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More "Impressionist" Quotes from Famous Books
 ... of tumbling hair, that made me think of living grasses on a field in June. Thus her head was partially turned from me, and the moonlight, catching her outline, just revealed it against the wall like an impressionist picture. Strange hidden memories stirred in the depths of me, and for a moment I felt that I knew all about her. I stared about me quickly, nervously, trying to take in everything at once. Then the purring sound grew much louder and closer, and I forgot ...
— Masterpieces of Mystery In Four Volumes - Mystic-Humorous Stories • Various
... deal with the affairs of state on a larger stage, his methods were still that of the modern journalist. He was always an impressionist, a writer of personal sketches. His character sketches of the Plantagenet princes - of King Henry with his large round head and fat round belly, his fierce eyes, his tigerish temper, his learning, his licentiousness, his duplicity, and of Eleanor ...
— The Itinerary of Archibishop Baldwin through Wales • Giraldus Cambrensis
... mantelpiece. On these shelves, and on the mantelpiece, stood various ornaments. At one end of the procession was a framed oil-painting of a cat's head, at the other end was a head of a beautiful young girl, life-size—called Emmeline, because she looked just about like that—an impressionist water-color. Between the one picture and the other there were twelve or fifteen of the bric-a-brac things already mentioned; also an oil-painting by Elihu Vedder, "The Young Medusa." Every now and then the children required me to construct a romance—always impromptu—not a moment's preparation ...
— Chapters from My Autobiography • Mark Twain
... background."[34] Scenes may play an important part in a story by influencing the actors or by offering a contrast to the events; in such cases they must be made specific, but rather after the broad free manner of the impressionist. The employment of the contrast or harmony of man and nature is one of the oldest devices of story telling, but also one of the most artistic and effective. It is not an artificial device, though it occasionally ...
— Short Story Writing - A Practical Treatise on the Art of The Short Story • Charles Raymond Barrett
... special quality of animated movement, and for the excellence of its composition and its effect of spacious movement. How much larger a tiny panel like this appears than some of the crowded altar-pieces of his later years! Dashed in with a few broad touches, as a modern impressionist might paint, the scene of the camp is most natural, with its groups of soldiers and marching troops with ...
— Luca Signorelli • Maud Cruttwell
... walls with the low gates and narrow windows which seem to relieve the liveliest of the coloured groups against the neutral tints of the North, and how this was intensified when the neutral tints were touched with the positive hue of snow. In the same merely impressionist spirit I would here attempt to sketch some of the externals of the actors in such a scene, though it is hard to do justice to such a picture even in the superficial matter of the picturesque. Indeed it is hard to be sufficiently superficial; for in the ...
— The New Jerusalem • G. K. Chesterton
... principle, and acted upon it with the confidence of an Aristotle. He asserts freely and frankly that, in his private capacity, such and such a story pleases him, is good (privately he is an impressionist and holds opinions far more valid than his editorial judgment, since they are founded upon taste and not upon intuition merely); but that "the public will not like it," or "in our rivalry with seventy other magazines we cannot afford to print ...
— Definitions • Henry Seidel Canby
... harpy, and the eagle is the embodiment of everything great and mighty, and glorious and free, and swooping and catoptrical. There is very little to say against the eagle, except that he looks a deal the better a long way off, like an impressionist picture or a volcano. When the eagle is flying and swooping, or soaring and staring impudently at the sun, or reproaching an old feather of his own in the arrow that sticks in his chest, or mewing his ...
— The Strand Magazine, Volume V, Issue 30, June 1893 - An Illustrated Monthly • Various
... followed by more—he was nearly breaking down—when he looked up and saw on the wall opposite him seven pastiches which he had made in the years gone by. There was a Titian and a George Morland, a Chardin, two cows after Cooper, and an impressionist picture after some Frenchman ...
— On Something • H. Belloc
... explained to them that it would be idiotic to miss such an opportunity to get something at once precious and cheap; for it was well known that impressionism was going to be the art of the future, and Charles Waterlow was a rising impressionist. It was a new system altogether and the latest improvement in art. They didn't want to go back, they wanted to go forward, and he would give them an article that would fetch five times the money in about five years—which somehow, as he put it, seemed a very short ...
— The Reverberator • Henry James
... sorts of fakers—conscious or otherwise. There is the futurist, post-impressionist poseur who more than half believes in his own pose. Possibly two small incidents may indicate what the ...
— Greenwich Village • Anna Alice Chapin
... has been drunk or dreaming or insane he did see a sunset, but he saw in it, and above all remembers from it, more of what the oil painting taught him to observe, than what an impressionist painter, for example, or a cultivated Japanese would have seen and taken away with him. And the Japanese and the painter in turn will have seen and remembered more of the form they had learned, unless they happen to be the very rare people who find fresh sight for ...
— Public Opinion • Walter Lippmann
... brilliancy of M. Daudet's—but what of it? They have qualities of their own; they have sympathy, poetry, and a power of suggesting pictures not exceeded, I think, by those of either M. de Maupassant or M. Daudet. M. Coppee's street views in Paris, his interiors, his impressionist sketches of life under the shadows of Notre Dame, are convincingly successful. They are intensely to be enjoyed by those of us who take the same keen delight in the varied phases of life in New York. They are not, to my mind, really rivalled either by those of ...
