|
|
|
More "Creative" Quotes from Famous Books
 ... Verity's dictation, verifying names and dates, checking references and quotations. Still each arresting phrase, each felicitous expression, the dramatic ring of some virile word, the broad onward sweep of stately prose in narrative or sustained description, not only charmed her ear but challenged her creative faculty. She put herself to school in respect of it all, learning day by day a lesson.—This was the way it should be done. Ambition prodded her on.—For mightn't she aspire to do it too, some day? Mightn't, granted patience and application, the writing of books prove to be her business, ...
— Deadham Hard • Lucas Malet
... never the reasons for the laws, nor the motives to action. It is easy and necessary sometimes to praise and justify eudemonism, but, as Lazarus adds, 'Not a state to be reached, not a good to be won, not an evil to be warded off, is the impelling force of morality, but itself furnishes the creative impulse, the supreme commanding authority' (Ethics of Judaism, I. chap, ii.). And so the Rabbi of the third century B.C., Antigonos of Socho, put it in the memorable saying: 'Be not like servants who minister ...
— Judaism • Israel Abrahams
... art. To women he is half vivisector, half vampire. He gets into intimate relations with them to study them, to strip the mask of convention from them, to surprise their inmost secrets, knowing that they have the power to rouse his deepest creative energies, to rescue him from his cold reason, to make him see visions and dream dreams, to inspire him, as he calls it. He persuades women that they may do this for their own purpose whilst he really means ...
— Man And Superman • George Bernard Shaw
... the creative musical power in the scale of human genius is difficult to determine; and will be differently estimated by different minds. That it is a heavenly gift of a high order, admits of no doubt; that it exercises over men's minds a mighty, and, under due safeguards, a beneficent influence, ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... to reconquer the realm of lost beauty. The moment that this instinct became a purpose, we may say that the great Romantic Movement, such as it has enlarged and dwindled down to our own day, took its start. The Wartons were not men of creative genius, and their works, whether in prose or verse, have not taken hold of the national memory. But the advance of a great army is not announced by a charge of field-marshals. In the present war, ...
— Some Diversions of a Man of Letters • Edmund William Gosse
... personalities. Whatever other heroes may have been, these dreamers in their ideals shed such a light upon the sad business of their lives as almost to ennoble it. One feels that with a little more qualification on the creative side they could have been literary men, not of the first order, perhaps, but, ...
— London Films • W.D. Howells
... one's own path of inquiry, which is essentially what research entails, involves more than teaching specific skills. To these comments VECCIA added the observation that the individual teacher and the use of a creative resource, rather than AM itself, seemed to make the key difference. Some schools and some teachers are making excellent use of the nature of critical thinking ...
— LOC WORKSHOP ON ELECTRONIC TEXTS • James Daly
... homes cannot compete with such training is evident, when one considers that a girl is creative, and should have ample chance to develop her character without force or rigid self defacing, instead of self creating rules; also it must be apparent that guidance is only successful when imposed gently, and with that subtle persuasion, ever aiming to ...
— The Girl Scout Pioneers - or Winning the First B. C. • Lillian C Garis
... limit the generality of this proposition. It is not merely a denial of the fixity of species, an assertion that there are no natural kinds so inseparable from one another that each must be the result of a distinct creative act. It is also an assertion that human life must be treated as a part in the larger whole of organic being, that the mind of man is continuous with animal perception, that moral activity is continuous with non-moral impulse. And the assertion of the unity of life ...
— Recent Tendencies in Ethics • William Ritchie Sorley
... divine as well as human. So the portraiture of her working in humanity is framed by a prologue and epilogue, setting forth two aspects of her relation to God; namely, that she is imparted by Him through the discipline of trouble, and that she dwells in His bosom and is the agent of His creative work. ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... his ever-memorable Speeches to the German Nation, proclaimed the German people to be the only people in Europe which had preserved its primitive genuineness (urspruengliche Echtheit), and therefore its spiritual creative faculty, and found the transition from his previous cosmopolitan way of thinking to flaming national enthusiasm, in the idea that this people was called to be the upholder of world-Kultur, and that it was therefore its duty to humanity to look to its own preservation.—PROF ...
— Gems (?) of German Thought • Various
... adds a cruise in the Archipelago to his Eastern itinerary, but the colonial features of Dutch rule which have produced many beneficial results demand recognition, for the varied characteristics of national genius and racial expansion suggest the myriad aspects of that creative power bestowed on humanity made in the Divine Image, and fulfilling the great destiny ...
— Through the Malay Archipelago • Emily Richings
... hand to be justified in the meantime. But it is unreasonable to demand that a nation should not only in a few decades pass through a development for which centuries have been required in Europe, but also immediately reach the summit of the knowledge of our time so as to be at the same time creative. But it would be wonderful, if the natural science, literature, and art of the nineteenth century, transplanted among a gifted people, with a culture so peculiar and so pervasive, and with an art-sense so developed as those of Japan, did not in time produce ...
— The Voyage of the Vega round Asia and Europe, Volume I and Volume II • A.E. Nordenskieold
... and a negative one, correlated to sunshine and shadow, but also correlated to male and female forces. Through their mutual action were born the earth and the air and the water; from these, in turn, was begotten man. The cosmical modus operandi was not creative nor evolutionary, but sexual. The whole scheme suggests an attempt to wed abstract philosophy ...
— The Soul of the Far East • Percival Lowell
... actually described the boy's long sleep in his chair; it was with the conversation when he awoke that the creative ...
— The Camera Fiend • E.W. Hornung
... no other aim but that of making verses for a composer; the latter, no other motive than the ordinary creative impulse prompting him to try his powers in a different and important sphere. The result on both sides could not therefore be other than phrases, although the better of the two proceeded from the composer, and that composer was Beethoven. To conceal or palliate ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... to express an opinion on the subject are, at present, agreed that the manifold varieties of animal and vegetable form have not either come into existence by chance, nor result from capricious exertions of creative power; but that they have taken place in a definite order, the statement of which order is what men of science term a natural law. Whether such a law is to be regarded as an expression of the mode of operation of natural forces, or whether ...
— Lay Sermons, Addresses and Reviews • Thomas Henry Huxley
... myself, how far does it excel passion! What pleasure has roots so deep as one which is not personal but creative? Is not the spirit of Sacrifice a power mightier than any of its results? Is it not that mysterious, tireless divinity, who hides beneath innumerable spheres in an unexplored centre, through which all worlds in turn must pass? Sacrifice, ...
— Letters of Two Brides • Honore de Balzac
... relieve him of all trouble in connection with the proofs and the publisher. When, however, we returned to Switzerland towards the end of June, and he found himself once more in the familiar and exhilarating air of the mountains, all his joyous creative powers revived, and in a note to me announcing the dispatch of some manuscript, he wrote as follows: "I have engaged a place here for three months: forsooth, I am the greatest fool to allow my courage to be sapped from me ...
— Thus Spake Zarathustra - A Book for All and None • Friedrich Nietzsche
... unconscious, her belly up, as if dead. They hastily hauled her on the raft and examined her paws one by one. In the last one of the four they found a small speck of mud. Victory! That was all that was needed. The muskrat was soon restored, and the Giant Rabbit, exerting his creative power, moulded the little fragment of soil, and as he moulded it, it grew and grew, into an island, into a mountain, into a country, into this great earth that we all dwell upon. As it grew the Rabbit walked round and ...
— American Hero-Myths - A Study in the Native Religions of the Western Continent • Daniel G. Brinton
... in a golden cerecloth, and with the remains of his last dinner in the proper region, will prove to you the heights to which the creative power of the true artist may soar. I call it a "Piggurne, or a Harmony ...
— The Life and Letters of Thomas Henry Huxley Volume 3 • Leonard Huxley
... javelins, and other implements of war, which he used in a very peculiar and boisterous manner. As the mild and saintly Joanes was wont to prepare himself for his daily task by prayer and fasting, so his riotous countryman used to excite his imagination to the proper creative pitch by beating a drum, or blowing a trumpet, and then valiantly assaulting the walls of his chamber with sword and buckler, laying about him, like another Don Quixote, with a blind energy that told severely on the plaster ...
— Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) • S. Spooner
... sprouting above their ridges, and cabbages and radishes coming up in clusters, while rows of peas and scarlet runners were sprouting as thick as hedges—not to speak of the slender onion stems, like tiny spears, each bearing its own seed back above ground after it had performed its creative mission below the surface, leaving a ...
— Fritz and Eric - The Brother Crusoes • John Conroy Hutcheson
... additions to the language and extensions of it will lack something of the freedom, the unconscious boldness, which mark the others. Their character will be more artificial, less spontaneous, although here also the creative genius of a single man, as there of a nation, will oftentimes set its mark; and many a single word will come forth, which will be the result of profound meditation, or of intuitive genius, or of both in happiest combination—many a word, which shall as a torch illuminate ...
— On the Study of Words • Richard C Trench
... Austria; nor the contest of merely ambitious nations for extent of power, as in the wars of France under Napoleon, or the just terminated war in America. None of these forms of war build anything but tombs. But the creative or foundational war is that in which the natural restlessness and love of contest among men are disciplined, by consent, into modes of beautiful—though it may be fatal—play: in which the natural ambition and love of power of men are disciplined into the aggressive conquest of surrounding ...
— The Crown of Wild Olive • John Ruskin
... only for herself, but for Ben as well—sorry that he should lose her—for she knew that he loved her sincerely. But her first duty was to herself. Conscious that she possessed talents, social and otherwise, it was not her view of creative wisdom that it should implant in the mind tastes and in the heart longings destined never to be realised. She must discourage Ben—gently and gradually, for of course he would suffer; and humanity, as well as friendship, counselled ...
— The Colonel's Dream • Charles W. Chesnutt
... popping out upon us in unexpected places, the most delightfully naif German onslaughts on the degradation of theologians, and the utter incompatibility of so many reflex adaptations to the environment with the existence of a creative intelligence. There was a time, remembered by many of us here, when the existence of reflex action and all the other harmonies between the organism and the world were held to prove a God. Now, they are held to disprove him. The next turn of the whirligig ...
— The Will to Believe - and Other Essays in Popular Philosophy • William James
... which excited the wondering admiration of Goethe and Lamartine and Sir Walter Scott touch or lay hold of the more adventurous reader of the present day? It is certain that even the half-forgotten works of a great and still popular poet, which have left their mark on the creative imagination of the poets and playwrights of three quarters of a century, will always be studied by the few from motives of curiosity, or for purposes of reference; but it is improbable, though not impossible, that in the revolution of taste and sentiment, moribund or extinct poetry will ...
— The Works of Lord Byron - Poetry, Volume V. • Lord Byron
... which in modern historical inquiry has been left wholly out of account; being indeed the thing which no merely historical investigator can understand, or even believe; for it belongs exclusively to the creative or artistic group of men, and can only be interpreted by those of their race, who themselves in some measure also see visions ...
— The Queen of the Air • John Ruskin
... after all? Impotent tools in the hands of all creative Power. Greater in the eyes of God is humble weakness than haughty strength; dearer to Him is the repentant sinner than the man who boasts of his virtues. All that is power is His gift, and His gift must needs return to Him again. Strength will turn to dust, merit will become but as ...
— The Day of Wrath • Maurus Jokai
... court comedies contained most of the types of character which are to be found in Love's Labour's Lost. Throughout the period Shakespeare grows in mastery of plot and of his dramatic verse; but his chief growth is away from this imitation of others into his own creative portraiture of character. The growth from the bluff soldier, Talbot, in Henry VI to the weak but appealing Richard II is no less marked than is that from the fantastic Armado in Love's Labour's Lost to ...
— An Introduction to Shakespeare • H. N. MacCracken
... first there must have been great pleasure in being at home, for he had not really lived a home life since he was fifteen years old, and he was fond of home; and, too, in the young ambition to become a writer and his efforts to achieve success, if not fame, in fiction, and in the first motions of his creative genius, there was enough to fill his mind, to provide him with active interest and occupation, and to abate the sense of loneliness in his daily circumstances: but as youth passed and manhood came, ...
— Nathaniel Hawthorne • George E. Woodberry
... great author. He was a most consummate actor, with this difference from other actors, that he was the first to know the thoughts and invent the fancies to which his voice and action gave the color of life. Representation is the art of other actors; his art was creative as well as representative; it was nothing at ...
— Innocents abroad • Mark Twain
... being taught it in many a classroom now. One of the basic principles of this new teaching is belief in the spiritual life but, when one inquires where the spiritual life is, he discovers that it is altogether within ourselves—there is no original, creative and abiding Spiritual Life from whom we come, by whom we are sustained, in whom we live. Rather, as flowers reveal in their fragrance a beauty which is not in the earth where they grow nor in the roots on which they depend, ...
— Christianity and Progress • Harry Emerson Fosdick
... ages. The Universal Architect lingered lovingly in studying the effect of successive design. Trees of grace and beauty arose on every side in exquisite drapery, while softly curved outlines added harmony to the whole, teaching the wondrous and creative skill of the Divine. The picturesque river flows gently on, calm, placid, and unruffled save by an occasional splash of oars of the pleasure seekers, whose small white boats dotted the silvery surface and were reflected in the ...
— Lady Rosamond's Secret - A Romance of Fredericton • Rebecca Agatha Armour
... intense and creative that, beginning by imagining these things so, he made them so. The band therefore was sure to go on without searching the thickets on either right or left at present, and all immediate apprehension disappeared ...
— The Rulers of the Lakes - A Story of George and Champlain • Joseph A. Altsheler
... "While I on towers and banging terraces, In shaft and obelisk, behold my sign. Creative, shape of ...
— The Religions of Japan - From the Dawn of History to the Era of Meiji • William Elliot Griffis
... hitherto seen Bismarck in the character of party leader, Parliamentary debater, a keen and accomplished diplomatist; now he comes before us in a new role, that of creative statesman; he adopts it with the same ease and complete mastery with which he had borne himself in the earlier stages of his career. The Constitution of the North German Confederation was his work, and it shews the same intellectual ...
— Bismarck and the Foundation of the German Empire • James Wycliffe Headlam
... unknown to him. He had gods for all material functions, and festivals in honor of every god; but there was no goddess of mere wisdom in his pantheon. The conception of Minerva was reserved for the creative genius of ...
— A History of Science, Volume 1(of 5) • Henry Smith Williams
... Gaboriau than in all the works of the Goncourts put together, and so long as we leave truth undefined, this opinion may be as tenable as any other. But it may be well to observe at the outset that the creative work of the Goncourts is not to be condemned or praised en bloc, for the simple reason that it is not a spontaneous, uniform product, but the resultant of diverse forces varying in direction and intensity from time to time. ...
