's, the musician. There were but a few guests, and he was asked to play. Hardly had he begun one off those pretty mazurkas with a Polish rhythm, which make him the successor of Chopin, when his wife began to talk, quite low at first, then a little louder. By degrees the fire of conversation spread. At the end of a minute I was the only listener. Then he shut the piano, and said to me with a heart-rent smile: "It is always like this here—my wife does ...
— Artists' Wives • Alphonse Daudet
... didn't I say something nitwitted about music? Now, indeed, I pour ashes on my head. Lucky you, who need only sit down and spill out your soul in something thoughtfully arranged for that very purpose by Mr. Chopin or Mr. Tschaikovsky! While I—"out of senseless nothing to evoke"—I wish I did something definite and tangible like plain sewing! If I don't start soon I'll sell this think-mobile for junk and ...
— Jane Journeys On • Ruth Comfort Mitchell
... a most cultivated judge of music. He greatly admires the masters of the eighteenth century, Domenico Scarlatti being his special favourite. But his most ardent devotion is reserved for Sebastian Bach. He does not care much for Chopin, and Beethoven affects him too profoundly and perturbs ...
— The Child of Pleasure • Gabriele D'Annunzio
... German word for cut and dried fruit. Schnitz, schnitzen,(Ger.) - To chop, chip, snip. Schönheitsidéal,(Ger.) - The ideal of beauty. Schopenhauer - A celebrated German "philosophical physiologist." Schoppen,(Ger.) - A liquid measure, chopin, pint. Schrocken(Erschrocken) - Frightened. Schwaben - Suabia. Schwan,(Ger.) - Swan. Schweinblatt - (Swine) Dirty paper. Schweitzer kase,(Ger.) - Swiss cheese. Schwer,(Ger.) - Heavy. Schwig, Swig, verb. - To drink by large draughts. Schwigs, Swig, n. - A large draught. Schweinpig,(Ger.) - Swinepig. ...
— The Breitmann Ballads • Charles G. Leland
... these vases folded slips of paper called spills were kept. A modern note was struck by the presence of a baby Grand—a jolly, clumsy, disproportioned youthful piano, rather like a colt, on which Daphne played Chopin to Mrs. Foster, and sometimes The Chocolate Soldier to Cyril; and Mrs. Foster, at twilight, sometimes played and even sang, "I cannot sing the old songs, they are too dear to me," which her mother used to sing, or, coming a little nearer to the present, "Ask nothing more, nothing ...
— The Limit • Ada Leverson
... lads relax, the balcony dames in the rear rows sit down, there are nods and becks and wafted whispers to a Calder and an Avery, to tall Numa, Dolhonde and short Eugene Chopin, to George Wood and Dick Penn and Fenner and Bouligny and Pilcher and L'Hommedieu; and Charlie sends up bows and smiles, and wipes the beautiful brow he so openly and wilfully loves best on earth. Anna smiles back, but Constance bids her look at Maxime, ...
— Kincaid's Battery • George W. Cable
... like this!" cried Bixiou, ruffling his locks till they stood on end. Gifted with the same talent for mimicking absurdities which Chopin the pianist possesses to so high a degree, he proceeded forthwith to represent the character ...
— A Man of Business • Honore de Balzac
... saw Chopin, not with her, although he lives with her, and has for the last twelve years. I went to see him in his room with one of his friends. He is always ill, and as frail as a snow-drop, but an exquisite genius. He played to me, and I liked his talking scarcely less. ...
— Memoirs of Margaret Fuller Ossoli, Vol. II • Margaret Fuller Ossoli
... the adorable Angela was receiving a friend. Hilary Meredith, spotlessly garbed, was lounging in the drawing-room, drinking in the strains of a Chopin Nocturne. Not only were his ears gladdened by romantic music, but his eyes were equally exercised by the radiant figure of Angela, bending over the piano, with the red-shaded lights throwing her bare shoulders into perspective and turning her hair to liquid gold. ...
— Colorado Jim • George Goodchild
... a man whose huge stature, thews, sinews, and bulk ... would have enabled him to enact "Colbrand," "Ascapart," or any other giant of romance, without raising himself nearer to heaven even by the altitude of a chopin.—Sir ...
— Character Sketches of Romance, Fiction and the Drama, Vol 1 - A Revised American Edition of the Reader's Handbook • The Rev. E. Cobham Brewer, LL.D.
... always add musical accompaniment to the confusion of tongues, and Mr. Koenig, who has a choral company, goes to the cream of the cream of such gatherings, and sings and plays from Grieg and Schumann, and Liszt and Wagner, and Chopin and Paderewski, and the place intended for me in this grand organization would appear to be that of jester to my lords and ladies. 'Ach Gott!' says Mr. Koenig, who 'speaks ver' bad de Englisch,' 'your great ...
— The Christian - A Story • Hall Caine
... piano. She played really well. Otherwise she would not have played to him, or to any one. She was specially at home in the music of Chopin, and had studied minutely many of the "Etudes." Now she began to play the Etude in E flat. As she played she felt that the intense nervous irritation which had possessed her was diminishing slightly, was becoming more bearable. She played several of the Etudes, and presently began the one in Thirds ...
— In the Wilderness • Robert Hichens
... graceful, set off by a simple tight-fitting, high-necked dress of ivory silk draped with lace, with a spray of Neapolitan violets at the throat. They sat in a niche of the spacious and artistically furnished drawing-room, in the soft light of the candles, talking quietly while Addie played Chopin. ...
— Children of the Ghetto • I. Zangwill
... funebre upon her piano, even though Chopin's romantic lamentation was then at the top of nine-tenths of the music-racks in the country, American youth having recently discovered the distinguished congeniality between itself and this deathless bit ...
— The Magnificent Ambersons • Booth Tarkington
... past. It begins with Mendelssohn's Spring Song, pianissimo. Then comes Rubinstein's Melody in F, with a touch of forte toward the close, and then Nevin's "Oh, That We Two Were Maying" and then the Chopin waltz in A flat, Opus 69, No. 1, and then the Spring Song again, and then a free fantasia upon "The Rosary" and then a Moszkowski mazurka, and then the Dvorak Humoresque (with its heart-rending cry in the middle), and then ...
— A Book of Burlesques • H. L. Mencken
... seemed, never to be referred to except in the most jocular fashion. When Rose had entrusted to the oven a wedding-cake or a pan of jumbles she would repair to the piano for a ten-minute indulgence in Chopin. Similarly indifferent to fate, Nan at intervals in the day drew a tablet and fountain-pen from her sewing-table and recorded some whimsicality which she had seemingly found embedded in the mesh of a shopping-bag she was embellishing. And ...
— Otherwise Phyllis • Meredith Nicholson
... enforced stay in his unhappy native land, Poland. Like Goethe or Stendhal, Conrad can write in the midst of war's alarums about the hair's-breadth 'scapes of his characters. But, then, the Polish is the most remarkable race in Europe; from leading forlorn hopes to playing Chopin the Poles are unequalled. Mr. Conrad has returned to his old habitat in fiction. An ingenious map shows the reader precisely where his tragic tale is enacted. It may not be his most artistic, but it is an engrossing story. Compared with ...