— Ten Tales • Francois Coppee
... to clog still deeper the art sense of an inartistic people. They laugh at our conventional Chinese art, but the extreme of conventionality is certainly better than some of the daubs I have seen in American homes. Americans have peculiar fancies in art. One is called Impressionist Art. As near as I can understand it, painters claim that while you are looking at an object you do not really see it all, you merely gain an impression; so they paint only the impression. In a museum of art I was shown several rooms full of daubs, having absolutely nothing to commend ...
— As A Chinaman Saw Us - Passages from his Letters to a Friend at Home • Anonymous
... original tint was satisfactory, but in the same way yarns which are too brilliant can often be made soft and effective by twisting them together with a paler tint. Minute particles of colour brought together in this way are brilliant without crudeness. It is, in fact, the very principle upon which impressionist painters work, giving pure colour instead of mixed, but in such minute and broken bits that the eye confounds them with surrounding colour, getting at the same time the double impression of softness ...
— How to make rugs • Candace Wheeler
... in London they went to Paris. The exhibition of Keniston's pictures had been opened a few days earlier; and as they drove through the streets on the way to the station an "impressionist" poster here and there invited them to the display of the American artist's work. Mrs. Davant, who had been in Paris for the opening, had already written rapturously of the impression produced, enclosing commendatory notices from one or two papers. She reported that there had been ...
— Crucial Instances • Edith Wharton
... one, and it gave me quite a sinking of the heart. I tried not to show that I was sad, but I'm afraid Mr. Starr guessed, for in the afternoon he gave me a water-color sketch he had made in the morning, on deck. He called it a "rough, impressionist thing," but it is really exquisite; the water pale lilac, with silver frills of foam, just as it looked in the light when he sat painting; fields of cloth-of-gold, starred with wild flowers in the foreground; far-off trees in soft gray and violet, with a gleam ...
— The Chauffeur and the Chaperon • C. N. Williamson
... charming in their style, a style much affected at that period; the tints were stippled in, and every detail given with minute fidelity. The revolution in favor of blottesque had not yet set in, and the period was happily far removed from that of the impressionist, who veils his incapacity under a term—an impression, and calls a daub a picture. Nature never daubs, never strains after effects. She is painstaking, delicate ...
— The Broom-Squire • S. (Sabine) Baring-Gould
... from a newspaper. Moreover Mr. Flack explained to them that it would be idiotic to miss such an opportunity to get something at once precious and cheap; for it was well known that impressionism was going to be the art of the future, and Charles Waterlow was a rising impressionist. It was a new system altogether and the latest improvement in art. They didn't want to go back, they wanted to go forward, and he would give them an article that would fetch five times the money in about five years—which somehow, as he put it, seemed a very short time, though it would have seemed ...
— The Reverberator • Henry James
... the Famous Art Dealers, Offer their Entire Stock of Horrifying Post-Impressionist and Futurist Pictures and Sculpture To Officers serving Abroad or on ...
— Punch or the London Charivari, September 9, 1914 • Various
... to the Realistic School. But, above all, he was an impressionist. All that can be observed—the individual picture, scene, character—Daudet will render with wonderful accuracy, and all his novels, especially those written after 1870, show an increasing firmness of touch, ...
— Serge Panine • Georges Ohnet
... movement, and for the excellence of its composition and its effect of spacious movement. How much larger a tiny panel like this appears than some of the crowded altar-pieces of his later years! Dashed in with a few broad touches, as a modern impressionist might paint, the scene of the camp is most natural, with its groups of soldiers and marching troops with raised ...
— Luca Signorelli • Maud Cruttwell
... of Impressionist art is simple. In the beginning of this century the tradition of French art—the tradition of Boucher, Fragonard, and Watteau—had been completely lost; having produced genius, their art died. Ingres is the sublime flower of the classic art which succeeded ...
— Confessions of a Young Man • George Moore
... mass of tumbling hair, that made me think of living grasses on a field in June. Thus her head was partially turned from me, and the moonlight, catching her outline, just revealed it against the wall like an impressionist picture. Strange hidden memories stirred in the depths of me, and for a moment I felt that I knew all about her. I stared about me quickly, nervously, trying to take in everything at once. Then the purring sound grew much louder and closer, and I forgot my notion that this woman was ...
— Masterpieces of Mystery In Four Volumes - Mystic-Humorous Stories • Various
... portrait of her—she affected a strict anonymity, refusing even her photograph to the most privileged—and from Mrs. Memorall, whom he revered and cultivated as her friend, he had extracted but the one impressionist phrase: "Oh, well, she's like one of those old prints where the lines have the value ...
— The Greater Inclination • Edith Wharton
... of Balzac: his objective personality at last resolves itself into a vividly personal interpretation. His breadth blinds one for a while, that is all. Hence Balzac may be called an incurable romantic, an impressionist, as much as realist. Like all first-class art, his gives us the seeming-true for our better instruction. He said in the Preface to "Pere Goriot" that the novelist should not only depict the world as it is, ...
— Masters of the English Novel - A Study Of Principles And Personalities • Richard Burton
... stepped outside and went into the seventh edition of his impressionist sketch, "Farmyard of a French Farm," with lots of BBB pencil for the manure heap. He was a young C.O. ...
— Punch, or the London Charivari, Vol. 153, Oct. 10, 1917 • Various
... never yet spoken to Mrs. Arbuthnot, who belonged to one of the various church sets, and who analysed, classified, divided and registered the poor; whereas she and Mellersh, when they did go out, went to the parties of impressionist painters, of whom in Hampstead there were many. Mellersh had a sister who had married one of them and lived up on the Heath, and because of this alliance Mrs. Wilkins was drawn into a circle which was ...
