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More "Fortissimo" Quotes from Famous Books



... felt rather as though she had been caught looking over her neighbour's garden wall. There had been an ironical glint in the regard which the grey eyes had levelled at her that suggested their owner might have overheard Tony's frank comment. Under cover of a fortissimo finale on the part of the orchestra she leant forward and spoke in a ...
— The Vision of Desire • Margaret Pedler

... style. He wished to get up, but felt himself held down as if by a dead weight, and lying as if fettered in iron bonds; he was utterly unable to move an inch. Then Antonia's voice was heard singing low and soft; soon, however, it began to rise and rise in volume until it became an ear-splitting fortissimo; and at length she passed over into a powerfully impressive song which B—-had once composed for her in the devotional style of the old masters. Krespel described his condition as being incomprehensible, for ...
— Stories by Foreign Authors: German • Various

... first theme; and then, towards the middle, occurs a passage which seems to be a counterpart of the second theme, save that it is in the major mode. We are now carried onward through a series of passages, with pungent dissonances and imitative phrases, to a fortissimo dominant chord; thence through a descending cadenza-like passage we are whirled back to the Recapitulation. In material and treatment this corresponds exactly to the Exposition and has the same pianissimo ending. Such ...
— Music: An Art and a Language • Walter Raymond Spalding

... waves of sound. The etude—whose technical end is the rapid execution of widely extended chord figurations exceeding the span of an octave—is to be played on the basis of forte throughout. With sharply dissonant harmonies the forte is to be increased to fortissimo, diminishing again with consonant ones. Pithy accents! Their effect is enhanced when combined with an elastic ...
— Chopin: The Man and His Music • James Huneker

... I should like to tell you! No, not Beethoven; a little, just a little music. Heavens!" cried Reginald, as she crashed into a fortissimo, "another sonata! Listen, I am not equal to sonatas. Nay, Miss Beecham, play me a ...
— Phoebe, Junior • Mrs [Margaret] Oliphant

... expected to turn his theoretical studies to account by composing something for this choir. It was for them he produced his "A B C" song for four parts, using the letters of the alphabet. The composition ended with the words "Winsen, eighteen-hundred seven and forty," sung slowly and fortissimo. The little piece was tuneful and was a great favorite with the teachers, from that ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower

... to tell you! No, not Beethoven; a little, just a little music. Heavens!" cried Reginald, as she crashed into a fortissimo, "another sonata! Listen, I am not equal to sonatas. Nay, Miss Beecham, play me a little ...
— Phoebe, Junior • Mrs [Margaret] Oliphant

... continues in eighth-note motion throughout all the measures of this part of the work. It can only be made tolerable by careful observance of the "sotto voce" at beginning and gradually increasing in power up to the fortissimo in the fortieth measure. Again it subsides into pianissimo, and again the crescendo. Finally the original melody in D-flat is resumed—and with what grateful sweetness!—and the piece is carried through ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews

... melody. After the thunder and the lightning comes the still, small voice. Who ever before thought of comparing the roar of the swiftly passing motor-cars with the sweet singing of the stationary bird? Was there ever in a musical composition a more startling change from fortissimo to pianissimo? ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps

... voice, is in striking contrast with the question. Instead of full orchestra, it has the accompaniment of the strings and first and second horns only, reminding one of Bach's method of accompanying the part assigned to Jesus in his St. Matthew Passion. This number is followed by a spirited fortissimo chorus ("Therefore with Joy shall ye draw Water"), sung to the full strength of voice and orchestra. After the dialogue in which Jesus acquaints the Woman with the incidents of her past life, the contralto voice has an exquisite solo ("O Lord, Thou hast searched ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton

... the musical accompaniment to its birth—not a sleepy little murmur, such as befitted a sumach or a bramble, but a loud, clarion note, one wild shout of joy—and out poured the ecstasy of a robin's song. There was a storm of music on all sides now, a splendid fortissimo, keeping pace with the growing light. Elizabeth, suddenly mindful of former sunrises, leaned far out to look towards the east, holding her breath. Over there might be glories that were not lawful for men to look upon, much less utter. And, yes, there was a great wonder ...
— 'Lizbeth of the Dale • Marian Keith

... enthusiasts get together. Games are rescued from the bottom of the trunk or box. Ponchos and rubber boots are now in popular favor. Thunder and lightning but add to the boys' enjoyment. What indescribable excitement there is in the shivers and shudders caused by an extra flash of lightning or a double fortissimo roll of thunder! There is also the delight, of playing in the puddles of water and wearing a bathing suit and enjoying a ...
— Camping For Boys • H.W. Gibson

... that you?" he shouted, as though his visitor had been fifty yards off instead of five. "I have been looking out for you. Here, William! William!" (crescendo), "William!" (fortissimo), "where on earth is the boy? I expect that idle fellow, George, has been sending him on some of his errands instead of attending to them himself. Whenever he is wanted to take a horse he is nowhere to be found, and then it is 'Please, sir, Mr. George,' that's what ...
— Colonel Quaritch, V.C. - A Tale of Country Life • H. Rider Haggard

... if by a dead weight, and lying as if fettered in iron bonds; he was utterly unable to move an inch. Then Antonia's voice was heard singing low and soft; soon, however, it began to rise and rise in volume until it became an ear-splitting fortissimo; and at length she passed over into a powerfully impressive song which B—— had once composed for her in the devotional style of the old masters. Krespel described his condition as being incomprehensible, for terrible anguish was mingled with a delight he had never experienced ...
— Weird Tales. Vol. I • E. T. A. Hoffmann

... pith of his argument or the point of his joke, he mouthed out his words with slow emphasis; as a hen, when advertising her accouchement, passes at irregular intervals from pianissimo semiquavers to fortissimo crotchets. He thought this speech of Mr. Ely's particularly metaphysical and profound, and the more decisive of the question because it was a generality which represented no particulars to ...
— Scenes of Clerical Life • George Eliot

... groan, agonize, quiver, quaver, just as much as you please, Madam,—I have my foot on the fortissimo pedal, and thunder myself deaf! O Satan, Satan! which of thy goblins damned has got into this throat, pinching, and kicking, and cuffing the tones about so! Four strings have snapped already, and one hammer is lamed for life. My ears ring again,—my head hums,—my nerves ...
— Hyperion • Henry Wadsworth Longfellow

... smiled and laughed, though there were often tears in their eyes, and the men were laboriously humorous. A band played airs which the bandmaster considered suitable to the occasion, the troops, swarming on the railings and the rigging, sang lustily snatches of song; and finally, amidst the fortissimo strains of the National Anthem, a wild holloing from every one, and a bellowing of fog-horns, the ships drew slowly away from the wharf. They manoeuvred awkwardly out through the moles, while the throng on shore became but one black shape beneath a ...
— The Tale of a Trooper • Clutha N. Mackenzie









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