— Ivory Apes and Peacocks • James Huneker
... of modern times at the piano. I have heard all the others scores of times, so don't argue with me. You may all worship whom you will, but the whole musical part of my heart is at Madame Carreno's feet, with a small corner saved for Vladimir de Pachmann, when he plays Chopin. She claims to be an American, but she plays with a heart of a Slav, and as one whose untamed spirit can never be held in leash even by her music. Her playing is so intoxicating that it goes through my veins like ...
— Abroad with the Jimmies • Lilian Bell
... wonder that composers revere their art? We are told of Chopin that art was for him a high and holy vocation.[8] Do you wonder? Let me read you a few words about his devotion: "In order to become a skilful and able master he studied, without dreaming of the ... fame he ...
— Music Talks with Children • Thomas Tapper
... best. From Mozart to Beethoven. From Beethoven to Schubert. From Schubert to Chopin. She listened with all the will in the world to be pleased. She thanked me again and again. She tried, at my invitation, to play herself; choosing the familiar compositions which she knew by ear. No! The abominable Dubourg, having got ...
— Poor Miss Finch • Wilkie Collins
... it well enough to stand it, but the domestic article suits me. I like the kind of beer that this man Bach turned out in the spring of the year, but I don't seem to be able to care much for his music. And so far as Chopin is concerned, I hope you'll all do your Christmas ...
— Cobb's Bill-of-Fare • Irvin Shrewsbury Cobb
... written in elegant French originally, and relate to the social position of artists and the state of the art of music in certain cities or even an entire country. A part of his works is devoted to the music of gypsies, and to a true and honest history of the life of his friend Chopin. ...
— Scientific American Supplement, No. 312, December 24, 1881 • Various
... if he should infer from such passages as abound in her letters that George Eliot had any particular weakness for domestic or any other kind of idolatry. George Sand, in Lucrezia Floriani, where she drew so unkind a picture of Chopin, has described her own life and character as marked by 'a great facility for illusions, a blind benevolence of judgment, a tenderness of heart that was inexhaustible; consequently great precipitancy, many ...
— Critical Miscellanies (Vol 3 of 3) - The Life of George Eliot • John Morley
... Near by, a laburnum drooped in shower of gold over a bush of delicate white guelder-rose as Zeus over Danae. Upon the wall of the home wistaria hung her pastel-shaded pendants of flower, like the notes of some beautiful melody, sweet and sad, along the giant staves of her stem. A Chopin could have harmonized the melody, weaving in little trills and silvery treble notes from the joy-song of the ...
— Swirling Waters • Max Rittenberg
... rounds the whole with a dramatic touch of infallible instinct. I know nothing with which the poem may be compared: its method and its magic are alike its own. We might hear it or fancy it perhaps in one of the Ballades of Chopin, with its entrancing harmonies, its varied and delicate ornamentation, its under-tone of passion and sadness, its storms and gusts of wind-like lashing notes, and the piercing shiver that thrills through its ...
— An Introduction to the Study of Browning • Arthur Symons
... there is, let him be brought forward—not to be chucked out of the window, as Mrs. F.'s AUNT might suggest,—but to be thanked and wondered at as an inchoate OFFENBACH, who might, under other circumstances, have written an American opera-bouffe, or, better still, as a possible CHOPIN, who might have written a second "March Funebre" as hopeless and desolate and fascinating as that of the despairing and poetic Pole. (I am coming to "FRITZ" in a moment, but I won't be ...
— Punchinello, Vol. 1, No. 18, July 30, 1870 • Various
... playing. The single notes of the opening motif of Chopin's Fifteenth Nocturne fell pensively into the waiting room. Miriam, her fatigue forgotten, slid to a featureless freedom. It seemed to her that the light with which the room was filled grew brighter and clearer. She felt that she was looking at nothing and yet was aware of ...
— Pointed Roofs - Pilgrimage, Volume 1 • Dorothy Richardson
... and began to fan herself gently with the brim. Here, in the shade, bees were humming; from the house came faint notes of a piano—Fanny practising a mazurka of Chopin. ...
— Born in Exile • George Gissing
... pile of music that lay on the table next to Miss Stanton's dolls' cabinet in the corner of the room opposite the piano. He observed the Beethoven Concerto for pianoforte which had Helene Stanton's name on it, also the C Minor and F Minor concertos of Chopin, besides other compositions for pianoforte of an exceedingly difficult character; all this music was marked with her ...
— The Music Master - Novelized from the Play • Charles Klein
... printed in it." The Story of a Ranch is listed here to illustrate how titles often have nothing to do with subject. It is without either story or ranch; it is about some dilettanteish people who go out to a Kansas sheep farm, talk Chopin, and wash ...
— Guide to Life and Literature of the Southwest • J. Frank Dobie
... through those vast halls until the ear catches only a faint echo from some far, dim aisle. "How many centuries elapsed before this subterranean organ gave forth its delightful tones!" It lacked only the soul of a Beethoven or Chopin to interpret them aright. How like many noble lives whose talents perhaps shall only bud "unseen" or waste upon the desert air of environment. One thinks of Keats, whose wonderful Ode to the Nightingale and lovely Nature Poems might never have been ...
— See America First • Orville O. Hiestand
... stately heads of men With poets' faces heartsome, dear and pale — Sweet visages of all the souls of time Whose loving service to the world has been In the artist's way expressed and bodied. Oh, In arms' reach, here be Dante, Keats, Chopin, Raphael, Lucretius, Omar, Angelo, Beethoven, Chaucer, Schubert, Shakespeare, Bach, And Buddha (sweetest masters! Let me lay These arms this once, this humble once, about Your reverend necks — the most containing clasp, For all in all, this world e'er saw!) and there, Yet ...
— The Poems of Sidney Lanier • Sidney Lanier
... not confine herself to mere sighs and exclamations, but pronounced several criticisms on his acting, which were as remarkable for sound judgment as for womanly penetration. Mikhalevich mentioned music; she sat down to the piano without affectation, and played with precision several of Chopin's mazurkas, which were then only just coming into fashion. Dinner time came. Lavretsky would have gone away, but they made him stop, and the General treated him at table with excellent Lafitte, which the footman had been hurriedly sent out to ...
— Liza - "A nest of nobles" • Ivan Sergeevich Turgenev
... close of 1831 that Liszt met Chopin in Paris. From the first, these two men, so different, became fast friends. Chopin's delicate, retiring soul found a singular delight in Liszt's strong and imposing personality. Liszt's exquisite perception enabled him perfectly to live in the strange dreamland of Chopin's fancies, while ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... occupations and pleasures of the summer Jacques kept as near as he could to Serena. If he learned a new tune, by listening to the piano—some simple, artful air of Mozart, some melancholy echo of a nocturne of Chopin, some tender, passionate love-song of Schubert—it was to her that he would play it first. If he could persuade her to a boat-ride with him on the lake, Sunday evening, the week was complete. He even learned to know the more shy and delicate forest-blossoms that she preferred, ...
— The Ruling Passion • Henry van Dyke
... spirit overflowed into the lives around her with delicate sympathy and merry cheer. But it was in music that her nature found its widest outlet. In the lengthening evenings of late August she would play from Schumann, or Chopin, or Grieg, interpreting the vague feelings of gladness or grief which lie too deep for words. Ballads she loved, quaint old English and Scotch airs, folk-songs of Germany, "Come-all-ye's" of Ireland, Canadian ...