— The Enchanted April • Elizabeth von Arnim
... la Dama Errante is not of the sort that lives very long; it is not a painting with aspirations towards the museum but an impressionist canvas; perhaps as a work it has too much asperity, is ...
— Rosinante to the Road Again • John Dos Passos
... Whistler was his apparent failure to recognize persons with whom he had been on the most friendly terms. An American artist once met the impressionist in Venice, where they spent several months together painting, and he was invited to call on Whistler if he should go to Paris. The painter remembered the invitation. The door of the Paris studio was opened by ...
— Whistler Stories • Don C. Seitz
... in regard to the masterly handling of light. No other group will be referred to so often in connection with the American galleries. On wall B is a typically joyous canvas by Gaston La Touche, who carries Impressionism into figure work. On walls C and D are other examples of the Impressionist School, by Pissarro and Renoir and the English Sisley. On wall C is a portrait by Eugene Carriere. On wall D is a panel by Puvis de Chavannes, who has influenced modern mural painting more than any other artist. This picture has the typical union of the classic feeling ...
— An Art-Lovers guide to the Exposition • Shelden Cheney
... at them, now listlessly, now with sudden stirs of feeling. Here was the niched wall of the Nemi temple; the arched recesses overgrown with ilex and fig and bramble; in front the strawberry pickers stooping to their work. Here, an impressionist study of the lake at evening, with the wooded height of Genzano breaking the sunset; here a sketch from memory of Aristodemo teasing the girls. Below this drawing, lay another drawing of figures. Lucy drew it out, and looked at it ...
— Eleanor • Mrs. Humphry Ward
... far east the day was slowly breaking, and the open country was flooded with pale, washed-out grays, like the background of an impressionist painting. A heavy dew had risen in the night, and as the boy passed through the dripping weeds on his way to the stable they left a chill moisture upon his bare feet. His eyes were heavy with sleep, and to his cloudy gaze ...
— The Voice of the People • Ellen Glasgow
... refreshment tents where cigars and ginger ale were sold; and, in tepees improvised from aspen saplings, the sporting element passed the night at some interesting but easy way of losing money, illuminating their game with guttering candles, minus candlesticks, and presenting a picture worthy of an impressionist's pencil. ...
— Through the Mackenzie Basin - A Narrative of the Athabasca and Peace River Treaty Expedition of 1899 • Charles Mair
... course, Lear is the spirit they express. A portrait by a post-Impressionist is sure to be "A Dong with a luminous nose." And don't you remember, "The owl and the pussycat went to sea in a beautiful pea-green boat"? Wouldn't a boat painted ...
— Love at Second Sight • Ada Leverson
... farmhouse on the inland shore of a large bay that was noted for its tides, and had wonderful possibilities of light and shade for an impressionist. Reeves was an enthusiastic artist. It mattered little to him that the boarding accommodations were most primitive, the people uncultured and dull, the place itself utterly isolated, as long as he could revel in those transcendent sunsets ...
— Lucy Maud Montgomery Short Stories, 1896 to 1901 • Lucy Maud Montgomery
... studio were very frequent. The artist was obliged to recommend his friends to take a good long walk after lunch, abstaining from reappearing in the rue de la Pompe until nightfall. Sometimes, however, Don Marcelo would unexpectedly present himself in the morning, and then the soulful impressionist would have to scurry from place to place, hiding here, concealing there, in order that his workroom should preserve ...
— The Four Horsemen of the Apocalypse • Vicente Blasco Ibanez
... has chosen to be dogmatic. He has transformed his guess as to what the public wants into a fundamental principle, and acted upon it with the confidence of an Aristotle. He asserts freely and frankly that, in his private capacity, such and such a story pleases him, is good (privately he is an impressionist and holds opinions far more valid than his editorial judgment, since they are founded upon taste and not upon intuition merely); but that "the public will not like it," or "in our rivalry with seventy other magazines we cannot afford to print this excellent work." He ...
— Definitions • Henry Seidel Canby
... take, first, the plastic arts, sculpture and painting; and to bring into clear relief the Greek point of view let us contrast with it that of the modern "impressionist." To the impressionist a picture is simply an arrangement of colour and line; the subject represented is nothing, the treatment everything. It would be better, on the whole, not even to know what objects are depicted; and, to judge the picture by a comparison with ...
— The Greek View of Life • Goldsworthy Lowes Dickinson
... consciousness of which it is the epitome, seems to stand irresolute at a crossways with no signpost. It is hardly conscious of its own indecision, which it manages to conceal from itself by insisting that it is lyrical, whereas it is merely impressionist. The value of impressions depends upon the quality of the mind which receives and renders them, and to be lyrical demands at least as firm a temper of the mind, as definite and unfaltering a general direction, as to be epic. ...
— Aspects of Literature • J. Middleton Murry
... to the disposition of our sensibility, with no other preoccupation; a quality, an attribute is spontaneously, arbitrarily selected because it impresses us at the given instant—in the final analysis, because it somehow pleases or displeases us. The images of this class have an "impressionist" mark. They are abstractions in the strict sense—i.e., extracts from and simplifications of the sensory data. They act less through a direct influence than by evoking, suggesting, whispering; they permit a glance, a passing glimpse: we may justly call ...