— Rene Mauperin • Edmond de Goncourt and Jules de Goncourt
... popular over here, the psychology is a shade subtler. The Russian novelist or dramatist takes to psychology as some of his fellow-countrymen take to drink; in doing this he achieves fame by showing us what we already know, and at the same time he kills his own creative power. Chekhov just escaped the tragedy of suicide by introspection, and was only enabled to do this by the possession of a sense of humour. That is why we should not regard "The Bear," "The Wedding," or "The Anniversary" as the work of a merely humorous ...
— Plays by Chekhov, Second Series • Anton Chekhov
... the rain would have some creative and wonderful effect on her body. Not for years had she felt so full of youth and courage. She wanted to leap and run, to cry out, to find some other lonely human and embrace him. On the brick sidewalk before the house a man stumbled homeward. Alice started to run. ...
— Winesburg, Ohio • Sherwood Anderson
... according to his views. Sir Charles himself, seen in perspective, was a tolerably ridiculous figure, too much occupied with the paraphernalia of worship, too well pleased with himself, a man of rank and wealth who judged by severe standards was an old maid, and like all old maids critical, but not creative. ...
— The Altar Steps • Compton MacKenzie
... otherwise. Pure poetry is not the decoration of a preconceived and clearly defined matter: it springs from the creative impulse of a vague imaginative mass pressing for development and definition. If the poet already knew exactly what he meant to say, why should he write the poem? The poem would in fact already be written. For only its completion can reveal, even ...
— English Prose - A Series of Related Essays for the Discussion and Practice • Frederick William Roe (edit. and select.)
... for the generative source of that creative power of thought in him, from his own mysterious intellectual being to its first cause, he still reflected, as one can but do, the enlarged pattern of himself into the vague region of hypothesis. In this way, some, at all events, would have ...
— Imaginary Portraits • Walter Pater
... and is so far valid as to excuse, if not to justify, such works as the present. The novel, as soon as it is legibly written, exists, for what it is worth. The page of black and white is the sole intermediary between the creative and the perceptive brain. Even the act of printing merely widens the possible appeal: it does not alter its nature. But the drama, before it can make its proper appeal at all, must be run through a highly complex ...
— Play-Making - A Manual of Craftsmanship • William Archer
... a member of the family, of the nation and of humanity; an institution for the self-instruction, self-education and self-cultivation of mankind, as well as for all-sided development of the individual through play, through creative self-activity ...
— The Child Under Eight • E.R. Murray and Henrietta Brown Smith
... on his face and when he revived, he asked him, "What hath betided thee? When thou leftest me, thou wast in all good cheer and whole of body," and he answered, "O my brother, after I left thee, I sat meditating on the creative works of Almighty Allah, and said to myself: In every thing the Lord hath created for man, there is an use; for He (to Whom be glory!) made the hands to seize, the feet to walk, the eyes to see, the ears to hear and the penis to increase and ...
— The Book of the Thousand Nights and a Night, Volume 5 • Richard F. Burton
... genius shall liberate to delight the world. The musician hears, singing through his brain, the marvelous harmonies which, put upon paper, shall entrance all hearers. Certainly this glorious gift of imagination is Godlike. But it would be useless if it were not accompanied by creative power. The inventor must be able to create as well as to imagine the engine. The poet, the musician, the artist fails of deserving the name if he cannot embody his thought in a form that others may recognize. He must ...
— What a Young Woman Ought to Know • Mary Wood-Allen
... soon lapsed into incompetence; if it had not, it might have been the danger to American national life that the German General Staff was to German national life. Recently it was merged with the high command. As Secretary of State he was not creative, Mr. Harding turning back to the solid ground of American international policy, rested upon John Hay's open door and Knox's dollar diplomacy. Root in foreign relations merely succeeded with the Senate where Hay had failed. Always the advocate, he takes other men's ...
— The Mirrors of Washington • Anonymous
... one like that"—with a pleased creative air, "it would look rather ducky floating from my shoulder—or even my hat—or my hair in the evenings, just held by a tiny sparkling chain fastened with a diamond pin—and with lovely little pink and blue streamers." With the touch of genius she had at once relegated it to its ...
— The Head of the House of Coombe • Frances Hodgson Burnett
... as among the best, if not the best, by Bayard Taylor. The East, as we feel in his poems, was full of the scenes of his widely varied travels, that which most aroused his sympathy and stirred his artistic creative powers, and it is of the East that he speaks most freely and brilliantly. It was in Central Africa that he encountered his most thrilling adventures, and forgot, as we can there only do, the civilization of the Western World. Something ...
— Continental Monthly, Vol. II. July, 1862. No. 1. • Various
... extremely business-like; and if Shakespeare ever really held horses, it was because he was much the safest man to hold them. Imagination does not breed insanity. Exactly what does breed insanity is reason. Poets do not go mad; but chess-players do. Mathematicians go mad, and cashiers; but creative artists very seldom. I am not, as will be seen, in any sense attacking logic: I only say that this danger does lie in logic, not in imagination. Artistic paternity is as wholesome as physical paternity. ...
— Orthodoxy • G. K. Chesterton
... had passed beyond the commonplace of the day's doings. They were among the big things, the fateful thing—Life and Its Worth, Work and Its Wages, Creative Industry and Its Product, Capital and Its ...
— To Him That Hath - A Novel Of The West Of Today • Ralph Connor
... and the Devagas had had previous dealings with him and his men. This time they hired the I-Fleet to become the plasmoid's temporary caretaker. Within a few weeks it was parked on Luscious, where it devoted itself to the minor creative experimentation which presently was to puzzle ...
— Legacy • James H Schmitz
... of him politically, was prime minister under Isabel II. He had become interested in the work of Gustavo, and, knowing the dire financial straits in which the young poet labored, he thought to diminish these anxieties and thus give him more time to devote to creative work by making him censor of novels. A new period of calm and comparative comfort began, and for the first time in his life Becquer had the leisure to carry out a long-cherished project, at once his own desire and the desire of his friends: that of gathering together in ...
— Legends, Tales and Poems • Gustavo Adolfo Becquer
... this creative skill, however, a link was wanting. Nobody rose up who could marry the music to the instrument. For years and years the violin, and the music for it, marched steadily on, side by side, but not united. Bach was writing far in advance of his time, ...
— Among the Great Masters of Music - Scenes in the Lives of Famous Musicians • Walter Rowlands
... and more animated. "Do you know how I picture God myself?" he said. "As an enormous, creative organ beyond our ken, who scatters millions of worlds into space, just as one single fish would deposit its spawn in the sea. He creates because it is His function as God to do so, but He does not know what He is doing and is stupidly ...
— Maupassant Original Short Stories (180), Complete • Guy de Maupassant
... excelling all human greatness. The light the age requires for its renewal can come only from the same source. The renewal of the age depends on the renewal of religion. The renewal of religion depends on a greater effusion of the creative and renewing power of the Holy Spirit. The greater effusion of the Holy Spirit depends on the giving of increased attention to His movements and inspirations in the soul. The radical and adequate remedy for all the evils of our age, and the source of all true progress, consist in increased ...
— Life of Father Hecker • Walter Elliott
... lives of these men, as in the lives of all who rose to any eminence in those days, was the great variety that circumstances introduced into their existence. Change and variety are favourable to creative genius as they are unfavourable to uncreative study. The scholar and the historian are best left among their books for twenty years at a time, to execute the labour of patient thought which needs perpetual concentration ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... forces which produce greater marvels than are described in the Arabian Nights. The trees, the brooks, the mountains, the hills, the valleys, the sunsets, the growing animals on the farm, are all mysteries that set him thinking and to wondering at the creative processes which are ...
— Pushing to the Front • Orison Swett Marden
... idea of creation. He loves the brown earth and calls it his mother, because it has creative power and because it nourishes. And thus we might gather in from the thirty-two points of the compass the forces operant in earth and sky, and each would become a herald of ...
— The Vanishing Race • Dr. Joseph Kossuth Dixon
... as the Trinity, spiritual influences, &c. are coincident with the truths which his reason, thus strengthened, has evolved from its own sources, but that the historical dogmas, namely, of the incarnation of the creative Logos, and his becoming a personal agent, are themselves founded in philosophical necessity; then it seems irrational, that such a man should reject the belief of the actual appearance of a religion strictly correspondent therewith, at a given time recorded, even as much as that he should ...
— Literary Remains (1) • Coleridge
... temple in the land with hierodules and bayaderes. The Vedas abound in references, either direct or indirect, to phallic worship. Indeed, according to some authorities, the Hindu Brahma is the same as the Greek Pan,[P] "who is the creative spirit of the ...
— Religion and Lust - or, The Psychical Correlation of Religious Emotion and Sexual Desire • James Weir
... of those trim, orderly men, who will sacrifice anything—not to beauty—of that they have in general no sense—but to tidiness: tidiness in law, in divinity, in morals, in estate, in garden, in house, in person—tidiness is in their eyes the first thing—seemingly because it is the highest creative energy of which they are capable. Naturally the dwelling of James Gracie was an eyesore to this man, being visible from not a few of his windows, and from almost anywhere on the private road to his house; for ...
— Warlock o' Glenwarlock • George MacDonald
... the friendships and resolutions of this group of men, and from that time dates the definite foundation of the Impressionist school. For thirty years it continued to produce without interruption an enormous quantity of works under an accidental and inexact denomination; to obey the creative instinct, without any other dogma than the passionate observation of nature, without any other assistance than individual sympathies, in the face of the disciplinary teaching ...
— The French Impressionists (1860-1900) • Camille Mauclair
... pleasantly as MacHeath and Griffin came into the gun chamber. "I just thought I'd come down and see how you were getting along," he said. His voice was a low tenor, with just a touch of Midwestern twang. "Sometimes the creative mind gets bogged down in the nth-order abstractions that have no discernible connection with anything at all." He chuckled. "When that happens, I drop everything and go out to find something ...
— Psichopath • Gordon Randall Garrett
... that did not much console Philip, who imagined that only some grand heroism could unlock the sweetness of such a heart; and Philip feared that he wasn't a hero. He did not know out of what materials a woman can construct a hero, when she is in the creative mood. ...
— The Gilded Age, Part 4. • Mark Twain (Samuel Clemens) and Charles Dudley Warner
... multitudes of nominal Christians in all our congregations are doing so, your trust will produce all these various fruits of righteousness, and lowliness, and joyful service. 'Faith' or 'trust' is the mother of all graces and virtues, and it produces them all because it directly kindles the creative flame of an answering love to Him in whom we trust. So much, then, for the first part of my remarks. ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... again, and I will try to tell you. Do you know that you have composed some of the most beautiful music in the world? Do you know, my own boy, that not only your proud and happy wife, but ALL women who can sing, will want to sing your music? Garthie, do you realise what it means? The creative faculty is so strong in you, that when one outlet was denied it, it burst forth through another. When you had your sight, you created by the hand and EYE. Now, you will create by the hand and EAR. The power is the same. It merely works through ...
— The Rosary • Florence L. Barclay
... blue Coast Range, Shasta Valley, the dark forests filling the valley of the Sacramento, all in turn were obscured or buried, leaving the lofty cone on which we stood solitary in the sunshine between two skies—a sky of spotless blue above, a sky of glittering cloud beneath. The creative sun shone glorious on the vast expanse of cloudland; hill and dale, mountain and valley springing into existence responsive to his rays and steadily developing in beauty and individuality. One huge mountain-cone of cloud, corresponding to Mount Shasta in these newborn cloud ...
— Steep Trails • John Muir
... to describe what it was that eventually gave quite a different direction to this movement. Meanwhile Liszt felt emboldened by these kindly signs to encourage me to renew my creative activity, which had now for some time been interrupted. His success with Lohengrin gave him confidence in his ability to execute a yet more hazardous undertaking, and he invited me to set my poem of Siegfried's Death to music for ...
— My Life, Volume II • Richard Wagner
... School at Plymouth, N.H. In 1912 he took perhaps the most important step in his life up to that period, and with his wife and four young children went to England where he might find a more sympathetic atmosphere for creative work. Most of the poems in "A Boy's Will", his earliest collection, were written prior to his residence in England, but few had been published, and the book was not finally issued in America until after the appearance of "North of Boston", the volume upon ...
— The Second Book of Modern Verse • Jessie B. Rittenhouse
... mode of working, than all our philosophizing and analysis. It seems to let out with the fulness, simplicity, and unconsciousness of a child—"Fancy's Child"—the secret mechanism or procession of the greatest creative mind our race has produced. In itself, it has no recondite meaning, it answers fully its own sweet purpose. We are not believers, like some folks, in the omniscience of even Shakspeare. But, like many things that he and other ...
— Spare Hours • John Brown
... iron," "the strong arm, ruddy at times with the tongues of promethean fire." It is a big canvas, avowedly romantic. "It is," he wrote, after the play had been running in New York some months, "a work of great propulsive power, of genuine creative ingenuity, of massive dramatic effectiveness." On that account it is well worth the preserving ...
— Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy • Steele Mackaye
... Portrait Which Brings Out Strikingly the Man of Creative Power, the Artist, the Philosopher ...
— Modern English Books of Power • George Hamlin Fitch
... in the Monad, dwelling in her as in a city, and the Monad is in Setheus as a concept, and Setheus dwells in the Temple as King and as God. He is the Word creative, who has commanded the Fullnesses to labour; the Creative Mind after the order of God the Father, whom all creation worships as God and Lord, to whom all ...
— The Gnosis of the Light • F. Lamplugh
... distinctions—they converse in dialogue— they act towards an appointed end. Bring Homer on the stage, and introduce two actors instead of a narrator, and a drama is at once effected. If Phrynichus from the first borrowed his story from Homer, Aeschylus, with more creative genius and more meditative intellect, saw that there was even a richer mine in the vitality of the Homeric spirit—the unity of the Homeric designs. Nor was Homer, perhaps, his sole though his guiding ...
— Athens: Its Rise and Fall, Complete • Edward Bulwer-Lytton
... Neither his own thoughts, nor any book that he had ever read nor any lecture that he had heard ever attempted to explain the enormous creative urge which is felt by every noble mind, and which, indeed, is shared to some extent by every human creature. Put to it like that, Siner concocted a sort of allegory, telling of a negro who was shiftless in the summer and suffered want in the winter, and applied ...
— Birthright - A Novel • T.S. Stribling
... with something of a more definite intention, for he meant to frequent the French theater. He had seen a company of French players at Turin, and had acquainted himself with the most famous French tragedies and comedies, but with no thought of writing tragedies of his own. He felt no creative impulse, and he liked the comedies best, though, as he says, he was by nature more inclined to tears than to laughter. But he does not seem to have enjoyed the theater much in Paris, a city for which he conceived at once ...
— Modern Italian Poets • W. D. Howells
... the leisure hours are devoted to a contemplation of high ideals, of beautiful music, of noble thoughts. We do recognize a modicum of progress out of the great whirring, rapid changes in transportation and creative industry; but let us not be deceived by substituting change for progress, or making the ...