— The Blue Flower, and Others • Henry van Dyke
... born a Pole, and for a large part of his life a resident of France, among the German composers, may require an explanatory word. Chopin's whole early training was in the German school, and he may be looked on as one of the founders of the latest school of pianoforte composition, whose highest development is in contemporary Germany. He represents German music by his affinities and ...
— The Great German Composers • George T. Ferris
... stock nor stone reviewed, But were punished as we stood. Seest thou now, licentious wight? That, to us, yon flaring sun Is the Heidelbergers' tun; Castles, mountains, trees, and towers, Seem like chopin-cups of ours. Learn'st thou now, licentious wight? Learn ...
— The Works of Frederich Schiller in English • Frederich Schiller
... the darkened room, Four rings of light upon the ceiling overhead, An atmosphere of Juliet's tomb Prepared for all the things to be said, or left unsaid. We have been, let us say, to hear the latest Pole Transmit the Preludes, through his hair and finger tips. "So intimate, this Chopin, that I think his soul Should be resurrected only among friends Some two or three, who will not touch the bloom That is rubbed and questioned in the concert room." —And so the conversation slips Among velleities and carefully caught regrets Through ...
— Prufrock and Other Observations • T. S. Eliot
... andantino for an andante. At her solicitation he took her place at the instrument, and executed the andantino as few but professional artists could do. Mlle. Moiseney, ever ready with her enthusiasm, declared that he must be a Liszt or a Chopin, and implored him to play her something else, to which he consented with good grace. After this they talked about music and many other things. The man with the green eyes possessed one quality in common with Socrates, he was master ...
— Samuel Brohl & Company • Victor Cherbuliez
... piano, as was a not infrequent custom of hers before going to bed, not so much because of her enthusiasm for music, but because she did not want to retire to rest too early. On such occasions she played, for the most part, the few pieces which she still knew by heart—mazurkas by Chopin, some passages from one of Beethoven's sonatas, or the Kreisleriana. Sometimes she improvised as well, but never pursued the theme beyond a succession of chords, which, indeed, ...
— Bertha Garlan • Arthur Schnitzler
... began to play one of Chopin's nocturnes. Her fingers rattled against the ivory on a run up the piano. She stopped and took a ring from her right hand; Drake noticed that it was the emerald ring which he had seen winking in the firelight on that evening when she had covered her face from ...
— The Philanderers • A.E.W. Mason
... contemporary; and some of the writing is formal and old-fashioned, and, at times, too thin to attract the sympathy or to excite the interest of pianists of the present day, who enjoy the richer inheritance of Beethoven, the romantic tone-pictures of Schumann and Brahms, the fascinating miniatures of Chopin, and the clever glitter of Liszt. Still it does not deserve utter oblivion. Hear what Fr. Rochlitz says of it in the Allg. Mus. Zeit.: "It (the sonata) is indeed a tragic scene, one so clearly thought out and so definitely expressed, that it is by ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... the winding stairs of the courts: "A fine rabble of asses and dolts these Parisians!" he muttered between his teeth; "they come to hear a mystery and don't listen to it at all! They are engrossed by every one, by Chopin Trouillefou, by the cardinal, by Coppenole, by Quasimodo, by the devil! but by Madame the Virgin Mary, not at all. If I had known, I'd have given you Virgin Mary; you ninnies! And I! to come to see faces and behold only backs! to be a poet, and ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... in presently, but Marilyn was already at the piano playing softly a bit from the Angel Chorus, a snatch of Handel's Largo, a Chopin Nocturne, one of Mendelssohn's songs without words. The two came in hilariously, the young man pretending to lean heavily on the girl, and finding much occasion to hold her hands, a performance to which she seemed to be not at all averse. They came ...
— The City of Fire • Grace Livingston Hill
... on a visit to Spohr, who gave him no encouragement. He now began to study law, but on going to Paris he came under the influence of Paganini, and definitely adopted the career of a violin virtuoso. He made his first appearance in company with Ernst and Chopin at a concert of his own in Paris in 1832. Successful tours in Italy and England followed soon afterwards, and he was not long in obtaining European celebrity by his brilliant playing of his own pieces and arrangements. ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... From the time of Liszt, who not only revolutionized the performance of music on the piano, but also the way of writing it, authors give to performers all necessary indications, and they have only to carefully observe them. There are, however, some interesting remarks applicable to the music of Chopin which recent editions unfortunately are commencing to falsify. Chopin detested the abuse of the pedal. He could not bear that through an ignorant employment of the pedal two different chords should be mixed in tone together. Therefore, he has given ...
— On the Execution of Music, and Principally of Ancient Music • Camille Saint-Saens
... clouds. He plays truant from earth, slips through the wicket of fancy into heaven's meadow, and goes gathering stars. Here we have that absolute virgin-gold of song which is the scarcest among human products, and for which we can go to but three poets—Coleridge, Shelley, Chopin, {8} and perhaps we should add Keats. Christabel and Kubla-Khan; The Skylark, The Cloud, and The Sensitive Plant (in its first two parts). The Eve of Saint Agnes and The Nightingale; certain of the Nocturnes;—these things ...
— Shelley - An Essay • Francis Thompson
... tall silver vases on the piano—her piano!—the spirit of desire which had so long possessed him, waking and sleeping, returned,—returned to torture him now with greater skill amidst these her possessions; her volume of Chopin on the rack, bound in red leather and stamped with her initials, which compelled his glance as he passed, and brought vivid to his memory the night he had stood in the snow and heard her playing. So, he ...
— The Crossing • Winston Churchill
... I know; that was bad—and I won't again, truly," promised Billy. But her eyes danced, and the next moment she had whirled about on the piano stool and dashed into a Chopin waltz. The room itself, then, seemed to be full of the twinkling feet ...
— Miss Billy's Decision • Eleanor H. Porter
... Headquarters in Newburgh, bears the name of "Geo. Astor & Co., Cornhill, London;" while still another in my immediate neighborhood in Washington has the inscription of "Astor and Camp, 79 Cornhill, London." Their octaves were few in number, and a pupil of Chopin would have regarded them with scorn; but upon these little spindle-legged affairs a duet could be performed. My first knowledge of instrumental music was derived from one of these pianos, and among the earliest recollections of my childhood is that of ...
— As I Remember - Recollections of American Society during the Nineteenth Century • Marian Gouverneur
... Mozart depicts him as one of intensely active affections and highly impressionable temperament. Various anecdotes represent Beethoven as very susceptible and very passionate. Mendelssohn is described by those who knew him to have been full of fine feeling. And the almost incredible sensitiveness of Chopin has been illustrated in the memoirs of George Sand. An unusually emotional nature being thus the general characteristic of musical composers, we have in it just the agency required for the development of recitative ...
— Essays on Education and Kindred Subjects - Everyman's Library • Herbert Spencer
... it but to draw down the blinds and shut out this angry gloom in the glow of the lamps within. And, with a half hour of such glow to cozen them, the two women were soon merry again over their reminiscences, Mrs. Pollard at her embroidery, Mrs. Reeves at the piano, strumming something from Chopin in the intervals ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various
... gently, and his sorrows and his temptations faded from him. He glided into Bach, and then into Chopin and Mendelssohn, and at last drifted into dreamy improvisation, his fingers moving almost of themselves, his eyes, half closed, seeing only ...
