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More "Leonardo" Quotes from Famous Books
 ... painters place Some living woman's simple face. And the stilled features thus descried, As Jenny's long throat droops aside— The shadows where the cheeks are thin And pure wide curve from ear to chin— With Raffael's, Leonardo's hand To show them to men's souls ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... through the whole length of the diaphanous muscles of the body. Other little creatures are so darkened with pigment that we can see only their surface. Conspirators and poisoners are painted with black, beady eyes and swarthy hue; Judas, in Leonardo's picture, is the model ...
— The Atlantic Monthly, Volume 4, No. 24, Oct. 1859 • Various
... five canvases demonstrating both his versatility and his mastery of color. On the north and south walls are the medal-of-honor pictures of Onorato Carlandi and Camillo Innocenti, the latter striking in their golden tone. Coromaldi's rich harvest scenes (26, 27), and a Leonardo Bazzaro (4) (both gold medallists), hang on the east wall. Not to be overlooked, though passed by the jury, are Casciaro's warm landscapes on the north wall and Ricci's "Butterflies" (96), which help to make this collection one of ...
— The Jewel City • Ben Macomber
... BACCIO (1493-1560), Florentine sculptor, was the son of an eminent goldsmith, and from him Bandinelli obtained the first elements of drawing. Showing a strong inclination for the fine arts, he was early placed under Rustici, a sculptor, and a friend of Leonardo da Vinci, with whom he made rapid progress. The ruling motive in his life seems to have been jealousy both of Benvenuto Cellini and of Michelangelo, one of whose cartoons he is said to have torn up and destroyed. He is regarded by some as inferior in ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 2 - "Baconthorpe" to "Bankruptcy" • Various
... been able to build lighthouses and write David Balfours too. Hinc illae lacrymae. I take my own case as most handy, but it is as illustrative of my quarrel with the age. We take all these pains, and we don't do as well as Michael Angelo or Leonardo, or even Fielding, who was an active magistrate, or Richardson, who was a busy bookseller. J'ai honte ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 25 (of 25) • Robert Louis Stevenson
... of the Earl of Ellesmere a picture of the head of a girl which the connoisseurs of the nineteenth century ascribed to Leonardo da Vinci. The connoisseurs of the twentieth century ascribe it to Luini. But for the colour of the hair it might have been a portrait of Lady Loudwater, a faded portrait. It might also very well be a portrait of one of her actual ...
— The Loudwater Mystery • Edgar Jepson
... the masterpieces of Michel Angelo, Guercino, Titian, Paul Veronese, Correggio, Albarro, the two Carracci, Raphael, and Leonardo da Vinci." [Footnote: This wonderful banner was hung up in the hall of the Directory while the members of the latter were occupying the Luxemburg. It afterward accompanied the three consuls to the Tuileries, and was preserved there in the large reception-room. ...
— LOUISA OF PRUSSIA AND HER TIMES • Louise Muhlbach
... moment disappeared, to give place to vices; but to charming vices, vices in good taste, such as those indulged in by Alcibiades and sung by Catullus. Leo X died after having assembled under his reign, which lasted eight years, eight months, and nineteen days, Michael Angelo, Raffaelle, Leonardo da Vinci, Correggio, Titian, Andrea del Sarto, Fra Bartolommeo, Giulio ...
— The Cenci - Celebrated Crimes • Alexandre Dumas, Pere
... modes of sketching ordinarily taught are inconsistent with this power of judgment. No person trained to the superficial execution of modern water-color painting, can understand the work of Titian or Leonardo; they must forever remain blind to the refinement of such men's penciling, and the precision of their thinking. But, however slight a degree of manipulative power the student may reach by pursuing the mode recommended to him in these letters, I will answer for it that he cannot go once through ...
— The Elements of Drawing - In Three Letters to Beginners • John Ruskin
... the world might recognise a new power in art. In vain did I try to idealise such faces as did not please me. And this was because nothing could satisfy me but the perfect type of expression which not even Leonardo nor any other painter in the world had found—the true ...
— Aylwin • Theodore Watts-Dunton
... student is supplied with a list of the authorities he should consult for the "History and Progress of his Art." He avoids expatiating on the books purely elementary—"the van of which is led by Leonardo da Vinci and Albert Durer, and the rear by Gherard Lavresse—as the principles which they detail must be supposed to be already in the student's possession, or are occasionally interwoven with the topics of the lectures;" and proceeds "to the historically critical writers, who consist of ...
— Blackwood's Edinburgh Magazine - Volume 54, No. 338, December 1843 • Various
... sayings chosen will be found fairly representative of what painters and sculptors, typical of their race and time, have said about the various aspects of their work. In making the collection, I have had recourse less to famous comprehensive treatises and expositions of theory like those of Leonardo and of Reynolds, than to the more intimate avowals and working notes contained in letters and diaries, or recorded in memoirs. The selection of these has entailed considerable research; and in tracing what was often by no means easy to find, I wish to ...
— The Mind of the Artist - Thoughts and Sayings of Painters and Sculptors on Their Art • Various
... chateau, I paid my vows in the Salon carre and then absorbed myself in the other halls. The gallery of the Louvre was the one to which I owe my initiation. Before, I had seen hardly any Italian art in the original, and no French at all. In Copenhagen I had been able to worship all the Dutch masters. Leonardo and the Venetians spoke to me here for the first time. French painting and sculpture, Puget and Houdon, Clouet and Delacroix, and the French art that was modern then, I learnt for the first time to love ...
— Recollections Of My Childhood And Youth • George Brandes
... how the French soldiers had playfully made the fresco of "The Last Supper," by Leonardo da Vinci, the butt of their bullets; and at Turin he was struck by the strange sight in the Museum of a black man in puris naturalibus. He had been a favourite servant of the King of Sardinia, who had left nothing undone to cure him of the disorder from which he suffered; but having ...
— The Letter-Bag of Lady Elizabeth Spencer-Stanhope v. I. • A. M. W. Stirling (compiler)
... destroying a man than if he were an animal. Often I am told to receive poor dupes whose fate I have heard them talk of the night before,—men who rush into some business where they are certain to lose their all. I am tempted, like Leonardo in the brigand's cave, to cry out, 'Beware!' But if I did, what would become of me? So I keep silence. This splendid house is a cut-throat's den! But Ferdinand and Nucingen will lavish millions for their own caprices. Ferdinand is now buying from the other du Tillet family the site ...
— A Daughter of Eve • Honore de Balzac
... of Leonardo da Vinci, accomplished several important pieces of jewelery in his youth: cope-buttons and silver statuettes, chiefly, which were so successful that he determined to take up the career of a sculptor. ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... room beyond. But on the walls of the room before her were four pictures—lithographs, cheap, not framed, held in place by a tack at each corner. There was Washington—then Lincoln—then a copy of Leonardo's Jesus in the Last Supper fresco—and a fourth face, bearded, powerful, imperious, yet wonderfully kind and good humored—a face she did not know. Pointing her riding stick at ...
— The Conflict • David Graham Phillips
... effect he produced upon British art much remains to be said. In 1805 Vendramini visited Russia, and on his return to England engraved 'The Vision of St. Catherine,' after Paul Veronese; the 'St. Sebastian,' after Spagnoletti; 'Leda,' after Leonardo da Vinci; and the 'Raising of Lazarus,' from the Sebastian del Piombo ...
