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More "Renaissance" Quotes from Famous Books
 ... look for it honestly and without prejudice. The German Government believed that the Serbian propaganda would annihilate Austria-Hungary, and hoped, moreover, that her last faithful ally would experience a political renaissance as the result of her chastisement of Serbia. That is why they gave Count Berchtold a free hand, in the belief that Count Buelow's success over the Bosnian crisis could be repeated. Meanwhile, however, the situation had changed. Russia and France, relying ...
— My Three Years in America • Johann Heinrich Andreas Hermann Albrecht Graf von Bernstorff
... early Christian centuries, and the Middle Ages, were chiefly occupied with pious frauds, with forgeries of gospels, epistles, and Decretals, the impostors of the Renaissance were busy, as an Oxford scholar said, when he heard of a new MS. of the Greek Testament, "with something really important," that is with classical imitations. After the Turks took Constantinople, when the learned Greeks were scattered all over Southern Europe, when many genuine classical ...
— Books and Bookmen • Andrew Lang
... as though the spiritual and intellectual travail of the three preceding centuries was to consummate in the birth of a movement that would draw together and unify all the liberating forces which had slowly become available. The Humanists of the Renaissance, no less than Columbus, were finding a new world.[1] They had boldly travelled out beyond the {2} boundaries which the medieval mind had set to human interests, and had discovered that man was more than the abstract being whose "soul" had alone concerned ecclesiastics and schoolmen. Man, ...
— Spiritual Reformers in the 16th & 17th Centuries • Rufus M. Jones
... the Sixteenth Century, however, open work embroidery was the favorite decoration, and from it the tangible origin of lace seems derived. During the Renaissance period the first book of embroidery patterns and lace-work appeared. The earliest volume bearing a date was printed at Cologne in 1527; and it was during the reign of Richard III. of England that the word lace was first used in the ...
— The Art of Modern Lace Making • The Butterick Publishing Co.
... charming little chapel of Brou know that it is known as one of the hundred marvels of the Renaissance; those who have not seen it must have often heard it said. Roland, who had counted on doing the honors of this historic gem to Sir John, and who had not seen it for the last seven or eight years, was much disappointed when, on arriving in front of the building, he found the niches ...
— The Companions of Jehu • Alexandre Dumas, pere
... summer-house had once been painted in the arabesques of the Renaissance period; but the figures were now scarcely traceable. The woodwork had started in some places, and the sunbeams stole through the chinks and played on the floor, which was formed from old tiles quaintly tessellated and in triangular patterns; ...
— A Strange Story, Complete • Edward Bulwer-Lytton
... who scorn money who get most out of it; and Jack's elegant disdain of his wife's big balance enabled him, with an appearance of perfect good-breeding, to transmute it into objects of art and luxury. To the latter, I must add, he remained relatively indifferent; but he was buying Renaissance bronzes and eighteenth-century pictures with a discrimination that bespoke ...
— The Hermit and the Wild Woman and Other Stories • Edith Wharton
... CCCCC pipe was two feet long. Although almost inaudible when played alone this stop generated harmonics which powerfully reinforced the tone of the full organ. The organ is inclosed in a case designed by Mr. Arthur Hill after old renaissance examples. ...
— The Recent Revolution in Organ Building - Being an Account of Modern Developments • George Laing Miller
... 1945. And, because scientific research is pre-eminently a matter of pooling brains and efforts, the independent scientists had banded together into teams whose leaders acquired power greater than that of any condottiere captain of Renaissance Italy. ...
— The Mercenaries • Henry Beam Piper
... accuracy and dramatic action; and her twenty books for children have found welcome and entrance into the most exclusive of French homes. The publishers of this American adaptation take pleasure in introducing Madame Foa's work to American boys and girls, and in this Napoleonic renaissance are particularly favored in being able to reproduce her excellent story ...
— The Boy Life of Napoleon - Afterwards Emperor Of The French • Eugenie Foa
... nothing except a strange, evidently Florentine, ivory statuette attributed to Michael Angelo, representing Pan discovering a woman under the skin of a young shepherd, the original of which is in the royal palace of Vienna. On either side were candelabra of Renaissance design. A clock, by Boule, on a tortoise-shell stand, inlaid with brass, sparkled in the centre of one panel between two statuettes, undoubtedly obtained from the demolition of some abbey. In the corners of the room, on pedestals, were lamps of royal magnificence, as to ...
— A Daughter of Eve • Honore de Balzac
... an Italian writer calls it, was so degraded that more than once both the Church and State had to use their influence to put down performances which were too infamous to be here described. When the Renaissance came the drama was reinstated in the position it occupied during the days of Roman civilization, but the plays of this period were merely imitations of the Latin comedies; and if we may judge by the most celebrated of them which still exists—the Mandragora of Macchiavelli, ...
— Lippincott's Magazine of Popular Literature and Science Vol. XV., No. 85. January, 1875. • Various
... this variety was produced in the sixteenth century, the designs being bold, handsome, and purely Renaissance in type. That of the Louis Quatorze period shows the personal influence of his reign, frequently having tiny figures worked in the design. A collar in my possession has the Indian worshipping the sun (the King's ...
— Chats on Old Lace and Needlework • Emily Leigh Lowes
... Shelley as a "literary cake-walk" is a touch which only Mark Twain could have laid on. Indeed, the "Defense of Harriet Shelly," with those early chapters of Joan at Florence, maybe counted as the beginning for Mark Twain of a genuine literary renaissance. It was to prove a remarkable period less voluminous than the first, but even more choice, containing, as it would, besides Joan and the Shelley article, the rest of that remarkable series collected now as Literary Essays; the Hadleyburg story; "Was it Heaven or Hell?"; those masterly articles on ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... a dealer in goat's flesh, Fr. bouc, has ousted flesher. German still has half a dozen surnames derived from names for this trade, e.g. Fleischer, Fleischmann, [Footnote: Hellenized as Sarkander. This was a favourite trick of German scholars at the Renaissance period. Well-known examples are Melancthon (Schwarzerd), Neander (Neumann).] Metzger, Schlechter; but our flesher has been absorbed by Fletcher, a maker of arrows, Fr. fleche. Fletcher Gate at Nottingham was formerly Flesher Gate. The undue extension of Taylor ...
— The Romance of Names • Ernest Weekley
... 1560, save for a brief period during which certain fan-shaped designs attained prettiness, there have been no good Italian bindings. In Germany, when in the fifteenth century, before the introduction of gold tooling, there was a thriving school of binders working in the mediaeval manner, the Renaissance brought with it an absolute decline. Holland, again, which in the fifteenth century had made a charming use of large panel stamps, has since that period had only two binders of any reputation, Magnus and Poncyn, of Amsterdam, who worked ...
— English Embroidered Bookbindings • Cyril James Humphries Davenport
... convey any idea of the whole. The first is the entrance hall of the Hotel Vauluisant, the features of which should be photographed for the benefit of art-schools and art-decorators generally. The first is a magnificent oak ceiling; the second, a Renaissance chimney piece in carved wood, no less magnificent. The solidity, richness of design, and workmanship of both ceiling and mantel-piece afford an invaluable lesson to artists, whilst beholders can but examine them ...
— Holidays in Eastern France • Matilda Betham-Edwards
... Europe there had not been a cultivator of mechanical philosophy until Leonardo da Vinci, who was born A.D. 1452. To him, and not to Lord Bacon, must be attributed the renaissance of science. Bacon was not only ignorant of mathematics, but depreciated its application to physical inquiries. He contemptuously rejected the Copernican system, alleging absurd objections to it. While Galileo was on the brink of his great ...
— History of the Conflict Between Religion and Science • John William Draper
... new, having been built only six years, was entirely in that charming taste of delicate architecture, of marvellous sculpture, of fine and deep chasing, which marks with us the end of the Gothic era, and which is perpetuated to about the middle of the sixteenth century in the fairylike fancies of the Renaissance. The little open-work rose window, pierced above the portal, was, in particular, a masterpiece of lightness and grace; one would have pronounced it ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... Greek, there are only two religious possibilities—fetish-dances and spinning dervishes don't count—the Renaissance meant the revival of these two influences, and since the sixteenth century they have both been increasing steadily. Luther was a child of the Old Testament. Since the Exodus, Freedom has always spoken with a Hebrew accent. Christianity is Judaism ...
— Dreamers of the Ghetto • I. Zangwill
... Beziers, at St. Pourcain, at Marseilles, and at Montpellier; and he had built, for his own residence, at Bourges, the celebrated hostel which still exists as an admirable model of Gothic and national art in the fifteenth century, attempting combination with the art of Italian renaissance. ...
— A Popular History of France From The Earliest Times - Volume III. of VI. • Francois Pierre Guillaume Guizot
... expect the Negroes of Georgia to produce a great general like Napoleon when they are not even allowed to carry arms, or to deride them for not producing scholars like those of the Renaissance when a few years ago they were forbidden the use of letters, verges closely upon the outer rim of absurdity. Do you look for great Negro statesmen in states where black men are not allowed to vote? Above all, for southern white men to berate the Negro for ...
— Introduction to the Science of Sociology • Robert E. Park
... borders and forms a background to the race-course in the rear of the stands; in front rise the splendid and imposing stables of the duc d'Aumale, built by Mansard for the Great Conde; on the right is the pretty Renaissance chateau of His Royal Highness; while the view loses itself in a vast horizon of distant forest and hills of misty blue. The stands are the first that were erected in France, and in 1833 they seemed no doubt the height of comfort ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 26, October, 1880 • Various
... the massive Renaissance fireplace sat Venus; she was not a casual woman of the half-world, who under this pseudonym wages war against the enemy sex, like Mademoiselle Cleopatra, but the real, ...
— Venus in Furs • Leopold von Sacher-Masoch
... last phase of one of the great European eras of civilization. In England, where the Middle Ages had been idealized for generations, some of its leading thoughts did not seem so novel as they did in Holland, where many people regarded the Renaissance and more still regarded the Reformation as a new beginning of a better world; but in England and America, which had been drawn, unlike Holland, into the vortex of war, it had the poignancy of a recall to the standards of reasonableness. It will ...
— Erasmus and the Age of Reformation • Johan Huizinga
... to modify the whole trend of English poetry. First of all Jonson was a classicist, that is, he believed in restraint and precedent in art in opposition to the prevalent ungoverned and irresponsible Renaissance spirit. Jonson believed that there was a professional way of doing things which might be reached by a study of the best examples, and he found these examples for the most part among the ancients. To confine our attention to the drama, Jonson objected to the amateurishness ...