— History of Human Society • Frank W. Blackmar
... man all creative and performing power in music, leaving him only the ear to catch and the mind to comprehend the sounds, and there would still be left to him God's own music,—the music of Nature, which, springing as it did from eternity, ...
— Music and Some Highly Musical People • James M. Trotter
... shed these tears; but it was the earth that was destined to weep. As Columbus raised his forehead from the dust, with a Latin prayer, which his companions have handed down to us, he thus addressed the Sovereign Ruler of the world: (sl.) "Almighty and eternal God, who, by the energy of thy creative word, hast made the firmament, the earth, and sea, blessed and glorified be Thy name in all places! May Thy majesty and dominion be exalted forever and ever, as Thou hast permitted Thy holy name to be made known and spread by the most humble of ...
— Sanders' Union Fourth Reader • Charles W. Sanders
... and the influence of Sir Walter Scott as it is to make an estimate of Shakespeare, for Scott holds the same position in English prose fiction that Shakespeare holds in English poetry. In neither department is there any rival. In sheer creative force Scott stands head and shoulders above every other English novelist, and he has no superior among the novelists of any other nation. He has made Scotland and the Scotch people known to the world as Cervantes made Spain and ...
— Modern English Books of Power • George Hamlin Fitch
... quite another to cause the spiritual self to arise. By our own efforts we can subdue the body-mind to some extent. Few of us, by our efforts alone, can activate our spiritual natures in a vital and creative way. We need God's help. We need the help of one another. But God's help may not come at once. Our help to each other, even though we are gathered in a meeting for worship or actively serving our fellow men outside ...
— An Interpretation of Friends Worship • N. Jean Toomer
... Florida a remarkably interesting collection of autobiographical stories by ex-slaves. Such documentary records by the survivors of a historic period in America are invaluable, both to the student of history and to creative writers. ...
— Slave Narratives, Administrative Files (A Folk History of - Slavery in the United States From Interviews with Former Slaves) • Works Projects Administration
... that can now only be approached with a certain professional stateliness on account of their technical nomenclature. The best result of such familiarity with Nature will be the recognition of an intellectual unity holding together all the various forms of life as parts of one Creative Conception. ...
— Atlantic Monthly, Volume 10, Number 59, September, 1862 • Various
... consciousness clear for choice and duty, the realization of the presence of God made nature in his thought supernatural, and life sublime. To him, as Dr. Strong has said, it was plain that "imagination in man enables him to enter into the thought of God—the creative element in us is the medium through which we perceive the meaning of the Creator in his creation. The world without answers to the world within, because God is the ...
— The World's Best Poetry Volume IV. • Bliss Carman
... agreed that a recumbent or semi-recumbent position is the best for creative thought, and another friend of mine, also a maker of verses, has patented the very ingenious device of a pair of stirrups just under the mantelshelf, so that, when he sits back in his armchair, he can manage his Pegasus without ...
— Punch, or the London Charivari, Vol. 158, June 30th, 1920 • Various
... is both the power and beauty of the Author's former works, we know none that mark the creative thinker, more than the present production. Its pages are full of new lights and ...
— The Author's Printing and Publishing Assistant • Frederick Saunders
... precedence in creative art is as hopeless of solution as it is unimportant. And yet it seems appropriate to say, in writing of E.A. MacDowell, that an almost unanimous vote would grant him rank as the greatest of American composers, while not a few ballots would ...
— Contemporary American Composers • Rupert Hughes
... that mighty work, a task to fill a whole lifetime, a task which he must have begun with quiet confidence in his own will and power, drawing, as it were, an entire world from his brain and flinging it there with the ceaseless flow of creative virility in the full heyday of ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... knowledge, and each more beautiful than any sea-nymph whom you ever fancied? For, after all, you cannot fancy a whole sea nymph (perhaps in that case you could make one), but only a very little scrap of her outside. Or if, as you boast, you are inspired by the Creative Spirit, tell us what the Creative Spirit says about that rock, and not such verse as that, the lesson of which you don't yourself really feel. Pretty enough it is, perhaps: but in your haste to say a pretty thing, just because it was pretty, you have not cared to condemn yourself ...
— Two Years Ago, Volume I • Charles Kingsley
... of colors,' in the Hebrew signified to have dominion, and in early art was symbolical or emblematic of Divine love, creative power, etc. The word Adam, we have been taught, signifies red man; it does mean 'the blood,' which, of course, originated 'to be red,' as a secondary signification. Lanci, the great interpreter of Sacred Philology at the Vatican, ...
— The Continental Monthly, Vol. 6, No 2, August, 1864 - Devoted to Literature and National Policy • Various
... was undoubtedly the boldest and most creative reasoner of his time. As a wandering teacher he drew after him thousands of enthusiastic students. He gave a strong impetus to learning. He was a marvelous logician and an accomplished orator. Among ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr
... joy to the child than the story. Not only does he like to hear stories; he likes to tell them. And where the short-story course is rightly used, he likes to write them. He finds that the pleasure of exercising creative power more than offsets the drudgery inevitable in composition. A plan that has been satisfactorily carried out in the classroom ...
— Short Stories for English Courses • Various (Rosa M. R. Mikels ed.)
... or impulse, is not particularly rare. Many persons have a real love for beautiful things, even a real aptitude for designing or reproducing them. The creative instinct is something vastly different. Creative artists,—great painters or sculptors, great illustrators, and wizards in pencil and pen and charcoal effects,—must be both born and made; and there are, the gods know, few enough of them, all told! Until ...
— Greenwich Village • Anna Alice Chapin
... of slight elements, and grouping them after the yearnings of the heart, grew upon me in morbid excess. And I recall at the present moment one instance of that sort, which may show how merely shadows, or a gleam of brightness, or nothing at all, could furnish a sufficient basis for this creative faculty. ...
— Autobiographic Sketches • Thomas de Quincey
... low Latin tropus [Greek: tropus], an air or melody: hence the primitive meaning of trobador is the "composer" or "inventor," in the first instance, of new melodies. As such, he differs from the vates, the inspired bard of the Romans and the [Greek: poeta], poeta, the creative poet of the Greeks, the "maker" of Germanic literature. Skilful variation upon a given theme, rather than inspired or creative power, is generally ...
— The Troubadours • H.J. Chaytor
... realize itself until it became conscious and deliberate and merciful, free from haste and tyranny, persuasive and sustained by a nearly universal sympathy and understanding. For until that arrives the creative forces must inevitably spend themselves very largely in blind alleys, futile rushes and destructive conflicts. Upon that ...
— The Passionate Friends • Herbert George Wells
... hazy and indistinct, and at any other season I should have been diverted with the various mistakes I made. From occasional combinations of color, modified by light and shade, and of course powerfully assisted by the creative state of the eye under this nervous apprehensiveness, I continued to shape into images of Agnes forms without end, that upon nearer approach presented the most grotesque contrasts to her impressive appearance. But I had ceased ...
— Narrative And Miscellaneous Papers • Thomas De Quincey
... preternatural; the vastness of the ocean of frondage, and the violet blackness of rare gaps, revealing its in conceived profundity; and the million mysterious sounds which make up its perpetual murmur,—compel the idea of a creative force that almost terrifies. Man feels here like an insect,—fears like an insect on the alert for merciless enemies; and the fear is not unfounded. To enter these green abysses without a guide were folly: even with the ...
— Two Years in the French West Indies • Lafcadio Hearn
... thine aerial dream, Turn thee to Powers that are, and not to those that seem. All of fairest and noblest filling my graven form First in a human spirit was breathing alive and warm. Seek thou in him all else that he can evoke from nought, Seek the creative master, the king of ...
— Blackwood's Edinburgh Magazine, No. 341, March, 1844, Vol. 55 • Various
... ship, the telescope, etc., etc.—we are apt to look upon them as having sprung into sudden existence, and reached their present state of perfection by one, or, at most, by a few mighty efforts of creative genius. We do not reflect that they have required the lapse of centuries and the successive application of thousands of minds for the attainment of their present excellence; that they have advanced from a less to a more perfect form by steps and gradations ...
— Popular Education - For the use of Parents and Teachers, and for Young Persons of Both Sexes • Ira Mayhew
... writer. Of the man Sienkiewicz there is little to be obtained. Like all great creative geniuses, he is so completely identified with his work that even while his personality lives in his creations it eludes them. He offers us no confidences concerning himself, no opinions or prejudices. He does not ...
— Without Dogma • Henryk Sienkiewicz
... strong point. She had an exultant joy in living, but laughter, whether genial or sardonic, is not in her work. Irony she seldom, if ever, employed; satire she never attempted. It was on the maternal, the sympathetic side that her femininity, and therefore her creative genius, was most strongly developed. She was masculine only in the deliberate libertinism of certain episodes in her own life. This was a characteristic—one on no account to be overlooked or denied or ...
— Mauprat • George Sand
... expressions whose functioning will enrich the individual and industry. Which means that little by little the workers must share in industrial responsibilities. The job itself, with every conceivable invention for calling out the creative impulse, can never, under the machine process, enlist sufficient enthusiasm for sustained interest and loyalty on the part of the worker. He must come to have a word in management, in determining the conditions under which he labors five and a half ...
— Working With the Working Woman • Cornelia Stratton Parker
... itself in spite of storms of terror, and during and after the test of fire and blood, and spread, after the manner of art and knowledge, until it became the joy and comfort of a new race, a vehicle of feminine dexterity and an expression of the creative instinct with which in a greater or lesser degree we ...
— The Development of Embroidery in America • Candace Wheeler
... particularly in the summer time. Now, the camel is to me the personification of animal wretchedness, a fit creature for the wilderness. The Arabs have a legend that the Archangel Michael, anxious to try his skill at creative work, received permission to make an attempt, and the camel was the issue of his bungling handiwork. Poor brute, his capacity for enjoyment is, perhaps, the most restricted of the whole animal kingdom. Ferocious of aspect, with a terrible voice, he is nevertheless the most timid ...
— Khartoum Campaign, 1898 - or the Re-Conquest of the Soudan • Bennet Burleigh
... impossible that an idle, floating spirit can ever look up with clear eye to God; spreading its miserable anarchy before the symmetry of the creative Mind; in the midst of a disorderly being, that has neither centre nor circumference, kneeling beneath the glorious sky, that everywhere has both; and for a life that is all failure, turning to the Lord of the silent stars, of whose punctual thought it is, that "not one faileth." The heavens, ...
— Daily Strength for Daily Needs • Mary W. Tileston
... the synthetic principles of comparative anatomy. But even the most important universal laws of organisation—of which the old system of comparative anatomy was one—had to take refuge in mystical ideas of a plan of structure and of creative final causes (causae finales); they were incapable of arriving at a true and clear perception of effective mechanical causes (causae efficientes). This last, most difficult, and grandest problem, Charles Darwin ...
— Freedom in Science and Teaching. - from the German of Ernst Haeckel • Ernst Haeckel
... phenomena of primitive creation, because the fire which penetrated it is extinct, so deliberate explanations have always appeared somewhat insufficient when applying our timid methods of induction to the revolutions of the creative epochs which have decided the fate of humanity. Jesus lived at one of those times when the game of public life is freely played, and when the stake of human activity is increased a hundredfold. Every great part, then, entails death; for such movements ...
— The Life of Jesus • Ernest Renan
... life-circle, and sun-circle, and the mathematical feeling she had of her existence, in correspondent sections of the two, are also valuable as mental facts. These figures describe her history and exemplify the position of mathematics toward the world of creative thought. ...
— Summer on the Lakes, in 1843 • S.M. Fuller
... ordered life of a family, children, that counted; the family was the immortal chain on which lives were strung; and he recited this quatrain, saying, in that proud awefilled tone with which Latins speak of creative achievement, "By our greatest poet, ...
— Rosinante to the Road Again • John Dos Passos
... there many nice miniatures? are the portraits good? Lady D.'s lace is perfect; Mrs. A.'s velvet is inimitable." Such observations strike the ear with painful discord, when the mind is filled with memories of those who are brave or independent enough to "look forward" with creative genius. There are many noble exceptions among our aristocracy; but with far too great a number art ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various
... quality, in all these instances, independent of literary art and of genius, but which is made known to others, and therefore becomes possible to be recognized, only through literary forms. The creative imagination, the airy fancy, the exquisite grace, harmony, and simplicity, the rhetorical brilliancy, the incisive force, all the intellectual powers and charms of style with which that feeling may be expressed, ...
— The Atlantic Monthly, Vol. 12, No. 74, December, 1863 • Various
... those gorgeous crowds! Like Birds of Paradise the clouds Are winging on the wind! But what is grander than their range? More lovely than their sunset change?— The free creative mind! ...
— The Poetical Works of Thomas Hood • Thomas Hood
... much, nowadays, of the value of "Musical Appreciation." It is high time that something was done to educate our audiences and to dispel the hitherto prevalent fallacy that Music need not be regarded seriously. We do not want more creative artists, more executants; the world is full of them—good, bad and indifferent—but we do want ...
— Musicians of To-Day • Romain Rolland
... Therefore, happiness is the highest object of acquisition. The Earth is the progenitrix of all creatures. Females partake of her nature. The male animal is like Prajapati himself. The vital seed, it should be known, is the creative energy. In this way did Brahman ordain in days of old that the creation should go on. Each, affected by his own acts, obtains happiness ...
— The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 3 - Books 8, 9, 10, 11 and 12 • Unknown
... speech is composed 'in that balanced style in which the wise love to talk' (Symp.). The characteristics of rhetoric are insipidity, mannerism, and monotonous parallelism of clauses. There is more rhythm than reason; the creative ...
— Phaedrus • Plato
... but were it otherwise, it would be a fine instance what usurious interest a great genius pays in borrowing. It would not be difficult to give a detailed psychological proof from these constant outbursts of anxious self-assertion, that Jonson was not a genius, a creative power. Subtract that one thing, and you may safely accumulate on his name all other excellences of a capacious, vigorous, agile, ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... our Federal system—the relation between city, State, Nation, and the citizens themselves. We need a commission of the most distinguished scholars and men of public affairs to do this job. I will ask them to move on to develop a creative federalism to best use the wonderful diversity of our institutions and our people to solve the problems and to fulfill the dreams of ...
— Complete State of the Union Addresses from 1790 to the Present • Various
... loving hearts his memory and his words; the solitary staff for a race, which had the desire, but not the requisite maturity, to take into itself the entire spirit of the illustrious dead. More and more was the letter now anxiously guarded, and in it the living, creative spirit was securely and faithfully handed down to a more enlightened age. And this age was first able to understand the great man fully, to prize his services and value his doctrine. It is surprising that centuries ago any one should think, as it delights in thinking; it honors the noble of former ...
— The Life and Times of Ulric Zwingli • Johann Hottinger
... him as she could construe it, would not the great man become plastic under her hands? And if, while this was a-doing, Felix would run away with Marie, could not forgiveness be made easy? And her creative mind ranged still farther. Mr Broune might help, and even Mr Booker. To such a one as Melmotte, a man doing great things through the force of the confidence placed in him by the world at large, the freely-spoken support of the Press would ...