— Essay on the Creative Imagination • Th. Ribot
... of the buildings themselves, the less said about them the better. They were buildings, no one could deny that; but even an impressionist painter could claim no beauty for them. Windows and doors, weather-boarding, and shingle roof. One need say no more, except that they were, in the main, weatherproof. But wait. There was one little house that had a verandah and creepers ...
— The One-Way Trail - A story of the cattle country • Ridgwell Cullum
... violin piece for me once!" continued Mr. Hartmann, and brought out a folio containing letters the great impressionist had written him. They were a delightful revelation of the human side of Debussy's character, and Mr. Hartmann kindly consented to the quotation of one bearing on the Poeme for violin which Debussy had promised to write for him, and which, alas, owing to his illness ...
— Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... out; they find new, fantastic points of view, discover secrets in things, curiosities of beauty, often acute, distressing, in the aspects of quite ordinary places. They see things as an artist, an ultra-subtle artist of the impressionist kind, might see them; seeing them indeed always very consciously with a deliberate attempt upon them, in just that partial, selecting, creative way in which an artist looks at things for the purpose ...
— Figures of Several Centuries • Arthur Symons
... except the adoption to some extent of the modern ideas of illumination and flat painting. Dagnan-Bouveret (1852-) is one of these men, a good draughtsman, and a finished clean painter who by his recent use of high color finds himself occasionally looked upon as an impressionist. As a matter of fact he is one of the most conservative of the moderns—a man of feeling and imagination, and a fine technician. Fantin-Latour (1836-1904) is half romantic, half allegorical in subject, and in treatment oftentimes designedly vague and shadowy, more suggestive than realistic. ...
— A Text-Book of the History of Painting • John C. Van Dyke
... little Bean, the pitcher of the Corners team, all dressed up in his baseball togs, scarlet breeches and blue shirt, quite the bird of paradise, and reading a yellow telegram, and his face black as thunder. He was an impressionist study, wasn't he, Fergy? We asked what was up, or rather down, for elevation had no part in him. It appeared that a match was on for this afternoon, between the Baked Beans and the Sweet Peas, the Corners ...
— The Merryweathers • Laura E. Richards
... since, for all his sly pretence of quoting imaginary authorities, we have really only his unsupported word for the superlative genius of Charles Strickland, the stockbroker who abandoned respectable London to become a Post-impressionist master, a vagabond and ultimately a Pacific Islander. The more credit then to Mr. MAUGHAM that he does quite definitely make us accept the fellow at his valuation. He owes this, perhaps, to the unsparing realism of the portrait. Heartless, utterly egotistical, without conscience ...
— Punch, or the London Charivari, Vol. 156, May 7, 1919. • Various
... while I adore your creations for the sake of you; but you must also remember that the world would cease to worship you if your genius began to decline, while I should love you just the same if you took to painting sign-posts and illustrating Christmas cards—even if you became an impressionist." ...
— The Farringdons • Ellen Thorneycroft Fowler
... impressionist of divine moments, now the miser of all unimportant, trivial detail—is our tyrant, the muse of modern talk. Men talk now not what they feel or think, but what they remember, with their bad good memories. If they remembered the poets, or their first love, ...
— Prose Fancies • Richard Le Gallienne
... meaning—any definition which is not, at the same time, a rather extended description—must serve little other end than to supply a convenient mark of identification. How can we define in a sentence words like renaissance, philistine, sentimentalism, transcendental, Bohemia, pre-Raphaelite, impressionist, realistic? Definitio est negatio. It may be possible to hit upon a form of words which will mark romanticism off from everything else—tell in a clause what it is not; but to add a positive content to the definition—to tell what romanticism is, ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... of worshippers waiting in silence—a silence to be felt. Finally, as the first rays appear, the swelling roar of a single word from tens of thousands of throats: 'Ambah!' It was artistic to follow this picture of life with the gruesome horrors of the ghat. This impressionist style of lecturing is very attractive and must essentially cover a great deal of ground. So we saw Jeypore, Udaipore, Darjeeling, and a confusing number of places—temples, monuments and tombs in profusion, with remarkable pictures of the wonderful Taj Mahal—horses, elephants, alligators, ...
— Scott's Last Expedition Volume I • Captain R. F. Scott
... touch the sublime naivete of poetry like that! Their impressionist, imagist, futurist theories make them too self-conscious. They say to themselves—"Is that word a 'cliche' word? Has that phrase been used several times before? Have I been carefully and precisely original in this? Is that image clear-cut enough? Have I reverted to ...
— Suspended Judgments - Essays on Books and Sensations • John Cowper Powys
... and experiments may be instructive, though others may seem less safe than curious. Some of those who think thus complain that it is not always easy to find an account of a colony which shall be neither an official advertisement, the sketch of a globe-trotting impressionist, nor yet an article manufactured to order by some honest but untravelled maker of books. They ask—or at least some of them, to my knowledge, ask—for a history in which the picturesque side of the story shall not be ignored, written simply and concisely by ...
— The Long White Cloud • William Pember Reeves
... wanted. She seemed strangely remote, as if there had never been any chance of her belonging to him. Max had something like a sensation of guilt because he could not call up a picture of her, traced with the sharp clarity of an etching. In thinking of Billie, he had merely an impressionist portrait: golden hair, wonderful lashes, and a sudden upward look from large, dark eyes, set in a face of pearly whiteness. Because Sanda DeLisle was somewhat of the same type, having yellow-brown hair, and a small, fair face, her image would ...