— The Poetaster - Or, His Arraignment • Ben Jonson
... with the gallery of the Academy, until advancing spring should, in some degree, have mitigated the severity of their temperature. As far as my imagination affected me, I thought the Gothic churches much more tolerable than the temples of Renaissance art. The empty bareness of these, with their huge marbles, and their soulless splendors of theatrical sculpture, their frescoed roofs and broken arches, was insufferable. The arid grace of Palladio's architecture was especially grievous to the sense ...
— Venetian Life • W. D. Howells
... Mary Howitt are inextricably associated with the England of the early nineteenth century, with the re-discovery of the beauty and interest of their native land, with the renaissance of the national passion for country pleasures and country pursuits, and with the slow, painful struggle for a wider freedom, a truer humanity, a fuller, more gracious life. The Howitts had no genius, nor were they pioneers, but, where the unfamiliar was concerned, ...
— Little Memoirs of the Nineteenth Century • George Paston
... thinness of body and stiffness of attitude are faults; but they are noble faults, and give the statues a strange look of forming part of the very building itself, and sustaining it—not like the Greek caryatid, without effort—nor like the Renaissance caryatid, by painful or impossible effort—but as if all that was silent and stern, and withdrawn apart, and stiffened in chill of heart against the terror of earth, had passed into a shape of eternal marble; and thus the Ghost had given, to bear up the pillars of ...
— The Two Paths • John Ruskin
... the country. The deepest need of the country can be satisfied by no smaller propaganda. The instruments for such service we already have. The country school, the country church, neighborhood fellowship, and the Young Men's Christian Association provide the means for a moral and spiritual renaissance in the country. There is no easier way to obtain a healthy rural family life than by a skilful, serious, and large-hearted use of our moral institutions in concrete, courageous, and modern instruction, ...
— Rural Problems of Today • Ernest R. Groves
... speculative age it unfolded into creeds and systems. In a worshipping age it developed ceremonies and a ritual. When the fall of Rome left Europe without unity or centre, it gave it an organization and order through the Papacy. When the Papacy became a tyranny, and the Renaissance called for free thought, it suddenly put forth Protestantism, as the tree by the water-side sends forth its shoots in due season. Protestantism, free as air, opens out into the various sects, each taking hold of some human need; Lutheranism, Calvinism, Methodism, Swedenborgianism, or Rationalism. ...
— Ten Great Religions - An Essay in Comparative Theology • James Freeman Clarke
... an edifying story, nor a comforting one, since it illustrated the sad lot of a prophet in this world. The Romans, however, did not think of that, but greeted the statue as a sign of the Renaissance, a memorial of the classical period, and an omen of better times ...
— Historical Miniatures • August Strindberg
... could not 'turn in' till I had explored my bedroom, which was indeed a fascinating and enchanting chamber. It seemed to be a coign plucked out of an old French chateau, and inset here like a rare plant in an old stone wall. The panelling was of Italian intarsia work inlaid with a renaissance design portraying the tale of Cupid and Psyche; on the final panel Jupiter was handing the cup of ambrosia to Psyche with the words, 'Sume, Psyche, et immortalis esto, nec unquam digridietur a tuo nexu Cupido, sed istae vobis erunt ...
— Border Ghost Stories • Howard Pease
... comfortably enough with a little domestic quarrel in a studio.... The story shifts suddenly, however, to a brilliantly told tragedy of the Italian Renaissance embodied in a girl's portrait.... The many readers who like Mr. De Morgan will enjoy this charming fancy greatly."—New ...
— When Ghost Meets Ghost • William Frend De Morgan
... in some instances striking, was still so modified as to make a most harmonious whole. For purity in architecture the best example was the Palace of Education, which was built on the lines of the Italian Renaissance. For most striking architectural effects the Mines and Metallurgy building was invariably pointed out. It was of composite architecture, comprising features of the Egyptian, Byzantine and Greek. The stately obelisks which guarded its entrance ways and the bas-relief panels which formed ...
— New York at the Louisiana Purchase Exposition, St. Louis 1904 - Report of the New York State Commission • DeLancey M. Ellis
... with our advanced thinkers of the moment: Is Monogamy Feasible? or Can Men and Women be Friends? D'Annunzio is not to be approached either in a mood of radical earnestness or of evangelical fervor. He must be regarded as an artist of sensations, an Italian of the Renaissance set down in the middle of a drab century. He began his life by a quest for perfect physical pleasure through all the senses, and inaugurated its last phase with a gesture of military courage which was not only a retort to those who, like Croce, had called him a dilettante, but ...
— The Child of Pleasure • Gabriele D'Annunzio
... and of revolutions, there is nowhere to be found upon the earth's surface so many characteristic attributes of Mediaeval Gothic architecture as is to be observed in this land, extending from the Romanesque types of Frejus, Perigueux and Angouleme to that classical degeneration commonly called the Renaissance, a more offensive example of which could hardly be found than in the conglomerate structure of St. Etienne du Mont at Paris, or the more modern and, if possible, even more ugly Cathedral Churches at Arras, Cambrai, or Rennes ...
— The Cathedrals of Northern France • Francis Miltoun
... route we arrive at 123 Prince Street,[Owner: Miss Margaret Frazer.] the house with a pure Directoire tent room, practically a duplicate of that at Malmaison, and another room with a magnificent painted Renaissance ceiling. How such work became a part of the sturdy two-story "Sea Captains' Houses" is one of Alexandria's mysteries. It is true that both rooms were in a deplorable state of repair, and it was necessary to trace the ...
— Seaport in Virginia - George Washington's Alexandria • Gay Montague Moore
... of Germany, Ramee of France, and Selvatico of Italy, as well as Quatremal de Quincy, in his Dictionary of Architecture, who, in the article on the Comacine, remarks that "to these men, who were both designers and executors, architects, sculptors, and mosaicists, may be attributed the renaissance of art, and its propagation in the southern countries, where it marched with Christianity. Certain it is that we owe it to them, that the heritage of antique ages was not entirely lost, and it is only by their tradition ...
— The Builders - A Story and Study of Masonry • Joseph Fort Newton
... again; it had been unopened for more than two hundred and fifty years. It was during these alterations that the cenotaph standing over the vault was removed further east to where it now stands. It is a typical piece of Renaissance work, florid, intricate, insistent on the ghastliness of death. The effigy of the archbishop, stern and noble, lies on its marble bed supported by stacks of gilt-clasped books; underneath, a grating reveals a medley ...
— Highways and Byways in Surrey • Eric Parker
... then, that there was neither any science nor any Unitarianism to be heard of until the Renaissance. What was the Renaissance? It was the rising again of human liberty, the possibility once more of man's freedom to think and study. Though the armed forces of Europe were for a long time against it, the rising tide could not be entirely rolled back, and ...
— Our Unitarian Gospel • Minot Savage
... remember that our forefathers reached these shores by virtue of knowledge which they owed to the astronomical researches of Egyptians and Chaldeans, who inspired the astronomers of Greece, who inspired those of the Renaissance in Italy, Spain, and Germany, keeping alive and developing not merely the art of measuring space and time, but also that conception of order in external nature without which the growth of organized knowledge, which we call science, enabling men to carry ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various
... daylight as of the pagan Veronese. This simplification interests us, not merely for the sake of an individual poet—full of charm as he is—but chiefly because it explains through him a transition which, under many forms, is one law of the life of the human spirit, and of which what we call the Renaissance is only a supreme instance. Just so the monk in his cloister, through the "open vision," open only to the spirit, divined, aspired to, and at last apprehended, a better daylight, but earthly, open only to the ...
— Aesthetic Poetry • Walter Horatio Pater
... and matters were put upon so friendly a footing that, in 1540, the bishop-duke began the erection at Anizy of a new chateau, to be surrounded with an extensive and beautiful park. The plans were made by the first architects and artists of the Renaissance; the sculptors of Francis I. were employed to decorate the facade with statues—the new buildings were connected with what remained of the earlier chateau by a grand gallery; pavilions flanked the main edifice and adorned the grand cour d'honneur. King Francis, ...
— France and the Republic - A Record of Things Seen and Learned in the French Provinces - During the 'Centennial' Year 1889 • William Henry Hurlbert
... the fingers of her right hand and one on the finger of her left which supports the Child, and suspended all over her skirts is an immense quantity of jewellery. The frame is of wood entirely coated with silver, in the form of a Renaissance doorway with a fluted column on each side and a broken pediment over the top. It is almost concealed by the jewellery hung about it, earrings, chains, necklaces, rings, watches etc. These are offerings from the faithful, but what is shown is nothing like ...
— Diversions in Sicily • H. Festing Jones
... lines—a progress distinct above that which is the mere barter of the lower conditions of savagery and barbarism. In all these respects we see that civilization means a type about such as we enjoy at present. It is such as has existed in Europe since the Renaissance; because during the middle ages we could only say that Europe was in a semi-civilized condition. They knew something about writing; but at a time when Dean, the writer of the early history of England, said that throughout the whole of England there were not half a dozen men ...
— Scientific American Supplement, No. 1178, June 25, 1898 • Various
... turning sharply round a stone pillar, led incongruously from the light French furnishings to the chamber where Lavinia was to sleep. A Renaissance bed, made of thick quilting directly upon the floor, was covered with gilt ecclesiastical embroidery; and a movable tub stood in a stone corner. The narrow deep windows overlooked Florence, a somber expanse of roofing; and, coming rapidly toward the ...
— The Happy End • Joseph Hergesheimer
... they would turn and enter the door, talking on in the same furious manner, and, walking up to the bar, click their glasses to the success of the Villivicencio ticket. Sundry swarthy and wrinkled remnants of an earlier generation were still more enthusiastic. There was to be a happy renaissance; a purging out of Yankee ideas; a blessed home-coming of those good old Bourbon morals and manners which Yankee notions had expatriated. In the cheerfulness of their anticipations they even went the length of throwing their feet high in air, thus indicating how the ...
— Old Creole Days • George Washington Cable
... reader the Celtic Renaissance was a surprise, and even to Irish writers deeply interested in their country the phenomenon or movement, call it which you will, was not appreciated as of much significance at its beginning. Writing in 1892, Miss Jane Barlow was not hopeful for the immediate future of ...
— Irish Plays and Playwrights • Cornelius Weygandt
... can at least claim to be the proper setting for some of the most beautiful lyrics of the poet, which so far have been read in undue isolation. And even as a literary sign of those times, as an example of that classical renaissance which the romantic period fostered, they may ...
