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More "Rembrandt" Quotes from Famous Books
 ... could even brew himself another glass. If a brother clubman strolled near enough to say, "Hello, Len!" or, "Hello, Willoughby!" he could respond with a dull, "Hello, Tom!" or, "Hello, Jones!" But he spoke as out of a depth; he spoke with some of that weariness at being called back to life which Rembrandt depicts on the face of Lazarus rising from the tomb. It was delicious to sink away from the prosaic and the boresome, to be so fully awake that he could follow the movement in the street and the hopping of the sparrows in the trees, and yet ...
— The Side Of The Angels - A Novel • Basil King
... indignation. "So you think Titian and Velasquez and Goyot and El Greco and Watteau and Van Dyck and Rembrandt and all the rest were sentimentalists, do you? The biggest men in the world worship them. You aren't just to the greatest intellects. I suppose ...
— The Judgment House • Gilbert Parker
... subject being effect and colour, that shall be predominant, and to which form shall be quite subservient, and little more of it than such as chiaro-scuro shall give; and in such a case colour is the more important truth, because in it lies the sentiment of the picture. The mystery of Rembrandt would vanish were beauty of form introduced in many of his pictures. We remember a picture, the most impressive picture perhaps ever painted, and that by a modern too, Danby's "Opening of the Sixth Seal." Now, though there are fine parts in this picture, the real power of the ...
— Blackwood's Edinburgh Magazine, No. CCCXXXVI. October, 1843. Vol. LIV. • Various
... portray the comparatively animal life of the southern and eastern families of mankind. For this he was prepared in a somewhat singular way—by being led to study, and endowed with altogether peculiar apprehension of, the most sublime characters of animals themselves. Rubens, Rembrandt, Snyders, Tintoret, and Titian, have all, in various ways, drawn wild beasts magnificently; but they have in some sort humanized or demonized them, making them either ravenous fiends or educated beasts, that would draw cars, and had respect for hermits. The sullen isolation ...
— The Crown of Wild Olive • John Ruskin
... enjoyed, at least, our eyesight on that journey! The appeal to the eye was constant—the color and form of scenes unfamiliar offering views of compelling attraction and delight. Each unadorned car window and door became the frame of pictures not a Millet nor a Rembrandt could depict. ...
— The Greater Love • George T. McCarthy
... very cultivated taste; he has become awake to what is elemental, normal, in Nature,—such, for instance, as one sees in the working of water on the sea-shore. He tries to represent these primitive forms. In the drawings of Piranesi, in the pictures of Rembrandt, one sees this grand language exhibited more truly. It is not picture, but certain primitive and leading effects of light and shadow, or lines and contours, that captivate the attention. I saw a picture of Rembrandt's at the Louvre, whose subject I do not know and have never cared to inquire. ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli
... and earnestly, at the strong, fine lines of sadness brought beautifully out by this unexpected high-light of the skies, accentuated Rembrandt-like, against the darkness of the earth-colored hole ...
— The Way of the Wind • Zoe Anderson Norris
... the seventeenth century, painting had declined south of the Alps, Dutch and Flemish masters,—above all, Rubens and Rembrandt,—developed a new and admirable school of painting. To Van Dyck, another Flemish master, we owe many noble portraits of historically important persons.[244] Spain gave to the world in the seventeenth century a painter whom some would rank higher ...
— An Introduction to the History of Western Europe • James Harvey Robinson
... fitly have a vast salon to themselves, not only that the spectator may realize at once the rich variety and abundance of the master, but that such lesser lights as Rubens, Titian, Correggio, Giorgione, Tintoretto, Veronese, Rembrandt, Zurbaran, El Greco, Murillo, may not be needlessly dimmed by his surpassing splendor. I leave to those who know painting from the painter's art to appreciate the technical perfection of Velasquez; I take my stand outside of that, and ...
— Familiar Spanish Travels • W. D. Howells
... lights and deep shades was produced, as gave the whole scene a character at once mysterious and sublime. It presented an harmonious variety of solemn colours, united by the exquisite artifice of Nature to a grand, yet simple disposition of form. It was a picture executed by the hand of Rembrandt, and imagined by ...
— Antonina • Wilkie Collins
... "Now it is evident that in Rembrandt's system, while the contrasts are not more right than with Veronese, the colours are all wrong from beginning ...
— The Gentle Art of Making Enemies • James McNeill Whistler
... the large, handsome head; and the angry tones of her voice would have been welcome sounds in the house where she had so long tyrannized. To-day, as Ulpian Grey sat in his own little sitting-room, his eyes were fixed on a copy of Rembrandt's Nicholas Tulp, which hung over the mantelpiece; but the mysteries of anatomy no longer riveted his attention, and his thoughts were busy with memories of a fond though wayward girl, whom his indifference had driven to foreign lands,—to unknown ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson
... do not like it "not quite coming off." I mean the thing meant something from one standpoint; but its mark was that the smallest change of standpoint made it unmeaning and unthinkable—a foolish joke. A beggar painted by Rembrandt is as solid as a statue, however roughly he is sketched in; the soul can walk all round him like a public monument. We see he would have other aspects; and that they would all be the aspects of a beggar. Even if one did ...