— Merely Mary Ann • Israel Zangwill
... nearly always unwittingly so! The other evening I was at Dargenty's, the musician. There were but a few guests, and he was asked to play. Hardly had he begun one off those pretty mazurkas with a Polish rhythm, which make him the successor of Chopin, when his wife began to talk, quite low at first, then a little louder. By degrees the fire of conversation spread. At the end of a minute I was the only listener. Then he shut the piano, and said to me with ...
— Artists' Wives • Alphonse Daudet
... note, of course, but I knew what it meant. I see now well enough that my fingers were rather stiffer than I realized, and that my 'Twinkling Sprays' and 'Fluttering Zephyrs' were not quite up to date. They wanted Grieg and Lassen and Chopin. 'Very well,' said I, 'just wait.' Now, I never knuckle under. I never give up. So I sent right out for a teacher. I practised scales an hour a day for weeks and months. Granger thought I was going crazy. ...
— With the Procession • Henry B. Fuller
... intense and poignant expression, which at some moments is all the divinest music seems to do. Their influence is always benign and serene, and we may always have recourse to it, while the secrets of Beethoven, Mendelssohn, Chopin, Schumann lie hidden between leaves, in the keeping of crabbed little hieroglyphs, and a voice, an instrument, or perhaps an orchestra, is needed to reveal them. The picture, the statue, has no secrets but open secrets. ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 90, June, 1875 • Various
... consequent irritation that followed came upon the kindly German, and, after his wont, he was caught up and borne above the world. On one sublime theme after another he executed variations, putting into them sometimes Chopin's sorrow, Chopin's Raphael-like perfection; sometimes the stormy Dante's grandeur of Liszt—the two musicians who most nearly approach Paganini's temperament. When execution reaches this supreme degree, the ...
— Cousin Pons • Honore de Balzac
... defence of those who cannot understand or win emotions from such things as classical music or the "advanced" drama. Pray, in pity's name, what is to be said against the commonplace man who hears an accomplished musician play Beethoven, Bach, or Chopin in his—the commonplace one's—drawing-room, and who says in agony, "Very fine! Very deep! Very profound—profound indeed, sir! Full of breadth and symmetry and that sort of thing! Now do you think we might vary that noble masterpiece with a waltz?" Can we blame the poor fellow? Wagner ...
— Side Lights • James Runciman
... as at a fair, he assembled the mangled masterpieces of Bach, Gluck, Beethoven, Weber, Schubert, Schumann, Chopin, and to a gullible public sold the songs of these music-lords—songs that should swim on high like great swan-clouds cleaving skies blue and inaccessible. And his music was operatic, after all, grand opera saccharine with commonplace melodies ...
— Visionaries • James Huneker
... wind wandering, forever grieves Low overhead, Above grey mosses whispering of leaves Fallen and dead. And through the lonely night sweeps their refrain Like Chopin's prelude, sobbing ...
— Flint and Feather • E. Pauline Johnson
... come to a timely end, if that which is without tempo may be said to have any relation with time, and the trio of Chopin's "Funeral March" was already in uneven progress. The legless man sat on the bare pavement, his back against the handsome area railing of No. 1 Fifth Avenue, and steadily revolved the mechanism of the organ with his hairy, ...
— The Penalty • Gouverneur Morris
... occasions the attendance was extremely fashionable, the Duke and his court usually being present. It was not until this time, however, that Chase felt that he could sit through a concert without being bored to extinction. He loved music, but not the kind that the royal orchestra rendered; Wagner, Chopin, Mozart were all the same to him—he hated them fervently and he was not yet given to stratagems and spoils. He sat at a table with the French attache just below the box occupied by the Princess and her party. In spite of the fact that he was a gentleman, born ...
— The Man From Brodney's • George Barr McCutcheon
... the man were vain—he had elements in his character that made him akin to Keats, Shelley, Burns, Byron, Chopin and Stephen Crane. With these his name will in brotherhood be forever linked. He was one made to suffer, sin and die—a few short summers, and autumn came with yellow leaves and he was gone. And the principal legacy he left us is the thought of wonder as to what ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... served in the drawing-room, Hood, again dominating the company (much to Deering's disgust), suggested music. Pierrette contributed a flashing, golden Chopin waltz and Pantaloon Schubert's "Serenade," which he played atrociously, whereupon Hood announced that he would sing a Scotch ballad, which he proceeded to do surprisingly well. The evening could not last forever, and Deering chafed at his inability ...
— The Madness of May • Meredith Nicholson
... have probably had occasion to observe the susceptibility of dogs to music. It may here suffice to give one personal observation. A dog (of mixed breed, partly collie), very well known to me, on hearing a nocturne of Chopin, whined and howled, especially at the more pathetic passages, once or twice catching and drawing out the actual note played; he panted, walked about anxiously, and now and then placed his head on the player's lap. ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis
... place. On the last morning, master and pupil spoke but little. Ivan sat drearily strumming out one of the nocturnes of that young countryman of Ludmillo's, lately dead but already hailed immortal by a select few, Monsieur Chopin; and the heart-break in its strange harmonies seemed to express all that neither of them dared attempt to say. Fortunately, the strain did not last long. It was barely ten o'clock when Casimir, having imprinted a ...
— The Genius • Margaret Horton Potter
... literary woman who says she can never talk business except in a linen collar! Mark Twain, in his last days, insisted that he wrote more easily in his night-shirt. Richard Wagner deliberately put on certain rich materials in colours and hung his room with them when composing the music of The Ring. Chopin says in a letter to a friend: "After working at the piano all day, I find that nothing rests me so much as to get into the evening dress which I wear on formal occasions." In monarchies based on militarism, royal princes, as soon as they can walk, are put into military uniforms. It cultivates ...
— Woman as Decoration • Emily Burbank
... begun to play, an invisible figure came and stood by and listened; a frail man, dressed in the fashion of 1840; the shade of none other than Frederic Chopin. Behind whom, a moment later, came a woman of somewhat masculine aspect and dominant demeanour, mounting guard over him, and, as it were, ready to catch him if he fell. He bowed his head lower and lower, he looked up with an ecstasy more and more intense, according to the ...
— Zuleika Dobson - or, An Oxford Love Story • Max Beerbohm
... is it not "sham antique"? It does not remind one of the really classic. Moreover, the naked foot should be of antique beauty, which in most of these cases it is not. Advertisements tell us that these dance are interpretations of classic music—Chopin, Weber, Brahms, etc.; they are not really interpretations, but distractions! We can hardly imagine that these composers intended their work for actual dancing. One can listen and be entranced; one sees the dancer's "interpretations" ...
— The Dance (by An Antiquary) - Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D. • Anonymous
... is laid on listening; if you see a picture you reproduce it, if the music makes you think of trees or wind, thunder or goblins, you become what you think of. It is astonishing to see how little children learn in this way to care for music by Schumann, Mendelssohn, Grieg, Dvorak, Brahms, Chopin, and Beethoven. The music is of course selected with skill, and care is taken that the "expression" shall not make the children foolishly self-conscious. Emphasis is always placed on listening, and the children's appreciation is apparent. Such ...