— A Walk from London to Fulham • Thomas Crofton Croker
... few men, few great artists, even, who do not, before attaining their proper idiom and gesture, adopt those of their teachers and predecessors. Shakespeare writes first in the style of Kyd and Marlowe, Beethoven in that of Haydn and Mozart; Leonardo at first imitates Verrocchio. And what the utilization of the manner of their predecessors is to the artist, that the single devotion to Wagner was to us. For he was not only in the atmosphere, not only immanent in the ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... If Leonardo were living now, he would probably slight for the time being his building bridges, and skimp his work on Mona Lisa, and write a book—an exultant book about common people. He would focus and express democracy as only the great and true aristocrat or genius or artist will ever do it. A great ...
— Crowds - A Moving-Picture of Democracy • Gerald Stanley Lee
... of the most famous men in history—as a man more famous than Michelangelo or Shakespeare or Mozart—because posterity has elected him the member for the Renaissance. Most great artists live in what they did, and by that we know them; but what Leonardo did gets much of its life from what he was, or rather from what he is to us. Of all great men he is the most representative; we cannot think of him as a mere individual, eating and drinking, living and competing, on equal terms with other ...
— Essays on Art • A. Clutton-Brock
... to compare the example I have chosen from Rossetti with Leonardo's "Monna Lisa." Pater has admirably brought out, without dwelling too much upon it, the charm that is eternal in her face as well as the fantastic imagination of the great artist who created her for all time. He says: "The fancy of a perpetual life, sweeping together ten thousand ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... passed. Wandering your weary way past acres of the works of Rubens, and miles of Titians, and townships of Corots, and ranges of Michelangelos, and quarter sections of Raphaels, and government reserves of Leonardo da Vincis, you stray off finally into a side passage to see something else, leaving your wife or your sister behind in one of the main galleries. You are gone only a minute or two, but returning you find ...
— Europe Revised • Irvin S. Cobb
... find Mark Twain, in the selections given in this volume, having amusing trouble with the pronunciation of Michael Angelo and Leonardo da Vinci, expressing surprise that Michael Angelo was dead, picking flaws in the old master's execution and complaining of the use of foreign words which have their equivalent "in a ...
— Love Conquers All • Robert C. Benchley
... emotion—the showing of the effects of passion in the human face and gesture. I call this the Florentine school, because, whether you take Raphael for the culminating master of expressional art in Italy, or Leonardo, or Michael Angelo, you will find that the whole energy of the national effort which produced those masters had its root in Florence; not at Urbino or Milan. I say, then, this Florentine or leading Italian school proposed to itself human expression ...
— The Two Paths • John Ruskin
... collector of mathematical works that ever lived, possibly excepting Libri. His magnificent library was dispersed at his death. His Bulletino (1868-1887) is one of the greatest source books on the history of mathematics that we have. He also edited the works of Leonardo ...
— A Budget of Paradoxes, Volume I (of II) • Augustus De Morgan
... cataracts, glaciers and untrodden snows. He comes tramping on heel-worn boots and ragged socks. Beauties and blue mysteries shine upon him and appeal to him, the enigma of beauty smiling the faint strange smile of Leonardo's Mona Lisa. He sees a light on the grass like music; and the blossom on the trees against the sky brings him near weeping. Such things come to him, give themselves to him. I do not know why he should not in response fling his shabby gear aside and behave like a god; I only know ...
— First and Last Things • H. G. Wells
... forerunners and that is all. Leonardo, Michael Angelo; how they would have exulted in the liberties of steel! There are no more pathetic documents in the archives of art than Leonardo's memoranda. In these, one sees him again and again reaching out as it were, with empty desirous hands, towards the unborn possibilities of the ...
— A Modern Utopia • H. G. Wells
... the classic Renaissance gave fresh life to anatomy as to all other sciences. Especially did the improvements in painting and sculpture stir men up to a closer study of the human frame. Leonardo da Vinci wrote a treatise on muscular anatomy. The artist and the sculptor often worked together, and realised that sketch of Michael Angelo's in which he himself is assisting Fallopius, Vesalius's famous pupil, to dissect. Vesalius soon found that his thirst for facts ...
— Historical Lectures and Essays • Charles Kingsley
... Any one curious enough to study his pictures will regret that he was lost to art by allowing an ill-regulated life to prey upon his genius. He had not sufficient strength to keep the two things separate, as Shakespeare, Verlaine, and Leonardo succeeded in doing. At the same time, it is a consolation to think that he enjoyed himself in his own sordid way. When I had the pleasure of seeing him last, so lately as 1893, he was extremely cheerful and not aggressively ...
— Masques & Phases • Robert Ross
... praie thee good Leonardo thinke on this, These things being bought and orderly bestowed Returne in haste, for I doe feast to night My best ...
— The First Folio [35 Plays] • William Shakespeare
... ask: Does not any theory of man which loses sight of the supreme sanity of Darwin, and with him of Aristotle, and Angelo, and Leonardo, and Newton, and Leibnitz, and Shakespeare, seem weak and paltry? Do not delicacy of sentiment, brilliancy of wit, fineness of rhythmical and aesthetic sense, the beautiful contributions of the talented special performer, sink into something ...
— The Story of the Mind • James Mark Baldwin
... word Francesca could not repress a faint smile, which gave her face the most bewildering expression, something subtle, like what the great Leonardo has so well depicted in the Gioconda. This smile made Rodolphe pause. "Ah yes!" he went on, "you must suffer much from the destitution to which exile has brought you. Oh, if you would make me happy above all men, and consecrate my love, you would treat me as a friend. Ought I ...
— Albert Savarus • Honore de Balzac
... came into the world endowed with the greater possibilities of the two, if the tenement mother upon her mean bed bore into the world in her agony a spark of divine fire of genius, the soul of an artist like Leonardo da Vinci, or of a poet like Keats, is it less than a calamity that it should die—choked by conditions which only ignorance and ...
— The Common Sense of Socialism - A Series of Letters Addressed to Jonathan Edwards, of Pittsburg • John Spargo
... Leonardo da Vinci was, doubtless, his greatest inspiration, and it was from this master-student of nature that the young man learned, with new enthusiasm, the value of going directly to Nature herself. The fruit of this new study is a group of lovely pastoral Madonnas, which are entirely unique as Nature ...
— The Madonna in Art • Estelle M. Hurll
... people in the council-chamber, wherein reign Guido, Rembrandt, Claude, and even Da Vinci. If Leonardo really executed all the canvases ascribed to him in English collections, the common impressions of his habits of painting but little, and not often finishing that, do him great injustice. Martin Luther ...
— Lippincott's Magazine of Popular Literature and Science - February, 1876, Vol. XVII, No. 98. • Various
... him what news he brought. His friend replied that he had just come from the port of Santa Maria, where he had left four galleys bound for Naples, and that he had seen Marco Antonio Adorno, the son of Don Leonardo Adorno, on board one of them. This intelligence rejoiced Don Rafael, to whom it appeared that since he had so unexpectedly learned what it was of such importance for him to know, he might regard this an omen of his future success. He asked his friend, who knew his father well, to exchange ...
— The Exemplary Novels of Cervantes • Miguel de Cervantes Saavedra
... into a minor key, and his criticism would suddenly become serious and illuminative. To him "Parsifal" was a fresco, a decoration painted by a man whose true genius it was to reveal the most intimate secrets of the soul, to tell the enigmatic soul of longing as Leonardo da Vinci had done. But he had been led from the true path of his genius into the false one of a rivalry with Veronese. Only where Wagner is confiding a soul's secret is he interesting, and in "Tannhaeuser," in this first flower ...