— The Victorian Age in Literature • G. K. Chesterton
... have made a fine picture, worthy of Rembrandt, the gloomy winding stairs illuminated by the reddish glare of the cresset of Gryphus, with his scowling jailer's countenance at the top, the melancholy figure of Cornelius bending over the banister to look down upon the sweet ...
— The Black Tulip • Alexandre Dumas (Pere)
... reckon every thread) do not interest me; their landscapes too, however natural, are mere Dutch nature (with some brilliant exceptions), fat cattle, clipped trees, boors, and windmills. Of course I am not speaking of Vandyke, nor of Rubens, he that "in the colours of the rainbow lived," nor of Rembrandt, that king of clouds and shadows; but for mine own part, I would give up all that Mieris, Netscher, Teniers, and Gerard Douw ever produced, for one of Claude's Eden-like creations, or one of Guido's lovely heads—or merely for the pleasure of looking at Titian's Flora once a day, I ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... calculating machine; Mozart, executing a sonata on the pianoforte with four-years-old fingers, and composing an opera at the age of eight; Theresa Milanollo, playing the violin at four years, with such eminent skill that Baillot said she must have played it before she was born; Rembrandt, drawing with masterly power before he could read." The same authority says, in reference to the fact that some of these prodigies do not become famous in their after years, and that their genius often seems to flicker out, leaving them as ordinary children: "That is easily understood. ...
— Reincarnation and the Law of Karma - A Study of the Old-New World-Doctrine of Rebirth, and Spiritual Cause and Effect • William Walker Atkinson
... only to fling a private signal into the air, and some attendant imp would hand forth any strange relic we might choose to ask for. He was especially rich in drawings by the Old Masters, producing two or three, of exquisite delicacy, by Raphael, one by Salvator, a head by Rembrandt, and others, in chalk or pen-and-ink, by Giordano, Benvenuto Cellini, and hands almost as famous; and besides what were shown us, there seemed to be an endless supply of these art-treasures in reserve. ...
— Our Old Home - A Series of English Sketches • Nathaniel Hawthorne
... He was always like a strange, wonderful creature from another planet, taking notes with unstaled delight but never losing his heart to any particular. Sex itself seems hardly to exist for him, or at least for his mind. Often the people in his drawings are of no sex. Rembrandt draws every one, Leonardo no one, as if he were his own relation. Women and youths were as much a subject of his impassioned curiosity as flowers, and no more. He is always the spectator, but a spectator who can exercise every faculty of the human mind and every passion ...
— Essays on Art • A. Clutton-Brock
... painters who can claim the first rank is he who is in some respects the greatest of all from a painter's standpoint, Rembrandt van Ryn. There is little of the primitive Italian here, little of the painter who worships his Madonna through the medium of his craft as some great lady, "empress of heaven and of earth." Rembrandt's ...
— McClure's Magazine December, 1895 • Edited by Ida M. Tarbell
... pleasure. I turned gently round in my chair and beheld Miss Dashwood. She was seated in a recess of an old-fashioned window; the pale yellow glow of a wintry sun at evening fell upon her beautiful hair, and tinged it with such a light as I have often since then seen in Rembrandt's pictures; her head leaned upon the harp, and as she struck its chords at random, I saw that her mind was far away from all around her. As I looked, she suddenly started from her leaning attitude, and parting back her curls from her ...
— Charles O'Malley, The Irish Dragoon, Volume 1 (of 2) • Charles Lever
... hands. He was a great teacher and he was a remarkable man, remarkable even to look at. Massively built, with a big head of black hair, olive complexion, and bluntly pointed, black beard, and with a mold of countenance grave and strong, he looked like a great Rembrandt; like some splendid full-length portrait by Rembrandt painted as that master painted men in the prime of his power. With the Rembrandt shadows on him even in life. Even when the sun beat down upon him outdoors, even when you met him in the blaze of the city ...
— A Cathedral Singer • James Lane Allen
... minutes the bright oil portrait, but recently painted by Mr. Rembrandt Peale, was taking the sunlight upon its warm brunette cheeks, in full sight of the bridegroom, and the thick rag carpet warmed the floor, and Virgie had made a second errand to Teackle Hall, and brought back ...
— The Entailed Hat - Or, Patty Cannon's Times • George Alfred Townsend
... well known women of the century Holbach was most intimate with Mme. d'Epinay, who became a very good friend of Mme. Holbach's and was present at the birth of her first son, and, in her will, left her a portrait by Rembrandt. He was also a friend of Mme. Geoffrin, attended her salon, and knew Mlle. de Lespinasse, Mme. Houderot and most of the important women ...