— The Child Under Eight • E.R. Murray and Henrietta Brown Smith
... wreath suspended on a corner of the frame. The photograph represented a young man with a poetic necktie and untrammelled hair, leaning negligently against a Gothic chair-back, a roll of music in his hand; and beneath was scrawled a bar of Chopin, with the words: " ...
— Tales Of Men And Ghosts • Edith Wharton
... to clear up my head while I'm working. He is—how one would always like to work. Sometimes Chopin and those others, but ...
— Tono Bungay • H. G. Wells
... opera. You are a genuine music lover, genuinely musical, but you can't play. You long to reproduce and express at home the music you have heard elsewhere. If only, after hearing Paderewski play your favorite Chopin nocturne, which, as with so many other music lovers, is the exquisite one in G major, Opus 37, No. 2, you could go to your own pianoforte and play it! You think it is one of the most beautiful compositions in the ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... the piano cannot have been more than ten feet from the reader's chair; and the strain of reading aloud for an hour against a powerful rendering of the most vigorous compositions of Liszt, Wagner, Beethoven, Brahms and Chopin was a most trying ordeal for voice, brain and nerves. Mr. Pulitzer could apparently enjoy the music and the reading at the same time. Often, when something was played of which he knew the air, he would follow the notes by means of a sort ...
— An Adventure With A Genius • Alleyne Ireland
... that local records had to show up to that time, the profits amounting to $16,000, Mme. Sembrich sang an aria; then came upon the stage and played a violin obbligato to Mme. Nilsson's performance of the familiar Bach-Gounod "Ave Maria"; again she appeared and this time played a Chopin Mazourka on the pianoforte. In every instance she was the complete artist, and the public, who had been charmed by her witcheries as Mozart's Zerlina and melted by the pathos of her singing in the last act of "La Traviata," were at a loss to say if she ...
— Chapters of Opera • Henry Edward Krehbiel
... from Alexandria were making the Natchez pilgrimage and came unwarned upon "Goat Castle." Lovely strains of music could be heard, coming from an old piano, sometimes improvised, sometimes a bit of Bach, Mozart, Chopin, played with much feeling. As the strangers approached the house they were shocked at the dilapidation—sash missing in the windows, doors off hinges, boards decayed and missing from the house and porch. Embarrassed, they hesitated to enter when to the door came a man, the musician. ...
— Seaport in Virginia - George Washington's Alexandria • Gay Montague Moore
... corner. The company had strayed in, one by one, to the large salon with the great piano, where a young Russian musician, a pupil of Chopin, sat down to play, with no conventional essay of preliminary chords, an expected morsel. The strains of it wailed in just then, through the heavy, screening curtains; a mad valse of his own, that no human feet could dance to, a pitiful, passionate thing that thrilled the nerves painfully, ringing ...
— The Poems And Prose Of Ernest Dowson • Ernest Dowson et al
... looking very much better than you did a month after your illness, Mrs. Fullerton," said Joseph Fleming, who was to take a hand, while Hadria played Grieg or Chopin, or Scottish melodies to please the old people. The whist-players ...
— The Daughters of Danaus • Mona Caird
... hear the piano. Then, after a while I heard it again, played in quite an unusual manner. The player had got beyond "Irish Eyes" and the rest of those tunes. He was playing, with the tenderest feeling, one of Chopin's Nocturnes. He asked me afterwards if I could by any means borrow for him a volume of Beethoven, one which contained the "Waldstein" if possible. He confessed that he could not play the "Waldstein" without the score. He was an elderly man, elderly compared to most of those round him. He was ...
— A Padre in France • George A. Birmingham
... lives for himself: a general, like Caesar, he was to conquer the world and die murdered in a great marble hall; a wandering minstrel, he would go through all countries singing and have intricate endless adventures; a great musician, he would sit at the piano playing, like Chopin in the engraving, while beautiful women wept and men with long, curly hair hid their faces in their hands. It was only slavery that he had not foreseen. His race had dominated for too many centuries for that. And yet the world was made of ...
— Three Soldiers • John Dos Passos
... Huferschingen; but it had been made the headquarters of the keepers, and just outside this room there were a number of pegs for them to sling their guns and bags on when they came in of an evening to have a pipe and a chopin of white wine. Ziska's uncle and aunt were both large, stout, and somnolent people, very good-natured and kind, but a trifle dull. Ziska really had the management of the place, and she was not slow to lend a hand if the servants were remiss in waiting on us. But ...
— Stories By English Authors: Germany • Various
... soulful friends-refined Maiden Ladies with ideals and long noses, who live at Hampstead or Putney, and play Chopin with passion. On sad autumn afternoons I would go and have tea with them, and talk of the spiritual meaning of Beethoven's late Sonatas; or discuss in the twilight the pathos of life and ...
— More Trivia • Logan Pearsall Smith
... Authors, musicians, newspaper men, actors, and artists are the inhabitants of these mansions. A child could control them. They assault and batter nothing but pianos; they steal nothing but ideas; they murder nobody except Chopin and Beethoven. Not through these shall an ambitious young ...
— The Man with Two Left Feet - and Other Stories • P. G. Wodehouse
... Rossini's Il Barbiere (introducing therein the air with variations by Proch) in Italian; and in the course of the same scene sing, in German, "Ich liebe dich," by Grieg, and play the Andante and Rondo Russe, for violin, by de Beriot, and a valse by Chopin on ...
— Style in Singing • W. E. Haslam
... the little piece delightfully, and has promised me to let it exercise its charms upon you. I shall, therefore, ere long send you a copy of the new version of the "Berceuse" addressed "to the Princess Marcelline Czartoryska, Klostergasse 4." [A pupil of Chopin's] Wend yourway thither—and, in case you do not find the Princess at home, leave the manuscript with your card. I have already told her of your contemplated visit, and have spoken of you as my heart's kinsman and friend. You will find the Princess Cz. possessed of a rare and ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... piano sonata is to me anathema as a rule, there are none of MacDowell's works that I like better than his writings in this form. They are to me far the best since Beethoven, not excepting even Chopin's (pace his greatest prophet, Huneker). They seem to me to be of such stuff as Beethoven would have woven had he known in fact the modern ...
— Contemporary American Composers • Rupert Hughes
... quiet evenings were spent by the mother in reading and writing, while the daughter gave herself up to the indulgence of her one great passion, music. Scales and exercises, Schubert and Chopin, and invariably at the end—before retiring for the night—Beethoven, the Master, the ...
— The Petticoat Commando - Boer Women in Secret Service • Johanna Brandt
... with music, Beautiful music; Somehow they'd rather be kissed To the strains of Chopin or Liszt. A melody mellow played on a cello Helps Mister Cupid along— So say it with ...
— The Plastic Age • Percy Marks
... minutes, Ethel," said Larry. "Won't you give us a little Chopin, a nocturne or two, ...