— A Soldier of the Legion • C. N. Williamson
... all, don't you? On one side, looking landward, we had a Constable picture: a sky with tumbled clouds, shadowed downs, and forests cleft by a golden mosaic of meadows. Seaward, an impressionist sketch of Whistler's: Southampton Water and historic Portsmouth Harbour; stretches of glittering sand with the sea lying in ragged patches on it here and there like great pieces of broken glass. Over all, the English sunshine pale as an alloy of gold and silver; not too dazzling, ...
— Set in Silver • Charles Norris Williamson and Alice Muriel Williamson
... wish I could send you away before you get angry with me. But—but the girl that lives with me is red-haired, and an impressionist, ...
— The Light That Failed • Rudyard Kipling
... Here again there are two words to be said; and it is essential to distinguish. It is true that sun is needed to burnish and bring into bloom the tertiary and dubious colours; the colour of peat, pea-soup, Impressionist sketches, brown velvet coats, olives, grey and blue slates, the complexions of vegetarians, the tints of volcanic rock, chocolate, cocoa, mud, soot, slime, old boots; the delicate shades of these do need the sunlight to bring out the faint beauty that often clings to them. ...
— Alarms and Discursions • G. K. Chesterton
... note, "they should be arranged as follows: I. 'Legend'; II. 'Love Song'; III. 'In War-time'; IV. 'Dirge'; V. Village Festival'"—a concession in which again one traces a hint of the inexplicable and amusing reluctance of the musical impressionist to acknowledge without reservation the programmatic basis of his work. In the case of the "Indian" suite, however, the intention is clear enough, even without the proffered titles; for the several movements are unmistakably based upon firmly held concepts of a definite ...
— Edward MacDowell • Lawrence Gilman
... would have shed them, perhaps to be profusely followed by more—he was nearly breaking down—when he looked up and saw on the wall opposite him seven pastiches which he had made in the years gone by. There was a Titian and a George Morland, a Chardin, two cows after Cooper, and an impressionist picture after some Frenchman whose name ...
— On Something • H. Belloc
... hardly ranks as one of MacDowell's finest works, it having been written before he had attained, in any notable degree, to his mature impressionist style. It is, however, brilliantly written, bold and original in harmonic treatment and full of youthful fire and vigour. With the second concerto (Op. 23), it is one of his few large works not having ...
— Edward MacDowell • John F. Porte
... Not a real likeness of the woman, but an impressionist transcript of her salient points. The gray gown and white apron, the thick-rimmed glasses, the parted lips, showing slightly protruding teeth, the plainly parted brown hair, all were the real Julie; and yet, except ...
— Vicky Van • Carolyn Wells
... for a sentimental impressionist and I went below. Stateroom forty-seven was mine. We three had been separated in the shuffle, and I knew not who was to be my room-mate. Feeling very downhearted, I stretched myself on the upper berth, and yielded to a mood of penitential sadness. I heard ...
— The Trail of '98 - A Northland Romance • Robert W. Service
... with the affairs of state on a larger stage, his methods were still that of the modern journalist. He was always an impressionist, a writer of personal sketches. His character sketches of the Plantagenet princes - of King Henry with his large round head and fat round belly, his fierce eyes, his tigerish temper, his learning, his licentiousness, his duplicity, and of Eleanor of Aquitaine, his vixenish and revengeful wife, ...
— The Itinerary of Archibishop Baldwin through Wales • Giraldus Cambrensis
... the highest examples of different types can be among godlike men—a cavalier of the South, of southern blood and southern life, who carries in thought and in deed all the serious purpose and disinterested action that characterized the Pilgrim Fathers whom we commemorate. He comes from an impressionist State where the grass is blue [laughter], where the men are either all white or all black, and where, we are told, quite often the settlements are painted red. [Laughter.] He is a soldier, a statesman, a scholar, and, above all, a lover; and among all the world which loves a lover the descendants ...
— Modern Eloquence: Vol III, After-Dinner Speeches P-Z • Various
... endeavour and difficulties of the entire quarter. When Villiers was her lover Villiers was middle-aged, and Ninon was a young woman; but when I knew her she was interested in the young generation, yet she kept friends with all her old lovers, never denying them her board. How funny was the impressionist's indignation against Villiers! He charged him with having squandered a great part of Ninon's fortune, but Villiers's answer to the young man was, "He talks like the concierge in my story of ...
— Memoirs of My Dead Life • George Moore
... matter had that impartiality which comes from intellectual incoherence, she hadn't so much a judgment upon the whole as a warring mosaic of judgments. It was talking upon Post Impressionist lines, talking in the manner of Picasso. She had the firmest conviction that to strike against employment, however ill-paid or badly conditioned, was a disgraceful combination of folly, ingratitude and general wickedness, and she had an equally strong persuasion that the treatment of the employees ...
— The Wife of Sir Isaac Harman • H. G. (Herbert George) Wells
... true that reverence for the Renaissance has not crossed the Atlantic?" asked one of the "Albatross" party, who with his sketch book half open, was surreptitiously making an "impressionist" view of Leo's profile, as she stood listening to Alma's persiflage, and mechanically ...