— The Way We Live Now • Anthony Trollope
... "Creative statesman in a democracy; big-hearted American." On December 7, 1915, upon receiving a copy of the diploma Lane wrote in acknowledgement to Dr. Wheeler,—"I have the diploma which it has taken all the talent of the office to translate. I had ...
— The Letters of Franklin K. Lane • Franklin K. Lane
... before him would not always serve to satisfy him. Losing no touch of the democratic loyalty to his fellow-men, he none the less clearly saw himself in certain ways becoming inexorably separated from his average fellow-man. The executive instinct was still as strong within him, but he felt it more creative, and he longed for finer material than the seamy side of man's petty strifes with man, made possible under those artificial laws which marked man's compromise with Nature. He found no solace and no science ...
— The Girl at the Halfway House • Emerson Hough
... of art like those in China or India, non-progressive, and in great part diseased and frightful, being wrought under the influence of foolish terror, or foolish admiration. So that a third condition, completing and confirming both the others, must exist in order to the development of the creative power. ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
... diverse. At least three rank high in the estimation of her fellow-committeemen. "Aurore," by its terseness and poignant interpretation of the character of the woman under the Northern Lights touches poetry and is akin to music in its creative flight. The Committee voted to include it in Volume III, under the author's protest and under her express stipulation that it should not be regarded as a candidate for either prize. That another of her stories might have found place in the collection is indicated ...
— O. Henry Memorial Award Prize Stories of 1921 • Various
... element—so the second represented the three great forces of nature—the sun, the moon and the life-giving power. According as the one or the other aspect of such a power is brought into the foreground, Ishtar becomes the mother of mankind, the fertile earth, the goddess of sexual love, and the creative force among animals, while at times she appears in hymns and myths as ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 1 - "Austria, Lower" to "Bacon" • Various
... more stimulating to his imagination. In philosophy the mixture is more subtle and more profound. Philosophy always depends in some sense upon science, yet the best philosophy seems generally to have in it some eternal quality of creative imagination. Plato wrote a dialogue about the constitution of the world, the Timaeus, which was highly influential in later Greece, but seems to us, with our vastly superior scientific knowledge, almost nonsensical. Yet when Plato writes ...
— The Legacy of Greece • Various
... this prodigious heap of shellfish, and I saw that these mines were genuinely inexhaustible, since nature's creative powers are greater than man's destructive instincts. True to those instincts, Ned Land greedily stuffed the finest of these mollusks into a net he carried at ...
— 20000 Leagues Under the Seas • Jules Verne
... sentiment or emotion. Sentiment leads us to love sacred spots, to create commemorative days, and to sing songs of gratitude together. It makes life of far greater worth to us in every way. We must also glance at what is known as public sentiment. Public sentiment is not voluntary or self-creative. It is generally a thing of slow growth, springing from a gradual accumulation and development of evidences, impressions, and circumstances. It is a matter of education, impressed upon the masses by the most intelligent or the most influential ...
— The True Citizen, How To Become One • W. F. Markwick, D. D. and W. A. Smith, A. B.
... "that though Michael Angelo was undoubtedly greatest as a sculptor, yet his most important works in the world of art are his paintings. Those grand frescoes in the Sistine Chapel in Rome alone afforded him sufficient scope for his wonderful creative genius. When we get to Rome I shall have much to tell ...
— Barbara's Heritage - Young Americans Among the Old Italian Masters • Deristhe L. Hoyt
... to the terrible deed, and can indulge in all the luxury of destruction, disaggregation, and negation,—in him evil, purposelessness and ugliness, seem just as allowable as they are in nature—because of his bursting plenitude of creative and rejuvenating powers, which are able to convert every desert into a luxurious land of plenty. Conversely, it is the greatest sufferer and pauper in vitality, who is most in need of mildness, peace and goodness—that which to-day is called humaneness—in thought ...
— The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms. • Friedrich Nietzsche.
... Born amid resplendent spheres, And, with God-like creative power, endowed, Hast thou, to human life's blue depths, not vowed A splendor, not alone like that which 'pears At present, where the upper asure clears, But that the Nebulae will yet unshroud? I hear thy far off cry where thou art lone, A John the ...
— Freedom, Truth and Beauty • Edward Doyle
... be described or imagined, but yet so that the features which give interest and permanence to the class should be individualized. The old tragedy moved in an ideal world,—the old comedy in a fantastic world. As the entertainment, or new comedy, restrained the creative activity both of the fancy and the imagination, it indemnified the understanding in appealing to the judgment for the probability of the scenes represented. The ancients themselves acknowledged the new comedy ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... fifth century, wrote The Dyonisiacs, a vast poem on Bacchus, in forty-eight books; 'a magnificent assemblage of the emblematical legends of Egypt,' and in which modern criticism has discovered a creative grandeur, a beautiful wildness of fancy, and a romantic spirit, such as were combined in no other ...
— The Continental Monthly, Vol. 3, No. 1 January 1863 - Devoted To Literature And National Policy • Various
... been prevented; why then should he have been called into being? Is not this misery ordained to him, since it is not prevented, and since it has always been apparent as the result of life to the creative power which must know, and which could prevent, and has ...
— The Knickerbocker, or New-York Monthly Magazine, May 1844 - Volume 23, Number 5 • Various
... against a triumphant sky, the clamorous desperation of clouds of wheeling kittiwakes, herring-gulls, black-backed gulls and gannets, and all in that pour of hard and crystalline northern sunlight, was as though the creative word had been spoken only five minutes before. We, and all this, had just come. I wanted to ...
— London River • H. M. Tomlinson
... is purposely harmful in its intention. The deliberate, creative gossip is probably rare. In fact, gossip usually represents the need of a bored world to be entertained at any price, the restless ennui that must be forever talking or listening to fill the vacuity of its existence, ...
— Vanishing Roads and Other Essays • Richard Le Gallienne
... and, as much as can be, a spirit of narrative to be preserved. You will find that come stronger as I proceed, and get the explanations worked through. Problems of style are (as yet) dirt under my feet; my problem is architectural, creative - to get this stuff jointed and moving. If I can do that, I will trouble you for style; anybody might write it, and it would be splendid; well-engineered, the masses right, the ...
— Vailima Letters • Robert Louis Stevenson
... man, had caught her soul and heart by storm, in a few sudden, quickly-whispered words one night when the moon was at the full, hanging high over the gardens of the Pincio,— and, proud of her security in the love she had won, Angela had risen by leaps and bounds to a magnificence of creative effort and attainment so far beyond him, that old and wise persons, skilled in the wicked ways of the world, would sometimes discourse among themselves in dubious fashion thus: "Is it possible that he is not jealous? He must surely see that ...
— The Master-Christian • Marie Corelli
... separate planet, must, of course, be very vague and hypothetical. Yet the progress of science is so rapidly reconstructing the past that we may hope to solve even this problem; and to one who looks upon man's appearance upon the earth as the crowning work in a succession of creative acts, all of which have had relation to his coming in the end, it will not seem strange that he should at last be allowed to understand a history which was but the introduction to his own existence. It is ...
— Young Folks' Library, Volume XI (of 20) - Wonders of Earth, Sea and Sky • Various
... due less to mere brute cash than to prodigally expended effort. Eleanor never wore a costume which did not show the copious exercise by some alert-minded human being, presumably with an immortal soul, of the priceless qualities of invention, creative thought, trained attention, and prodigious industry. Mrs. Hubert's unchallengeable slogan was that dress should be an expression of individuality, and by dint of utilizing all the details of the attire of herself and of her two daughters, down to the last ruffle and buttonhole, ...
— The Bent Twig • Dorothy Canfield
... envy of the man who could go down serenely to the dark gates of death. Surely Christ, and not he, Sturges Owen, had been moulded in such manner. And why not he? He felt dimly the curse of ancestry, the feebleness of spirit which had come down to him out of the past, and he felt an anger at the creative force, symbolize it as he would, which had formed him, its servant, so weakly. For even a stronger man, this anger and the stress of circumstance were sufficient to breed apostasy, and for Sturges Owen it was inevitable. In the fear of man's anger he would dare ...
— The God of His Fathers • Jack London
... of the creative artist is to turn chaos into cosmos. He has the welter of raw material around him; the shaping instinct crystallizes it into coherent forms. For that intellect is indispensable, and almost from the beginning Haydn's intellect was at work slowly building his ...
— Haydn • John F. Runciman
... add that the act of creating a thing does not include only the processes of industry. The act of buying is creative. The riot of luxury trades in the United States will not end so long as the American woman remains a steady buyer of luxuries. The mobilization of women as workers is no more essential to the triumph of our cause, than the mobilization of women for thrift. The beginning ...
— Mobilizing Woman-Power • Harriot Stanton Blatch
... suggestive manner by Professor Albert A. Stanley of the University of Michigan: "If in the future the line of demarcation between the college and the university shall cease to be as sinuous and shadowy as at present, the university will offer well-defined courses in research, in creative work, possibly in interpretation—by which I do not mean criticism, but rather that which is criticized. [Professor Stanley evidently refers to musical performance.] The college courses will then be so ...
— College Teaching - Studies in Methods of Teaching in the College • Paul Klapper
... breed of men from which he sprang had always faced the enemy when the challenge came. In the carriage of his body there was a quiet pride—a feeling not of vanity, but of instinctive power. It was born in him through generations of men who had done the creative thinking of a nation in the building. His face might have been described as a little too regular—a little too handsome perhaps for true greatness, but for the look of deep thought in his piercing eyes. And the finely chiseled ...
— The Man in Gray • Thomas Dixon
... there may be some improvements on old and present devices, but there will be no more Edisons, no more Marconis. In medicine, we are about at the top of the mountain. In literature, the creative and fundamental things have all been done. There will be no more Shakespeares, no Miltons, no Dantes, no Goethes. Even Hugo is dead. From now on books will be mere ...
— The Young Man and the World • Albert J. Beveridge
... verse. The two men are not on the same level as poets. Marlowe's muse soars repeatedly to heights which Kyd's can only reach at rare moments. Nevertheless, a comparison of Kyd's better passages with those of Sackville and Hughes will demonstrate how much blank verse might have owed to his creative spirit had not Marlowe arisen at the same time to eclipse him by his greater genius. Isolated extracts offer a poor criterion, but the following—to be read in conjunction with those selected from Jeronimo and Soliman and Perseda—will help the reader to form at least an idea of Kyd's originality ...
— The Growth of English Drama • Arnold Wynne
... that the above-mentioned views should not speedily become accomplished facts, because their education and training hitherto have not been of a nature to prepare them successfully to compete with either of the other two energetic, creative, and progressive nations. They have, in truth, ...
— Lineage, Life, and Labors of Jose Rizal, Philippine Patriot • Austin Craig
... present generation chemistry and biology have passed from the descriptive to the creative stage. Man is becoming the overlord of the mineral, vegetable and animal kingdoms. He is learning to make gems and perfumes, drugs and foods, to suit his tastes, instead of depending upon the chance bounty of nature. ...
— Dreams • Henri Bergson
... an undertaking, calling for wide and exact scholarship, large reserves of extra-professional learning, does not primarily belong to a discussion within the department of practical theology. Besides which there is a task, closely allied to it, but creative rather than critical, prophetic rather than philosophic, which does fall within the precise area of this field. I mean the endeavor to describe the mind and heart of our generation, appraise the significant thought-currents of our time. This would be an attempt to give some description of the ...
— Preaching and Paganism • Albert Parker Fitch
... and Western Railroad has not yet got over the excitement of being constructed. The creative spirit, it may be said, was Mr. Joshua T. Heald, an enterprising Wilmingtonian, already a director of the Wilmington and Reading line. It was he who drummed up the stock-subscriptions among his fellow townsmen. On July 8, 1871, he ...
— Lippincott's Magazine of Popular Literature and Science - April, 1873, Vol. XI, No. 25. • Various
... achievement there are two elements—executive force (which may be sub-divided into an indefinite number of classifications) and the great creative ...
— Editorials from the Hearst Newspapers • Arthur Brisbane
... entirely taught by women, and women with whom, in many cases, education—the shaping of the immature human creature to noble ends—is the sincerest of passions; who find, indeed, in the task that same creative joy which belongs to literature or art, or philanthropic experiment. The schoolmistress to whom money is the sole or even the chief motive of her work, is, in my experience, rare to-day, though we have all in our time heard tales of modern "academies" ...
— A Writer's Recollections (In Two Volumes), Volume I • Mrs. Humphry Ward
... everything. We haven't a thing we haven't got from some one else. We are beneficiaries to the last degree, dependent on the bounty of Another. We are paupers in life itself. Our life came to us in the first instance from the creative Hand, through the action of others, and it is being sustained every moment by the same Hand. We had nothing to do with its coming, and, while we influence our life by living in accord with certain physical laws, still the life itself is all the time being supplied to us directly ...
— Quiet Talks on Following the Christ • S. D. Gordon
... smaller man, with the same degree of sensibility, is at once carried off his feet; he wants to do something he did not want to do before; he views all the universe in a new light through his tears; he is gay or enthusiastic, melancholy or passionate, as things come and go to him. Therefore the high creative poet might even be thought, to a great extent, impassive (as shallow people think Dante stern), receiving indeed all feelings to the full, but having a great centre of reflection and knowledge in which he stands ...
— Selections From the Works of John Ruskin • John Ruskin
... regarded as the opener-up of a paradise of new delight? should we not hail the inventor as a genius, as a god? And yet these lovely offsprings of the earth have been speaking to man from the first dawn of his existence until now, telling him of the goodness and wisdom of the Creative Power, which bade the earth bring forth, not only that which was useful as food,—but also flowers, the bright consummate flowers, to clothe it ...
— Thrift • Samuel Smiles
... every human capacity is seized on by their imagination, their minds are a prey to a continual succession of passions. Most often they are only transitory fires: one destroys another, and all are absorbed by the great blaze of the creative spirit. But if the heat of the furnace ceases to fill the soul, then the soul is left defenseless against the passions without which it cannot live: it must have passion, it creates passion: and the passions will devour the soul ...—and then, besides the bitter desire ...
— Jean-Christophe Journey's End • Romain Rolland
... vista before me, the months of laborious drudging toil and pain, the long agony of effort necessary to write any book, even a poor one, was beginning to appear less weary, less futile; there was the first faint glow of the joy of creative effort. ...
— Americans All - Stories of American Life of To-Day • Various
... disposition are able to receive light of his light. Thus, I say that God reduces this Love to His own Similitude as much as it is possible for it to bear likeness to Him. And it alludes to the nature of the creative act, saying, "As on the Angel that beholds His face." Where again it is to be known that the first Agent, who is God, paints His Virtue on some things by means of direct radiance, and on some things by means of reflected ...