— Evelyn Innes • George Moore
... celibates. I will mention a few of those with whom the English-speaking world is most familiar: Kant, Newton, Pitt, Fox, Beethoven, Galileo, Descartes, Locke, Spinoza, Leibnitz, Gray, Dalton, Hume, Gibbon, Macaulay, Lamb, Bentham, Leonardo da Vinci, Copernicus, Reynolds, Handel, Mendelssohn, Meyerbeer, Schopenhauer, Camoens, and Voltaire. La Bruyere says of men of genius: "These men have neither ancestors nor descendants; they ...
— Religion and Lust - or, The Psychical Correlation of Religious Emotion and Sexual Desire • James Weir
... sway the world's secret desire for mystery; and what in my father is the genius of curiosity—the very essence of all scientific genius—in me is the desire for beauty. Do you remember Pater's phrase about Leonardo da Vinci, 'curiosity ...
— The Golden Threshold • Sarojini Naidu
... saying, "You deserve to be served by an emperor." Leo X. threatened with excommunication whoever should print and sell the poems of Ariosto without the author's consent. The same pope attended the deathbed of Raphael, as Francis I. did that of Leonardo ...
— Character • Samuel Smiles
... BRUNI, LEONARDO, Italian humanist, born at Arezzo, hence called Aretino; was papal secretary; settled in Florence, and wrote a history of it; did much by his translations of Greek authors to promote the study ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... Leonardo da Vinci is said to have been four years employed upon the portrait of Mona Lisa, a fair Florentine, without being able to come up to ...
— Indian Legends and Other Poems • Mary Gardiner Horsford
... so old, so many eminent men have lived and thought for thousands of years, that there is little new to be discovered or expressed. Even my theory of colors is not entirely new. Plato, Leonardo da Vinci, any many other excellent men, have before me found and expressed the same thing in a detached form: my merit is, that I have found it also, that I have said it again, and that I have striven to bring the truth once more into a ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke
... adopted" by the geographers, at the same time it "came slowly into use," for geographical knowledge was then in an inchoate state, especially as respected the New World. It is said to have first appeared on a map ascribed to Leonardo da Vinci in 1514; but in a pamphlet accompanying "the earliest known globe of Johann Schoener," made in 1515, the new region is described as the "fourth part of the globe named after its discoverer, Americus Vespucius, who found ...
— Amerigo Vespucci • Frederick A. Ober
... of a man under favorable circumstances is illustrated by Leonardo da Vinci, who was a distinguished painter, celebrated sculptor, favorite architect and engineer, excellent builder of fortifications, musician and improvisator. Benvenuto Cellini was a celebrated goldsmith, excellent ...
— Woman under socialism • August Bebel
... that these people have bought "distinction" at the price of one of mankind's most delightful birthrights, the pleasure in white, the queen, as Leonardo put it, of all colours. Our minds, our very sensations are interwoven so intricately of all manner of impressions and associations, that it is no allegory to say that white is good, and that the love of white is akin somehow to the love of virtue. For the love of white ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... of the Breakfast Table" Doctor Holmes quotes this saying by the "wittiest of men," that "good Americans, when they die, go to Paris." Now this wittiest of men was Tom Appleton, as many of us knew at that time. He said of Leonardo da Vinci's "Last Supper" that it probably had faded out from being stared at by sightseers, and that the same thing might have happened to the Sistine Madonna if it had not been put under glass,—these being the two most popular ...
— Cambridge Sketches • Frank Preston Stearns
... by Tagliente, reproduced in 35 and 36. In spite of their familiarity it has seemed impossible to omit the set of capitals, with variants, by Albrecht Duerer, 37 and 38; for Duerer's letters were taken as a basis by nearly all such Renaissance designers of lettering as Geoffrey Tory, Leonardo da Vinci, etc. It should be observed in the Duerer [32] alphabet that among the variant forms of individual letters shown, one is usually intended for monumental use, while another exhibits pen treatment in the characteristic swelling of the ...
— Letters and Lettering - A Treatise With 200 Examples • Frank Chouteau Brown
... this the great artist, architect, engineer, and musician, Leonardo da Vinci (1452-1519), who, among other great works, planned and executed some navigable canals in Northern Italy, and who was an observer of rare penetration and judgment, saw how fossil shells were formed, saying that the mud of rivers had ...
— Lamarck, the Founder of Evolution - His Life and Work • Alpheus Spring Packard
... y Monfalcn evidently made use of Leonardo de Argensola's Conqvistas de las Islas Malvcas in this review of ...
— The Philippine Islands, 1493-1898 (Vol 27 of 55) • Various
... distinctly impressed upon it. After the repetition of the capricious, impulsively-passionate first section (in B flat minor and D flat major) follows the delicious second, the expression of which is as indescribable as that of Leonardo da Vinci's "La Gioconda." It is a pondering and wondering full of longing. In the deep, tender yearning, with the urging undercurrent of feeling, of the C sharp minor portion, the vague dreaming of the preceding portion of the section grows into wakefulness, and ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... outbursts of applause were heard. She was so pretty in her gown of white crepe de chine! Her youthfully cut bodice revealed the slender flexibility of her neck; she might have been a bust in rose wax modelled by Leonardo da Vinci. She carried all before her by her interesting interpretation of the role. The tragic grief of the daughter of "Minos" and "Pasiphae" was a revelation for many there from one so young. ...
— The Idol of Paris • Sarah Bernhardt
... talking to Nelly Powers now, who had come back and stood facing her in one of those superb poses of hers, her yellow braids heavy as gold. It was Brunhilda talking to Leonardo da Vinci's Ste. Anne. No, heavens no! Not a saint, a musty, penitential negation like a saint! Only of course, the Ste. Anne wasn't a saint either, but da Vinci's glorious Renaissance stunt at showing what an endlessly desirable woman he could ...
— The Brimming Cup • Dorothy Canfield Fisher
... symmetria prisca,—"The antique symmetry was the one thing wanting to me," said Leonardo da Vinci; and he was an Italian. I will not presume to speak for the Americans, but I am sure that, in the Englishman, the want of this admirable symmetry of the Greeks is a thousand times more great and crying than in any Italian. The results ...
— English Prose - A Series of Related Essays for the Discussion and Practice • Frederick William Roe (edit. and select.)
... turned wearily from the household cares, the daily direction of a little peasant-servant, to her drawing-board. A cast from Leonardo da Vinci of a woman's hand is her model, and for an hour she has been happily working. She has failed; but that has not clouded joy ...
— Browning's Heroines • Ethel Colburn Mayne
... as that slight hand Could Raphael or Leonardo trace. Nor could the poets know in Fairyland The changing ...
— Trees and Other Poems • Joyce Kilmer
... staring and rambling on to himself or some unknown listener somewhere, we have the impetuosity of Dante and the isosceles triangle miss Portinari he fell in love with and Leonardo and san ...
— Ulysses • James Joyce
... are open for the nice observation of the curious. Though Erasmus does not know that need of proving the secrets of nature, which inspired a Leonardo da Vinci, a Paracelsus, a Vesalius, he is also, by his keen observation, a child of his time. For peculiarities in the habits and customs of nations he has an open eye. He notices the gait of Swiss soldiers, ...
— Erasmus and the Age of Reformation • Johan Huizinga
... end, holding a Franklin stove, and a skylight overhead, the light softened by green shades. Here she kept her own books ranged on shelves over the mantel; and in the niches and corners and odd spaces a few rare prints and proofs—two Guido Renis and a Leonardo, both by Raphael Morghen. Against the wall was an old. clothes-press with brass handles, its drawers filled with sketches, as well as a lounge covered with chintz and heaped up with cushions. The door between the studio and library had been taken off, and was now replaced by a heavy red curtain. ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... must needs divide the world into England and Elsewhere. To the end no Englishman really grasps the fact that to Frenchmen and Germans he himself is a foreigner. I have met John Bulls who had passed years in Italy, but who spoke of the countrymen of Caesar and Dante and Leonardo and Garibaldi with the contemptuous toleration one might feel towards a child or an Andaman Islander. These Italians could build Giotto's campanile; could paint the Transfiguration; could carve the living marble on the tombs of the Medici; ...