— Baron d'Holbach - A Study of Eighteenth Century Radicalism in France • Max Pearson Cushing
... ear for music, though he seemed to get a certain exaltation from listening to it. In regard to painting and sculpture he always professed himself incompetent, but he was not without decided tastes. On his first visit to the Continent he was more attracted by Rembrandt, Holbein, and Duerer than by the Italians; "these men," he said, "grasped the idea of Christianity." Of Durer's four saints at Munich he writes, "I could contemplate them with interest for hours; he has ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... The fire glowed in its deep recess like the eye of an old-world monster in a cavern, till one of the boys seized the poker and made it flame up, throwing its blaze out as far as it could for its walls, and making the kitchen and the group standing in it like a picture by Rembrandt. ...
— Lippincott's Magazine of Popular Literature and Science Vol. XV., No. 85. January, 1875. • Various
... gallery in Europe there hang, side by side, Rembrandt's first picture, a simple sketch, imperfect and faulty, and his great masterpiece, which all men admire. So in the two names, Simon and Peter, we have, first the rude fisherman who came to Jesus that day, the man as he was before Jesus began his ...
— Personal Friendships of Jesus • J. R. Miller
... sweet and confiding expression; her dark eyebrows are penciled with unequaled purity on her forehead, white and reposeful as if in deep thought, and the bright, silky hair, somewhat tossed, throws a shadow on it, of which, not only Master Harvey, but a certain other painter, named Rembrandt, would not have been ashamed. The girl at once reminds you of Cinderella and Gretchen, and the leaning posture which she now maintains suggests timidity and the need ...
— Sielanka: An Idyll • Henryk Sienkiewicz
... only once did a suggestion of sentiment—curt pity for that gin-besotted thing, the prisoner!—obtrude itself; then it passed so quickly his lordship forgot to intervene, and the effect remained, a flash, illuminating, Rembrandt-like! ...
— Half A Chance • Frederic S. Isham
... to be something innately picturesque about all furnaces and those who work about them. Whether it is the Rembrandt effects produced by the strong light and shade, or whether it is that the necessary use of the long iron instruments, such as all furnace workers employ, compels a certain dignity and grace of poise and action, we know not; ...
— Scientific American Supplement, No. 841, February 13, 1892 • Various
... up the sky that night. The little thatch houses, and the children in their quaint garbs moving against the flames composed a strange Oriental Rembrandt picture. ...
— Flash-lights from the Seven Seas • William L. Stidger
... mezzotint, and other intaglio plates is the same to-day as it was in the time of Rembrandt and Durer. The modern inventor has found no way to economize time, labor, or expense in the work—excepting that in the case of postage stamps, bond certificates, and similar plates, which are printed in vast quantities, the work has been adapted ...
— The Building of a Book • Various
... name one pursuit rather than another, I should wish you to be a good painter, if such a thing could be hoped. I have failed in this myself, and should wish you to be able to do what I have not—to paint like Claude, or Rembrandt, or Guido, or Vandyke, if it were possible. Artists, I think, who have succeeded in their chief object, live to be old, and are agreeable old men. Their minds keep alive to the last. Cosway's spirits never flagged till after ninety; and Nollekens, though nearly blind, passed all his mornings ...
— Selected English Letters (XV - XIX Centuries) • Various
... do not understand how an amoeba makes its test; no one understands how anything is done unless he can do it himself; and even then he probably does not know how he has done it. Set a man who has never painted, to watch Rembrandt paint the Burgomaster Six, and he will no more understand how Rembrandt can have done it, than we can understand how the amoeba makes its test, or the protoplasm cements two broken ends of a piece of bone. Ces choses ...
— Luck or Cunning? • Samuel Butler
... property was to be found in no less than five cities of importance; Jenison securities, as sound as Gibraltar, were piled up in New York vaults, and the Jenison collection included more than a score of the rarest paintings ever developed under the magic of Rembrandt, Franz Hals, Turner, Gainsborough, ...
— The Rose in the Ring • George Barr McCutcheon
... Dolcino Charles Kingsley Dolcino to Margaret Charles Kingsley At Last Richard Henry Stoddard The Wife to Her Husband Unknown A Wife's Song William Cox Bennett The Sailor's Wife William Julius Mickle Jerry an' Me Hiram Rich "Don't be Sorrowful, Darling" Rembrandt Peale Winifreda Unknown An Old Man's Idyl Richard Realf The Poet's Song to his Wife Bryan Waller Procter John Anderson Robert Burns To Mary Samuel Bishop The Golden Wedding David Gray Moggy and Me James Hogg ...