— The Banquet (Il Convito) • Dante Alighieri
... manner of which I have shown you some examples, you will understand that in carrying you to the end of the animal chain where are found the most simple organizations, and that in considering among these organizations those whose simplicity is so great that they lie at the very door of the creative power of nature, then this same nature—that is to say, the state of things which exist—has been to form directly the first beginnings of organization; she has been able, consequently, by the manner of life and the aid of circumstances which favor its duration, to progressively ...
— Lamarck, the Founder of Evolution - His Life and Work • Alpheus Spring Packard
... ideas were profoundly incompatible. We were both still very young in quality, we had scarcely begun to think ourselves out, we were greatly swayed by the suggestion of our circumstances, complex, incoherent and formless emotions confused our minds. But I see now that in us there struggled vast creative forces, forces that through a long future, in forms as yet undreamt of, must needs mould the destiny of our race. Far more than Mary I was accepting the conventions of our time. It seemed to me not merely reasonable but necessary that because she loved me she should ...
— The Passionate Friends • Herbert George Wells
... its best results when we use our best powers in pursuing its paths. Let the creative genius, a healthy imagination, be employed restoring the scenes of former times, mingling with the people and participating in their high endeavors; then will the quiet page of history become a world of thrilling activity. In this manner let us here endeavor to follow ...
— Sketches of the Covenanters • J. C. McFeeters
... God. They block the Saviour's path, because this personal communion is just what He represents to us—the direct revelation of the Spirit of God in man. He comes to reveal the Father to each of us, and to make us feel the presence of the Divine creative Spirit in every separate human life; and till we feel this personal illumination we have not realised the manifestation of the Son of God. But the Pharisee with his continual reference to tradition, his multiplication of external observances, ...
— Sermons at Rugby • John Percival
... the sources of the nutrition of vegetables, and includes the most complex constituents of the animal brain, there is no blank, no interruption. The first substance capable of affording nutriment to animals is the last product of the creative energy of vegetables. ...
— Familiar Letters of Chemistry • Justus Liebig
... worldly activities of Huxley and Samuel Wilberforce. Often we see equally diverse elements in following the course of a single life. In Matthew Arnold we wonder at the poet of 'The Strayed Reveller' coexisting with the zealous inspector of schools; in William Morris we find it hard to reconcile the creative craftsman with the fervent apostle of social discontent. Perhaps the most notable case of this diversity is the long pilgrimage of Gladstone which led him from the camp of the 'stern, unbending Tories' to the leadership of Radicals ...
— Victorian Worthies - Sixteen Biographies • George Henry Blore
... the heavens and the heavenly host, no more than the ordinary nychthemeron or cycle of twenty-four hours? The period implied in a day, when used in relation to the inaugural manifestation of creative power in that vast drama which introduces God to man in the character of a demiurgus or creator of the world, indicated one stage amongst six; involving probably many millions of years. The silliest of nurses, ...
— The Notebook of an English Opium-Eater • Thomas de Quincey
... marvellous course of thy mighty, glowing timepiece; observe the balance of gigantic powers, and the laws of the wondrous play of countless spaces and their periods. But true to the Night remains my heart of hearts, and to creative Love, her daughter. Canst thou show me a heart for ever faithful? Hath thy sun fond eyes that know me? Do thy stars clasp my proffered hand? Do they return the tender pressure, the caressing word? Hast thou clothed her with fair hues and pleasing outline? ...
— Peter Schlemihl etc. • Chamisso et. al.
... may embody the belief in the gradual organization of the world. After two less-known gods, called Lahmu and Lahamu, come the more familiar figures of later Babylonian writing, Anu and Ea. At this point the list unfortunately breaks off, and the creative function which may have been assigned to the gods is lost, or has not yet been discovered. The general similarity between this account and that of Gen. i. is obvious: both begin with the abysmal chaos. ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... world philosophy and folkways. It is quite impossible for us to disentangle the elements of philosophy and custom, so as to determine priority and the causative position of either. Our best judgment is that the mystic philosophy is regulative, not creative, in its relation to the folkways. They reacted upon each other. The faith in the world philosophy drew lines outside of which the folkways must not go. Crude and vague notions of societal welfare were formed from the notion of pleasing ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner
... most striking novels of the season. It bears little resemblance in tone, spirit and object, to the other popular romances of the day. The author follows in the track of Fielding rather than Bulwer, and aims at representing the world as it is. Though his mind is not creative, it is eminently delineative, and he has succeeded in cramming into one volume a large variety of characters, each expressing one of the different forms of worldliness, and all belonging strictly to the world we ...
— Graham's Magazine Vol XXXIII No. 5 November 1848 • Various
... the city in which an Arian Ostrogoth ruled supreme as to temporal things was acknowledged by the head of the empire, from whom the Ostrogoth derived his title, as the person in whom our Lord's word—the creative word which founds an empire as it makes a world—was accomplished, had been during five hundred years accomplished, ...
— The Formation of Christendom, Volume VI - The Holy See and the Wandering of the Nations, from St. Leo I to St. Gregory I • Thomas W. (Thomas William) Allies
... breathe about the mighty church. Science invokes the aid of imagination no less than poetry. Darwin as he searched, imagined. Every microscopic fact his patient eyes unearthed, his fancy caught up and set in its proper niche in a fabric as stately and grand as ever the creative company of Poets' Corner wove from sunbeams ...
— Life of Charles Darwin • G. T. (George Thomas) Bettany
... then it slowly and gaspingly subsided. When it had quieted down, the piano began again, and a red-headed Madigan, intoxicated by the music, the license of the time, and the excitement accompanying creative work, danced a fantastic pas seul, as she flew about ...
— The Madigans • Miriam Michelson
... English Literature, then, Crabbe comes after Cowper and before Wordsworth. There is a lineal descent as clear and well-defined as any set forth in the peerages of "Burke" or "Debrett." We read in vain if we do not fully grasp the continuity of creative work. Cowper was born in 1731, Crabbe in 1754, and Cowper was called to the Bar in the year that Crabbe was born. In spite of this disparity of years they started upon their literary careers almost at the same time. The Village was published ...
— Immortal Memories • Clement Shorter
... fanciful theories of the ancient philosophers, it seems only to involve a profitless topic of controversy, without solving natural phenomena. It does not unravel the mystery of the beginning, brings us no nearer to the first creative force. Like a good chemist, previous to analysis, the author first throws all matter into a state of solution; but granting him his fire-mist and nuclei in the midst, how or whence came this condition and arrangement of nature? What was its pre-existing state? or, if that be answered, how ...
— An Expository Outline of the "Vestiges of the Natural History of Creation" • Anonymous
... people. It is with personal pride that we read of the valour and conquests of this mighty race, who used the alphabet we use, spoke and wrote with but little difference many of the words we speak and write, and with divine creative power evolved virtually all the forms of law which govern us today. To the Greek, art and literature were inextricably involved in daily life and thought; to the Roman, as to us, they were a separate unit in a many-sided civilisation. ...
— Writings in the United Amateur, 1915-1922 • Howard Phillips Lovecraft
... resolve, at the outset, that his best should be the best. Nothing less seemed possible with that mandate in his ears. How she had divined him; lifted and disentangled his groping ambitions; laid the awakening touch on his spirit with her creative Let there be light! ...
— The Greater Inclination • Edith Wharton
... from Balmordan's ship position, and the Devagas had had previous dealings with him and his men. This time they hired the I-Fleet to become the plasmoid's temporary caretaker. Within a few weeks it was parked on Luscious, where it devoted itself to the minor creative experimentation which presently ...
— Legacy • James H Schmitz
... said about the creative power of gooseflesh. If Shakespeare had been a tinman he could not have felt the giddy height and grandeur of the Dover Cliffs; Ibsen could not have wrought the climbing of the steeple into the crisis and calamity of "The Master Builder"; Teufelsdroeckh ...
— Journeys to Bagdad • Charles S. Brooks
... redescend to the rank of impressions before they can give rise to new impressions. When we utter new words, we generally transform the old ones, varying or enlarging their meaning; but this process is not associative. It is creative, although the creation has for material the impressions, not of the hypothetical primitive man, but of man who has lived long ages in society, and who has, so to say, stored so many things in his psychic organism, and among them so ...
— Aesthetic as Science of Expression and General Linguistic • Benedetto Croce
... uncontradicted statement, which dates from a later period, but which comes to us worded in terms as cautious as if it had issued directly from the school itself, we obtain another glimpse of these new social agencies, with which the bold, creative, social genius that was then seeking to penetrate on all sides the custom-bound time, would have roused and organised a new social life in it. It is still the second-hand hearsay testimony which ...
— The Philosophy of the Plays of Shakspere Unfolded • Delia Bacon
... could be translated, and such translation into the new language could not even be commenced unless the mind had been already in action and intelligently using the original language for that purpose. In fact the use by deaf-mutes of signs originating in themselves exhibits a creative action of mind and innate faculty of expression beyond that of ordinary speakers who acquired language without conscious effort. The thanks of students, both of philology and psychology, are due to Prof. SAMUEL PORTER, of the National Deaf Mute College, ...
— Sign Language Among North American Indians Compared With That Among Other Peoples And Deaf-Mutes • Garrick Mallery
... science, 1894. Now Dean of the College of Engineering, University of Cincinnati. Profession: civil engineer. Chief interests: advancing technical education, promoting scientific research, and planning methods to give free outlook to the creative genius of the country in science, art, music, literature, and every other phase of human endeavor. Author of "Education for Industrial Workers." First short story, "Arthur McQuaid, American," Outlook, May 23, 1917. At present, living in Washington, working in the Ordnance ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various
... admit to his consciousness the thought vibrations of others. But you may set it down as a fundamental fact that there is nothing or no condition of which the mind can conceive that may not become an objective reality, which is the creative faculty in all of us. This city is here to us just as really and actually as were the trees of Guir forest a short time ago. By opening our inward sight, and putting ourselves in accord with another vibratory ...
— The Ghost of Guir House • Charles Willing Beale
... or two passages which draw the reader into deep mental inquiry as to the religious feelings of the time. In one, which might have been written by Paley, Cicero declares his belief in the creative power of some god—or gods, as he calls them.[16] And we see also the perverse dealings of the Romans with these gods, dealings which were very troublesome—not to be got over except by stratagem. The gods were made use of by one party and the other for dishonest state purposes. ...
— The Life of Cicero - Volume II. • Anthony Trollope
... a bewilderingly girlish appearance. As he looked in upon her she raised her face so that the light shone full upon it; her brows were puckered, she nibbled at the end of her pencil, in the midst of some creative puzzle. ...
— The Iron Trail • Rex Beach
... matter which, either at the beginning or at some point in the history of His creation He endowed with life, such inherent powers that in the ordinary course of time living creatures such as the present were developed. The creative power remains the same in either case; the design with which that creative power was exercised remains the same. He did not make the things, we may say; no, but He made them make themselves. And surely this ...
— The Relations Between Religion and Science - Eight Lectures Preached Before the University of Oxford in the Year 1884 • Frederick, Lord Bishop of Exeter
... Forethought. The Scandinavian Spinners of Fate were Urd (the Was, the Past), Verdandi (the Becoming, or Present), and Skuld (the To-be, or Future). He alludes to Plato, who made the Demiourgos create the worlds by the Logos (the Hebrew Dabar) or Creative Word, through the ons. These {Greek: Awnes} of the Mystics were spiritual emanations from {Greek: Awn}, lit. a wave of influx, an age, period, or day; hence the Latin vum, and the Welsh Awen, ...
— The Kasidah of Haji Abdu El-Yezdi • Richard F. Burton
... has, it is rumoured, persuaded no less a personage than Mr. LLOYD GEORGE to write some books for him, and we are promised at an early date, "Essays on Lamb (shorn)," "The Fortunes of Montrose," and other works of creative fancy. ...
— Punch, or the London Charivari, Vol. 146, February 18, 1914 • Various
... and affectionate, that it was not I in human nature to entertain harsh feeling toward him. Although modest and shrinking, even to diffidence, he possessed a mind full of intellect and enthusiasm: his imagination, too, overflowed with creative power, and sought the dreamy solitudes of noon, that it might, far from the bustle of life, shadow forth those images of beauty which come thickly only upon those whose hearts are most susceptible of its forms. Many a time has he sat alone upon the brow of a rock ...
— Jane Sinclair; Or, The Fawn Of Springvale - The Works of William Carleton, Volume Two • William Carleton
... horses, it was because he was much the safest man to hold them. Imagination does not breed insanity. Exactly what does breed insanity is reason. Poets do not go mad; but chess-players do. Mathematicians go mad, and cashiers; but creative artists very seldom. I am not, as will be seen, in any sense attacking logic: I only say that this danger does lie in logic, not in imagination. Artistic paternity is as wholesome as physical paternity. Moreover, it is worthy of remark that when a poet really ...
— Orthodoxy • G. K. Chesterton
... idolaters, who bowed before the workmanship of their own hands; the images of brass and marble, which, had they been endowed with sense and motion, should have started rather from the pedestal to adore the creative powers of the artist. [2] Perhaps some recent and imperfect converts of the Gnostic tribe might crown the statues of Christ and St. Paul with the profane honors which they paid to those of Aristotle and Pythagoras; [3] ...
— The History of The Decline and Fall of the Roman Empire - Volume 5 • Edward Gibbon
... low-grade ore. Process a million stupid notions and find a pin point of genius. Turn over enormous wastes of human thought and recover a golden principle. But turn your back on these mountains of low-grade material and you shut out the wealth of creative thought that is buried in them. More than that, by high-grading only where rich veins have appeared in the past, you're mining lodes that ...
— The Great Gray Plague • Raymond F. Jones
... desire. She was often in the habit of forgetting engagements and at times there was a faraway expression in her eyes, which may have come from having neglected to wear her glasses, but which her friends believed due to the thrall of some wonderful creative idea which might be presented to the world some day in the form of a great picture. And Eleanor, being but human and seventeen, had done her best to foster this belief. She would not dress in modern fashions like the other girls; ...
— The Camp Fire Girls at Sunrise Hill • Margaret Vandercook
... course, behind any proposals for industrial peace there is a striving to catch sight of a future industrial society more content, more generous and creative than that of the present time. To the ordinary observer no such ultimate question appears to be involved in an ordinary wages dispute. Yet it is there. The trade union leader fighting for a wage increase ...
— The Settlement of Wage Disputes • Herbert Feis
... his sleek dark hair. The chin was firm, but one looked in vain for a redeeming touch of ill-temper in the handsome, half-mocking, half-petulant face. With a strain of sourness in him Comus might have been leavened into something creative and masterful; fate had fashioned him with a certain whimsical charm, and left him all unequipped for the greater purposes of life. Perhaps no one would have called him a lovable character, but in many respects he was adorable; ...