— Post-Prandial Philosophy • Grant Allen
... name familiar to students of Spanish literature from the writings of the illustrious brothers Bartolome and Lupercio Leonardo de Argensola (sixteenth century). It is also the name of a small town of some 560 inhabitants in the ...
— Legends, Tales and Poems • Gustavo Adolfo Becquer
... Chatiments, Victor Hugo is named as the author; therefore Victor Hugo is the author of the Chatiments. In such and such a picture gallery we see an unsigned picture whose frame has been furnished by the management with a tablet bearing the name of Leonardo da Vinci; therefore Leonardo da Vinci painted this picture. A poem with the title Philomena is found under the name of Saint Bonaventura in M. Clement's Extraits des poetes chretiens, in most editions of Saint Bonaventura's ...
— Introduction to the Study of History • Charles V. Langlois
... of the pass, the Col di S.to Leonardo, leading into the valley of Olmeta. The Col is nearly 3000 feet above the level of the sea, and the passage proved to be almost as difficult as any I recollect having encountered. We had no idea, when we left Bastia, of attempting it that evening, and, had we not parted from Giovanni, should ...
— Rambles in the Islands of Corsica and Sardinia - with Notices of their History, Antiquities, and Present Condition. • Thomas Forester
... might carry their calculations back as far as the fourteenth century when algebra seems to have become for the first time the standard measure of mechanical progress in western Europe; for not only Copernicus and Tycho Brahe, but even artists like Leonardo, Michael Angelo, and Albert Durer worked by mathematical processes, and their testimony would probably give results more exact than that of Montaigne or Shakespeare; but, to save trouble, one might tentatively ...
— The Education of Henry Adams • Henry Adams
... could have Italianised the W he would probably have done so. I should say that I arrived at the Ecce Homo figure as a portrait of Tabachetti before I found the V cut upon the hat; I found the V on examining the portrait to see if I could find any signature. It stands next to a second portrait of Leonardo da Vinci by Gaudenzio Ferrari, taken into the Ecce Homo chapel, doubtless, on the demolition of some earlier work by Gaudenzio on or near the same site. I knew of this second portrait of Leonardo da Vinci when I published my first edition, but did not venture to say anything about it, as thinking ...
— Ex Voto • Samuel Butler
... following: Art of Primitive Greece, Greek Sculpture, Greek Vases, Early Christian and Byzantine Architecture, History of Mosaic; Medieval Illumination; Sienese Painters of the Thirteenth and Fourteenth Centuries; Florentine Painting; Domestic Architecture of Various Countries; Leonardo da Vinci and His Works; Art of the Netherlands; History of Mural Painting; History and Principles of Engraving; Prints and Their Makers; Chinese and Japanese Art; Colonial Architecture in America; Painting and Sculpture in America, ...
— College Teaching - Studies in Methods of Teaching in the College • Paul Klapper
... macabre—things which many think of as Mediaeval, but which belong really only to the Middle Ages when old and near to death. But all the South was already full of the new youth of the Renaissance. Boccaccio had lived, Leonardo was at the height of his glory. In the fields of Touraine was already playing with his fellows the boy ...
— A History of the United States • Cecil Chesterton
... had been a painting representing the Lord's Supper, not copied even second or third hand from Leonardo's masterpiece, but from the work of some far more humble artist. The cracks that had crept across the cloth of the holy table and scarred the faces of the disciples were no longer to be seen. The disciples, whose identity ...
— Little Tora, The Swedish Schoolmistress and Other Stories • Mrs. Woods Baker
... home from this expedition much taste for Italian art and literature, and all matters of elegance and ornament made great progress from this time. The great Italian masters worked for him; Raphael painted some of his most beautiful pictures for him, and Leonardo da Vinci came to his court, and there died in his arms. His palaces, especially that of Blois, were exceedingly beautiful, in the new classic style, called the Renaissance. Great richness and splendour ...
— History of France • Charlotte M. Yonge
... Nobody in the Leonardo Studio apartments was an early riser. For that reason it was nearly eleven o'clock when Thorpe, his face very white, telephoned downstairs and asked the doorman to come ...
— The Come Back • Carolyn Wells
... Brera (pictures). There are a few fine pictures in the Brera; among others Guido's famous 'St. Peter and St. Paul,' Guercino's 'Hagar and Abraham;' a row of old columns which were broken and lying about till the French set them upon their legs; Leonardo da Vinci's fresco, which is entirely spoilt. The view from the top of the Duomo is superb, over the boundless plain of Lombardy with the range of the Alps, and the Apennines in the distance. I like the Duomo, but I know ...
— The Greville Memoirs - A Journal of the Reigns of King George IV and King William - IV, Volume 1 (of 3) • Charles C. F. Greville
... I spoke of as coming two hundred years later is Leonardo da Vinci. True he is best known as an artist, but if you read his works you will come to the conclusion that he was the most scientific artist who ever lived. He teaches the laws of perspective (then new), of light and shade, of colour, of the equilibrium ...
— Pioneers of Science • Oliver Lodge
... poets—were women's eyes. She looked, indeed, like one of those wonderful boys of the Italian Renaissance, whom you may still see at the National Gallery, whose beauty is no denial, but rather the stamp of their slender, supple strength, young painters and sculptors who held the palette for Leonardo, or wielded the chisel for Michelangelo, and anon threw both aside to take up sword for Guelf or Ghibelline in the ...
— The Quest of the Golden Girl • Richard le Gallienne
... was known as Cronaca (the Chronicler) from his vivid way of telling his adventures. Cronaca (1454-1508), who was a personal friend and devotee of Savonarola, drew up his plan in consultation with Leonardo da Vinci, Michelangelo (although then so young: only nineteen or twenty) and others. Its peculiarity is that it is one of the largest rooms in existence without pillars. From the foot of the steps ...
— A Wanderer in Florence • E. V. Lucas
... years were to pass before another man was to take up the horse as a serious scientific study; and this was Leonardo da Vinci, a man in many ways very much like Aristotle. The distinguishing feature in these men—the thing that differentiates them from other men—was the great outpouring sympathy with every living creature. Everything they saw was related to themselves—it came very ...
— Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard
... upon the peculiar virtues of my Anglo-Saxon blood. ("Cp.," as they say in footnotes, Carlyle and Froude.) It was not a German but a renegade Englishman of the Englishman-hating Whig type, Mr. Houston Stewart Chamberlain, who carried the Gobineau theory to that delirious level which claims Dante and Leonardo as Germans, and again it was not a German but a British peer, still among us, Lord Redesdale, who in his eulogistic preface to the English translation of Chamberlain's torrent of folly, hinted not ...
— What is Coming? • H. G. Wells
... include roughly one-third of the whole Slovene race, whose national sense is not only very acute, but who are also much less illiterate than their Italian neighbours. One cannot be astonished if the Slovenes think of this more than of Giotto, Leonardo, Galileo and Dante. But one may be a little surprised that such a man as Mr. Edmund Gardner should allow his reverence for the imperishable glories of Italy to becloud his view of the modern world. It is certainly a fact that the Slovenes are to-day less illiterate than the Italians, but because ...