— Proserpine and Midas • Mary Shelley
... there anything amusing about being loved?" she thought; "what patient women the great coquettes of the world must have been! How I wish I were a crisp intelligent old maid, with a talent perhaps for gardening or books on the Renaissance!" ...
— Balloons • Elizabeth Bibesco
... start win universal favor? It is because he had direct genius, the clear vision of a "primitive" (an artist of the pre-Renaissance). His materials were just those of a graduate who, having left college, has satisfied his curiosity. Grasping the simple and ingenious, but strong and appropriate tools that he himself has forged, he starts out in the forest of romance, and instead ...
— Une Vie, A Piece of String and Other Stories • Guy de Maupassant
... suffocating secrecies and villainies of the Court of James I. But the dram-drinking and nose-slitting of the saturnalia of Charles II. seem at once more human and more detestable than the passions and poisons of the Renaissance, much in the same way that a monkey appears inevitably more human and more detestable than a tiger. Compared with the Renaissance, there is something Cockney about the Restoration. Not only was it too indolent for great morality, it was too indolent even for ...
— Twelve Types • G.K. Chesterton
... however, widened about this time in all directions. One friend in particular he made, the Comte de Ripert-Monclar, a French Royalist with whom he prosecuted with renewed energy his studies in the mediaeval and Renaissance schools of philosophy. It was the Count who suggested that Browning should write a poetical play on the subject of Paracelsus. After reflection, indeed, the Count retracted this advice on the ground that the history of the great mystic gave ...
— Robert Browning • G. K. Chesterton
... undertake to trace the influence of classical rhetoric on the criticisms of poetry published in England between 1553 and 1641. This influence is most readily recognized in the use by English renaissance writers on literary criticism of the terminology of classical rhetoric. But the rhetorical terminology in most cases carried with it rhetorical thinking, traces of whose influence persist in criticism of poetry ...
— Rhetoric and Poetry in the Renaissance - A Study of Rhetorical Terms in English Renaissance Literary Criticism • Donald Lemen Clark
... blinked his eyes as he saw one of the covered ways of the market, at the far end of which, framed round by this huge iron nave, appeared a side entrance of St. Eustache with its rose and its tiers of arched windows. And then, with an air of defiance, he would remark that all the middle ages and the Renaissance put together were less mighty than the central markets. Afterwards, as they paced the broad new streets, the Rue du Pont Neuf and the Rue des Halles, he explained modern life with its wide footways, its lofty houses, and its luxurious ...
— The Fat and the Thin • Emile Zola
... screen, and monuments require a chapter to themselves. Let us hope that some future traveller, more learned than myself in such matters, will give us their history in detail. The town, too, possesses some fine remains of Renaissance architecture, and the views from the ancient ramparts ...
— The Roof of France • Matilda Betham-Edwards
... on Pottery and Porcelain of the Renaissance and Modern periods, with historical notices of each Manufactory.... By William Chaffers. Fourth edition. London, 1874. ...
— How to Form a Library, 2nd ed • H. B. Wheatley
... the Renaissance; the Renaissance made printing. Printing did not begin the publication and dissemination of books. There were libraries of vast extent in ancient Babylon, Egypt, Greece, Rome. There were universities centuries before Gutenberg where the few instructed the ...
— Printing and the Renaissance - A paper read before the Fortnightly Club of Rochester, New York • John Rothwell Slater
... history and its treasures would fill such a volume as this. In shape it is a parallelogram, about 280 feet long by 70 feet wide, with two wings on the S. front. The centre between the two wings is Italian Renaissance in style; the central tower, pierced by the great gate, being of rich Elizabethan design. On the face of the third storey of the tower are the armorial bearings of the Earl of Salisbury. This S. front and the two wings enclose on three sides a quadrangle ...
— Hertfordshire • Herbert W Tompkins
... indicated, that the Germans, in a generation only just passed away, had here in Rome formed a learned school based on the antique; Lessing, in his treatise, the 'Laocoon,' and Winckelmann, by his criticisms on the marbles of the Vatican, had induced a new Classic Renaissance. The painter Raphael Mengs, thus guided, appropriately executed in the Villa Albani the famous fresco of Apollo and the Nine Muses on Mount Parnassus. Again, here are men and manifestations not to be disdained. But for such art Overbeck, as we have seen, cherished inveterate antipathy: whether ...
— Overbeck • J. Beavington Atkinson
... tempting to dream of a new Renaissance, under which the life of reason will at last be the life of mankind. Though there is little sign of improvement in human nature, a favourable conjunction of circumstances may bring about a civilisation ...
— Outspoken Essays • William Ralph Inge
... the decorative woodwork of the porches showed some faint traces of the romantico-lackadaisical style which filled up the years between the ebb of the Greek and the vulgar flood-tide of Second-empire renaissance. Taken altogether, a sedate, stable, decorous old homestead, fit for ...
— With the Procession • Henry B. Fuller
... abaque, tailloir), in architecture, the upper member of the capital of a column. Its chief function is to provide a larger supporting surface for the architrave or arch it has to carry. In the Greek Doric order the abacus is a plain square slab. In the Roman and Renaissance Doric orders it is crowned by a moulding. In the Archaic-Greek Ionic order, owing to the greater width of the capital, the abacus is rectangular in plan, and consists of a carved ovolo moulding. In later examples the abacus ...
— Project Gutenberg Encyclopedia
... been accepted without question by the Middle Ages. The sudden freedom of the mind from these older bonds brought a consciousness of power such as had never been felt before; and the restless energy, the universal activity of the Renaissance were but outer expressions of the pride, the joy, the amazing self-confidence, with which man welcomed this revelation of the energies which had lain slumbering ...
— Anne Bradstreet and Her Time • Helen Campbell
... The Pre-Raphaelites imitate no pictures: they paint from nature only. But they have opposed themselves as a body, to that kind of teaching above described, which only began after Raphael's time: and they have opposed themselves as sternly to the entire feeling of the Renaissance schools; a feeling compounded of indolence, infidelity, sensuality, and shallow pride. Therefore they have called themselves Pre-Raphaelite. If they adhere to their principles, and paint nature as it is around them, with the help of modern science, with the earnestness of the men of the thirteenth ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... represented, in the fifth century, the wisdom of Greece and the majesty of Rome; and that they ended with a jubilant return to the Promised Land of ancient art and literature. But the interval had been no mere sojourning in Egypt. The scholars of the Renaissance destroyed as much as they created. They overthrew one civilisation to clear the ground for another. It was imperative that the old canons of thought and conduct should be reconsidered. The time comes in the history of all half-truths when they form the ...
— Medieval Europe • H. W. C. Davis
... he censured the corruptions of the Roman Court, the personal qualities by which he—a foreigner and a mere monk—made himself for a short period the lawgiver, the prophet, and virtually the dictator of Florence—that Florence which was at the time the very gemmary of the Renaissance—his sudden fall and tragic death; all combine to attract toward him our admiration, pity, and love, and to leave upon our minds the impression of his extraordinary moral genius. And yet, though a spiritual side was not wanting in Savonarola, we should not quote him ...
— The Essentials of Spirituality • Felix Adler
... outstretched over his head: Melencolia! There is more poignant music in the Primavera, in the weary, indifferent countenances of his lean, neuropathic Madonnas—Pater calls them "peevish"—in his Venus of the Uffizi, than in the paintings of any other Renaissance artist. The veils are there, the consoling veils of an exquisite art missing in the lacerated realistic holy people of the Flemish Primitives. Joyfulness cannot be denied Botticelli, but it is not ...
— Promenades of an Impressionist • James Huneker
... frequent and exquisite. It was a palace built in old days upon the Downs, but sheltered and screened from every hostile wind. The full warmth of the south fell upon the vast but fantastic pile of the Renaissance style, said to have been built by that gifted but mysterious individual, John of Padua. The gardens were wonderful, terrace upon terrace, and on each terrace a tall fountain. But the most peculiar feature was the park, which was undulating and extensive, ...
— Endymion • Benjamin Disraeli
... isolated him. Nor was the coincidence between the artistic spirit of the age and its limitations accidental. Just in proportion as the spirit of individualism penetrated society, and began to show itself as the Renaissance, architecture declined. The Egyptian pyramids are marvels to us, because we are accustomed to look upon the laborer as a man. But once allow that he is only so much brute force,—cheap, readily available, and to be had in endless ...
— The Atlantic Monthly, Volume 10, Number 60, October 1862 • Various
... 'peopled by boors!' She turned away from her discourteous informant and contemplated the grey walls of the castle, so strong and grim, yet dressed with the gracious flowers of a lavish spring. As she stood admiring the wonderful Renaissance gateway, one side of the huge door was pushed open and a young man in student's dress emerged. His face, though sickly and emaciated, interested her by reason of its vivid intelligence and a certain mocking look of ...
— A German Pompadour - Being the Extraordinary History of Wilhelmine van Graevenitz, - Landhofmeisterin of Wirtemberg • Marie Hay
... mother. She was not a clever woman in a worldly sense, yet her sympathy, from the hourly appeals to it, had grown as fine as intellect. She was hopelessly ignorant of ancient history and the Italian Renaissance; but she had a genius for the affections, and where a greater mind would have blundered over a wound, her soft hand went by intuition to the spot. It was very pleasant to sit in a rosewood chair in her parlour, to hear ...
— The Battle Ground • Ellen Glasgow
... does possess a very keen sense of fact, as well as dramatic power and great charm of style ... one of the finest comedies of the dramatic renaissance ... sustained dramatic power.... These peasants are poets, as certainly they are humorists, without knowing it. Certain passages of 'The Playboy' read like parts of the English Bible. There is the same direct and spontaneous ...
— Ireland and the Home Rule Movement • Michael F. J. McDonnell
... the following studies are taken from the history of the Renaissance, and touch what I think the chief points in that complex, many-sided movement. I have explained in the first of them what I understand by the word, [xii] giving it a much wider scope than was intended by those who originally used it to denote that revival of classical ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater
... Had I gone by the noon train from Florence I should have travelled this road by night, had I caught the 3.27 A.M. train I should have seen nothing for storm and cloud. And—what a glorious, what an unrivalled road that is! It was like passing through a gallery hung with Renaissance tapestry, all in freshness of colour. The sea deep blue and green like a peacock's neck, the mountains pale yellow, as shown in tapestry, with blue shadows; the silvery-grey olives, the glossy orange trees with their fruit—exactly as in tapestry. Surely the old weavers ...