— The Unbearable Bassington • Saki
... a dream of secretarial efficiency. She combines, with ease, those widely differing qualities which are so difficult to come by in a single individual. It is inspiring to work with her. I find that her co-operation actually stimulates creative thought. My notes are expanding at a most satisfactory rate. My introductory chapter already assumes form. And—by Jove! I seem to be doing ...
— The Window-Gazer • Isabel Ecclestone Mackay
... an open book which rests on his side. Here Fra Angelico reveals his skill in all its fulness; and when we reflect on his advanced age, we can only remain in admiring surprise before the freshness of his creative power, and ...
— Fra Angelico • J. B. Supino
... process of organic life which weaves its inscrutable web through the universe, that system of laws which expresses the unchanging will of God, and which constitutes the order by whose solemn logic alone He acts. The objection to this view is, in a word, that it limits the creative action of God to human souls. We suppose that He creates our bodies as well; that He is the immediate Author of all life in the same sense in which He is the immediate Author of our souls. The opponents of the creation theory, who strenuously fought it in the seventeenth century, ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger
... that conjugation is the one purely accidental and incidental condition of marriage. Conjugation is essential to nothing but the propagation of the race; and the moment that paramount need is provided for otherwise than by marriage, conjugation, from Nature's creative point of view, ceases to be essential in marriage. But marriage does not thereupon cease to be so economical, convenient, and comfortable, that the Superman might safely bribe the matrimonomaniacs by offering to revive all the old inhuman stringency ...
— Revolutionist's Handbook and Pocket Companion • George Bernard Shaw
... you bake, brew, scrub, spank the children, and talk with your neighbor over the back fence for recreation, spending the years literally like the horse in a treadmill, all for the lack of a purpose,—a purpose sufficiently potent to convert the latent talent into a gem of living beauty, a creative force which makes all adjuncts secondary, like planets to their central sun. Choose some one course or calling, and master it in all its details, sleep by it, swear by it, work for it, and, if marriage crowns you, it can but add ...
— How to Succeed - or, Stepping-Stones to Fame and Fortune • Orison Swett Marden
... not have decreed it—neither would He have passed in His own Divine Mind this second decree, necessarily consequent as it is upon the decree of creation, namely, that every creature should act in the mode of action proper of its kind. This decree, supervening from eternity upon the creative decree, is called ...
— Moral Philosophy • Joseph Rickaby, S. J.
... to do vastly more good for their members then the average debating society, with its usual premium on mere forensic skill, or the fraternity, with its encouragement of snobbishness. The wholesome thing about the spirit of fraternity should be set to work upon some such creative activities as we have mentioned. Not only does the comradeship strengthen faith in right doing, but these practical endeavors offer a notable help to the deepening, extending, and clarifying of that interest in moral progress without which ...
— College Teaching - Studies in Methods of Teaching in the College • Paul Klapper
... them not. I have within myself All that my heart desires; the ideal beauty Which the creative faculty of mind Fashions and follows in a thousand shapes More lovely than the real. My own thoughts Are my companions; my designs and labors And aspirations are ...
— The Complete Poetical Works of Henry Wadsworth Longfellow • Henry Wadsworth Longfellow
... seriousness of life had been suddenly unfolded to her and had brushed off the ether-dust of harmless and joyful peace from her childish soul. The happy child had become a conscious maiden, and new thoughts, new feelings had sprung up within her. The first tears of sorrow had, with a mighty creative power, called all these slumbering blossoms of her heart into existence and activity, and her unconscious feelings had become ...
— The Daughter of an Empress • Louise Muhlbach
... in producing a series of criticisms in relation to creative literature which are satisfactory as well as subtile—which are not only ingenious, but which possess the rarer recommendation of being usually ...
— The Works of William Shakespeare [Cambridge Edition] [9 vols.] - Introduction and Publisher's Advertising • William Shakespeare
... years ago, made the not inapplicable remark to me: "You have in reality three individuals to deal with in yourself, and they all run one against the other; the sociable salon-individual, the virtuoso and the thoughtfully-creative composer. If you manage one of them properly, you may congratulate ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... Has the grave's lowly one Risen victorious? Sits he, God's Holy One, High-throned and glorious? He, in this blest new birth, Rapture creative knows;[9] Ah! on the breast of earth Taste we still nature's woes. Left here to languish Lone in a world like this, Fills us ...
— Faust • Goethe
... crust, races wholly unlike any that had preceded them were introduced, from time to time, as new inhabitants of the globe. Here, then, was an absolute necessity for the continuous operation of an intelligent creative power, apart from the blind mechanical laws, which, at the utmost, could only allow each species, once introduced, to continue its kind. The marvellous adaptations of these new races to the altered conditions of the earth's surface when they appeared, then, become ...
— A Theory of Creation: A Review of 'Vestiges of the Natural History of Creation' • Francis Bowen
... to be purely arbitrary, therefore fatal to the development of a spontaneous and individual style. By breaking up the rigid ties of syntax, you do more than create new forms of prose moving in perfect freedom, you deliver the creative spirit itself from the abominable contact with dead ideas. Association, fixed and eternalized by the structure of the language, is the tyranny that ...
— The Tree of Heaven • May Sinclair
... be no hearts above the snow-line. Oh, ye frozen heavens! look down here. Ye did beget this luckless child, and have abandoned him, ye creative libertines. Here, boy; Ahab's cabin shall be Pip's home henceforth, while Ahab lives. Thou touchest my inmost centre, boy; thou art tied to me by cords woven of my heart-strings. Come, ...
— Moby Dick; or The Whale • Herman Melville
... wandering often along the ramparts of the old town, introspective even then, with something of that rare and insatiable curiosity which we all now recognise as so distinctive of Sainte-Beuve. Again, the greatest creative literary artist of the century, in prose at any rate, was leading an apparently somewhat indolent schoolboy life at Tours, undreamful yet of enormous debts, colossal undertakings, gigantic failures, and ...
— Life of Robert Browning • William Sharp
... masts and smoking funnels around us swaying in various arcs against a triumphant sky, the clamorous desperation of clouds of wheeling kittiwakes, herring-gulls, black-backed gulls and gannets, and all in that pour of hard and crystalline northern sunlight, was as though the creative word had been spoken only five minutes before. We, and all this, had just come. I ...
— London River • H. M. Tomlinson
... fort at Allahabad, and much lovely work in the city of Agra testify to the creative genius of that contemporary of our own Good Queen Bess, the first "Great" Mogul. Jehangir, his son and successor, has left few buildings of note, but his grandson, Shah Jehan, was undoubtedly the most splendid builder of the Mogul Mohammedan period. To him Delhi owes its stately ...
— A Holiday in the Happy Valley with Pen and Pencil • T. R. Swinburne
... moment the senses cease their activity, creative power asserts itself in man. It is the same creative power which is present in absolutely dreamless sleep, and at that time recuperates man's exhausted forces. For this dreamless sleep to take place, the astral body must be withdrawn ...
— An Outline of Occult Science • Rudolf Steiner
... importance in every walk of life. The greatest and most original genius is in the main a creature of imitation. By imitation he reaches the level of knowledge and skill attained by others; and upon this foundation builds his structure of original and creative thought, experiment, and achieve- ment. Furthermore he does not imitate at random; but concentrates his activity on those things and persons in the line of ...
— Increasing Efficiency In Business • Walter Dill Scott
... men perish sometimes from sheer untalked talk. For lack of a creative listener they gradually fill up with unexpressed emotion. Presently this emotion begins to ferment, and finally—bang!—they blow up, burst, disappear in thin air. In all that community I suppose there was no one but the little ...
— The Friendly Road - New Adventures in Contentment • (AKA David Grayson) Ray Stannard Baker
... perfect life shall perfect their love. These give a new pattern and type of parenthood, woven of the tears and joy, the aspiration and the service of those who call children from the storehouse of universal life, not in response to careless passion but in the solemn joy of creative purpose. These are the men and women who shall yet build from the home as the heart's centre, a wiser school, a more righteous state, a juster industry, and a ...
— The Family and it's Members • Anna Garlin Spencer
... direction of geology a moment. Here is a river course; here is the shape of a hill top; do they say anything to the ordinary man who walks with his head down, and occupied with some problem of Wall Street, perhaps? Here are marvels of creative power. God shaped the slope of that hill as really as though he smoothed it down with his hand. And he who understands the methods of world building, of landscape-sculpture, may stand in wonder and awe and reverence before the forces that have been at ...
— Our Unitarian Gospel • Minot Savage
... very great, indeed, for the covenant is one of the great creative documents of human history. The peace treaty will fade into merciful oblivion and its provisions will be gradually obliterated by the great human tides sweeping over the world. But the covenant will stand as sure as fate. Forty-two ...
— Woodrow Wilson's Administration and Achievements • Frank B. Lord and James William Bryan
... much, about the strength of "mother-love." It is the most holy expression of the Creative Instinct—none doubt it. ...
— The Mission of Janice Day • Helen Beecher Long
... mundane existence and live the life of men where life is life and every breath is freedom; where the desire to live is dominant and the future holds no terrors, and each new day and sun and moon and procession of the stars are greeted with the joy that is born of living and hailed as emblems of the creative force that marks and animates the passing of ...
— When Dreams Come True • Ritter Brown
... Elise in Wisconsin. The family seldom came to New York without telephoning to me, and often we dined together and went to the theater. I ought to have been very happy. I had won all I had left home for. I worked; I produced. At Van de Vere's my creative genius had found a soil in which to grow. I, as well as Virginia, conceived dream rooms, sketched them in water-colors, created them in wood, and paint, and drapery. I had escaped the stultifying effects of parasitism, rescued body and brain from sluggishness and inactivity, ...
— The Fifth Wheel - A Novel • Olive Higgins Prouty
... her eyes travelled over immense spaces; for she thought that the desert might have dropped out of the sun. The colour of sand and sky was colour on fire, blazing. The whole Sahara throbbed with the unimaginable fire of creative cosmic force, deep, vital orange, needed by the primitive peoples of the earth who had not risen high enough yet to deserve or ...
— The Golden Silence • C. N. Williamson and A. M. Williamson
... between the moral expressed and the machinery employed to express it. The machinery, in fact, as this change is developed, becomes less and less fabulous. We find ourselves in presence of quite a serious, if quite a miniature division of creative literature; and sometimes we have the lesson embodied in a sober, everyday narration, as in the parables of the New Testament, and sometimes merely the statement or, at most, the collocation of significant facts in life, the ...
— Lay Morals • Robert Louis Stevenson
... into incompetence; if it had not, it might have been the danger to American national life that the German General Staff was to German national life. Recently it was merged with the high command. As Secretary of State he was not creative, Mr. Harding turning back to the solid ground of American international policy, rested upon John Hay's open door and Knox's dollar diplomacy. Root in foreign relations merely succeeded with the Senate where Hay ...
— The Mirrors of Washington • Anonymous
... rather heartless woman, whose ambition was far in excess of her insight, for economic position Reardon had none. He writes books to please a small group. The books fail to please. Jasper in the main is right—there is only a precarious place for any creative litterateur between the genius and the swarm of ephemera or journalists. A man writes either to please the hour or to produce something to last, relatively a long time, several generations—what we call 'permanent.' The intermediate position is necessarily insecure. It is not really ...
— The House of Cobwebs and Other Stories • George Gissing
... the life of John Wesley, and not exclaim, if varied and exhausting labor, if perpetual excitement and constant drafts upon the brain, would ever wear a man out, he would have worn out? It was his creative energy that called into existence a denomination, his ardent piety that inspired it, his clear mind that legislated for it, his heroic industry that did no mean part of the incessant daily toil needful for its establishment. Yet this man of many labors, who through a long life never knew practically ...
— The Atlantic Monthly, Volume 16, No. 96, October 1865 • Various
... alter this; it had no creative power to make the carnal spiritual. On the contrary, it aggravated the evil. It actually multiplied offenses; for its clear and full description of sins, which would have been an incomparable guide to a sound ...
— The Life of St. Paul • James Stalker
... mutilation with which every branch of the church, from the oldest to the youngest and crudest, has in its degree afflicted and retarded mankind, because the key-note of his religion is the joyful energy of every faculty, practical, reflective, creative, contemplative, in pursuit of a visible common good. And he can be plunged into no fatal and paralysing despair by any doctrine of mortal sin, because active faith in humanity, resting on recorded experience, ...
— Rousseau - Volumes I. and II. • John Morley
... in laws and inventions is the main delight of the song; not the living presence of creative love, which never sings its own praises, but spends itself in giving. Still, although there has passed away a glory from the world of song, although the fervour of childlike worship has vanished for a season, there are signs in these verses of a new dawn of devotion. Even the exclusive and therefore ...
— England's Antiphon • George MacDonald
... what they witness here how mighty is the energy, how unfailing the life, of that Catholic Church which they so bitterly hate; how little wisdom they display in matching their strength and their temporary triumphs over her against that incomparable union of living forces which the creative power of Christ has bound around this central rock. More than ever is it needful in our age, that all men should see and understand that the only strong and lasting tie between men's souls depends on the reign over all of the same Spirit of God. Besides, ...
— Pius IX. And His Time • The Rev. AEneas MacDonell
... all its properties, the design of the largest building, with the minutest detail, could be drafted with absolute accuracy. There are many other curious properties of this Figure, but they are difficult to explain without diagrams. I will, however, give one more example of its creative power. The problem of describing a Pentagon must have puzzled architects considerably in those early times, but this was again easily accomplished by means of the Vesica. Albrecht Duerer, the great designer and engraver, who lived at the end of the fifteenth century, refers to the ...
— Science and the Infinite - or Through a Window in the Blank Wall • Sydney T. Klein
... the eve of a great reconstruction. It calls for creative statesmanship as no age has done since that great age in which we set up the government under which we live, that government which was the admiration of the world until it suffered wrongs to grow up under it which have made many of our own compatriots question the freedom of our institutions and ...
— The Great Events by Famous Historians, Vol. 21 - The Recent Days (1910-1914) • Charles F. Horne, Editor
... humorous plots and plot-situations. Many a man of brains and of excellent education who in any other calling might easily make his mark, finds himself totally unable to win success in short-story writing and photoplay writing simply because, not having an imaginative or (in the literary sense) creative mind, he neglects the thousand-and-one opportunities to stock that unimaginative mind with ideas furnished wholesale by the life he sees about him every day, or by available books of reference, magazines and daily papers; and, last, but far from least in importance, ...
— Writing the Photoplay • J. Berg Esenwein and Arthur Leeds
... whispering swish of the warm wind through the shrubberies,—all these influences entered the mind and soul of the man and aroused a keen joy which almost touched the verge of sadness. Life pulsated about him in such waves of creative passion, that his own heart throbbed uneasily with Nature's warm restlessness; and the unanswerable query which, in spite of his high and spiritual faith had often troubled him, came back again hauntingly to his mind,—"Why should ...