— The Home Book of Verse, Vol. 1 (of 4) • Various
... portrait of a young man in the Brussels Museum. It is not signed, this beautiful head, and at one time it was in the English collections of Humphry Ward and Peter Norton, and later in the Collection Otlet at Brussels. Smith catalogued it as a Rembrandt; indeed, it had the false signature of the great master. Much later it was accredited to Jan Victoors, a Rembrandt pupil, and to Nicolas Maes, and under this name was sold in Paris in 1900. A. J. Wauters ...
— Ivory Apes and Peacocks • James Huneker
... an obsession to the critic, a weapon to the pedant, a nuisance to the man of genius. True, he has painted great pictures in a superb, romantic fashion; he is the Titian of dramatic art: but is there to be no Rembrandt, no Balzac, no greater Tolstoi in English letters? I want to liberate Englishmen so far as I can from the tyranny of Shakespeare's greatness. For the new time is upon us, with its new knowledge and new claims, and we English are all too willing to live in the past, and so lose our ...
— The Man Shakespeare • Frank Harris
... power of imagination and description, Darsie, I could make out a fine, dark, mysterious, Rembrandt-looking portrait of this same stranger, which should be as far superior to thy fisherman as a shirt of chain-mail is to a herring-net. I can assure you there is some matter for description about him; but knowing my own imperfections, I can only say, I thought him eminently ...
— Redgauntlet • Sir Walter Scott
... eagle's nest, where his only associates were bonzes in yellow robes, and the stillness was only broken by the deep-toned temple bell, booming for vespers. Then, somehow, his thoughts turned back to Europe, and he began a disquisition upon the great old masters—Tintoretto, Rembrandt, Velasquez, Tiziano, and Peter Paul—with whose immortal works he seemed as familiar as he subsequently showed himself with the pictures in his own house. He described the Memlings at Bruges, the Botticellis at Florence and the Velasquezes in Spain—averring in ...
— Austin and His Friends • Frederic H. Balfour
... couch is placed at right angles to the wall, settlewise. On the right the wall is occupied by a bookcase, further forward than the green baize door. Beyond the door is a cabinet of anatomical preparations, with a framed photograph of Rembrandt's School of Anatomy hanging on the wall above it. In front, a little to the right, ...
— The Philanderer • George Bernard Shaw
... reel, felt her mouth and divined her temper like a rider with a horse; she, on her side, recognising her master and following his wishes like a dog. But by a not very unusual train of circumstance, the man's dexterity was partial and circumscribed. On a schooner's deck he was Rembrandt or (at the least) Mr. Whistler; on board a brig he was Pierre Grassou. Again and again in the course of the morning, he had reasoned out his policy and rehearsed his orders; and ever with the same depression and weariness. ...
— The Wrecker • Robert Louis Stevenson and Lloyd Osbourne
... moody, ill-conditioned man, the old tenant of the mill. What does he think of the "Van der Helst" which hangs opposite his Night-Watch, and which is one of the great pictures of the world? It is not painted by so great a man as Rembrandt; but there it is—to see it is an event of your life. Having beheld it you have lived in the year 1648, and celebrated the Treaty of Muenster. You have shaken the hands of the Dutch Guardsmen, eaten from their platters, drunk their Rhenish, heard their ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... locks straggled from under the handkerchief which she wore round her head. Her employment and the wistful far-away look she cast upon the expanse below made a very fine ensemble. "She would have afforded," as Sir Walter Scott says, "a study for a Rembrandt, had that celebrated painter existed at the period," {9} but she must have been a smart-looking ...
— Alps and Sanctuaries of Piedmont and the Canton Ticino • Samuel Butler
... matters of art, and a keen relish for prints of a high school—none of your French Opera Dancers, or tawdry Racing Prints, such as had delighted the simple eyes of Mr. Spicer, his predecessor—but your Stranges, and Rembrandt etchings, and Wilkies before the letter, with which his apartments were furnished presently in the most perfect good taste, as was allowed in the university, where this young fellow got no small reputation. ...
— The History of Pendennis • William Makepeace Thackeray
... will save the sex: All are massed in one common sentence: all bad. There may be Delilahs: there are many Ruths. We should not lightly give them up. Napoleon lost France when he lost Josephine. The one light in Rembrandt's gloomy ...
— Friends and Neighbors - or Two Ways of Living in the World • Anonymous
... distinguished by this character in the highest degree; but their qualities are so well known in this country, as to render any observation on them superfluous. There is a very great collection here preserved of the works of Rembrandt, and their design and effect bear, in general, a higher character than belongs to most of the works of ...
— Travels in France during the years 1814-1815 • Archibald Alison
... Pollaiuolo had accomplished in movement, or Verrocchio in light and shade, Leonardo, without the faintest trace of that tentativeness, that painfulness of effort which characterised his immediate precursors, equalled or surpassed. Outside Velasquez, and perhaps, when at their best, Rembrandt and Degas, we shall seek in vain for tactile values so stimulating and so convincing as those of his "Mona Lisa"; outside Degas, we shall not find such supreme mastery over the art of movement as in the unfinished ...