— In Troubadour-Land - A Ramble in Provence and Languedoc • S. Baring-Gould
... the arms of honey-sweet romance. At the very time when the new, realistic drama was leading us out of a pasteboard world into something approximating an intelligent comment on life, the cloak-and-sword drama was having a fine little reactionary renaissance, the calcium moon was shining down on many a gleaming garden and flashing blade, and ears were rapturously strained to catch the murmur of love-laden words. Then it was that the stage sundial flourished in all its glory, generally ...
— Penguin Persons & Peppermints • Walter Prichard Eaton
... whether, after his death, the good bishop's bones reposed beneath some gorgeous tomb, bedizened with the incongruous half-Pagan statues of the Renaissance; but this at least is certain, that Rondelet's disciples imagined for him a monument more enduring than of marble or of brass, more graceful and more curiously wrought than all the sculptures of Torrigiano or Cellini, Baccio Bandinelli or Michael Angelo himself. For they named a lovely ...
— Historical Lectures and Essays • Charles Kingsley
... how far he who knows only his own time can be capable of rightly comprehending even that. Here is the honeysuckle of Assyria, there the fleur-de-lis of Anjou, a cornice with a Greek border runs round the ceiling, the style of Louis XIV and its parent the Renaissance share the looking glass between them. Transformed, shifted or mutilated, such elements of art still carry their history plainly stamped upon them.... It is thus even with the fashion of the clothes men wear. The ridiculous little tails of the German postilion's coat show of ...
— Human Traits and their Social Significance • Irwin Edman
... her brother, their offences upon the scaffold at Paris. Every effort was made to spare their lives; but the King, or rather Queen Margot, was inexorable. The chateau of Tourlaville is beautifully situated; it is in the style of the Renaissance, with an angular tower, which recalls that of Heidelberg Castle. The ground-floor consists of two large unfurnished rooms, and a staircase, with iron railing, leads to the story above. In one room hangs the portrait of a lady chateleine, in the costume of the period ...
— Brittany & Its Byways • Fanny Bury Palliser
... that the Renaissance inaugurated a period of paganism. They have gloried that there supervened upon this paganism the religious revival which the Reformation was. Even these men will, however, not deny that it was the intellectual rejuvenation ...
— Edward Caldwell Moore - Outline of the History of Christian Thought Since Kant • Edward Moore
... time to time, old grammatical forms die away or become obliterated, new names and verbs are borrowed, first from the Norman-French at the Conquest, then from the classical Greek and Latin at the Renaissance; but the continuity of the language remains unbroken, and its substance is still essentially the same as at the beginning. The Cornish, the Irish, and to some extent the Welsh, have left off speaking their native tongues, and adopted the language of the dominant ...
— Early Britain - Anglo-Saxon Britain • Grant Allen
... the house with screens or light partitions instead of walls lent itself to a style of decoration which was quite as different in its exigencies and character from Occidental mural decorations as was Japanese architecture from Gothic or Renaissance. The first native school of decorative artists was the Yamato-ryu, founded in the eleventh century by Fujiwara Motomitsu and reaching the height of its powers in the twelfth century. In the thirteenth century ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi
... chapel, with its monuments of a fashion long passed away, and its heraldic adornments, suggestive of the age of chivalry, forms a picture at once imposing and pathetic. The monuments are of considerable interest, and are good examples of Renaissance ornament and sculpture of three successive periods. The Bigge family, to the memory of whom they were erected, inherited through Sir Philip Hoby much of the Abbey land in this district. Early in the seventeenth century their mansion ...
— Evesham • Edmund H. New
... go back to our makers!" sighed the Gubbio plate, thinking of Giorgio Andreoli and the glad and gracious days of the Renaissance: and somehow the words touched the frolicsome souls of the dancing jars, the spinning teapots, the chairs that were playing cards; and the violin stopped its merry music with a sob, and the spinnet sighed, ...
— Bimbi • Louise de la Ramee
... that named after Cardinal Zeno, who lies in the magnificent central tomb beneath a bronze effigy of himself, while his sacred hat is in crimson mosaic on each side of the altar. The tomb and altar alike are splendid rather than beautiful: its late Renaissance sculptors, being far removed from Donatello, Mino, and Desiderio, the last of whom was one of the authors of the beautiful font in the adjoining Baptistery. Earlier and more satisfactory reliefs are those of an angel on the right of the altar and ...
— A Wanderer in Venice • E.V. Lucas
... New York Life asserts that Chicago used to rhyme "Goethe" with "teeth" until the Renaissance set in, since which epoch it has rhymed it with "ity." This is hardly fair. In a poem read recently before the Hyde Park Toboggan Slide Lyceum ...
— Eugene Field, A Study In Heredity And Contradictions - Vol. I • Slason Thompson
... of the writers of the Paston Letters were, though in some cases of good rank and fairly educated, persons entirely unacademic in character, and their society was that of the last trouble and convulsion through which the Early Middle Ages struggled into the Renaissance, so long delayed with us. Ascham was one of our chief representatives of the Renaissance itself—that is to say, of a type at once scholarly and man-of-the-worldly, a courtier and a diplomatist as well as a "don" and a man of letters; a sportsman as well as a schoolmaster. And while from all these ...
— A Letter Book - Selected with an Introduction on the History and Art of Letter-Writing • George Saintsbury
... being relatively rare, it is not surprising that few examples of graffiti produced by the method employed by Moll and her lover are known to us today. Interestingly enough, we do, however, have available to us a variety of Renaissance and eighteenth-century written materials suggesting that the practice of using a diamond to write ephemeral statements on window glass was far less rare in those periods than we might expect. Holinshed, for example, tells us that in 1558 when Elizabeth was ...
— The Merry-Thought: or the Glass-Window and Bog-House Miscellany. Part 1 • Samuel Johnson [AKA Hurlo Thrumbo]
... reached under it, snapping off a switch. As he straightened, the door from the reception-office opened and his secretary, Kathie O'Grady, entered, loading a cigarette into an eight-inch amber holder. She was a handsome woman, built on the generous lines of a Renaissance goddess; none of the Renaissance masters, however, had ever employed a model so strikingly Hibernian. She had blue eyes, and a fair, highly-colored complexion; she wore green, which went well with her flaming red hair, and a good deal ...
— Murder in the Gunroom • Henry Beam Piper
... Scripture and an uncorrected orgy of prophecy. They were "on the make." The rich in Montpelier and Nmes, a knot of them in Rome itself, many in Milan, in Lyons, in Paris, enlisted intellectual aid for the revolt, flattered the atheism of the Renaissance, supported the strong inflamed critics of clerical misliving, and even winked solemnly at the lunatic inspirations of obscure men and women filled with "visions." They did all these things as though their object was religious change. But their true ...
— Europe and the Faith - "Sine auctoritate nulla vita" • Hilaire Belloc
... grew about that small, charming, pinnacled edifice, which was built upon the spot of Wamba's old gate in Alfonso VI's time, and was then completely Moorish in style. In 1576 it was restored and took on its present half renaissance, half ...
— Legends, Tales and Poems • Gustavo Adolfo Becquer
... Alexander the Great (B.C. 323) a Greek dynasty, that of the Ptolemies, established itself at Alexandria, and another Greek dynasty at Pergamon. Both were distinguished—like Italian despots of the Renaissance—for the splendour and the culture of their courts, and they rivalled one another in the extent and richness of their libraries; but, if we are to believe Strabo, the library at Pergamon was not begun until the reign ...
— The Care of Books • John Willis Clark
... of high six-story houses, attracted my attention. It threw upon the pavement a shadow which the sunshine, penetrating between the badly joined boards, striped with beautiful parallel streaks of gold, such as one sees on the fine black satins of the Renaissance. I strolled over to it and peered ...
— The Memoirs of Victor Hugo • Victor Hugo
... especial reference to the denial of this principle in modern and Renaissance architecture, that I speak of that architecture with a bitterness which appears to many readers extreme, while in reality, so far from exaggerating, I have not grasp enough of thought to embrace, the evils which have resulted among all the orders of European society ...
— Lectures on Architecture and Painting - Delivered at Edinburgh in November 1853 • John Ruskin
... profession, I expect; I've just thought of it. I'm going to be a buyer for the Ignorant Rich. Make their houses liveable-in. They tell me what they want—I get hold of it for them. Turn them out an Italian drawing-room—Della Robbia mantel-piece, Florentine fire-irons, Renaissance ceiling, tapestries and so on. Things they haven't energy to find for themselves or intelligence to know when they see them. I love finding them, and I'm practised at cheating. One has to cheat if one's poor but eager.... A poor trade, ...
— The Lee Shore • Rose Macaulay
... The Italian Renaissance was the birth of Romantic Love. It was a new thing, and we have not gotten used to it yet. It is so new to men's natures that they do not always know how to manage it, and so it occasionally runs away with them and leaves them struggling in the ditch, from which they emerge sorry sights, ...
— Little Journeys to the Homes of the Great, Vol. 13 - Little Journeys to the Homes of Great Lovers • Elbert Hubbard
... The scientific renaissance brought a wealth of fresh impressions and some freedom from the tyranny of tradition, and the twofold stimulus stirred the speculative activity of a great variety of men from old Claude Duret of Moulins, of whose ...
— Evolution in Modern Thought • Ernst Haeckel
... that all the liberties, reforms and political achievements of society have been gained by nations thrilling and throbbing to one great enthusiasm. The Renaissance does not mean a single Dante, nor Boccaccio, but a national enthusiasm and a "god within all minds." The Reformation is not a single Savonarola, nor Luther, but a universal enthusiasm and "a god within," all ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... was, as Froude says, "the finest scene in human history," it is so because this solitary monk stood not for one form of religion against another, but for truth against falsehood, for earnest belief in divine things against a Church governed by unbelievers. The Renaissance in its most Pagan form had invaded the Vatican, and the Vicar of Christ appeared to Luther as Anti-Christ himself. If Charles V. had been Pope, and Leo X. had been emperor, we might never have ...
— The Life of Froude • Herbert Paul
... down over her soul, she had looked into and across the world with a pair of eyes that seemed to reflect the very blue and white of a June sky. No doubt she had thought to breast the hills and sail the seas again in some renaissance of vigour. No doubt her "retreat," like a Roman Catholic's, was designed to be merely temporary. She aped the hermit for the sake of a sojourn in the hermitage. She came to her island of Avalon to be restored of her weary limbs and her blistered feet, so to speak; and there ...