— At the Mercy of Tiberius • August Evans Wilson
... or the assertive grandeur of mountain and gorge. To me this wayward diversity of spontaneous plant life bespeaks an unconfined, ungauged potentiality of resource; it unveils an ideographic prophecy, painted by Nature in her Impressionist mood, to be deciphered aright only by those willing to discern through the crudeness of dawn a promise of majestic day. Eucalypt, conifer, mimosa; tree, shrub, heath, in endless diversity and exuberance, yet sheltering little ...
— Such is Life • Joseph Furphy
... formulate battle orders and despatch important telegrams on active service. The art of composing a clear, terse, and unambiguous order or telegraphic message is not studied in the Army. Not a few telegrams of vital importance in the South African War were composed by impressionist staff officers who lightly assumed that what was present in their own minds must necessarily also be present in the mind of the recipient. The author particularly remembers a certain telegram from a staff officer of a column, in which it was impossible to discover from the ...
— A Handbook of the Boer War • Gale and Polden, Limited
... to her blind and half-chaotic motions,—chaotic in intelligence, I mean, and to the moral reason. Unreal as such a thought is, a glimpse of some such feeling toward nature is discernible in the work of some impressionist landscape painters, who present colour and atmosphere and space without human intention, as a kind of artistry of science, having the same sort of elemental substance and interest that scientific truth has ...
— Heart of Man • George Edward Woodberry
... have been seen chatting to the latest American Duchess; in another corner one of our largest Advertisers was exchanging epigrams with a titled Newspaper Proprietor. Famous Generals rubbed shoulders with Post-Impressionist Artists; Financiers whispered sweet nothings to Breeders of prize Poms; even an Actor-Manager might have been seen accepting an apology from a Royalty ...
— Happy Days • Alan Alexander Milne
... commendable type of composition, owing to the difficulty of obtaining a rational balance, but when this is to be had in just its right force the plan of lines is excellent. In the matter of measures, were the whole composition pushed to the left we would at once feel a relief in the spaces. But the impressionist queries why not take it as it stands! So it might be taken, and a most balanced picture painted from it; but these considerations apply to the black and white, without the alteration which ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... embodiment of everything great and mighty, and glorious and free, and swooping and catoptrical. There is very little to say against the eagle, except that he looks a deal the better a long way off, like an impressionist picture or a volcano. When the eagle is flying and swooping, or soaring and staring impudently at the sun, or reproaching an old feather of his own in the arrow that sticks in his chest, or mewing his mighty youth (a process I never quite understood)—when ...
— The Strand Magazine, Volume V, Issue 30, June 1893 - An Illustrated Monthly • Various
... vain—we must be able to pass our knowledge along. The really great man is one who knows the rules and then forgets them, just as the painter of supreme merit must be a realist before he evolves into an impressionist. ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard
... his little Chelsea flat Became the Park Lane plutocrat. 'Neath his sheltered garden wall When the rain begins to fall, And the stormy winds do blow, You may see them in a row, Red effects and lake and yellow Getting nicely blurred and mellow. With the subtle gauzy mist Of the great Impressionist. Ask him how he chanced to find How to leave the French behind, And he answers quick and smart, "English climate's ...
— Songs Of The Road • Arthur Conan Doyle
... great deal to be said in favor of that kind of man. You can trust him when it's a case of grappling with practical difficulties. But I feel quite angry with the next reviewer. 'The illustrations are rather impressionist drawings than a useful guide to identification.' The fellow would no doubt rather have those stiff, colored plates which are about as like the real, breathing creature as a stuffed ...
— The Long Portage • Harold Bindloss
... worldly describer, who studies to produce phrases which present an image, or arranges glittering pictures—all such endeavours he knew nothing about. But by instinct, and thanks to his warm African temperament, he was a kind of impressionist and ...
— Saint Augustin • Louis Bertrand
... of Leila Yorke than any novels had ever been before. Perhaps a sarcastic, rather cynical novel about human nature, of which Jane did not think much. Perhaps a serious novel, dealing with social or political conditions. Perhaps an impressionist novel, like Dorothy Richardson's. Only they were getting common; they were too easy. One could hardly help writing like that, unless one tried not to, if one had lately read any ...
— Potterism - A Tragi-Farcical Tract • Rose Macaulay
... fantastic signature—of one Clifford Marsh, spoken of by the Denyers, and by Madeline in particular, as a personal friend. He was expected to arrive any day in Naples. The subjects, Cecily had been informed, were natural scenery; the style, impressionist. Impressionism was no novel term to Cecily, and in Paris she had had her attention intelligently directed to good work in that kind; she knew, of course, that, like every other style, it must be judged with reference to its success ...
— The Emancipated • George Gissing
... By the intuitive he does not mean the uncritical nor by the supersensuous the supernatural in the old and discredited sense of an arbitrary and miraculous revelation. Mysticism is not superstition, nor are the insights of the poet the whimsies of the mere impressionist. But he insists that the humanist, in his ordinary definition of experience, ignores or denies these superrational values. In opposition to him he rests his faith on that definition of experience which underlies ...
— Preaching and Paganism • Albert Parker Fitch
... assured her. He was cheerful about it, at any rate. "I'm what they call an Impressionist. A man—I put it to you—has got to hustle after culture in these days and take it, so to speak, in tabloids. Now this morning, before you came along, I'd struck a magnificent notion. As I dare say you've been told, the way to get ...