— The Florentine Painters of the Renaissance - With An Index To Their Works • Bernhard Berenson
... pen. One of his ancestors before him, Giusto Sperelli, had tried his hand at engraving. Certain plates of his, executed about 1520, showed distinct evidences of the influence of Antonio del Pollajuolo by the depth and acidity, so to speak, of the design. Andrea used the Rembrandt method a tratti liberi and the maniera nera so much affected by the English engravers of the school of Green, Dixon, and Earlom. He had formed himself on all models, had studied separately the effects sought after by each engraver, had schooled himself under Albrecht ...
— The Child of Pleasure • Gabriele D'Annunzio
... would need at once the pencil of Charlet and of Callot, the brush of Teniers and of Rembrandt, to give a true ...
— A Second Home • Honore de Balzac
... portrait-painter who, in his greatest efforts—those sumptuous and almost truculent portraits d'apparat of princes, nobles, and splendid dames—knew no superior, though his contemporaries were Van Dyck, Frans Hals, Rembrandt, and Velazquez. Rubens folded his Mother Earth and his fellow-man in a more demonstrative, a seemingly closer embrace, drawing from the contact a more exuberant vigour, but taking with him from its very closeness some of the stain of ...
— The Earlier Work of Titian • Claude Phillips
... the Accademia. Early Flemish painting, in fact, in addition to its own peculiar charm of microscopic delicacy of finish, is hardly inferior, in contrast with the later strong realism and occasional coarseness of Rubens or Rembrandt, to the tender poetic dreaminess of the primitive Italians. Certainly these pictures, though finished to the minutest and most delicate detail, are lacking in realism actually to a degree that borders on a delicious absurdity. St. Ursula and her maidens—whether really eleven thousand ...
— Beautiful Europe - Belgium • Joseph E. Morris
... must affect your appreciation of a picture, your desire, or the contrary, to possess it. That the artist is able to endow the unattractive, and woo you to surrender, I admit. Unless, however, you are a pro-Boer in art matters, and hold that Rembrandt and the Boer school (the greatest technicians who ever lived) are finer artists than Titian, you will find yourself preferring Gainsborough to Degas, and the unskilful Whistler to the more accomplished Edouard Manet. Long ...
— Masques & Phases • Robert Ross
... In Rembrandt Peale's picture of the Court of Death a cadaverous shape lies for judgment at the foot of the throne, touching at either extremity the waters of Lethe. There is something similar in the history of the greatest of Spanish writers. No man knew, for more than a century after the death of Cervantes, ...
— Castilian Days • John Hay
... the big black-oak table in his big stately library. The large lamps on either end of the table stood in old cloisonne vases of dull rich reds and bronzes, and their shades were of thick yellow silk. The light they cast on the six anxious faces grouped about them was like the light in Rembrandt's picture of ...
— The Militants - Stories of Some Parsons, Soldiers, and Other Fighters in the World • Mary Raymond Shipman Andrews
... Berthelini had a great care of his appearance, and sedulously suited his deportment to the costume of the hour. He affected something Spanish in his air, and something of the bandit, with a flavour of Rembrandt at home. In person he was decidedly small and inclined to be stout; his face was the picture of good humour; his dark eyes, which were very expressive, told of a kind heart, a brisk, merry nature, and the most indefatigable spirits. If he had worn the clothes of the period you would have set ...
— New Arabian Nights • Robert Louis Stevenson
... the beautiful in all times, as did her high priest Rembrandt, when he saw the picturesque grandeur of the Jews' quarter of Amsterdam, and lamented not that its inhabitants were not Greeks,' were the fine and simple words used by Mr. Whistler in one of the most valuable passages of his lecture. The most valuable, ...
— Miscellanies • Oscar Wilde
... possessed all the elements of success! It was grandly historical in subject, original in treatment, pure in colouring; what, then, was wanting? This old warrior's head, of true Saxon type, had all the majesty of Michael Angelo; that young figure, all the radiant grace of Correggio; no Rembrandt shewed more severe dignity than yon burnt umber monk in the corner; and Titian never excelled the loveliness of this cobalt virgin in the foreground. Why did it not succeed? The subject, too—the 'Finding ...
— Chambers's Edinburgh Journal, No. 424, New Series, February 14, 1852 • Various
... hero excited no small interest even among the artists. There are extant several portraits of Faustus painted by Rembrandt,— whether ideal, or copied from older pictures, is not known. Another Dutch painter, Christoph von Sichem, represented two scenes from the life of the celebrated magician; and of these productions engravings still exist. On the one, we see Faustus and Mephistopheles,—the ...