— At a Winter's Fire • Bernard Edward J. Capes
... excellence. An excellent type of such a restaurant is Maire's, at the corner of the Bd. St-Dennis, owned by the company which controls the Paillard's Restaurant of the Champs Elysees. It is a good place to dine at for any one going to the play at the Porte St-Martin, the Renaissance, the Theatre Antoine, or any of the music halls or theatres in the west of Paris. Mushrooms always seem to me to play a great part in the cookery at Maire's, and the Poulet Maire is a fowl cooked with mushrooms; but the restaurant has a ...
— The Gourmet's Guide to Europe • Algernon Bastard
... elegant pavilion at the northern extremity of the grounds in the renaissance style, which was a copy, although reduced in dimensions, of the two higher stories of the central part of the "Casa Rosador," or "Pink Palace," the principal Government building in Buenos Aires. In the pavilion was installed the offices of the Commission, a reception ...
— Final Report of the Louisiana Purchase Exposition Commission • Louisiana Purchase Exposition Commission
... and architectural triumphs, the conception takes the form of a church. There are no art galleries, no palaces, no magnificent public buildings in the Philippines, but there are hundreds of beautiful churches, of Byzantine and Early Renaissance architecture. You may find them in the coast towns and sometimes even in the mountainous interior, their simple and beautiful lines facing the plaza, their interiors rich with black and white tiling and with colored glass. The silver facings of the altars and their melodious bell chimes are ...
— A Woman's Impression of the Philippines • Mary Helen Fee
... three, had not yet attained the dignity of a place at the table but sat in a high-chair at Persis' left and drummed with her spoon upon the adjustable shelf which served the double purpose of keeping her in place and supporting her bowl of bread and milk. The renaissance of the high-chair was responsible for a curious surge of emotion through Joel's consciousness. Persis herself had once occupied that chair and for a moment his sister's matronly figure at the head of the table was singularly suggestive ...
— Other People's Business - The Romantic Career of the Practical Miss Dale • Harriet L. Smith
... been more depressing to a courtier of Augustus than residence at Aosta, even though he found his theatres and triumphal arches there. Wherever classical feeling has predominated, this has been the case. Cellini's Memoirs, written in the height of pagan Renaissance, well express the aversion which a Florentine or Roman felt for the inhospitable wildernesses of Switzerland.[2] Dryden, in his dedication to 'The Indian Emperor,' says, 'High objects, it is true, attract the ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... portrait head, Hellenistic Age 11 Carnelian, bust portrait of the Roman emperor Decius 12 Beryl, portrait of Julia Domna wife of the emperor Septimius Severus 13 Sapphire, head of the Madonna 14 Carnelian, the judgment of Paris, Renaissance work 15 Rock crystal, Madonna with Jesus and St. Joseph, probably ...
— EARLY EUROPEAN HISTORY • HUTTON WEBSTER
... Mahbrook about. Sometimes I whistle and hear hader (ready) from the water and in tumbles Achmet, with the water running 'down his innocent nose' and looking just like a little bronze triton of a Renaissance fountain, with a blue shirt and white skull-cap added. Mahbrook is a big lubberly lad of the laugh-and-grow-fat breed, clumsy, but not stupid, and very good and docile. You would delight in his guffaws, and the merry games and hearty laughter of my menage is very pleasant ...
— Letters from Egypt • Lucie Duff Gordon
... conscience, are part and parcel of one comprehensive change,—a change which even now has not reached its goal. It was not so much "the arts and the inventions, the knowledge and the books, which suddenly became vital at the time of the Renaissance," that created the new epoch: it was "the intellectual energy, the spontaneous outburst of intelligence, which enabled mankind at that moment to make ...
— Outline of Universal History • George Park Fisher
... present his views on the race problem in the United States. Primarily polemic and ex-parte, this work will hardly attract the attention of the investigator. But when an author like this one, a man of reputation and influence among his people, writes on such subjects as the "renaissance" of the Negro, his constitutional status, and discusses Alexander Hamilton, Frederick Douglass, and Abraham Lincoln, the serious reader might well pause to give this work more ...
— The Journal of Negro History, Volume 2, 1917 • Various
... at that time was the Renaissance, and he often applied to me for free seats, as he was too poor to pay for the luxuries of art. Ah, poverty, what a sorry counsellor art thou, and how tolerant we ought to be to those ...
— My Double Life - The Memoirs of Sarah Bernhardt • Sarah Bernhardt
... with the later evolution of perpetual motion devices. The most comprehensive treatment is H. Dircks, Perpetuum mobile, London, 1861; 2nd ser., London, 1870. So far as I know there has not previously been much discussion of the history of such devices before the renaissance. ...
— On the Origin of Clockwork, Perpetual Motion Devices, and the Compass • Derek J. de Solla Price
... non-dramatic poetry from the Renaissance onwards is second to none in richness of thought and beauty of diction, but it lacks the highest quality of all—universality of interest and appeal. Our poets have turned a cold shoulder to the activities and aims of the ...
— Songs of the Ridings • F. W. Moorman
... seemed to lack flamboyancy. It is true, however, that, except for Guilder's habitual restraint, the celebrated firm of architects was inclined to express themselves flamboyantly, and to interpret Renaissance ...
— Between Friends • Robert W. Chambers
... necessary to render an arcaded front like this quite complete within itself; otherwise it must more or less appear to be only part of a larger building. The style is Late Gothic, designed when the first influence of the Early Renaissance was beginning to be felt through France as well as Belgium, and in several respects the design has ...
— Scientific American Supplement, No. 520, December 19, 1885 • Various
... book is on the probable site of Horace's country- house, a subject that has interested many scholars from the Renaissance down to our own day. M. Boissier, following the investigations of Signor Rosa, places it on a little hill over-looking the Licenza, and his theory has a great deal to recommend it. The plough still turns up on the spot the bricks and tiles of an old Roman villa; a spring of clear ...
— Reviews • Oscar Wilde
... real progress in color education must come not from a blind imitation of past successes, but by a study into the laws which they exemplify. To exactly copy fine Japanese prints or Persian rugs or Renaissance tapestries, while it cultivates an appreciation of their refinements, does not give one the power to create things equally beautiful. The masterpieces of music correctly rendered do not of necessity make a composer. The musician, besides the study of masterpieces, absorbs the science of counterpoint, ...
— A Color Notation - A measured color system, based on the three qualities Hue, - Value and Chroma • Albert H. Munsell
... old groves, and the classic form and style of the old revolution still swayed all the minor minds, there sprung up a reaection in the so-called romantic school of which Victor Hugo became the leader. The medieval renaissance, which fifty years before had penetrated Germany and England, and indeed all the North, was late in coming to France, but when it did come it stirred the Latin Quarter and Young France wonderfully. If its results were less remarkable in literature than in ...
— The Continental Monthly, Vol. 2, No 3, September, 1862 - Devoted to Literature and National Policy. • Various
... school of men who are striving to rekindle the dead beliefs of France, to rescue Frenchmen from the camp of materialistic or pantheistic ideas, and rally them round that Christian banner which is the banner of true progress and true civilization." The Renaissance is treated as a disastrous but inevitable crisis, in which the idealism of the Middle Ages was dethroned by the naturalism of modern times—"The Renaissance perhaps robbed us of more than it gave us"—and so on. The tone ...
— Amiel's Journal • Mrs. Humphry Ward
... literature than the mood which prevailed in that day. For the book has long been out of print. These "Irish Fairy Tales" were written, and printed on Irish paper, and published through an Irish publisher—Leamy would not bring out a book in any other way—before the Celtic renaissance had arrived. This is one of the facts which make them interesting. Perhaps, as some would tell us, seventeen years ago was a benighted time; at any rate we must admit it was rather dark from an Irish literary, or even "Irish Ireland," point of view. It was ...
— Irish Fairy Tales • Edmund Leamy
... dear young Spirit of the Renaissance, I am not yet dead, not even dying. Slowly I am doing the stations of the Cross in this most thorough institution. I am delighted with my experience. Here is concentrated every form of torture and annoyance to which one can be legally subjected. Cruel and unusual punishments ...
— The Letters of Franklin K. Lane • Franklin K. Lane
... felicitons! We've got him still—in Madame Tussaud's," cried Janet "He poisoned for money in cold blood—not exactly an artistic vice! Oh, he won't do!"—she laughed triumphantly—"if he did write charming things about the Renaissance! Besides, he illustrates my case; among us he was a phenomenon, like the elephant-headed man. Phenomena are for the scientists. You don't mean to tell me that any literature that pretends to call itself artistic has a right to ...
— A Daughter of To-Day • Sara Jeannette Duncan (aka Mrs. Everard Cotes)
... almost a story to itself, and a story which has been only once (by Mr. W.W. Greg) satisfactorily, and then not quite completely, told. It is enough to say here, and as affecting our own subject, that it supplied a new opportunity of gratifying the passion of the Renaissance for imitating antiquity, at the same time permitting to no small extent the introduction of things that were really romantic, and above all providing a convention. The Heroic romance generally and the Pastoral ...
— The English Novel • George Saintsbury
... the castles of rebellious nobles. A baron's castle was easily knocked to pieces by the prince who owned, or could borrow, a few pieces of heavy ordnance. The towering walls of the old-time strongholds slowly gave way to the earthwork-protected Renaissance fortification, which is typified in the United States by Castillo de San Marcos, in Castillo de San Marcos ...
— Artillery Through the Ages - A Short Illustrated History of Cannon, Emphasizing Types Used in America • Albert Manucy
... colonizing people, like the Anglo-Saxons. The native shed something of his insularity and became a traveler, going first to view the places where trade had opened the way, and returning with wider interests and a larger horizon. Above all, the first dawn of the Renaissance is heralded in England, as in Spain and Italy, by the appearance of a ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... Hence, just as the wise critic will not neglect aesthetics, so the philosopher of art should be something of a critic. Yet the division of labor is clear enough. The critic devotes himself to the appreciation of some special contemporary or historical field of art—Shakespearean drama, Renaissance sculpture, Italian painting, for example; while the philosopher of art looks for general principles, and gives attention to individual works of art and historical movements only for the purpose of discovering ...
— The Principles Of Aesthetics • Dewitt H. Parker
... search in vain through the Combray of to-day, for the public school now rises upon its site. But in my dreams of Combray (like those architects, pupils of Viollet-le-Duc, who, fancying that they can detect, beneath a Renaissance rood-loft and an eighteenth-century altar, traces of a Norman choir, restore the whole church to the state in which it probably was in the twelfth century) I leave not a stone of the modern edifice standing, I pierce through ...