— God's Good Man • Marie Corelli
... hear, that he does not believe in the gods, but he believes in dreams; and perhaps he is right. My jests do not prevent me from thinking at times that in truth there is only one deity, eternal, creative, all-powerful, Venus Genetrix. She brings souls together; she unites bodies and things. Eros called the world out of chaos. Whether he did well is another question; but, since he did so, we should recognize his might, though we are free ...
— Quo Vadis - A Narrative of the Time of Nero • Henryk Sienkiewicz
... influence to within a few miles of Smolensk.[261] The newly-formed Diet at Warsaw also favoured this project: it constituted itself into a general confederation, declared the Kingdom of Poland to be restored, and sent a deputation to Napoleon at Vilna begging him to utter the creative words: "Let the Kingdom of Poland exist." The Emperor gave a guarded answer. He declared that he loved the Poles, he commended them for their patriotism, which was "the first duty of civilized man," but added that only by a unanimous effort could they now compel their enemies to recognize their ...
— The Life of Napoleon I (Volumes, 1 and 2) • John Holland Rose
... die here in the mud, if need be, is that the world will now be reorganized on some intelligent basis; that Grierson and I, if we get back, won't have to rot on a large income and petrified ideas, but will have some interesting and creative work to do. Economic inequalities must be reduced, and those who toil must be given a chance to live, not merely to exist. Their lives must include a little leisure, comfortable homes, art and beauty and above all an education that none of us, especially those of us who ...
— The Crossing • Winston Churchill
... of our sketch, the "Tinker of Elstow." Of his high merit as an author there is no longer any question. The Edinburgh Review expressed the common sentiment of the literary world, when it declared that the two great creative minds of the seventeenth century were those which produced "Paradise Lost" and ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... heaviness of heart when he journeyed to Mount Moriah with his boy, and whetted the knife to slay his son! His love had all been buried in Sarah's grave. He has been a lonely man for many years; and yet he looks back, as God looked back over His creative week, and feels that all has been good. 'It was all for the best; the great procession of my life has been ordered from the beginning to its end, by the Hand that shapes beauty everywhere, and has made all things blessed and sweet. I have drunk a full draught; I have had enough; I bless the ...
— Expositions of Holy Scripture - Genesis, Exodus, Leviticus and Numbers • Alexander Maclaren
... inexperienced readers. I believe, however, that this skill in narration is De Quincey's most persistent quality,—the golden thread that unites all his most distinguished and most enduring work. And it is with him a part of his genius for style. Creative power of the kind that goes to the making of plots De Quincey had not; he has proved that forever by the mediocrity of Klosterheim. Give him Bergmann's account of the Tartar Migration, or the ...
— The English Mail-Coach and Joan of Arc • Thomas de Quincey
... vivisector, half vampire. He gets into intimate relations with them to study them, to strip the mask of convention from them, to surprise their inmost secrets, knowing that they have the power to rouse his deepest creative energies, to rescue him from his cold reason, to make him see visions and dream dreams, to inspire him, as he calls it. He persuades women that they may do this for their own purpose whilst he really means ...
— Man And Superman • George Bernard Shaw
... towards an appointed end. Bring Homer on the stage, and introduce two actors instead of a narrator, and a drama is at once effected. If Phrynichus from the first borrowed his story from Homer, Aeschylus, with more creative genius and more meditative intellect, saw that there was even a richer mine in the vitality of the Homeric spirit—the unity of the Homeric designs. Nor was Homer, perhaps, his sole though his guiding inspiration. The noble birth of Aeschylus no doubt gave him those advantages ...
— Athens: Its Rise and Fall, Complete • Edward Bulwer-Lytton
... instruments of enjoyment created by himself, the Released may undergo experiences of pleasure by means of instruments created by the highest Person, the Released, although capable of realising all his wishes, may not himself be creative. As in the state of dream the individual soul has experiences depending on chariots and other implements created by the Lord ('He creates chariots, horses,' &c., Bri. Up. IV, 3, 10); thus the released soul also may have experience of different worlds ...
— The Vedanta-Sutras with the Commentary by Ramanuja - Sacred Books of the East, Volume 48 • Trans. George Thibaut
... or invisible man or animal, of ethereal substance, the counterpart of the visible body, within which it resides, and to which it imparts life, strength, and the power of assimilating food.[261:2] Archaeus was regarded as the creative spirit, which, working upon the raw material of water or fluidity, by means of a ferment promotes the various actions which result in the development and nutrition of the physical organism. As life and ...
— Primitive Psycho-Therapy and Quackery • Robert Means Lawrence
... sufferance in its toyings with the mere elements of character, and its attempts to present these in combinations foreign to experience are still praised by the poorer sort of critics as masterpieces of creative work. ...
— Henry James, Jr. • William Dean Howells
... name of the first modern State in the world. Here the whole people are busied with what in the despotic cities is the affair of a single family. That wondrous Florentine spirit, at once keenly critical and artistically creative, was incessantly transforming the social and political condition of the State, and as incessantly describing and judging the change. Florence thus became the home of political doctrines and theories, of experiments and sudden changes, but also, like Venice, the home of statistical science, ...
— The Civilization of the Renaissance in Italy • Jacob Burckhardt
... scheme which it unfolded — a scheme which withdrew the temporal establishment of a Church in such a manner that the church was benefited, not injured, and which lifted from the backs of an oppressed people an intolerable burden - was a triumph of creative genius. ...
— A History of The Nations and Empires Involved and a Study - of the Events Culminating in The Great Conflict • Logan Marshall
... or Lucy Larcom. The marshes brought up the Wayside Inn of Longfellow; all, all was of the past. New England, rich with its memories of great men and noble women, had no direct inspiration for me, a son of the West. It did not lay hold upon my creative imagination, neither did it inspire me to sing of its glory. I remained immutably of the Middle Border and strange to say, my desire to celebrate the West ...
— A Son of the Middle Border • Hamlin Garland
... ennoble the city, Rubens, most profound of colorists, most dramatic—of artists; whose profuse tropical genius seemed to flower the more luxuriantly, as if the destruction wrought by brutal hands were to be compensated by the creative energy of one, divine spirit, had not yet been born. Of the treasures which existed the destruction was complete. Yet the rage was directed exclusively against stocks and stones. Not a man was wounded nor a woman outraged. Prisoners, indeed, who ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... movements and conjunctions of the Heavens, the creative light descends to the lowest elements, producing all ...
— The Divine Comedy, Volume 3, Paradise [Paradiso] • Dante Alighieri
... following afternoon. He begged me to ask for whatever I might want, and after a little friendly chat, I took my leave, elated with the prospect of the work before me. About three o'clock the next afternoon I took my way to the Hall, to assume the temporary office of creative librarian. ...
— Wilfrid Cumbermede • George MacDonald
... pictures had never been painted? Others had done them, or better, the same. We are only Pencils God paints with. And think you that He had wanted for pencils But for our being at hand? And yet—for some virtue creative Dwells and divinely exists in the being of every creature, So that the thing done through him is dear as if he had done it— If I should see your power, a tint of this great efflorescence, Fading, methinks I should feel myself beginning to wither. They have abused your hate who told you ...
— Poems • William D. Howells
... the infinitesimals,—from infinite Mind, or from [15] matter? If from matter, how did matter originate? Was it self-existent? Matter is not intelligent, and thus able to evolve or create itself: it is the very opposite of Spirit, intelligent, self-creative, and infinite Mind. The belief of mind in matter is pantheism. Natural history shows [20] that neither a genus nor a species produces its opposite. God is All, in all. What can be more than All? Noth- ing: and this is just what I call matter, ...
— Miscellaneous Writings, 1883-1896 • Mary Baker Eddy
... Arts, the cultivation of which presents the greatest difficulties, for a consummate interpretation of a musical work so as to permit an appreciation of its real value, a clear view of its physiognomy, or discernment of its real meaning and true character, is only achieved in relatively few cases. Of creative artists, the composer is almost the only one who is dependent upon a multitude of intermediate agents between the public and himself; intermediate agents, either intelligent or stupid, devoted or hostile, active or inert, capable—from first to last—of contributing ...
— The Orchestral Conductor - Theory of His Art • Hector Berlioz
... to everlasting happiness, and his everlasting misery might have been prevented; why then should he have been called into being? Is not this misery ordained to him, since it is not prevented, and since it has always been apparent as the result of life to the creative power which must know, and which could prevent, and has yet ...
— The Knickerbocker, or New-York Monthly Magazine, May 1844 - Volume 23, Number 5 • Various
... sensuality; both of them destroyed its religious character, both of them raised it to high aesthetic perfection, but in both cases that perfection was followed by a speedy decline." Muller remarks, "The creative activity, the real central point of the entire activity of art, which fashions peculiar forms for peculiar ideas, must have flagged in its exertions when the natural circle of ideas among the Greeks had received complete plastic embodiment, or it must have been morbidly driven ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy
... Music, tone, sound, colour, vibrate in every page of your romances. Had your parents taught you harmony, the piano, and the fiddle, your music would have burst forth along its normal lines. As they merely taught you the alphabet and grammar, your creative faculty turned to literature; you wrote romances full of music, instead of composing music full of romance. It is a distinction without a difference. But, now that you have found your mislaid 'cello, and I am teaching you to KNOW YOURSELF, you ...
— The Upas Tree - A Christmas Story for all the Year • Florence L. Barclay
... carols by country people continued, indeed, but the creative artistic impulse was lost. True carols after the Reformation tend to be doggerel, and no doubt many of the traditional pieces printed in such collections as Bramley and Stainer's[33]{37} are debased survivals from the Middle Ages, or perhaps new words ...
— Christmas in Ritual and Tradition, Christian and Pagan • Clement A. Miles
... quite, either," said Judy. "I think what you mean is more the deadly literary sense, isn't it, Padre?—the thing some people are cursed with, the voice that gets up and lies down with them, that keeps up a running commentary on whatever they do. The creative ...
— Secret Bread • F. Tennyson Jesse
... and how his little heart bounded and seemed to sing in this his first enjoyment of the joyous liberties and powers of creative work! ...
— Bimbi • Louise de la Ramee
... an opera or finishing one already begun. The aphoristic nature of such tasks as those set you by this Goethe celebration must involuntarily be transferred to the artistic production, which therefore cannot attain to perfect warmth. Creative power in music appears to me like a bell, which the larger it is is the less able to give forth its full tone, unless an adequate power has set it in motion. This power is internal, and where it does not exist internally it does not exist at all. ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... historians, we cannot value them too highly. If we measure them with the poets that preceded and those that followed them, they tower above all like giants. From the deep marks which they left behind, we discover that they were men of creative genius, men who had looked at life with their own eyes, and were able to express what they had seen and thought and felt in a language which fascinated their contemporaries, and which even now holds ...
— Chips From A German Workshop. Vol. III. • F. Max Mueller
... expressed a castle, and it is not for his teacher to draw undue attention to the fact that the corners are not well put together, but rather to listen to and to direct the story which centers about this effort at creative expression. A little later, however, it is clearly the business of the teacher to call attention to the quality of the dovetailing in which the boy at the manual training bench is engaged, for there is no value in dovetailing a box unless it is accurately done. At one point the child's ...
— The Spirit of Youth and the City Streets • Jane Addams
... and type to be the instruments of more evangels than angels ever sang, more revolutions than gunpowder ever achieved, more victories than ever won the applause of men or the approval of heaven. In the beginning the creative word was Fiat lux—let there be light. In the new creation of the human mind it was Imprimatur—let it be printed. If printing had never been invented, it is easy to conceive that the enormous learning ...
— Printing and the Renaissance - A paper read before the Fortnightly Club of Rochester, New York • John Rothwell Slater
... creative power, Before whose might the universe bends low In silent adoration! Guide my pen While from my soul the sounds of music pour Towards thy praises! For to thee belongs The sounding stream of never-ending song. When out of chaos rose the glorious world, Sublime ...
— The Celtic Magazine, Vol. 1, No. 3, January 1876 • Various
... proved most conclusively that he could write well; and his satire on the "Quick or the Dead" was laughed over by the whole country. The story of "Juny" shows the creative power of the author. It is strong and his descriptive powers have full ...
— Four Years in Rebel Capitals - An Inside View of Life in the Southern Confederacy from Birth to Death • T. C. DeLeon
... the century that has elapsed since the French Revolution the pendulum has had time to swing as far as it will in the direction of negative reform, and may now begin to move towards that sort of reform which is integrating and creative. The veering of the advanced political parties from liberalism to socialism would seem to be a clear indication of this new tendency. It is manifest also in the love of nature, in athletics, in the new woman, and in a friendly medical attitude ...
— Winds Of Doctrine - Studies in Contemporary Opinion • George Santayana
... essays we meet with a restatement of classical principles and an application of them to the literature of the last generation. There was something premature, he thinks, about the burst of creative activity in the first quarter of the nineteenth century. Byron was empty of matter, Shelley incoherent, Wordsworth wanting in completeness and variety. He finds much to commend in the influence of a literary tribunal like the French Academy, which embodies ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... of Malory is again a collection of traditional stories, as is the Gesta Romanorum, and not the creative work of a single intellect. As might be expected, it straggles, and overlays its climax with a too-lavish abundance of incidents; it lacks the harmony of values which results from the introduction of a unifying purpose—i.e., of art. Imaginative ...
— The Great English Short-Story Writers, Vol. 1 • Various
... so many authorities claim. He taught that there existed a fundamental principle called "Tao," which is held to have been identical with the "primordial reason," a manifestation of which was the "Teh," or the creative activity of the universe. From the union and action of the "Tao" and the "Teh" proceeded the universe, including the human soul, which he taught was composed of several parts, among them being the "huen," or spiritual principle; and the "phi," or semi-material vital principle, ...
— Reincarnation and the Law of Karma - A Study of the Old-New World-Doctrine of Rebirth, and Spiritual Cause and Effect • William Walker Atkinson
... have the smallest insight into politics, produce an effect very similar to that of ipecacuanha. "Those," he said, "who have framed a constitution for their country are, so to speak, out of the pale of that social state of which they are the authors; for creative power is not in the same sphere with that which it ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 2 (of 4) - Contributions To The Edinburgh Review • Thomas Babington Macaulay
... the skylark's song and flight, is through the genius of Shelley so faithfully embodied, that it may enter as a definite joy into the lives of countless human beings. The sensuous or suggestive values of nature are caught by the poet's quick feeling for beauty, and fixed by his creative activity. Or with his ready sympathy he may perceive the value of some human ideal or mastering passion, and make it a reality for our common feeling. Where the poet has to do with the base and hateful, his attitude is still appreciative. The evil ...
— The Approach to Philosophy • Ralph Barton Perry
... Spinrobin," he said, with a sudden and effective lowering of his booming voice, "is the original divine impulsion behind nature—communicated to language. It is—creative!" ...