— The Major • Ralph Connor
... it was a little harsh and was likened to the taste of a bitter orange. But it was just the voice for a tragedy or an epic, for it was superhuman rather than human. Light things like Spanish songs and Chopin mazurkas, which she used to transpose so that she could sing them, were completely transformed by that voice and became the playthings of an Amazon or of a giantess. She lent an incomparable grandeur to tragic parts and to the ...
— Musical Memories • Camille Saint-Saens
... speeches had so charmed and captivated the lady on his right, would, when once in this room, sit astride some chair, a pipe in one hand, a mug of beer in the other. Here he would discuss with Simmons or Jack or Oliver his preference of Chopin over Beethoven, or the difference between Parepa-Rosa and Jenny Lind, or any topic which had risen out of the common talk, and all too with a grotesqueness of speech and manner that would have frozen his hostess of the dinner-table ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... the little nest that sheltered his pal wife and the kiddies. Here he could be truly himself, a man's man, loving the simple things of life. Here, in his library, surrounded by his books, or in the music room playing over some little Chopin prelude, or on the lawn romping with the giant police dog, he could forget the public that would not let him rest. Nor had he been spoiled in the least, said the interviewer, by the adulation poured out upon him by admiring women and girls in ...
— Merton of the Movies • Harry Leon Wilson
... you are all for Beethoven," the professor is saying. "Young people find such melody in 'Songs without Words.' But I want you to listen to this nocturne of Chopin's, though it is ...
— Floyd Grandon's Honor • Amanda Minnie Douglas
... appeared in his twelfth year, and soon his songs and two and four hand piano-pieces began to attract the attention of musicians. In 1840 Villoing took him to Paris and placed him in the Conservatory, where he attracted the attention of Liszt, Chopin, and Thalberg. He remained in that city eighteen months, devoting himself to unremitting study, and then made some professional tours, in which he met with extraordinary success, particularly in England. From ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... his cause by eloquent writing as well as by obtaining him a hearing in Paris. Liszt was another enthusiastic "Glinkite," and Schumann, unfailingly keen to notice new talent pursuing a new path, speedily drew attention to a Russian who was doing for the music of his country what Chopin and Moniusco had done for Poland. Rubinstein, who was still a boy when Glinka's sun was near setting, grew up with a warm admiration for the founder of his native school, and in 1855 he spent some of ...
— Russia - As Seen and Described by Famous Writers • Various
... circles of two worlds, took his place on the little country platform and played for them on his 'cello. The Judge and Mrs. Ellis enjoyed it just as the Robbinses did. It was a novel treat to hear the strains of Lizst and Chopin sounding in the purple silences of those old country hills, but when he had finished, Cynthy leaned over to Kit, who sat next to her and who was in ...
— Kit of Greenacre Farm • Izola Forrester
... letting of the house, before the local seat of Themis. The case was heard, and the judge at Tours broke the lease, the hauntings being insupportable nuisances. But this he did without letters royal. The lessors then appealed, and the case came before the Cour de Parlement in Paris. Maitre Chopin was for the lessors, Nau appeared for the tenant. Chopin first took the formal point, the Tours judge was formally wrong in breaking a covenant without letters royal, a thing particularly bad in the case ...
— Cock Lane and Common-Sense • Andrew Lang
... had he been. It was that Phillida, with the large dark eyes, and she was playing something that Lettice sometimes played, and very nearly, though naturally not quite, as well. Pocket would have said that it was Mendelssohn, or Chopin, "or something," for his love of music was greater than his knowledge. But it was not exactly the music that detained him; he was thinking more of the musician, who had shown him kindness, after ...
— The Camera Fiend • E.W. Hornung
... Fiorelli, Settignano, near Florence, and he will serve you for my sake as he would for your own if he knew you. I think I have played better since I have known you, my rose. One must suffer much before one can express the divine sorrow of Chopin. I said I would not write, but some promises are made to be ...
— Olive in Italy • Moray Dalton
... cab within a hundred yards of home, and had read the stinging paragraph beneath a lamp-post almost at his own doorstep. He entered the house noiselessly, and from Madge's music-room there floated down to him the sound of Chopin's great Funeral March. She played this and some other favourites of her own as few musicians play them, for music had been the one delight of her life, and but for the fleeting theatrical ambition, and for Paul, she might have become famous as an executant He stood in the hall to ...
— Despair's Last Journey • David Christie Murray
... people. Oh! I can do it very well. Won't you come and hear me play the castanets, if Monsieur Enguerrand can spare you? There is a young Polish pianist who is to play our accompaniment. Ah, there is nothing like a Polish pianist to play Chopin! He is charming, poor young man! an exile, and in poverty; but he is cared for by those ladies, who take him everywhere. That is the sort of life I should like—the life of Madame Strahlberg—to be a young widow, free to ...
— Jacqueline, v2 • Th. Bentzon (Mme. Blanc)
... so long and so faithfully served the expressional needs of the modern composer, tend now to give issue to musical forms that are beginning to seem clichee: forms too rigidly patterned, too redolent of outworn formulas—in short, too completely crystallized. Chopin, Liszt, Wagner, and after them the modern Germans and their followers, found in a scale of semitones a limited avenue of escape from the confinement of the modern diatonic modes, and bequeathed to contemporary music an inheritance of ...
— Debussy's Pelleas et Melisande - A Guide to the Opera with Musical Examples from the Score • Lawrence Gilman
... upon velvet, does not know a word of that accursed French language, breaks down in the "forward and back" of a cotillon, and cannot with spider fingers spin upon the piano the swiftest Tarantelle of Chopin.— 2558 Metronome? We will find something better and braver than all that, my little Alice! Confound your Italianos!—the birds shall be the music-masters of my tiny dame. Moonrise, and sunset, and the ...
— Atlantic Monthly, Vol. II., November, 1858., No. XIII. • Various
... about music. And long before we reached the hotel she who had played—I cannot say for certain what she played that day in the Luxembourg Gardens; my love of music was not then fully awakened; could it have been?—the names of Bach and Chopin come up in my mind—"I can't speak about music," she said, as we turned into the Rue du Bac, and she ran up the stairs of the hotel possessed completely by the other Mildred. She asked her mother to play ...
— Memoirs of My Dead Life • George Moore
... few, who hold communion in the love of classical quartet and trio music by the great masters,—in the piano poems of Chopin, Mendelssohn, and Beethoven, there will be abundant opportunities. The Mendelssohn Quintette Club, the German Trio, Mr. Satter, the pianist, and would we might add Otto Dresel, will give series of concerts in the pleasant Chickering Saloon, that ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... the piece that you played Is naught but a copy of Chopin or Spohr; That the ballad you sing is but merely "conveyed" From the stock of the Ames and the Purcells of yore; That there's nothing, in short, in the words or the score, That is not as out-worn as the "Wandering Jew"; Make answer—Beethoven ...
— The Home Book of Verse, Vol. 4 (of 4) • Various
... thinking, sends to mine.... But I cannot. I can only wave a hand back to the child, and be thankful and full-hearted. Often enough I wish I could have a piano and find out whether my fingers will still play Chopin, Beethoven, and Bach; often I hanker after a sight of a certain picture or a certain statue in the Louvre or Luxembourg, for a concert, a theatre, a right-down good argument on some intellectual point, or for the books I want ...