— The Atlantic Monthly, Volume 2, Issue 12, October, 1858 • Various
... would listen for his step, until suspense could be no longer borne, and the father would go out, only to find the corpse of his beloved child! Can we not hear the mother cry out, as she touches the cold clay—"Would to God I had died the day I believed the lie!" What a picture for a painter like Rembrandt would that first funeral be! And what are churchyards and cemeteries but the proofs that the devil lied? Have you a grave? Does the clay cover the form once dearer than life to you? Let it plead with ...
— Broken Bread - from an Evangelist's Wallet • Thomas Champness
... of the methods of interpretation and analysis that are related to both quantitative and qualitative methods are processes that can be performed by computers. For example, computers can count. They can count brush strokes used in a Rembrandt painting or perform regression analysis for understanding cause and effect. By means of advanced technologies, computers can recognize patterns, analyze text, and model concepts. Furthermore, computers ...
— LOC WORKSHOP ON ELECTRONIC TEXTS • James Daly
... "You see, I was in the ante-room, cataloguing the prints—you know I got that job last week. Well, the Board was droning on in the big room in their usual uninteresting fashion and I was deep in admiration of a Rembrandt etching—that one with the hat and the open window behind him—when Green sails past me, head up and majesty writ large on her bulging brow. She always does put on lugs when she reports to the Committee, so I didn't sit up and take notice right ...
— Miss Pat at School • Pemberton Ginther
... Rembrandt's domestic Madonna pictures, equally homely as to environment, are by no means scenes of hilarity, but rather of frugal contentment. Two similar works bear the title of Le Menage du Menuisier—the Carpenter's ...
— The Madonna in Art • Estelle M. Hurll
... Korin, Hiroshige, Giotto, Rembrandt, Titian; ask the master-photographers who can build harmonies of line and space and texture. But the secret is not revealed by asking, only ...
— Pictorial Photography in America 1921 • Pictorial Photographers of America
... be another Jacob's Dream. Since that time, the heavens have gone farther off, and grown astronomical. They have become averse to the imagination; nor will they return to us on the squares of the distances, or on Doctor Chalmers's Discourses. Rembrandt's picture brings the matter nearer to us. It is not only the progress of mechanical knowledge, but the necessary advances of civilization, that are unfavourable to the spirit of poetry. We not only stand in less awe of the preternatural world, but we can calculate more surely, and look with more ...
— English literary criticism • Various
... object: and of these, the varieties are as infinite as of any of those attached to the vegetable system. I will not attempt even an outline of them. But I had nearly forgotten to warn you, in your REMBRANDT Prints, to look sharply after ...
— Bibliomania; or Book-Madness - A Bibliographical Romance • Thomas Frognall Dibdin
... me most about the face was its perfect symmetry. It was such a face, said Mr. Conway, as Rembrandt would have selected from a million. "It is the face of an aged loving child. As I looked, it was with the reflection that, during an acquaintance of thirty-six years, I never heard from those lips a word of irritation, or depreciation ...
— Whitman - A Study • John Burroughs
... think I was. But a house like this excites me." And with a little reckless gesture she turned her head over her shoulder and looked down the gallery. A Velasquez was beside her; a great Titian over the way; a priceless Rembrandt beside it. On her right hand stood a chair of carved steel, presented by a German town to a German emperor, which, had not its equal in Europe; the brocade draping the deep windows in front of her had ...
— Marcella • Mrs. Humphry Ward
... which I have ever held the works of Rembrandt has been greatly increased by my going through this examination of his various excellencies, and such will ever be the case when the emanations of genius are investigated; like the lustre of precious stones, their luminous ...
— Rembrandt and His Works • John Burnet
... most amazing volumes in the world is the "History of Tools and Machinery." We have all known for a long time that there is not one single German name among the eight great masters of painting that begins with Rembrandt and includes men like Velasquez and Giotto. We have long known that there is no German sculptor of the first class nor a German sculptor that is within ten thousand leagues of Rodin, Michael Angelo or Phidias. We have ...
— The Blot on the Kaiser's 'Scutcheon • Newell Dwight Hillis
... the window on the street and touched some of the furniture and engravings in the inner drawing-room. Suddenly Mrs. Verrier started in her chair. A face had emerged thrown out upon the shadows by the sun-finger—the countenance of a handsome young Jew, as Rembrandt had once conceived it. Rare and high intelligence, melancholy, and premonition:—they were there embodied, so long as the ...
— Marriage a la mode • Mrs. Humphry Ward
... stood in a dark corner of the terminus, out of the rays of the glittering arc lamps, and watched engine Number Eighty-six. The engineer was oiling her, and the fireman, as he opened the furnace-door and shovelled in the coal, stood out like a red Rembrandt picture in the cab against the darkness beyond. As the engineer with his oil can went carefully around Number Eighty-six, John Saggart drew his sleeve across his eyes, and a gulp came up his throat. ...