— The Human Chord • Algernon Blackwood
... sisterhood should convince the literary aspirant that the creative imagination is sufficient unto itself and independent of the stimulus of contact with the busy hum of men. If it be necessary, the literary genius by divination can portray life without seeing it. Bricks ...
— Stories of Achievement, Volume IV (of 6) - Authors and Journalists • Various
... playing violin is contained in the reverent and respectful interpretation of the works of the great masters. I consider the artist only their messenger, singing the message they give us. And the more one realizes this, the greater becomes one's veneration especially for Bach's creative work. For twenty years I never failed to play the Bach solo sonatas for violin every day of my life—a violinist's 'daily prayer' in its truest sense! Students of Bach are apt, in the beginning, to play, say, the finale of ...
— Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... the divine Spirit on the spirit of man. When the spirit by sanctification is fitted for an incorruptible body, then shall it be raised into a world of incorruption, and a celestial body shall burgeon forth thereto, the germ of which had been implanted by the redeeming and creative Word in this world. Truly hath it been said of the elect:—They fall asleep in earth, but awake in heaven. So St. Paul expressly teaches: and as the passage (1. 'Cor'. xv. 35—54,) was written for the express purpose of rectifying the notions of the converts concerning the Resurrection, ...
— Coleridge's Literary Remains, Volume 4. • Samuel Taylor Coleridge
... at last we begin to see liberty as the very substance of life, that indeed it is life, and that only the dead things, the choiceless things, live in absolute obedience to law. To have free play for one's individuality is, in the modern view, the subjective triumph of existence, as survival in creative work and offspring is its objective triumph. But for all men, since man is a social creature, the play of will must fall short of absolute freedom. Perfect human liberty is possible only to a despot who is absolutely and universally obeyed. Then to will would be ...
— A Modern Utopia • H. G. Wells
... was working for the boy's success, for he realized that into this simple overture Arlt had put the very best of himself, that the young composer's happiness was bound up in the success or failure of his maiden effort. The creative power had come upon him; he had worked to the utmost limit with the material ready to his brain. Now he was waiting to have the world pass judgment whether his work was worth the doing, whether ...
— The Dominant Strain • Anna Chapin Ray
... He had become interested in the work of Gustavo, and, knowing the dire financial straits in which the young poet labored, he thought to diminish these anxieties and thus give him more time to devote to creative work by making him censor of novels. A new period of calm and comparative comfort began, and for the first time in his life Becquer had the leisure to carry out a long-cherished project, at once his own desire and the desire ...
— Legends, Tales and Poems • Gustavo Adolfo Becquer
... has always lain chiefly in the perfecting of his tools. From the beginning he has had certain ideas, certain tendencies, a certain consciousness of things to express; he has been haunted, as only creative artists are haunted, by a world waiting to be born; and, from the beginning, he has built on a basis of criticism, a criticism of life. Part of his strength has gone out in fighting: he has had the sense of a mission. Part ...
— Figures of Several Centuries • Arthur Symons
... Genius: an Apologue.—"There was a question between Grimm and M. Le Roy of creative genius and co-ordinating method. Grimm detests method; according to him, it is the pedantry of letters. Those who can only arrange, would do as well to remain idle; those who can only get instruction from what has ...
— Diderot and the Encyclopaedists (Vol 1 of 2) • John Morley
... the love of the son, who seeks God for His own sake, "with nothing between." And how shall human love, when it has reached this point, reflect the love of Him who "needs not man's work nor His own gifts?" How become, not merely receptive, but active and creative? Catherine gives the simple Christian answer: "God has loved us without being loved, but we love Him because we are loved.... We cannot be of any profit to Him, nor love Him with this first love. Yet God demands ...
— Letters of Catherine Benincasa • Catherine Benincasa
... to all our consultations was the pathetic one, 'Give me a fund and I see my way to doing anything.' And so we had travelled drearily for years in the vicious circle that there could be no creative energy in the Party without funds, and that there could be no possibility for funds for a party thus ingloriously inactive. Although myself removed from Parliament my aid had been constantly invoked ...
— Ireland Since Parnell • Daniel Desmond Sheehan
... we be assured of his co-operation. One cannot force the creative mind to create; it must be cajoled. Could one have forced the great K'ung Fu-tse to become a philosopher at the point of ...
— What The Left Hand Was Doing • Gordon Randall Garrett
... to be the slightest chance or hope or fear (whichever expression be preferred) of the kind. Although Prevost elsewhere indulges—as everybody else for a long time in France and England alike did, save creative geniuses like Fielding—in transparently feigned talk about the origins of his stories, he was a very respectable man in his way, and not at all likely to father or to steal any one else's work in a disreputable ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... reproduce. Types unsuited to their environment thus die before reproduction. The stronger and better fitted survive, and thus the type is raised. Natural selection may be regarded, then, as essentially the creative force in this phase ...
— Sociology and Modern Social Problems • Charles A. Ellwood
... being by possibility self-created, we naturally mount from particulars to generals, until finally we rise to the idea of a first cause, uncreated, and self-existing, and eternal. If the phenomena compels us to affix limits to his goodness, we find it impossible to conceive limits to the power of a creative, eternal, self-existing principle. But even supposing we could form the conception of such a Being having his power limited as well as his goodness, still we can conceive no second Being independent ...
— The Fallen Star; and, A Dissertation on the Origin of Evil • E. L. Bulwer; and, Lord Brougham
... of Efreets," continued Cairn, "but neither you nor I can doubt the creative power of thought. If a trained hypnotist, by sheer concentration, can persuade his subject that the latter sits upon the brink of a river fishing when actually he sits upon a platform in a lecture-room, what result should you expect from a concentration of thousands of native minds upon the ...
— Brood of the Witch-Queen • Sax Rohmer
... destined to weep. As Columbus raised his forehead from the dust, with a Latin prayer, which his companions have handed down to us, he thus addressed the Sovereign Ruler of the world: (sl.) "Almighty and eternal God, who, by the energy of thy creative word, hast made the firmament, the earth, and sea, blessed and glorified be Thy name in all places! May Thy majesty and dominion be exalted forever and ever, as Thou hast permitted Thy holy name to be made known and spread by the most humble of Thy ...
— Sanders' Union Fourth Reader • Charles W. Sanders
... what o'er-world seat The eagle bent her courses? The waves that seem its base to beat, The gales that round it weave and fleet, Are life's creative forces. ...
— The Atlantic Monthly, Volume 15, No. 91, May, 1865 • Various
... on The American Scholar, which was given at Cambridge in 1837, Emerson pointed out that the function of the scholar should include creative action, or, as we call it in these days, research, or the search for new truth. He says: "The soul active ... utters truth, or creates.... In its essence it is progressive. The book, the college, the school of art, the institution of any kind, stop with some past utterance of genius.... ...
— Four American Leaders • Charles William Eliot
... ideas which God impresses on us are copies of the eternal ideas which he himself perceives, not, indeed, by passive sensation, but through his creative reason. Accordingly when it was maintained that things do not exist independently of perception, the reference was not to the individual spirit, but to all spirits. When I turn my eyes away from an object it continues to exist, indeed, ...
— History Of Modern Philosophy - From Nicolas of Cusa to the Present Time • Richard Falckenberg
... Vainamoinen Unto all the spells had listened, And had learned the charms in fulness, All the magic spells creative, He prepared himself to travel From the widespread jaws of Vipunen; From the belly of the wise one, From within his ...
— Kalevala, Volume I (of 2) - The Land of the Heroes • Anonymous
... wit, though she might advance him in his career of arms, and even stimulate his vaulting ambition to deeds of yet wilder emprise, she ever esteemed Raleigh as he deserved to be esteemed, or penetrated the depths of his imaginative and creative genius, much less beloved him personally, as she did the vain and petty ambitious Leicester, or the high-spirited, the ...
— Godey's Lady's Book, Vol. 42, January, 1851 • Various
... nationality, individual liberty, popular sovereignty. What was personal and petty in the work of these Titans, being ephemeral, disappeared in the death of each; what was human and large has endured and will endure. The creative ideas of the revolutionary era with which Napoleon's name is so closely connected are no longer called in question; his own career was now verging to its decline, but in his fall the fundamental conceptions of the epoch were ...
— The Life of Napoleon Bonaparte - Vol. III. (of IV.) • William Milligan Sloane
... people and their God. The sanctity of the Sabbath had been prefigured in the account of the creation, antedating the placing of man upon the earth, as shown by the fact that God rested after the six periods or days of creative work, and blessed the seventh day and hallowed it.[430] In the course of Israel's exodus, the seventh day was set apart as one of rest, upon which it was not allowed to bake, seethe, or otherwise cook food. A double ...
— Jesus the Christ - A Study of the Messiah and His Mission According to Holy - Scriptures Both Ancient and Modern • James Edward Talmage
... we are fairly entitled to affirm, that Le Sage was not considered by his contemporaries as a man of original and creative genius; although he possessed, in an eminent degree, the power of appropriating and embellishing the works of others, that his style was graceful, his allusions happy, and his wit keen and spontaneous. If any one assert that this is to underrate Le Sage, and that he is entitled ...
— Blackwood's Edinburgh Magazine - Volume 55, No. 344, June, 1844 • Various
... we after all? Impotent tools in the hands of all creative Power. Greater in the eyes of God is humble weakness than haughty strength; dearer to Him is the repentant sinner than the man who boasts of his virtues. All that is power is His gift, and His gift must needs return ...
— The Day of Wrath • Maurus Jokai
... of Saxon principles, would be the first to conserve the traditional ceremonies handed down from time immemorial by our canonical progenitors of the East. But every nation has its idiocratic notions, minute and otherwise, and it is not strange that the Americans, as a creative people, have peculiar and varied ways of their own in keeping this, the most remarkable day in the calendar. Now and then they add a supplemental form to the accepted code—characteristic of the mutable ...
— Christmas: Its Origin and Associations - Together with Its Historical Events and Festive Celebrations During Nineteen Centuries • William Francis Dawson
... religious sentiment in the nation to whose charge St. Peter's representative committed himself; for religion had of course the greatest part in a movement that could never have been so widespread and so creative without its powerful motives; but, even in spite of the immense impulse given by the crusades, religion would never have got its opportunity at all, if "politics" had not at the very moment been ripe for contemporaneous expansion, if the people and the King had not simultaneously been ready ...
— The Story of Rouen • Sir Theodore Andrea Cook
... lieutenant and obtained an entrance into literary and artistic circles. A man of great originality and initiative ability, of unflagging energy and industry, of considerable artistic taste, and of great amiability, he also had the defect of the creative quality of his mind, so that, owing to that lack of business talent which the public generally associates with the artistic temperament, he did not ultimately prove himself more than a moderate financial success. As Jerrold, Thackeray, and the rest had done before him, he believed in ...
— The History of "Punch" • M. H. Spielmann
... reigned in his castle yonder on the banks of Lough Neagh. But here also is the aristocracy of rank—lords of ancient lineage, descended from heroes—men who have left magnificent monuments of their creative genius. They have not only founded great houses, but they have laid deep and broad the foundations of a social system to whose strength and beauty every age has been adding something, and which now wants only one topmost stone ...
— The Land-War In Ireland (1870) - A History For The Times • James Godkin
... author's first novel is naturally drawn, to a great extent, from his personal experiences; that is, is a literal copy of nature under various slight disguises. But the moment the author gets out of his personality, he must have the creative power, as well as the narrative art and the sentiment, in order to tell a living story; and this ...
— The Autocrat of the Breakfast Table • Oliver Wendell Holmes
... care, began to grow into big, flapping boog-a-boos. And when he returned that night, he was a very mean Charles-Norton. He spoke hardly a word at dinner, pretended he did not like the vanilla custard over which Dolly had toiled all day, her soul aglow with creative delight, sipped but half of his demi-tasse (as though the coffee were bitter, which it wasn't), and went off to bed early with a good-night so frigid that Dolly's little nose tingled for several ...
— The Trimming of Goosie • James Hopper
... between its steep banks, the shady garden, and the wooded precipice. He abandoned the Civil Service in its turn to enter the Academy of Arts. His education would never be finished, but he was determined to be a creative artist. His aunt scolded him by letter for having left the Guards; his guardian advised him to seek a position in the Senate, and sent him letters ...
— The Precipice • Ivan Goncharov
... The very smoothness and perfection of his verse make it seem to many ears nothing better than a melodious monotony. Pope had not imagination enough to be a great poet of the highest order—the order of creative power. He had marvellous fancy, which sometimes, as in "The Rape of the Lock" and in passages of the fierce "Dunciad," rose to something like imagination. Every good Christian ought no doubt to lament that a man of such noble gifts should have had also ...
— A History of the Four Georges, Volume II (of 4) • Justin McCarthy
... a little hopelessly, feeling the atmosphere, by that subtle sense that makes the creative artist like a sensitive plant where his work is at stake. The third act failed to ascend, or to resolve the situation. He merely carried it as far as it interested him, and then dropped it. As he closed the manuscript Bambi reached out her hand ...
— Bambi • Marjorie Benton Cooke
... psychology has consisted, and still consists, I should say that it has given me an entirely new idea of the nature and connection of our inner processes. I learned in the achievements of the sense of sight to apprehend the fact of creative mental synthesis.... From my inquiry into time-relations, etc.,... I attained an insight into the close union of all those psychic functions usually separated by artificial abstractions and names, such as ideation, feeling, will; and I saw the indivisibility and inner homogeneity, in all its phases, ...
— Talks To Teachers On Psychology; And To Students On Some Of Life's Ideals • William James
... originally placed exactly where they are, by the inscrutable will of their Creator, and that we have nothing to do but to register the facts and wonder? Was this single island selected for a fantastic display of creative power, merely to excite a childlike and unreasoning admiration? Is all this appearance of gradual modification by the action of natural causes—a modification the successive steps of which we can almost trace—all delusive? Is this harmony between the most diverse groups, all presenting ...
— Contributions to the Theory of Natural Selection - A Series of Essays • Alfred Russel Wallace
... that of the '50's, gathered around him. Grigorovitch, Turgeneff, Gontcharoff, Nekrasoff, Apollon Maikoff, Dostoevsky, Tolstoy, and the rest, may be said to have been reared on Byelinsky's criticism, inspired by it to creative activity, and indebted to it for much of their fame. Byelinsky, moreover, educated the minds of that whole generation, and prepared men for the social movement of the '60's, which was ...
— A Survey of Russian Literature, with Selections • Isabel Florence Hapgood
... 'nontelepathic civilization' to the point where he predicted criminals, criminal and moral codes of unbelievable complexity, and a great multitude of harmful and illogical taboos, local customs, and regional superstitions. It was a superb achievement of creative imagination and scientific deduction—but not even its creator thought it was more than an exercise in fantasy and perhaps not in the best of taste. The basic assumption was simply too absurd for ...
— The Short Life • Francis Donovan
Copyright © 2024 Free Translator.org
|
|
|