— A Poor Man's House • Stephen Sydney Reynolds
... his knife from the door. Hearing the clatter of a horse at the porch, he stopped as he was descending the stairs. A German voice said, 'Sure enough, my jolly landlord, she's there, in Worms—your Bormio. Found her at the big hotel: spoke not a syllable; stole away, stole away. One chopin of wine! I'm off on four legs to the captain. Those lads who are after her by Roveredo and Trent have bad noses. "Poor nose—empty belly." Says the captain, "I stick at the point of the cross-roads." Says I, "Herr Captain, I'm back to you first of the lot." My business ...
— The Shaving of Shagpat • George Meredith
... the gift of singing speech, but his poetry lacks intellectual content. In the volume Nocturne of Remembered Spring (1917), there is a dreamy charm, like the hesitating notes of Chopin. ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps
... to his father. [We have here a suggestion of the tempo rubato as played by Chopin according to the testimony of Mikuli, who said that no matter how free Chopin was either in melody or arabesque with his right hand, the left always adhered strictly to the time. Mozart learned the principle from his father who in his method for the violin ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... sort of temperament in her work, but there is no sentiment, no fire. When she plays Chopin, she interprets his sureness and neatness. She is the master of Chopin's technique, but she never walks where Chopin walks on the heights. Somehow, she stops short of ...
— The Mutiny of the Elsinore • Jack London
... of this literature in the works of a few great masters who have set the pace and established the limits for all the rest. In the line of purely instrumental music this has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Chopin, Liszt, and Wagner. The latter, who exercised a vast influence upon the manner of developing a musical thought and in the selection of the orchestral colors in which it can be expressed advantageously, powerfully stimulated all composers later than himself, nevertheless ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... phase that should be produced by the prosecution, not by the eloquent advocate for the defence. Moreover, I do not believe Mr. Arthur Symons admires them any more than I do; he never mentions them in his text. 'Le Debris d'un Poete,' the 'Coiffing,' 'Chopin's Third Ballad,' and those for Salome would have sufficed. With these omissions the monograph might have been smaller; but it would have been more truly representative of Beardsley's genius ...
— Masques & Phases • Robert Ross
... they are bright, piquant, genial, affectionate; nor is it enough to speak of their artistic worth, the subtile appreciation of painting in the first series, and of music in the second; it is not enough to refer to the glimpses which they give of eminent artists,—Chopin, Rossini, Donizetti, Hiller, and Moscheles,—nor the side-glances at Thorwaldsen, Bunsen, the late scholarly and art-loving King of Prussia, Schadow, Overbeck, Cornelius, and the Duesseldorf painters; nor is ...
— The Atlantic Monthly, Volume 15, No. 87, January, 1865 • Various
... commoner than physical courage, the whole catalogue seemed ridiculous and tawdry until the being came to the two words, "Victoria Cross". The being, having lived his glorious moments, withdrew. The Funeral March of Chopin tramped with its excruciating dragging tread across the ruins of the soul. And finally the cathedral was startled by the sudden trumpets of the Last Post, ...
— The Pretty Lady • Arnold E. Bennett
... younger hysterical Niobe. There were perfume-bottles enough to start a coiffeur in business, and woolly lambs enough for a dozen pastoral poems or as many bucolic butchers. But the piano was piled high with Beethoven's sonatas and Chopin's delicious dream-music, while a deluge of French novels had evidently surged over that ...
— Lippincott's Magazine of Popular Literature and Science, Volume 26, July 1880. • Various
... behind. But for this melancholy monument the stage was now empty. Thick clouds of black smoke arose from braziers on either side and obscured the steps and the platform. Through the smoke came the distant sound of Chopin's Marche Funebre, and as the air became clearer white figures could be dimly seen moving around the black pall in a solemn dance of mourning. Behind them the columns shone ghostly and unreal against the glimmering mauve rays of an uncertain ...
— The Practice and Theory of Bolshevism • Bertrand Russell
... voice and piano. I make it a point to know the accompaniments, for in case I am ever left without an accompanist, I can play for myself, and it has a great effect on audiences. They may not know or care whether you can play Beethoven or Chopin, but the fact that you can play while you ...
— Vocal Mastery - Talks with Master Singers and Teachers • Harriette Brower
... was rewarded. He had carelessly taken up a paper-bound volume of Chopin, and was on the point of commenting upon it, for he had lately begun to understand the difference between a Litolff and a Mikuli. But it slipped from his hand, and he was obliged to crawl under the piano to pick it up; on a corner of the cover, in a big, black, ...
— Maurice Guest • Henry Handel Richardson
... withdrew her eyes at last, letting her gaze wander vaguely over the music-room, about which the other guests were seated. They were lined on gilded settees against the white French-paneled walls, while a young man played Chopin's Ballade in A flat on a grand piano in the far corner. Not being in the music-room itself, but in the large, square hall outside, the two young people could talk in low tones without disturbing the company. If ...
— The Side Of The Angels - A Novel • Basil King
... bred in the bone-'" said Jock. "What's that? Chopin? Sydney, will you condescend to ...
— Magnum Bonum • Charlotte M. Yonge
... is in store for the artistic world, and we shall see babies executing replicas of the old masters, and the Infant Slapdash painter painting the portraits of Society beauties. As a welcome relief to Chopin's Nocturne in D flat, played by Baby Hegner at St. James's Hall, we shall step across to Bond Street and behold "Le Petit Americain" dashing off his "Nocturne" on canvas. I sometimes wonder if I might have been made such an infant ...
— The Confessions of a Caricaturist, Vol. 1 (of 2) • Harry Furniss
... Pierrot and Pierrette at His Majesty's Theatre he interrupted the orchestra in order to request some members of the audience to stop talking. These speakers were people in the stalls, and the composer-conductor could hear that their conversation was about shopping—not Chopin, which, alas! is sometimes pronounced as if ...
— Our Stage and Its Critics • "E.F.S." of "The Westminster Gazette"
... books in the room, hardly any pictures, a statuette perhaps. The owner evidently sets beauty of form before beauty of colour. It is a woman's room and it has a certain delicate austerity. By the time you have observed everything MRS. FARRANT has played Chopin's prelude opus 28, number 20 ...
— Waste - A Tragedy, In Four Acts • Granville Barker
... my fingers were stiff and my touch was wooden—so it was small wonder my poor lord and master tried to bury himself in his four-day-old newspaper. Then I tried Schubert's Rosamonde, though that wasn't much of a success. So I wandered on through Liszt to Chopin. And even Chopin struck me as too soft and sugary and far-away for a homesteader's ...
— The Prairie Mother • Arthur Stringer
... him towards the fence. Then, losing his breath, Derevenko said, "Leave the boy alone, you scoundrel! You,—you call yourself a Russian sailor? You? Have this...." and the slap on Pashinsky's face sounded to me like Chopin's First Nocturne. What ...
— Rescuing the Czar - Two authentic Diaries arranged and translated • James P. Smythe
... faire reculer les divines étoiles." I know not what instrument to compare with his verse. I suppose I should say a flute; but it seems to me more like a marvellously toned piano. His hands pass over the keys and he produces Chopin-like fluidities. ...