— The Face And The Mask • Robert Barr
... He knew he knew nothing, and had not the trained eye or the keen instinct that trusted itself; but he was curious, as he went on, to find out how much others knew. He took Palgrave's word as final about a drawing of Rembrandt or Michael Angelo, and he trusted Woolner implicitly about a Turner; but when he quoted their authority to any dealer, the dealer pooh-poohed it, and declared that it had no weight in the trade. If he went to a sale of drawings or paintings, at Sotheby's ...
— The Education of Henry Adams • Henry Adams
... an atelier where a number of art and music students had gathered to discuss chiaroscuro, Wagner, music, Rembrandt's works, pictures, Waldteufel, wall ...
— The Four Million • O. Henry
... you will, I am sure, think my taste very deficient when I tell you that I do not admire the finest pictures of Raphael, Titian, Guido, and Paul Veronese, so much as I do those of Rubens, Vandyck, & le Brun, nor the landscapes of Claude and Poussin so much as Vernet's. Rembrandt, Gerard Dow & his pupils Mieris and Metsu please me more than any other artists. In the whole Collection they have but one of Salvator's, but that one, I think, is preferable to all Raphael's. I have not yet seen statues enough to be judge of their beauties. The ...
— Before and after Waterloo - Letters from Edward Stanley, sometime Bishop of Norwich (1802;1814;1814) • Edward Stanley
... Breton had finished four pictures. Again he asked counsel of Schinner, this time adding Bridau to the invitation. The two painters saw in three of these pictures a servile imitation of Dutch landscapes and interiors by Metzu, in the fourth a copy of Rembrandt's "Lesson of Anatomy." ...
— Pierre Grassou • Honore de Balzac
... contains a very interesting Museum of natural history; Egyptian, Grecian, Etruscan, and Roman antiquities; and a fine gallery of paintings, including some of the best works of Vandyke, Raphael, Paul Veronese, Guido, Titian, Rembrandt, Guercino, Carlo Dolci, and other of the ...
— Fair Italy, the Riviera and Monte Carlo • W. Cope Devereux
... one of the most distinguished of his partisans often complained that he could never obtain admittance to Lord Chatham's room till everything was ready for the representation, till the dresses and properties were all correctly disposed, till the light was thrown with Rembrandt-like effect on the head of the illustrious performer, till the flannels had been arranged with the air of a Grecian drapery, and the crutch placed as gracefully as ...
— Critical and Historical Essays Volume 1 • Thomas Babington Macaulay
... TOM,—...Here I sit, opposite a marble group of Romulus and Remus and the wolf; the two children fighting like mad, and the limp-uddered she-wolf affectionately snarling at the little demons struggling on her back. Above it is a great picture, Rembrandt's Jewish Exiles, which would do for Consuelo and Albert resting in one of their wanderings, worn out upon a wild stony heath sloping to the Baltic—she leaning over her two children who sleep in their torn ...
— A Writer's Recollections (In Two Volumes), Volume I • Mrs. Humphry Ward
... on, fuming, till the open and unmeasured admiration of the two ladies for his great Rembrandt, the gem of his collection, now occupying the place of honor in the large room of the Academy, restored ...
— Lady Rose's Daughter • Mrs. Humphry Ward
... not help turning to look at them. In the light of the candles their faces appeared to be wonderfully transfigured. Not one of them expressed irony or even indifference. What a fine picture it would have made for a Rembrandt! The bodies of the men were invisible in the darkness of the nave, and their heads alone emerged from the gloom. The effect was grand enough to fascinate the most sceptical of painters; it soothed and charmed one and wiped out all the miseries that the war had left in its wake. Men like these ...
— In the Field (1914-1915) - The Impressions of an Officer of Light Cavalry • Marcel Dupont
... individuality, the exhaustion and disappearance of material and the degeneration of a love of beauty to a love of effect, that put an end to the great artistic cycle in Italy, and soon afterwards in the rest of the world, with Rembrandt and Van Dyck, the last of ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... In the south aisle the corresponding window to the east has a tree of Jesse in its upper part, and beneath is one of the finest examples of sixteenth century painting in Rouen, work that reminds you of the work of Rembrandt. Of these five figures of old men, the last two on the right are especially worthy of attentive study. They were done in 1535. To the right of this window in the same chapel, looking southwards, is another ...
— The Story of Rouen • Sir Theodore Andrea Cook
... complacently to the gusts that whirled the sails, and made the heavy stones fly round till they shook the roof. Just above the press-bed a candle was stuck in the wall, and the dim light falling through the gloom upon the children made a scene worthy of the pencil of Rembrandt, that great son of ...