— The Birth of Yugoslavia, Volume 2 • Henry Baerlein
... lovely in his own character, was ever seeking in nature for whatsoever things are lovely, whatsoever things are pure, and now was about to add whatsoever things are grand. He was a Christian artist, in sympathy with such men as Raphael and Leonardo de Vinci. "The habitual choice of sacred subjects (says Ruskin) implies that the painter has a natural disposition to dwell on the highest thoughts of which humanity is capable." No shallow or false person could have conceived his Ascension. Only the highest qualities ...
— The Andes and the Amazon - Across the Continent of South America • James Orton
... sound, save for a temperamental error: the lack of sufficient imagination to realize the unknown quantity of chance, the inevitable mistake of military scientists who are loath to admit the artist to their counsels, exemplified by men of genius, such as Napoleon and Leonardo da Vinci, who were both ...
— Witch-Doctors • Charles Beadle
... or until you have taught him his grammar. Grammar and refinement are good things, both, only be sure of the better thing first. And thus in art, delicate finish is desirable from the greatest masters, and is always given by them. In some places Michael Angelo, Leonardo, Phidias, Perugino, Turner, all finished with the most exquisite care; and the finish they give always leads to the fuller accomplishment of their noble purpose. But lower men than these cannot finish, for it requires consummate knowledge to finish consummately, ...
— Selections From the Works of John Ruskin • John Ruskin
... are the great painters who lived in Italy four hundred years ago. I was named after one of them—the greatest. I am called Leonard. He was Leonardo da Vinci." ...
— The Crossing • Winston Churchill
... answer all Romanist purposes. Idolatry, [Footnote: Appendix X, "Proper Sense of the word Idolatry."] it cannot be too often repeated, is no encourager of the fine arts. But, on the other hand, the highest branches of the fine arts are no encouragers either of idolatry or of religion. No picture of Leonardo's or Raphael's, no statue of Michael Angelo's, has ever been worshipped, except by accident. Carelessly regarded, and by ignorant persons, there is less to attract in them than in commoner works. Carefully regarded, and by intelligent persons, ...
— Stones of Venice [introductions] • John Ruskin
... Amboise. They will be home before dark. I am sorry you missed taking that trip with them, Lloyd. It is one of the most interesting chateaux around here in my opinion. Mary, Queen of Scots, went there a bride. There she was forced to watch the Hugenots being thrown over into the river. Leonardo da Vinci is buried there, and Charles VIII. was killed there by bumping his ...
— The Little Colonel's Hero • Annie Fellows Johnston
... There I saw canvases of the highest value, the likes of which I had marveled at in private European collections and art exhibitions. The various schools of the old masters were represented by a Raphael Madonna, a Virgin by Leonardo da Vinci, a nymph by Correggio, a woman by Titian, an adoration of the Magi by Veronese, an assumption of the Virgin by Murillo, a Holbein portrait, a monk by Velazquez, a martyr by Ribera, a village ...
— 20000 Leagues Under the Seas • Jules Verne
... weight and velocity. That man gave us a key to heaven. That man opened its infinite book, and we now read it, and he did more good than all the theologians that ever lived. I have not time to speak of the others—of Galileo, of Leonardo da Vinci, and of hundreds of others that ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll
... back on with a purely admiring regret, as perfect enough to suit a superior mind, is always a long way off; the desirable contemporaries are hardly nearer than Leonardo da Vinci, most likely they are the fellow-citizens of Pericles, or, best of all, of the Aeolic lyrists whose sparse remains suggest a comfortable contrast with our redundance. No impassioned personage wishes he had been ...
— Impressions of Theophrastus Such • George Eliot
... to expand it a bit, and I'll manage to drag in an anecdote or two somehow—if not Guicciardini, at least something or other else Italian. You see Italy's a tolerably rich subject, because you can do any amount about Raffael, and Michael Angelo, and Leonardo, and so forth, not to mention Botticelli. The papers have made a dreadful ...
— Philistia • Grant Allen
... Sabello boy, a third child was stolen from the top floor of a house at 119 Elizabeth Street. The father, Leonardo Quartiano, reported the disappearance, and in answer to questions stated that he had received no letters or telephone messages. "Why should I?" he inquired, with uplifted hands and the most guileless demeanor. "I am poor! I am a humble ...
— Courts and Criminals • Arthur Train
... remains, as the first great poet that had appeared in England, probably only surpassed in genius by Shakspeare, until the language assumed its present form. He was regarded as a moral phenomenon, whom kings and princes delighted to honor. As Leonardo da Vinci died in the arms of Francis I., so Chaucer rested in his grave near the bodies of those sovereigns and princes with whom he lived in intimacy and friendship. It was the rarity of his gifts, his great attainments, elegant manners, and refined tastes which made him ...
— Beacon Lights of History, Volume VI • John Lord
... gem-treatises, especially as a source of early sixteenth-century beliefs in the magic properties of precious stones, the "Speculum Lapidum" of Camillo Leonardo, published in Venice, 1502, probably never came under Shakespeare's eye. Indeed, even in Italy it seems to have been so neglected that Ludovico Dolci ventured to publish a literal Italian version of the Latin original as his own work in 1565. The English "Mirror ...
— Shakespeare and Precious Stones • George Frederick Kunz
... words to insist on the necessary inferiority of copies to an original, without adverting to the indispensable proviso that the original with which the copies are compared should be the original from which the copies have been taken? May not a copy of Leonardo Da Vinci's 'Last Supper' quite possibly be equal in force and vividness of expression to the original painting by Benjamin West bearing the same name? Might it not be wise to trust rather to an Airy, or a De la Rue, or a Lockyer's account of what he had observed during ...
— Old-Fashioned Ethics and Common-Sense Metaphysics - With Some of Their Applications • William Thomas Thornton
... and powerful clear-shaven mouth and chin; his tall, thin figure clad in a way which, not being strictly English, was all the worse for its apparent emphasis of intention. Draped in a loose garment with a Florentine berretta on his head, he would have been fit to stand by the side of Leonardo de Vinci; but how when he presented himself in trousers which were not what English feeling demanded about the knees?—and when the fire that showed itself in his glances and the movements of his head, as he looked round him with curiosity, ...
— Daniel Deronda • George Eliot
... driving by our fields and thinking of the impossibility of such a life: I was thinking too that I would come to you and tell you of the mice.... Paris, Nice, Monaco, costumes, English perfumes, wine, Leonardo da Vinci, neo-classicism, lovers, what are they? With you everything ...
— Tales of the Wilderness • Boris Pilniak
... religious should be burned with all its goods, and that those going in it should be put to death. Nevertheless, some Franciscan friars have gone, very secretly. Some time ago, in the city of Fixoxuna, Father Antonio and Brother Leonardo, both Japanese, were imprisoned for the faith. For this also, on August 16, 1618, they beheaded in the city of Meaco Fray Juan de Santa Marta, of the Order of St. Francis, and a native of Cataluna. He had been imprisoned three years in the public jail, where, in spite of the hard labor and bad treatment ...
— The Philippine Islands, 1493-1898: Volume XVIII, 1617-1620 • Various
... was not unsympathetic. As a boy he came under the influence of Keble, and at one time thought of taking orders, but his gradual change of view led him to relinquish the idea. Among his works may be mentioned an article on Coleridge, and others on Winckelmann, Leonardo da Vinci, Michelangelo, Botticelli, etc., which were coll. and pub. as Studies in the History of the Renaissance (1873); Appreciations (1889) contained his great essays on AEsthetic Poetry and Style, various Shakespearian studies ...