— Confessions of a Young Man • George Moore
... in long lances through crimson and blue windows. Then the functionaries began to form an aisle among the spectators, and emotion grew tenser. The organ was silent for a moment, and when it recommenced its song the song was the supreme expression of human grief, the dirge of Chopin, wrapping the whole cathedral in heavy folds of sorrow. And as that appeal expired in the pulsating air, the fresh voices of little boys, sweeter even than grief, rose in ...
— Buried Alive: A Tale of These Days • Arnold Bennett
... which had something of hesitation in it, and which reduced all music to a succession of soft chords, The Maid of Dundee and Annie Laurie, The Banks of Banna and The Last Rose of Summer, then one of the simpler nocturnes of Chopin, and, following these, a quaint, slow melody which was like all of the ...
— The Early Bird - A Business Man's Love Story • George Randolph Chester
... her hands on the keys. She was a good musician and had the well-taught executant's certainty and grace of movement. It may be the fancy of an outer Philistine, but I love to forget the existence of the instrument and to feel the music coming from the human finger-tips. She found a volume of Chopin's Nocturnes on the rest. In fact she had left it there a fortnight before, the last time she had played for me. I am very fond of Chopin. I am an uneducated fellow and the lyrical mostly appeals to me both in poetry and in music. Besides, ...
— The Red Planet • William J. Locke
... disappointing! Would you believe it, I am always so unfortunate! May I most respectfully ask you to present my compliments to Alexandra Michailovna, and remind her... tell her, that with my whole heart I wish for her what she wished for herself on Thursday evening, while she was listening to Chopin's Ballade. She will remember. I wish it with all sincerity. General Ivolgin ...
— The Idiot • (AKA Feodor Dostoevsky) Fyodor Dostoyevsky
... every sense was pleasantly attuned to the small, as well as great, harmonies of nature, paused for a moment to listen to the luscious piping of the feathered minstrel, that in its own wild woodland way had as excellent an idea of musical variation as any Mozart or Chopin. Leaning against one of the park benches, with his back turned to the main thoroughfare, he did not observe the approach of a man's tall, stately figure, that, with something of his own light, easy, swinging step, had followed him rapidly along for some little ...
— Ardath - The Story of a Dead Self • Marie Corelli
... produced on February 20, at the Paris Opera House. The success of this masterpiece so disheartened Rossini that he resolved to write no more operas, and withdrew to Bologna. Charles Francois Gounod, on the other hand, now began his musical career by entering the Paris Conservatory. Frederick Chopin, the Polish composer, at this time was at the height of his vogue as the most recherche pianist of Paris. He was the favorite of a circle of friends consisting of Meyerbeer, Bellini, Berlioz, Liszt, Balzac, and Heine. It was during this year that Liszt ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson
... A group of Chopin Preludes and a Brahms Rhapsodie Hongroise brought the first half of the concert to a close, and Gregory watched with amusement, during the ensuing scene, the vagaries of the intoxicated crowd. People rose to their feet, ...
— Tante • Anne Douglas Sedgwick
... artist. As an interpreter of Chopin she had no rival among women, and only one man was her equal. She had fire, tenderness, passion, strength; she had beyond all these, soul, which is worth more in true expression than the most marvelous technique. She had chosen Chopin for his ...
— The Place of Honeymoons • Harold MacGrath
... to behave as mutes. But we won't talk about them. They are the mere body-snatchers of literature. The dust is given to one, and the ashes to another, and the soul is out of their reach. And now, let me play Chopin to you, or Dvorak? Shall I play you a fantasy by Dvorak? He ...
— Intentions • Oscar Wilde
... ought you to treat her? Unless you are an ingrate infinite you will treat her well. You will treat her better than any one in the universe except your God. Her name will have in it more music than in all that Chopin, or Bach, or Rheinberger composed. Her eyes, swollen with three weeks of night watching over a child with scarlet fever, will be to you beautiful as a May morning. After the last rose petal has dropped out of her cheek, after the last feather of the raven's ...
— The Wedding Ring - A Series of Discourses for Husbands and Wives and Those - Contemplating Matrimony • T. De Witt Talmage
... arcades, flushed with pomegranate, glowing with orange, silvered with lemon blossoms, came the tinkling music of contadini bells, the bleating of kids, the twittering of happy birds, the distant chime of an Angelus; all the subtle harmony, the fragmentary melody that flickers through an Impromptu of Chopin or Schubert. She saw the simulacrum of her former self, the proud, happy Beryl of old, singing from the score of the "Messiah", in the organ loft of a marble church; she heard the rich tenor voice of ...
— At the Mercy of Tiberius • August Evans Wilson
... went into the living-room where our new piano is, and he played for us—Hungarian things, I think. Then he drifted into Chopin, and Alicia stood by and turned his music ...
— A Woman Named Smith • Marie Conway Oemler
... much, not only for her children but for the peasants—for the poor and oppressed. Yes, and for the poets, the painters—the singers and the musicians, with their temperaments of genius, their loves, jealousies, and their shattered nerves. For upwards of six years she treated Chopin with a mother's care; she had the passion of maternity in her towards them all, with whatever feelings it may have been complicated in her life of manifold experiences and with her artist temperament. She may have leant heavily on it at times, it may have served as a weapon of defence ...
— Cobwebs of Thought • Arachne
... watch, the three others rolling up in their blankets among the luggage. It occurred to me for the first time that we had a phonograph under the cargo. I went down after it. At random I chose a record and set the machine going. It was a Chopin Nocturne played on a 'cello—a vocal yearning, a wailing of frustrate aspirations, a brushing of sick wings across the gates of heavens never to be entered; and then the finale—an insistent, feverish repetition of the human ache, ceasing as ...
— The River and I • John G. Neihardt
... Autumn Leaves, where her bloom is blown away by the fierce ardour of the Wind, and she is left to die forsaken, she recalled a little the moving sadness of her Dying Swan. It was a "choreographic poem" of her own making—to music of CHOPIN—and I think I have never seen anything more fascinating than the colour and movement of the Autumn Leaves and the "splendour and speed" of the Autumn Wind. This was danced by Mr. STOWITTS, and it couldn't have been in better hands or feet. M. VOLININE ...
— Punch, or the London Charivari, Vol. 158, May 12, 1920 • Various
... to the composer I must here quote a criticism which since I wrote the above appeared in the Athenaum (January 21, 1888):—"The last-named work [the Allegro de Concert, Op. 46] is not often heard, and is generally regarded as one of Chopin's least interesting and least characteristic pieces. Let us hasten to say that these impressions are distinctly wrong; the executive difficulties of the work are extremely great, and a mere mastery of them is far from all that is needed. When M. de Pachmann commenced to play it was quickly evident ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... would have much rather waited on ourselves, and we wished Mrs. Martin had forgone the usual number of courses. When it was over we all went into the long drawing-room, and Jill played soft snatches of Chopin, while Sara and Colonel Ferguson whispered together on ...
— Uncle Max • Rosa Nouchette Carey
... painter; and all the musicians, famous or otherwise, that passed through Antwerp made his rooms a favorite resort and house of call. And Barty was introduced into a world as delightful to him as it was new—and to music that ravished his soul with a novel enchantment: Chopin, Liszt, Wagner, Schumann—and he found that Schubert had written a few other songs ...
— The Martian • George Du Maurier
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