— Jan of the Windmill • Juliana Horatia Ewing
... of diamonds; and pictures which were taken by Russia at a valuation of eighty thousand dollars, and formed the first basis of the imperial gallery at St. Petersburg. Among these were some of the finest paintings of Titian, some of the best pieces of Rubens, and one of Rembrandt's most highly executed works—the portrait of ...
— The Merchant of Berlin - An Historical Novel • L. Muhlbach
... is your right; and all my life long I will prove to you the devotion that attests my undying affection and gratitude. I am sick with longing for the promise of your love. May I presume to hope so great a blessing? O dearest Cornelia, I am, as you know well, your humble servant, REMBRANDT VAN ARIENS. ...
— The Maid of Maiden Lane • Amelia E. Barr
... sumptuous panelled ceiling adorned with golden roses, the unique spectacle of a richness not to be equalled, was the collection of masterpieces such as no museum could excel. There were works of Raffaelle and Titian, Rembrandt and Rubens, Velasquez and Ribera, famous works which in this unexpected illumination suddenly showed forth, triumphant with youth regained, as if awakened to the immortal life of genius. And, as their Majesties would not arrive ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... other from the seaward opening in the rocks—and falling together, in cross directions on the black rugged walls of the cave and the beautiful marine ferns growing from them, is supernaturally striking and grand. Here, Rembrandt would have loved to study; for here, even his sublime perception of the poetry of light and shade might have received a new impulse, and learned from the teaching of ...
— Rambles Beyond Railways; - or, Notes in Cornwall taken A-foot • Wilkie Collins
... his work came closest to the curve of the shoulder or to the poise of the head who proved, in the eyes of his fellow- students, his possession of an ancestry: but the ancestry was one that skipped over the Mayflower and went straight back to the great Michael and Rembrandt. ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... Greek standard of beauty, and lifted up in adoration to heaven great towers, which seemed alive with dancing apes and devils. In the full summer of technical artistic perfection the revolt was carried to its real consummation in the study of the faces of men. Rembrandt declared the sane and manly gospel that a man was dignified, not when he was like a Greek god, but when he had a strong, square nose like a cudgel, a boldly-blocked head like a helmet, and a jaw ...
— The Defendant • G.K. Chesterton
... arrived, and the lady had not yet appeared. He stood near the door and waited. Presently a hansom rattled into the narrow street, and there she sat framed in its concavity. A pretty woman never looks prettier than in a hansom, with the shadows behind to give their Rembrandt effect to the face in front. She raised a yellow kid hand, and flashed ...
— A Duet • A. Conan Doyle
... prevailed. One was to her interesting, on account of his quick, active intellect, and his contempt for shows and pretences; for his inexhaustible wit, his exquisite taste, his infinitely varied stores of information, and the poetic view which he took of life, painting it with Rembrandt depths of shadow and bursts of light. Another she gladly went to for his compact, thoroughly considered views of God and the world,—for his culture, so much more deep and rich than any other we could find here,—for ...
— Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli
... never seen before, a man with a long emaciated face and dark pointed beard, rose in the background, holding a blanket draped about him by flattening his thin white hand against his breast. The whole scene seemed almost biblical, and instantly my mind evoked Rembrandt's masterpiece—the etching called 'The Hundred Florin Piece,' which depicts the crowds seated about the standing figure of our Saviour and listening to ...
— With Those Who Wait • Frances Wilson Huard
... perfect in color, more expressive in its general aspect, or more becoming to an album, from the fine contrast between its poverty-stricken air, torn, worn, and soiled, and the rich, embossed, unsullied leaf on which it reposed, like some dark Rembrandt within its gilded frame. In short, it was the very Torso of autographs. Happily the position which it finally attained was one worthy of its merits, and we could not have wished it a more elegant ...
— The Lumley Autograph • Susan Fenimore Cooper
... well as some fifty others placed about the salons, were the product of the patient researches of three centuries. Among them were choice specimens of Rubens, Ruysdael, Vandyke, Terburg, Gerard Dow, Teniers, Mieris, Paul Potter, Wouvermans, Rembrandt, Hobbema, Cranach, and Holbein. French and Italian pictures were in a minority, but ...
— The Alkahest • Honore de Balzac
... the shadows turned and walked quickly away to another fire-glow with its ring of Rembrandt figures and faces, and none save Valencia knew that it was Manuel gone to tell his master what had been said. Valencia smiled ...
— The Gringos • B. M. Bower
... shines with the colours of the dawn of morning, but a dawn whose purple clouds already announce the thunder of a sultry day, Othello is, on the other hand, a strongly shaded picture: we might call it a tragical Rembrandt. What a fortunate mistake that the Moor (under which name in the original novel, a baptized Saracen of the Northern coast of Africa was unquestionably meant), has been made by Shakspeare in every respect a negro! We recognize in Othello the wild nature of that glowing zone which generates ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
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