— Swann's Way - (vol. 1 of Remembrance of Things Past) • Marcel Proust
... sombre church was of dazzling old gold, with a profusion of twisted columns, of complicated entablements, of statues with excessive convolutions and with draperies in the style of the Spanish Renaissance. And this magnificence of the tabernacle was in contrast with the simplicity of the lateral walls, simply kalsomined. But an air of extreme old age harmonized these things, which one felt were accustomed for centuries to endure in the face of ...
— Ramuntcho • Pierre Loti
... the legend he carved under these cruder symbols was everywhere the same; and whether fables began with AEsop or began with Adam, whether they were German and mediaeval as Reynard the Fox, or as French and Renaissance as La Fontaine, the upshot is everywhere essentially the same: that superiority is always insolent, because it is always accidental; that pride goes before a fall; and that there is such a thing as being too clever by half. You will not find any other legend but this written ...
— Aesop's Fables • Aesop
... ancient volumes were usually limited. By degrees, fine vellum, alike conspicuous for its delicacy of quality and beauty of tone, was introduced, and became fashionable among the patrons of literature in Italy and elsewhere during the Renaissance. No such luxurious mode of presenting the type and giving full effect to the work of the illuminator, which so constantly formed a feature and a charm in the productions of the presses of the Continent of Europe in the fifteenth and sixteenth centuries has ever since ...
— The Book-Collector • William Carew Hazlitt
... awakening of Europe was completed. The Turks took Constantinople, and drove large numbers of Greek scholars to Italy. Out of this catastrophe issued the great Renaissance, or rebirth, of art, science, and letters in Italy, and then in France, Germany, and England. In the new intellectual ferment there appeared the great artists, great thinkers and inventors, and great navigators who led the race to fresh heights. The invention of printing alone would ...
— The Story of Evolution • Joseph McCabe
... dating from the Conquest. The Normans seem to have settled there early in considerable numbers, and their energy and enterprise began the development which continued throughout the Middle Age and the Renaissance. In the seventeenth century, however, Southampton rapidly declined, and this continued till in the time of our grandfathers it was arrested and Southampton rose again, to become the chief port of southern England. So extraordinary indeed has been her modern development that it has completely ...
— England of My Heart—Spring • Edward Hutton
... substantial form in a single instance worthy to compare with a thousand instances in the commercial republics of Italy. This does not mean that our rich people have not so much money as the Italians of the Renaissance, but that perhaps in their folie des grandeurs they are a different kind of madmen; it means also that land and labor are dearer positively and comparatively with us, and that our pork-packing or stock-broking princes prefer to spend on comfort ...
— Roman Holidays and Others • W. D. Howells
... itself in the broken spaces of the London temple, dimmed rather than illumined by the electric blaze in the choir; a monotonous chanting filled the air as with a Rome of the worldliest period of the church, and the sense of something pagan that had arisen again in the Renaissance was, I perceived, the emotion that had long lain in wait for me. St. Paul's, like St. Peter's, testifies of the genius of a man, not the spirit of humanity awed before the divine. Neither grew as the Gothic churches grew; both were ordered to be built after the plans of the ...
— London Films • W.D. Howells
... grandchildren was the only inhabited part of the chateau. This third building erected by Francois I. is more vast and far more decorated than the Louvre, the chateau of Henri II. It is in the style of architecture now called Renaissance, and presents the most fantastic features of that style. Therefore, at a period when a strict and jealous architecture ruled construction, when the Middle Ages were not even considered, at a time when literature was not as clearly welded to art as it is now, La Fontaine said of the chateau ...
— Catherine de' Medici • Honore de Balzac
... how the greatest masters of the High Renaissance—Michael Angelo, Leonardo da Vinci, and Raphael—used to come here to study, and thus this little chapel became a great art school; and how, at the present time, it is esteemed by many one of the four most ...
— Barbara's Heritage - Young Americans Among the Old Italian Masters • Deristhe L. Hoyt
... much Fun during his Second Time on Earth that he decided to make it a sure-enough Renaissance, so he married a Type-Writer 19 years old, that he met in a Hotel Lobby, and then Joel did go up in ...
— People You Know • George Ade
... of the standing puzzles of literary criticism, and would be interesting, if only to illustrate the inadequacy of stylistic criteria. Though it was accepted as Vergilian by Renaissance readers simply because the manuscripts of the poem and ancient writers, from Lucan and Statius to Martial and Suetonius, all attribute the work to him, recent critics have usually been skeptical or downright recusant. Some insist that it is a forgery ...
— Vergil - A Biography • Tenney Frank
... laws, histories, and books of science were written in Latin. In the convents and the schools they read, copied, and appreciated only works written in Latin; beside books of piety only the Latin authors were known—Vergil, Horace, Cicero, and Pliny the Younger. The renaissance of the fifteenth and sixteenth centuries consisted partly in reviving the forgotten Latin writers. More than ever it was the fashion to know ...
— History Of Ancient Civilization • Charles Seignobos
... constructed an elegant pavilion at the northern extremity of the grounds in the renaissance style, which was a copy, although reduced in dimensions, of the two higher stories of the central part of the "Casa Rosador," or "Pink Palace," the principal Government building in Buenos Aires. In the pavilion was installed the ...
— Final Report of the Louisiana Purchase Exposition Commission • Louisiana Purchase Exposition Commission
... a protest against the ignorance of the mediaeval age. The discovery of the New World was the first sign of the real renaissance of the Old World. It created new heavens and a new earth, broadened immeasurably the horizon of men and nations, and transformed the whole order of European thought. Columbus was the greatest educator who ever lived, for he emancipated mankind from the narrowness of its ...
— Christopher Columbus and His Monument Columbia • Various
... Greek temples! there was no reason why they should continue to exist under our sky, amid our society! down with the Gothic cathedrals, since faith in legend was dead! down with the delicate colonnades, the lace-like work of the Renaissance—that revival of the antique grafted on mediaevalism—precious art-jewellery, no doubt, but in which democracy could not dwell. And he demanded, he called with violent gestures for an architectural formula suited ...
— His Masterpiece • Emile Zola
... seen men who have their beards cut as in the time of Henry III, others who are clean shaven, others who have their hair arranged as in the time of Raphael, others as in the time of Christ. So the homes of the rich are cabinets of curiosities: the antique, the Gothic, the taste of the Renaissance, that of Louis XIII, all pell-mell. In short, we have every century except our own—a thing which has never been seen at any other epoch: eclecticism is our taste; we take everything we find, this for beauty, that for utility, this other for antiquity, ...
— The Confession of a Child of The Century • Alfred de Musset
... faubourgs and the outlying districts far enough from town to be recognized as in the country, and still others as remote as Rambouillet, Chantilly and Compiegne. All, however, were intimately connected with the life of the capital in the mediaeval and Renaissance days, and together form a class distinct from any other monumental edifices which exist, or ever have ...
— Royal Palaces and Parks of France • Milburg Francisco Mansfield
... the London temple, dimmed rather than illumined by the electric blaze in the choir; a monotonous chanting filled the air as with a Rome of the worldliest period of the church, and the sense of something pagan that had arisen again in the Renaissance was, I perceived, the emotion that had long lain in wait for me. St. Paul's, like St. Peter's, testifies of the genius of a man, not the spirit of humanity awed before the divine. Neither grew as the Gothic churches grew; both were ordered to ...
— London Films • W.D. Howells
... characterizes the periods of design which have had the most important influence in the development of printing: the Greek, Roman, and Renaissance. ...
— Applied Design for Printers - Typographic Technical Series for Apprentices #43 • Harry Lawrence Gage
... to dream of a new Renaissance, under which the life of reason will at last be the life of mankind. Though there is little sign of improvement in human nature, a favourable conjunction of circumstances may bring about a civilisation very ...
— Outspoken Essays • William Ralph Inge
... very sympathetic to me. He is tainted with the perfidy of the man who has made a pact with the enemy (with the Church, the aristocracy, with those in power), and then conceals the fact. Philosophically, in spite of his enthusiasm for the Renaissance, he appears vulgar and pedestrian to me, although he towers above all his contemporaries on account of the success of a single invention, that of Don Quixote and Sancho, which is to literature what the discovery of ...
— Youth and Egolatry • Pio Baroja
... | [3] Walter Pater, "Leonardo da Vinci," in The Renaissance. | | For an account of scientific experiments on the time and | | stress rhythm of this sentence, see W. M. Patterson, The | | Rhythm of Prose, New York, 1916, ch. iv. An idea of the | | complexity may be obtained from Patterson's attempt to | | indicate it by musical notation: ...
— The Principles of English Versification • Paull Franklin Baum
... painting and sculpture. The whatnot was a museum whither might come the Northern Goth and Southern Vandal to learn what a Roman home can teach of the artistic taste that Matthew Arnold declares to be the natural heritage only of the nation which rocked the cradle of the Renaissance when its old Romanesque and Byzantine parents died. That whatnot was covered with tiny china dogs and cats, such as we benighted American Goths buy for ten cents a dozen to fill up the crevices in Billy's and Bobby's Christmas stockings. Fancy inkstands ...
— Lippincott's Magazine of Popular Literature and Science, Volume 26, July 1880. • Various
... be seen that in this renaissance the keenest students of the exquisite were women. Nevertheless, men were not idle, neither. Since the day of Mr. Brummell and King George, the noble art of self-adornment had fallen partially desuete. Great ...
— The Works of Max Beerbohm • Max Beerbohm
... of the Jews in Italy was favorable, and their literary products derive grace from their good fortune. The Renaissance had a benign effect upon them, and the revival of classical studies influenced their intellectual work. Greek thought met Jewish a third time. Learning was enjoying its resurrection, and whenever their wretched political and social ...
— Jewish Literature and Other Essays • Gustav Karpeles
... of which was more dimly repeated, at other points of her apparel, in embroidery, in enamel, in satin, in substances and textures vaguely rich. Her head, extremely fair and exquisitely festal, was like a happy fancy, a notion of the antique, on an old precious medal, some silver coin of the Renaissance; while her slim lightness and brightness, her gaiety, her expression, her decision, contributed to an effect that might have been felt by a poet as half mythological and half conventional. He could have compared her to a goddess still partly engaged in a morning ...