— True Tilda • Arthur Thomas Quiller-Couch
... artistic life the novel is full of interest. There is little doubt that the character of Claude Lantier was suggested by that of Edouard Manet, the founder of the French Impressionist school, with whom Zola was on terms of friendship. It is also certain that Pierre Sandoz, the journalist with an idea for a vast series of novels dealing with the life history of a family, was ...
— A Zola Dictionary • J. G. Patterson
... pausing to open another door, touched an electric button which sent a circle of light about the walls of a long room hung with canvases of the French impressionist school. ...
— Short Stories for English Courses • Various (Rosa M. R. Mikels ed.)
... his involuntary botanical researches he was a sorry sight. His clothes were torn in many places, and his face and hands badly scratched, while the red stains of the raspberries had turned his light tweeds into something resembling an impressionist sketch. It was perhaps excusable that he had altogether lost his temper. He burst out in angry abuse of the mare, the bullock, the raspberry clump, and the expedition in general—anger which the scarcely concealed grins of the stockmen only served ...
— Mates at Billabong • Mary Grant Bruce
... controversies between MM. Anatole France and Jules Lemaitre as representatives of the first, and M. Brunetiere as the chief exponent of the second. They have planted their standards; and we see that they stand for tendencies in the critical activity of every nation. The ideal of the impressionist is to bring a new piece of literature into being in some exquisitely happy characterization,— to create a lyric of criticism out of the unique pleasure of an aesthetic hour. The stronghold of the scientist, on the other hand, is the doctrine of literary evolution, and his aim is to show the ...
— The Psychology of Beauty • Ethel D. Puffer
... schoolmistress friend. By this time they had been nearly sixty hours together, and you will understand that Mr. Hoopdriver's feelings had undergone a considerable intensification and development. At first Jessie had been only an impressionist sketch upon his mind, something feminine, active, and dazzling, something emphatically "above" him, cast into his company by a kindly fate. His chief idea, at the outset, as you know, had been to live up to her level, by pretending to be more exceptional, more wealthy, better educated, and, above ...
— The Wheels of Chance - A Bicycling Idyll • H. G. Wells
... strength of realization is to be found in Pissarro and Sisley and not in the vapid niceties of Monet, whose work became thinner and thinner by habitual repetitive painting, and by a possible false sense of security in his argument. Monet had become the habitual impressionist, and the habitual in art is its most conspicuous fatality. The art of Monet grew weaker throughout the various stages of Waterloo, Venice, Rouen, Giverney, and the Water Lilies which formed periods of expression, at least to the mind of the observer. Monet's production ...
— Adventures in the Arts - Informal Chapters on Painters, Vaudeville, and Poets • Marsden Hartley
... to various well-known pictures of celebrated artists. She had been compared to almost every type of all the great painters: Botticelli, Sir Peter Lely, Gainsborough, Burne-Jones. Some people said she was like a Sargent, others called her a post-impressionist type; there was no end to the old and new masters of whom she seemed to remind people; and she certainly had the rather insidious charm of somehow recalling the past while suggesting something undiscovered in the future. There was ...
— Tenterhooks • Ada Leverson
... Kneipp cure. So, if Stonehenge is a large, but only roughly geometric construction, the inattention to details by its builders—signifies anything you please—ambitious dwarfs or giants—if giants, that they were little more than cave men, or that they were post-impressionist architects ...
— The Book of the Damned • Charles Fort
... mortgagee, Silley, for whom men like Reuben toil that he may grow fat, nominally owning their vessels, actually in heavy bondage to their shrewd exacting masters. There are dark and deep waters of passion swirling in and out of these simple lives, and the author, whose method is broadly impressionist rather than meticulously realistic, contrives cleverly to suggest that what he imagines has in fact been closely observed. He can make and tell a story and he can marshal words with a certain magic. The tragedy ends peacefully with the resolution of the too bitter discord of Nesta's ...
— Punch, or the London Charivari, Vol. 146, February 25, 1914 • Various
... under the moon. And as the song of the motor changed into jogging prose with the putting on of the brakes, open flew the door of an inn. Nothing could ever have looked half so attractive as the rosy glow of the picture suddenly revealed. There was a miniature hall and a quaint stairway—just an impressionist glimpse of both in play of firelight and shadow. With all my might I willed Lady Turnour to want to stay the night. The whole force of my mind pressed upon that part of her "transformation" directly over ...
— The Motor Maid • Alice Muriel Williamson and Charles Norris Williamson
... was a big surprise to me. I was then corresponding with two Boston papers and one in the West. I thought it discourteous in the artists of the new Impressionist school, to sneer a little at Bierstadt's great paintings, as if he could ever be set back as a bye-gone or a has-been. And it gave me great pleasure to say so. I sent several letters to him, and one day I received a card asking me to call at his studio to look ...
— Memories and Anecdotes • Kate Sanborn
... pictorial art of the later years of the nineteenth century was largely a modified and very delicate imitation. Breaking with conventions as to how things are supposed to be—conventions mainly based not on seeing but on knowing or imagining—the Impressionist insists on purging his vision from knowledge, and representing things not as they are but as they really look. He imitates Nature not as a whole, but as she presents herself to his eyes. It was a most needful ...
— Ancient Art and Ritual • Jane Ellen Harrison
... realities as such. The artist has to do with the semblance of things; not with things as they "are in themselves" either physically or logically, but with things as they appear to him. The work of the impressionist painter or the imagist poet illustrates this conception. The conventions of the stage are likewise a case in point. Stage settings, conversations, actions, are all affected by the "optique du theatre" they are composed in a certain "key" which ...