— A Short Biographical Dictionary of English Literature • John W. Cousin
... a man, with a falsetto voice, moving into the circle; "Leonardo himself might have ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... professors such as the one I have quoted. They can get no further than the notion of stealing giants. I will not bore you now with all the other giants they have tried to steal; it is enough to say that St. Paul, Leonardo da Vinci, and Shakespeare himself are among the monstrosities exhibited at Frederick-William fair—on grounds as good as those quoted above. But I have put this particular case before you, as an artist rather than an Italian, to show what I mean when I object to a "German future for Europe." ...
— The Appetite of Tyranny - Including Letters to an Old Garibaldian • G.K. Chesterton
... returning he was forced to stay in Bologna and to make the tomb of Pope Alexander V, who had finished the course of his years in that city, for the Convent of the Friars Minor. And although he was very unwilling to accept this work, he could not, however, but comply with the prayers of Messer Leonardo Bruni, the Aretine, who had been a highly-favoured Secretary of that Pontiff. Niccolo, then, made the said tomb and portrayed that Pope thereon from nature; although it is true that from lack of marble and other stone the tomb and its ornaments were made of stucco and ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol 2, Berna to Michelozzo Michelozzi • Giorgio Vasari
... as I know, a man named Leonardo da Vinci invented it, in the Sixth Century Pre-Atomic. How soon can you get me ...
— Naudsonce • H. Beam Piper
... king, her father-in-law, who at that time was very ill indeed, presented him, from time to time, with Italian pictures, knowing that he liked them much, being a friend of the Sieur Raphael d'Urbin and of the Sieurs Primatice and Leonardo da Vinci, to whom he sent large sums of money. She obtained from her family—who had the pick of these works, because at that time the Duke of the Medicis governed Tuscany —a precious picture, painted by a Venetian named Titian (artist to the Emperor Charles, and in very high flavour), in ...
— Droll Stories, Volume 3 • Honore de Balzac
... "Leonardo," she repeated. "Hast thou seen his Bacchus, or his battle-fresco? Knowest thou the later work of Raffaello? And what sayest thou to our Fra Lippo Lippi? A Christian monk he, forsooth! What sayest thou to Giorgione of Venice and his pupils, ...
— Dreamers of the Ghetto • I. Zangwill
... know me!" so ended the snarl. He gathered forced loans. He drafted peons, though they were exempt. He emptied the prisons, and convicts he sent in chains as recruits for the Imperial garrisons. In such a fashion Leonardo Marquez began his duties as generalisimo of ...
— The Missourian • Eugene P. (Eugene Percy) Lyle
... to be only five portable authentic paintings by Leonardo da Vinci," said Cleigh, "and I had one of them, Mother. Illegally, perhaps, but still I had it. It is a copy that hangs in the European gallery. There's a point. Gallery officials announce a theft only when some expert had discovered ...
— The Pagan Madonna • Harold MacGrath
... consequence of inordinate precautions, had left no mark upon his hands; and the Maletroit hand was famous. It would be difficult to imagine anything at once so fleshy and so delicate in design; the taper, sensual fingers were like those of one of Leonardo's women; the fork of the thumb made a dimpled protuberance when closed; the nails were perfectly shaped, and of a dead, surprising whiteness. It rendered his aspect tenfold more redoubtable, that a man with hands like ...
— The Short-story • William Patterson Atkinson
... agree that many-sidedness is a merit and a merit that may easily be overlooked. This balance and universality has been the vision of many groups of men in many ages. It was the Liberal Education of Aristotle; the jack-of-all-trades artistry of Leonardo da Vinci and his friends; the august amateurishness of the Cavalier Person of Quality like Sir William Temple or the great Earl of Dorset. It has appeared in literature in our time in the most erratic and opposite shapes, set to almost inaudible music by Walter Pater and enunciated ...
— What's Wrong With The World • G.K. Chesterton
... female head in wax, of unknown date, but supposed to be either of the best Greek age, or a work of Raphael or Leonardo. It is now ...
— Ballads in Blue China and Verses and Translations • Andrew Lang
... rather be defined to be light in shadow; but it will be difficult to establish any other sense for it than the disposition of the light and shade in a picture. The inventor of it, for practical use, was Leonardo da Vinci. Of this chiaroscuro he says: "It is this, in fine, against which so many renowned Italian masters have sinned, but in which the immortal Correggio is so eminently distinguished, and which proves how they err who have named Titian the prince ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... Kugler (Schools of Painting in Italy, edited by Sir Charles Eastlake, 2nd edit., 1851, Part II. p. 284.), speaking of Leonardo da Vinci's cartoon, representing the victory of the Florentines in 1440 over Nicolo Picinnino, general of the Duke of Milan, and which has now ...
— Notes and Queries, Number 227, March 4, 1854 • Various
... by successive generations until the original meaning had completely vanished, while the semblance remained in debased outline. Nothing can be more fatal than to make a canon of art, to render precise and exact the laws of aesthetics. Great men, it is true, made the attempt. Leonardo, for instance, gives the recipe for drawing anger and despair. His "Trattato della Pintura"[19] describes the gestures appropriate for an orator addressing a multitude, and he gives rules for making a tempest or a deluge. He had ...
— Donatello • David Lindsay, Earl of Crawford
... any value, and are rather damaging. Realism and Idealism are abstract terms which cannot suffice to characterise beings who obey their sensibility. It is therefore necessary to invent as many words as there are remarkable men. If Leonardo was a great painter, are Turner and Monet not painters at all? There is no connection between them; their methods of thought and expression are antithetical. Perhaps it will be most simple, to admire them all, and to renounce any further ...
— The French Impressionists (1860-1900) • Camille Mauclair
... secretive and moody. Said he was studying mechanics. He told me himself that much as he liked landscape painting he thought an artist—a real artist, he said—ought to be versed in ancillary sciences; in fortification, wood-carving, architecture, and so on. Leonardo da Vinci, you know. Well, one day they could not get into his bedroom. They broke open his door and discovered that he had constructed a perfectly-formed guillotine; the knife had fallen; his head lay on one side and his body on ...
— South Wind • Norman Douglas
... that date absorbed most of the trade of Arras, and thence forwards, till Henri IV. established the works of the Savonnerie, Brussels led European taste, and employed the best artists. Brussels employed Leonardo da Vinci and Mantegna, Giovanni da Udine, Raphael, and later, Rubens and the great Dutch painters, to design cartoons for tapestry works. Raphael's pupil, Michael Coxsius, of Mechlin, superintended the copying of his master's cartoons. Shortly afterwards, Antwerp, Oudenarde, Lille, Tournai, Valenciennes, ...
— Needlework As Art • Marian Alford
... description of the pictures can only express half of them, and that the less important half. Still, it does express something; the thread is not broken that connects God With Nature, or Nature with men, or men with critics. The "Mona Lisa" was in some respects (not all, I fancy) what God meant her to be. Leonardo's picture was, in some respects, like the lady. And Walter Pater's rich description was, in some respects, like the picture. Thus we come to the consoling reflection that even literature, in the last resort, can express something other than its ...