— The Ambassadors • Henry James
... agitated turning and returning of a light cane—I had long coveted it—held behind his back in his remarkably beautiful hands. If I had not admired the cane so much, and the fighting centaurs on its handle—a fine piece of Renaissance work— this symptom of extreme disturbance might have escaped me. But, how could M. Termonde fail to be disturbed by the disappearance of his best friend? Nevertheless, his voice, a soft voice which made all his ...
— Stories of Modern French Novels • Julian Hawthorne
... not strike me as dangerous. When Aurora comes back to me, after having passed an hour with the young Louis, she says that he has described to her his emotions on visiting the home of Shelley, or discussed some of the differences between the Boston Temperament and that of the Italians of the Renaissance. You will not enter into these rapprochements, and I can't blame you. But you ...
— The Point of View • Henry James
... ceased to rest in the perfect achievement of the past, and found a new realm opened up to them in representing the subtler activities of the soul. Lines 145-152 state the ideals that actuated the new art. The reference is to the religious art of the Italian Renaissance. ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning
... be good at heart, if reason be indeed its soul, the tendencies of modern thought must be leading mankind to some predestined end. The movements known to history as the Renaissance, Reformation and Revolution, accomplished results which must endure to all time; they marked the great stages in humanity's onward march. To-day, when systems and schemes of religion are going to pieces like the dust of the dead, when mystery and miracle ...
— Morality as a Religion - An exposition of some first principles • W. R. Washington Sullivan
... ecstasies over these poets; she in all sincerity, he with suppressed yawns; but he bore with the Romantics with a patience hardly to be expected of a man of the Imperial school, who scarcely could make out what the young writers meant. Not so Mme. de Bargeton; she waxed enthusiastic over the renaissance, due to the return of the Bourbon Lilies; she loved M. de Chateaubriand for calling Victor Hugo "a sublime child." It depressed her that she could only know genius from afar, she sighed for Paris, where great men live. For these reasons M. du Chatelet thought he had done a ...
— Two Poets - Lost Illusions Part I • Honore de Balzac
... there is an undiscovered Triton thoroughly posted on the Renaissance of the Reactionaries and the recrudescence of the Big Six Baby with the up-twist that has Whiskers on it. This Boy is so busy regulating both Parties and both Leagues that when it comes time for his Brood to take an Outing, some ignorant ...
— Ade's Fables • George Ade
... for books, being as clever with the engraver's tools as with the pencil; sometimes he cut out those odd, fantastic "initials," "ornaments," "finials," which are now so commonly seen in publications, catching the classical grotesque of the Renaissance to perfection, and deceiving the experienced; sometimes he worked in the press-room in the House of Flamma, Fleet Street, pulling artists' proofs, or printing expensively illustrated volumes—numbered, and the plates ...
— Amaryllis at the Fair • Richard Jefferies
... expressing itself in useless ornament and wanton brutality, the more delicate crafts had no hope of exercise. Even the adventurer upon the road threatened his victim with a bludgeon, nor was it until the breath of the Renaissance had vivified the world that a gentleman and an artist could face the traveller with a courteous demand for his purse. But the age which witnessed the enterprise of Drake and the triumph of Shakespeare knew also the ...
— A Book of Scoundrels • Charles Whibley
... much decayed at the top. It is lighted by three round-headed windows like a clerestory without glass. At the further end is an arch admitting to an apse, in the midst of which is an octagonal monolithic tomb of Renaissance style, with columns at the angles, and surmounted by the statue of Francois d'Esparbes de Lussac, Marshal of Aubeterre, and the much mutilated figure of his ...
— Castles and Cave Dwellings of Europe • Sabine Baring-Gould
... rubbing his nose, "you are a member of 'The Encouragers of Egyptian Renaissance,' and 'The Teutonic Tombs Club,' and 'The Society for the Recovery ...
— The Napoleon of Notting Hill • Gilbert K. Chesterton
... in the purest Renaissance style austere woodwork; immense chests of caned pearwood, on which stand precious ewers in Urbino ware, and dishes by Bernard Palissy. The high stone fireplace is surmounted by a portrait of Diana of Poitiers, with a crescent on her brow, and is furnished with firedogs of elaborately ...
— Serge Panine, Complete • Georges Ohnet
... Margrethe was the daughter of Valdemar IV., known as "Atterdag," because of his favourite proverb: "I Morgen er der atter en Dag."[11] This powerful monarch kept his subjects in such incessant turmoil by his numerous wars for acquiring territory "that they had not time to eat"! The Renaissance chapel erected by Christian IV., in which his tomb stands, is very beautiful. This popular monarch, alike celebrated as architect, sailor, and warrior, was one of the most impressive figures in Danish history. The mural ...
— Denmark • M. Pearson Thomson
... Milo—the silent agony of the Laocoon, the Hyperion Belvedere. Learn from Canova's pure marble, and Raphael's Chambers, and from Titian, and Tintoret, and the astonishing galaxies of intellect that shine in their constellations in the sky of the true Renaissance. ...
— The Young Seigneur - Or, Nation-Making • Wilfrid Chateauclair
... art. She threw herself into the propaganda of the romantic school, including, under Art, poetry and painting, literature and sculpture, furniture and the opera. Thus she became a mediaevalist. She was also interested in any treasures that dated from the Renaissance, and employed her allies as so many devoted commission agents. Soon after she was married, she had become possessed of the Rougets' furniture, sold at Issoudun early in 1824. She purchased some very ...
— The Muse of the Department • Honore de Balzac
... motor had whisked him up to the Farm—Isabelle still clung to the old name—was the lavish luxury, the increased pace of living, on this side of the ocean. The years he had spent in Italy had been the richest period of our industrial renaissance. In the rising tide of wealth the signs of the old order—the simplicity of the Colonel's ...
— Together • Robert Herrick (1868-1938)
... of a writer intelligently familiar with the Greek and Roman classics, and it thus stands beside Elyot's Governour, which appeared two years before, as one of the earliest illustrations of the influence of the Renaissance on our vernacular literature. It is one of the earliest examples, not only of the employment of the English language in the treatment of scholastic subjects, but of the vindication of the use of English in the treatment of such subjects; ...
— An English Garner - Critical Essays & Literary Fragments • Edited by Professor Arber and Thomas Seccombe
... present volume is to supplement and complement Professor Donno's collection by making available in facsimile seven minor epics of the English Renaissance omitted from it. With the publication of these poems all the known, surviving minor epics of the Elizabethan and Jacobean periods will for the first time be made available for study in faithful reproductions ...
— Seven Minor Epics of the English Renaissance (1596-1624) • Dunstan Gale
... of distant ages and of alien modes of thought. With the romantic movement the early nineteenth century placed a check upon the habit of despising mediaeval ideals, which had been increasing from the days of the Renaissance and had culminated in Voltaire. Instead of this, there arose a sentiment of admiration for the past, while the general growth of historical methods of thinking supplied a sense of the relativity of moral principles, and led to a desire to condone if not to commend the crimes of other ...
— The History of Freedom • John Emerich Edward Dalberg-Acton
... first dean, erected the very fine Renaissance screen on the north side of the choir, near the pulpit. It bears his initials, followed by the letters D.K. (Decanus ...
— Bell's Cathedrals: The Cathedral Church of Carlisle - A Description of Its Fabric and A Brief History of the Episcopal See • C. King Eley
... out of the blinding sunshine, and out of earshot of their babble, and had plain in his sight across the quadrangle, the new facade, Italian, graceful, of the Renaissance; which rose in smiling contrast with the three dark Gothic sides that now, the central tower removed, frowned unimpeded at one another. But what was this which lay along the foot of the new Italian wall? This, round which some stood, gazing curiously, while others ...
— Count Hannibal - A Romance of the Court of France • Stanley J. Weyman
... poets lived in a period midway between the highest development of Renaissance civilization and the foundation of our modern civilization, and he was thus at once heir to the rich treasures of a glorious past, and endowed with a poetic, or we might say a prophetic insight that makes his works appeal as closely to the readers of to-day ...
— Shakespeare and Precious Stones • George Frederick Kunz
... of cut work, for instance, that known as renaissance embroidery, which is usually composed of an arabesque design from which the background is cut away, leaving the pattern in the linen; the cut edges are outlined and protected by an overcast stitch. The pattern has to be specially planned with the idea of holding strongly together, ...
— Embroidery and Tapestry Weaving • Grace Christie
... tells us that all the liberties, reforms and political achievements of society have been gained by nations thrilling and throbbing to one great enthusiasm. The Renaissance does not mean a single Dante, nor Boccaccio, but a national enthusiasm and a "god within all minds." The Reformation is not a single Savonarola, nor Luther, but a universal enthusiasm and "a god within," all heart and conscience. If we study ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... abode. I forget you don't know Venice. Well then, the Palazzo Manzoni is situate on the Grand Canal, and is described by Ruskin,—to give no other authority,—as 'a perfect and very rich example of Byzantine Renaissance: its warm yellow marbles are magnificent.' And again—'an exquisite example (of Byzantine Renaissance) as applied to domestic architecture.' So testify the 'Stones of Venice'. But we will talk about the place, over ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... almost instinctive, to remember that our forefathers reached these shores by virtue of knowledge which they owed to the astronomical researches of Egyptians and Chaldeans, who inspired the astronomers of Greece, who inspired those of the Renaissance in Italy, Spain, and Germany, keeping alive and developing not merely the art of measuring space and time, but also that conception of order in external nature without which the growth of organized knowledge, which we call science, enabling men to carry on their exploitation ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various
... of Renaissance design, which did not jar with the surrounding architecture, was erected in the depth of the portico at the end of the ...
— The Invader - A Novel • Margaret L. Woods
... from the Renaissance onwards is second to none in richness of thought and beauty of diction, but it lacks the highest quality of all—universality of interest and appeal. Our poets have turned a cold shoulder to the activities and aims of the working man, and the working man has, in consequence, turned ...
— Songs of the Ridings • F. W. Moorman
... west, passing through a very characteristic avenue, in the style of the happiest phases of the Italian Renaissance to be found in Florence, one enters the Court of the Four Seasons, by Henry Bacon of New York. The chief quality of this court is that of intimacy. While by no means so original as the Court of Abundance, ...
— The Art of the Exposition • Eugen Neuhaus
... of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... Of Medicine Chapter II. Greek Medicine Chapter III. Mediaeval Medicine Chapter IV. The Renaissance and the Rise of Anatomy and Physiology Chapter V. The Rise and Development of Modern Medicine Chapter VI. The Rise of ...