— A Study of Poetry • Bliss Perry
... Cezanne was in the habit of describing himself as a pupil of Camille Pissarro. The belief is popular, and may be well founded; at any rate, it has emboldened Mr. Rutter to overstock his "Post-Impressionist and Futurist Exhibition" with unimportant works by this distinguished Impressionist. Surely a couple of examples would have sufficed to illustrate the latest, and best, theory of aesthetics. For that is the service performed on this occasion by the works of Pissarro. They mark that difference ...
— Pot-Boilers • Clive Bell
... real estate, suburban lots seven miles from a flat car, which was all there was of the city. For exactly fifteen dollars (when the floater's impressions came out, I made exact inquiries as to what Bat had paid him; and it seemed to me that floater sold himself very cheap) the travelling impressionist took over Bat's story of "the Pretty Scandal in Peaceful Valley" and rehashed it with the name MacDonald given as Macdonel, and syndicated the scandal against the ...
— The Freebooters of the Wilderness • Agnes C. Laut
... the moderns. He is so as against even the great Rabelais, because Rabelais misses directness, misses universality, misses lucidity, in his gigantic mirth; he is so as against Petrarch, because he is emphatically an impressionist where Petrarch is a framer of studied compositions; he is so against Erasmus, because Erasmus also is a framer of artificial compositions in a dead language, where Montaigne writes with absolute spontaneity in a language not only ...
— Montaigne and Shakspere • John M. Robertson
... between 1540 and 1550, which may be in part ascribed to a widening of his artistic horizon and a consciousness of what others were doing, both around him and abroad. In its whole handling and character his late is different from his early manner. It begins at this time to take on a blurred, soft, impressionist character. His delight in rich colouring seems to wane, and he aims at intensifying the power of light. He reaches that point in the Venetian School of painting which we may regard as its climax, when there ...
— The Venetian School of Painting • Evelyn March Phillipps
... investigating every question of style and manner, discussing the great Academic schools of painting, for instance, such as the school of Sicyon, that sought to preserve the dignified traditions of the antique mode, or the realistic and impressionist schools, that aimed at reproducing actual life, or the elements of ideality in portraiture, or the artistic value of the epic form in an age so modern as theirs, or the proper subject-matter for the artist. Indeed, ...
— Intentions • Oscar Wilde
... impressionism—a system to which Fuller was always constant in later life, and which he developed grandly. He was, however, as far removed as possible from that cheap, shallow, and idealess school of French painters whose wrongful appropriation of the name "Impressionist" has prejudiced us against the principle that it involves. The inherent difference between them and Fuller lies in this—he exercised a choice, and thought the beautiful alone to be worthy of description, while they selected ...
— The Bay State Monthly, Volume I. No. VI. June, 1884 - A Massachusetts Magazine • Various
... 'impressionist' has come to have a bad meaning in art. Visions of Whistler come before you when you hear it. Such visions are not of the best possible augury, ...
— The Gentle Art of Making Enemies • James McNeill Whistler
... Jan are considered by the critics as having founded a special school in the great tradition of Wang Wei. Their paintings were quiet in coloring and were executed with broad strokes in an impressionist style. These works must be viewed from a distance to see their apparent violence merge into extreme elegance. They furnish a complete demonstration of the laws of atmospheric perspective, with its feeling of distance ...
— Chinese Painters - A Critical Study • Raphael Petrucci
... classic, grand: but the smaller pictures—the lively little bits of colour dotted in here and there—were of that new school which Mr. Smithson affected. They were of that school which is called Impressionist, in which ballet dancers and jockeys, burlesque actresses, masked balls, and all the humours of the side scenes are represented with the sublime audacity of an art which disdains finish, and relies on chic, fougue, chien, flou, v'lan, the inspiration of the ...
— Phantom Fortune, A Novel • M. E. Braddon
... few impressionist paintings and some gallant French engravings of the eighteenth century: for Hassler pretended to some knowledge of all the arts, and Manet and Watteau were joined together in his taste in accordance with the ...
— Jean-Christophe, Vol. I • Romain Rolland
... is this principle which is the cause of the peculiarity in the technique of certain "Impressionist" painters. The "yellow lights and purple shadows" is only placing by the side of a color that color which will be most effective in ...
— The Painter in Oil - A complete treatise on the principles and technique - necessary to the painting of pictures in oil colors • Daniel Burleigh Parkhurst
... you know them, of course," she heard. "That's a fine old house! And Ned Cooperson has collected some really remarkable impressionist pictures...." The names he cited were unknown to Charity. "Yes; yes; the Schaefer quartette played at Lyric Hall on Saturday evening; and on Monday I had the privilege of hearing them again at the Towers. Beautifully done... Bach and Beethoven... a lawn-party first... I saw ...
— Summer • Edith Wharton
... Without genius, works of art might as well be turned out by machinery; without manual skill, genius could have no means of expression. As a matter of fact, in our own time, it is the presence of genius, without manual skill, or foolishly despising it, that has produced a sort of school called the impressionist. ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... the resident. "He's like a blooming Sheeny, with a carroty beard and gold gig-lamps!" and, having presented this impressionist sketch, he brought the interview to a definite close by slamming the ...
— John Thorndyke's Cases • R. Austin Freeman
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