— A Miscellany of Men • G. K. Chesterton
... Masters, and prepared him admirably for the duties that he undertook in 1874 when he was appointed director of the British National Gallery in succession to Sir W. Boxall, R.A. During the twenty years that he held this post he was responsible for many important purchases, among them Leonardo da Vinci's "Virgin of the Rocks," Raphael's "Ansidei Madonna," Holbein's "Ambassadors," Van Dyck's equestrian portrait of Charles I., and the "Admiral Pulido Pareja," by Velasquez; and he added largely to the noted series of Early Italian pictures in the gallery. The number ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... that the expression of modern painters was often theatrical, and that it bore the stamp of their age, in which was no longer found, as in Andrea Mantegna, Perugino, and Leonardo da Vinci, the unity and simplicity which characterised the repose of the ancients; a repose to which is joined that profundity of sentiment which is the characteristic of Christianity. She admired the artless composition of Raphael's pictures, especially those in his first manner. All the figures ...
— Corinne, Volume 1 (of 2) - Or Italy • Mme de Stael
... frankly an enthusiast of the things of art; and her meditations unfortunately betray the fact that Etruscan mirrors are as dear to her as the daisies, and that she cannot find it more virtuous to contemplate a few cows in a pasture than a group of Leonardo's people in their rock-bound cloisters. For the long miracle of the human soul and its expression is for her not less sacredly part of the universal process than the wheeling of suns and planets: a Greek vase is to her as intimately ...
— The Hours of Fiammetta - A Sonnet Sequence • Rachel Annand Taylor
... at a true knowledge of the inventions and compositions of Rembrandt, it is necessary, in the first instance, to examine those of Albert Durer, the Leonardo da Vinci of Germany. The inventions of this extraordinary man are replete with the finest feelings of art, notwithstanding the Gothic dryness and fantastic forms of his figures. The folds of his draperies are more like creased pieces ...
— Rembrandt and His Works • John Burnet
... by Leonardo da Vinci, there is the same eternal face he always paints, but with a peculiar expression—she turns away her head with the air of a fine lady, whose senses are shocked by the sight of blood and death, while her heart remains untouched either ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... associations of Pareil's life. As a famous surgeon he was in constant attendance on figures renowned in history, personages like Coligny (who was murdered by the mob of Paris while recovering from an amputation of Pareil's), Erasmus, Servetus, Leonardo da Vinci, and Catherine de Medici. Like Chaucer's doctour of physik, Pareil knew well the works of "Olde Ypocras," Galen, Avycen, etc., the famous physicians whose names have come down from history, but ...
— War Letters of a Public-School Boy • Henry Paul Mainwaring Jones
... hardly more Mirth than in my upbraidings. Ah, I grow So weary of this low-horizoned scene, Our generation; I am always drawn In thought toward that great noon of human life When in the streets of Florence walked the powers And princes of the earth—Politian, Pico, Angelo, Leonardo, Botticelli— And a half-hundred more of starry-eyed Sons of the morning, in whose hearts the god Struggled unceasing. Ah, those lucent brains, Those bright imaginations, those keen souls, Arrowy toward each target where truth's gold Glimmered, or ...
— Mr. Faust • Arthur Davison Ficke
... surgery Marcos Antonio Gomez and Jose de Jesus Brenes; the civil engineer Jesus Maria Castillo, director of the work in this cathedral; the chief sexton of the same, Jesus Maria Troncoso, and the undersigned notaries public, Pedro Nolasco Polanco, Mariano Montolio and Leonardo Delmonte i Aponte, the first also being the acting notary of the curacy and the second the titular notary of the municipal council ...
— Santo Domingo - A Country With A Future • Otto Schoenrich
... in with the key, and sat down, in deep despondency, in front of his easel. On it was a second copy of a copy that some one had found him doing at the National Gallery of the great Leonardo. It was not good, and it made him sick to look at it. The studio was a battered little barn in the depths of Chelsea, with the usual dull scent of stale paint and staler tobacco, and very little else; it was quite ...
— The Twelfth Hour • Ada Leverson
... the letter ended, "don't leave Siena without seeing Doctor Lombard's Leonardo. Lombard is a queer old Englishman, a mystic or a madman (if the two are not synonymous), and a devout student of the Italian Renaissance. He has lived for years in Italy, exploring its remotest corners, and has lately picked up an undoubted Leonardo, which came to light in a farmhouse ...
— The Early Short Fiction of Edith Wharton, Part 1 (of 10) • Edith Wharton
... to Leonardo dei Medici, vicar of the archbishopric of Florence, to obtain the punishment of the rebel: Leonardo, in obedience to the orders he received, from Rome, issued a mandate forbidding the faithful to attend at Savonarola's sermons. After this mandate, any ...
— The Borgias - Celebrated Crimes • Alexandre Dumas, Pere
... Marzio. "Italy shall be herself again, as she was in the days of Michael Angelo; of Leonardo, who died in the arms of a king; of Cellini, who shot a prince from the walls of Saint Angelo. Italy shall be great, shall monopolise the trade, the art, the ...
— Marzio's Crucifix and Zoroaster • F. Marion Crawford
... Grayson's words: "'To make you understand the situation clearly,' said Herr VON BODE, 'we must go back a little into history. Some years ago I was offered by an English dealer a wax bust of Flora, which I saw in a moment was by LEONARDO DA VINCI. No trained eye could have mistaken it for anything else. I therefore bought it and made it the very jewel of this superb collection. England, however, always envious and acquisitive, in matters of connoisseurship dense, and now mad with rage to think that I ...
— Punch, or the London Charivari, Vol. 147, October 28, 1914 • Various
... scandal, the tiara which was admitted to be false, invented and manufactured by a modern artist? Here is the tiara of Saitapharnes, the real one, Beautrelet! Look, Beautrelet, look with all your eyes: here is the marvel of marvels, the supreme masterpiece, the work of no mortal brain; here is Leonardo's Gioconda, the real one! Kneel, Beautrelet, kneel; all womankind stands before you ...
— The Hollow Needle • Maurice Leblanc
... Ludovic, the Moor, had by his sagacity and fertile mind, by his taste for arts and sciences and the intelligent patronage he bestowed upon them, by his ability in speaking, and by his facile character, obtained in Italy a position far beyond his real power. Leonardo da Vinci, one of the most eminent amongst the noble geniuses of the age, lived on intimate terms with him; but Ludovic was, nevertheless, a turbulent rascal and a greedy tyrant, of whom those who did not ...
— A Popular History of France From The Earliest Times - Volume III. of VI. • Francois Pierre Guillaume Guizot
... from Lugano to Milan! The conveyance that bore him to Leonardo's city was plain and overcrowded, but in it he had found Isabella. And Rome, Rome, eternal, never-to-be-forgotten Rome, where so long as we dwell there, we grow out of ourselves, increase in strength and intellectual power, and ...
— Uarda • Georg Ebers
... and, springing back, he exclaimed in a voice of surprise: "It looks with human eyes!" Then suddenly there occurred to him a story he had heard long before from his professor, of a certain portrait by the renowned Leonardo da Vinci, upon which the great master laboured several years, and still regarded as incomplete, but which, according to Vasari, was nevertheless deemed by all the most complete and finished product of his art. The most finished thing about ...
— Taras Bulba and Other Tales • Nikolai Vasilievich Gogol
... dressing would make her at home on the sward by the fountain among the lutes and whispers of the bewitching silken shepherdesses who live though they never were. Lady Busshe was reminded of the favourite lineaments of the women of Leonardo, the angels of Luini. Lady Culmer had seen crayon sketches of demoiselles of the French aristocracy resembling her. Some one mentioned an antique statue of a figure breathing into a flute: and the mouth at the flutestop might have a distant semblance ...
— The Shaving of Shagpat • George Meredith
... Dante himself is open to the suspicion of partiality: it is said, not without apparent ground, that he puts into hell all the enemies of the political cause, which, in his eyes, was that of Italy and God. A legend tells that Leonardo da Vinci was warned that his divine picture of the Last Supper would fade, because he had introduced his personal enemy as Judas, and thus desecrated art by making it serve personal hatred. The legend must be false, Leonardo had ...
— Lectures and Essays • Goldwin Smith
... length; supposed to be by Leonardo da Vinci. Not very credible. It is a fine, bold, horribly-looking portrait: not in the very ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two • Thomas Frognall Dibdin
... beginnin' of time," I scoff. "They laughed at Leonardo da Vinci, Columbus, Edison, a guy named Durante. Even the guy who first sat down at a pianer. We will take what we can git, pal, and then come ...
— Operation Earthworm • Joe Archibald
... which they attributed to demons rather than to tubes, pulleys, and wheels. The learned Charles Patin, in his scientific travels, records, among other valuable productions of art, a cherry-stone, on which were engraven about a dozen and a half of portraits! Even the greatest of human geniuses, Leonardo da Vinci, to attract the royal patronage, created a lion which ran before the French monarch, dropping fleurs de lis from its shaggy breast. And another philosopher who had a spinnet which played and stopped at command, might have made ...
— Curiosities of Literature, Vol. 3 (of 3) • Isaac D'Israeli
... Courbet, Daumier, Maillol, Chavannes and Millet, particularly Cezanne, Van Gogh, Rodin and Blake, has been marked. The Silver Birch group has never tired of extolling the great names of Rembrandt, Duerer, El Greco, Van Eyck, Goya, Leonardo, Michael Angelo, Tintoretto, ...
— The Foundations of Japan • J.W. Robertson Scott
... Duchess Beatrice as well as he did a year later, he would have thought this warning superfluous. Lodovico, however, thanked his Majesty for his thoughtfulness, and applied himself, with the help of Leonardo, to fortify the Castello of Milan and make it an impregnable citadel. That winter he had appointed Bernardino del Corte, one of his favourite and most devoted servants, to be governor of the Rocca, which held his treasure and jewels together with all ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright
... of mankind. His treatment of Holy Communion in these Sacraments, as well as in sundry other designs, is an instance of the way in which he pushed full far his sacerdotalism. He habitually departs from the treatment sanctioned by the great masters, from Giotto to Leonardo da Vinci; in place of a long table whereat all are seated is a small altar, before which the Apostles kneel; in lieu of a supper, the cloth is laid with only a plate and chalice, and instead of the breaking of bread among the disciples, Christ stands apart elevating a wafer. ...
— Overbeck • J. Beavington Atkinson
... painters was a master-artist and although his first Garhwal pictures are concerned with passionate romance, devotion to Krishna quickly becomes apparent.[107] The great Alaknanda River which roared through Srinagar, the capital, had a special fascination for him and just as Leonardo da Vinci evinced at one time a passionate interest in springing curls, the Guler artist found a special excitement in winding eddies and dashing water. The result was a sudden new interpretation of the Krishna theme. In two pictures where Krishna is shown quelling the snake Kaliya,[108] all ...
— The Loves of Krishna in Indian Painting and Poetry • W. G. Archer
... have been an engaging subject. Think of what Florence was at this time, and how an artist must have thrilled at its very name! Beautiful as a flower, with her marble palaces, her fine churches, her lily-like bell-tower! What a charm was added when within her walls Leonardo da Vinci was painting, Michael Angelo carving, Savonarola preaching. In the early years of Raphael's apprenticeship, the voice of the preacher had been silenced, but still, "with the ineffable left hand," Da Vinci painted, and still the marble chips dropped from Angelo's chisel as ...
— Great Artists, Vol 1. - Raphael, Rubens, Murillo, and Durer • Jennie Ellis Keysor
... without suffocating the patient, to fasten a bandage tightly enough to staunch the wound, but Leonardo Botalli, of Asti, body physician of Anjou, was nevertheless fortunate enough to devise a simple mechanical expedient, which proved successful. By his advice; a succession of attendants, relieving each other day and night, prevented the flow of blood by keeping the orifice ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... would convince himself that the deepest draughts of inspiration have ever been drawn by the highest artists from religious ideas, let him add to the names above given, those of Fra Angelico, Fra Bartolomeo, Tintoret, Corregio, Murillo, Raphael, Leonardo da Vinci, Michael Angelo, and, in our own days, Overbeck; let him gaze into that divine face of godlike sorrow given us by an untaught monk, Antonio Pesenti, in his marvellous crucifix of ivory, let him listen to the pure ethereal strains of Palestrina, Pergolese, Marcello, Stradella, ...
— The Continental Monthly, Vol III, Issue VI, June, 1863 - Devoted to Literature and National Policy • Various
... as follows: In his treatise on the casting of cannons Don Ramon speaks of a certain invention called Thunder, made by Leonardo da Vinci, your master, and says that it might be applied to ...
— The Resources of Quinola • Honore de Balzac
... find that which was perfect to thee there at home?' That fact I saw again in the Academmia at Naples, in the chambers of sculpture, and yet again when I came to Rome and to the paintings of Raphael, Angelo, Sacchi, Titian, and Leonardo da Vinci. "What, old mole! workest thou in the earth so fast?" It had travelled by my side; that which I fancied I had left in Boston was here in the Vatican, and again at Milan and at Paris, and made all travelling ridiculous as a treadmill. I now require this of all pictures, ...
— Essays, First Series • Ralph Waldo Emerson
... national palace is the Academy of Fine Arts, generally spoken of as the Academy of San Carlos,—named in honor of Carlos III. of Spain,—which contains three or four well-filled apartments of paintings, with one and, in some instances, two pictures each of such masters as Leonardo da Vinci, Velasquez, Titian, Van Dyck, Rubens, Perugino, and others. There is also a large hall of sculpture attached, which presents casts of many well-known and classic originals. This department, however, does not compare well with the rest of the institution. ...
— Aztec Land • Maturin M. Ballou
... outstripping all her companions in the chase, and laughing in the face of danger. We see her holding her court in the famous Castello of Porta Giovia or in the summer palaces of Vigevano and Cussago, in these golden days when Milan was called the new Athens, when Leonardo and Bramante decorated palaces or arranged masquerades at the duke's bidding, when Gaspare Visconti wrote sonnets in illuminated books, and Lorenzo da Pavia constructed organs or viols as perfect and beautiful to see as to hear, for the pleasure of the youthful ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright
... at its best it is lyrical rather than dramatic, and at its worst it is horrible with a vulgar material horror. The end of "Titus Andronicus" is not so revolting as the end of "La Gioconda." D'Annunzio has put as a motto on his title-page the sentence of Leonardo da Vinci: "Cosa bella mortal passa, e non d'arte," and the action of the play is intended as a symbol of the possessing and destroying mastery of art and of beauty. But the idea is materialised into ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... not. The popular delusion is that success is attained by what I may call the "Benjamin Franklin" method. Franklin was a very great man; he united in his character a set of splendid qualities as various, in their different ways, as those possessed by Leonardo da Vinci. I have an immense admiration for him. But his Autobiography does make me angry. His Autobiography is understood to be a classic, and if you say a word against it in the United States you are apt to get killed. I do not, however, contemplate ...
— Mental Efficiency - And Other Hints to Men and Women • Arnold Bennett
... Greek art:—abstract ideas of youth and age, strength and swiftness, virtue and vice,—yes: but there is no individuality; and the negative holds down to the revived conventionalism of the Greek school by Leonardo, when he tells you how you are to paint young women, and how old ones; though a Greek would hardly have been so discourteous to age as the Italian is in his canon of it,—"old women should be represented as passionate and hasty, after the manner ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
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