— The Evolution of Modern Medicine • William Osler
... the poet-laureate's conclusion is clearly refuted by experience and cannot terminate the argument. At any rate, in the classical and Renaissance eras monumental sculpture was in habitual request among those who would honour both immortal gods and mortal heroes—especially mortal heroes who had distinguished themselves in literature ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee
... restoration, restoral; reinstatement, replacement, rehabilitation, reestablishment, reconstitution, reconstruction; reproduction &c 163; renovation, renewal; revival, revivessence^, reviviscence^; refreshment &c 689; resuscitation, reanimation, revivification, reviction^; Phenix; reorganization. renaissance, second youth, rejuvenescence^, new birth; regeneration, regeneracy^, regenerateness^; palingenesis^, reconversion. redress, retrieval, reclamation, recovery; convalescence; resumption, resumption; sanativeness^. recurrence &c (repetition) 104; rechauffe [Fr.], rifacimento [It]. ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... they set out upon a round of inspection, and admired the new morning-room that had been devised for Lady Mabel, in the very latest style of Dutch Renaissance—walls the colour of muddy water, glorified ginger-jars, ebonised chairs and tables, and willow-pattern plates all round the cornice; curtains mud-colour, with a mediaeval design in dirty yellow, or, in ...
— Vixen, Volume III. • M. E. Braddon
... had once been painted in the arabesques of the Renaissance period; but the figures were now scarcely traceable. The woodwork had started in some places, and the sunbeams stole through the chinks and played on the floor, which was formed from old tiles quaintly tessellated and in triangular ...
— A Strange Story, Complete • Edward Bulwer-Lytton
... being the expression of the mind, literature, it follows, is the soul of an age, the surviving and immortal part of it; and in the literature of the Cinquecento you shall behold for the looking the ardent, unmoral, naive soul of this Renaissance that was sprawling in its lusty, naked infancy and bellowing hungrily for the pap of knowledge, and for other things. You shall infer something of the passionate mettle of this infant: his tempestuous mirth, his fierce rages, his simplicity, his naivete, ...
— The Life of Cesare Borgia • Raphael Sabatini
... which are inspired by earthly beauty pure and simple, have a tendency to flatness, just as in reality all landscapes lie spread out in length and breadth before us. Classical antiquity had just as uncultivated an eye for the beauty of the Alps as the age of Renaissance and the Rococo which emulated it so ardently. Humboldt mentions that not a single Roman author ever alludes to the Alps from a descriptive point of view except to complain of their impassableness and like qualities, and that Julius Caesar employed the ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VIII • Various
... periods (viz. the close of the 11th and the middle of the 14th centuries), the architecture presents two distinct styles, which in parts, are particularly incongruous. The organ and pulpit combined, which are on the left of the entrance, constitute a very handsome work of the "Renaissance" period, and are most unique. On the opposite side of the building a crocodile—or the remains of one—hangs from the wall, doubtless brought, as M. Joanne suggests, from some Egyptian crusade; but the "church" puts a very different complexion on the subject, as will be seen from the following, ...
— Twixt France and Spain • E. Ernest Bilbrough
... the authorship of the Annals of Tacitus, which encomiastic admirers imagine to be the most extraordinary history ever penned, and the writer "but one degree removed from inspiration, if not inspired." This wondrous writer I assert to be the famous Florentine of the Renaissance, Poggio Bracciolini, in favour of which view I have tried to make out a case by bringing forward a variety of passages from the "History" and the "Annals" to show an extensive series of contradictions as to facts and characters, departures from truth about matters connected ...
— Tacitus and Bracciolini - The Annals Forged in the XVth Century • John Wilson Ross
... time had visited none of the great galleries and, except in a few reproductions, knew nothing of the great Italian masters. Therefore to him this picture was Italy, the Renaissance, and Catholicism, all concentrated into one enthralling canvas. But it was something greater than that. It was the terrible meeting of Youth and Love and Death in one tremendous moment of infinite loss. Infinite passion and infinite loss were here pictured, in a medium which combined all ...
— Young Lives • Richard Le Gallienne
... be invoked against us, who, without condemning the written sermon, shows a decided preference for speaking from notes. A written sermon, such as advocated, could scarcely be before his mind when he wrote that chapter in "The Eternal Priesthood." It is evident he had in view the post-renaissance preacher—vain, pompous, decked in borrowed ornament, anxious about the embroidery, and careless about the soul of his discourse. The species, thank ...
— The Young Priest's Keepsake • Michael Phelan
... so-called dark ages. For long it was rather the privilege of the rich and powerful. The great mass of the people were not deemed worthy of learning, and education itself in any general application did not have a recognized standing in society. After the Renaissance, however, had ushered in a new age, and when the desire for learning was the master passion among many men in Southern and Western Europe, it is natural to suppose that efforts should have more frequently been made to instruct the deaf child; and after this time we are prepared ...
— The Deaf - Their Position in Society and the Provision for Their - Education in the United States • Harry Best
... natural, affable mind, and a very happy disposition. Sprung from an excellent father, who, though of no great education, entered with real enthusiasm into the movement of the Renaissance and all the liberal novelties of his time, the son corrected the excessive enthusiasm, vivacity, and tenderness he inherited by a great refinement and justness of reflection; but he did not abjure the original groundwork. It is scarcely more than thirty years ago that whenever ...
— Literary and Philosophical Essays • Various
... than thirty years since in Southern Europe, England, and America, a genuine Renaissance of Vedic literature, philosophy, and religion began to assume a popular form and to become accessible ...
— The New Avatar and The Destiny of the Soul - The Findings of Natural Science Reduced to Practical Studies - in Psychology • Jirah D. Buck
... its monuments of a fashion long passed away, and its heraldic adornments, suggestive of the age of chivalry, forms a picture at once imposing and pathetic. The monuments are of considerable interest, and are good examples of Renaissance ornament and sculpture of three successive periods. The Bigge family, to the memory of whom they were erected, inherited through Sir Philip Hoby much of the Abbey land in this district. Early in the seventeenth century their mansion and estates were purchased by Lord ...
— Evesham • Edmund H. New
... uses of patchwork were known over Europe long before the Renaissance, some credit its introduction, into Italy at least, to the Florentine painter, Botticelli (1446-1510). The applied work, or "thought work," of the Armenians so appealed to him that he used it on hangings for church decoration. Under his influence the use of the applied work, opus conservetum, ...
— Quilts - Their Story and How to Make Them • Marie D. Webster
... which linked two islands of high six-story houses, attracted my attention. It threw upon the pavement a shadow which the sunshine, penetrating between the badly joined boards, striped with beautiful parallel streaks of gold, such as one sees on the fine black satins of the Renaissance. I strolled over to it ...
— The Memoirs of Victor Hugo • Victor Hugo
... England and in Germany—a national Church. The unity of a common Roman Church and a common Romance culture was gone. Cuius regio eius religio. To each region its religion; and to each nation, we may add, its national culture. The Renaissance may have begun as a cosmopolitan movement, and have found in Erasmus a cosmopolitan representative. It ended in national literatures; and a hundred years after Erasmus, Shakespeare was writing in England, Ariosto in Italy, and Lope ...
— The Unity of Civilization • Various
... vision has attained an extraordinary and unusual rhythm, must be regarded as having approached nearer to the vision of "the sons of the universe" although such an one may have lived in the days of the patriarchs or in the Greek days or in the days of mediaevalism or of the renaissance, than any modern rationalistic thinker who is obsessed by "the latest tendencies ...
— The Complex Vision • John Cowper Powys
... antiquities and commonplace crowds are indeed good things, like violets and geraniums; but they do not go together. A billycock is a beautiful object (it may be eagerly urged), but it is not in the same style of architecture as Ely Cathedral; it is a dome, a small rococo dome in the Renaissance manner, and does not go with the pointed arches that assault heaven like spears. A char-a-banc is lovely (it may be said) if placed upon a pedestal and worshipped for its own sweet sake; but it does not ...
— Alarms and Discursions • G. K. Chesterton
... being the case, it has occurred to me that I may be so fortunate as to interest a Cambridge audience while I set before them some of the results at which I have arrived in investigating the position, the arrangement, and the fittings of libraries in the medieval and renaissance periods. It will, of course, be impossible to attempt more than a sketch of so extensive a subject, and I fear that I must omit the contents of the bookcases altogether; but I shall hope, by a selection of typical ...
— Libraries in the Medieval and Renaissance Periods - The Rede Lecture Delivered June 13, 1894 • J. W. Clark
... Confession." The Lutherans of extreme Calvinistic views were alienated by Melanchthon's subsequent modifications of this confession, and by his treatises in ethics. He and his followers were bitterly assailed, but his irenic spirit did not forsake him. He was a true child of the Renaissance, and is styled by some writers "the founder of general learning throughout Europe." While he was never called or ordained to the ministry of the Church, he was in the habit of addressing the local religious assemblies or collegia ...
— The World's Great Sermons, Volume I - Basil to Calvin • Various
... though a rat was behind the arras, as in Hamlet. "Stevenson," says he, "is the leader of these countless writers who perceive nothing but the visible world," and these are antagonistic to the great literature, of which Mr Yeats's Secret Rose is a survival or a renaissance, a literature whose watchword should be Mr Yeats's significant phrase, "When one looks into the darkness there is always something there." No doubt Mr Yeats's product all along the line ranks with the great literature—unlike Homer, according to Mr Moore, he never nods, though in the light of ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... English literature experienced about the beginning of this century an invasion of shepherd kings, such as Walter Scott, Christopher North, the Ettrick Shepherd, and the like, who brought with them a great gust of outdoor air, and with it a renaissance of the dog. But the great apostle of the new movement was the late Dr. John Brown, of Edinburgh, whose famous "Rab and his Friends" has inoculated the reading public with something which might be called a species ...
— Lippincott's Magazine, September, 1885 • Various
... Now, Maitland had been in the Oxford movement just when aestheticism was fading out, like a lovely sun-stricken lily, while philanthropy and political economy and Mr. Henry George were coming in, like roaring lions. Thus in Maitland there survived a little of the old leaven of the student of Renaissance, a touch of the amateur of "impressions" and of antiquated furniture. He was always struggling against this "side," as he called it, of his "culture," and in his hours of reaction he was all for steam tramways, "devils," and ...
— The Mark Of Cain • Andrew Lang
... Charmeraces, the stern or debonair faces of the men, soldiers, statesmen, dandies, the gentle or imperious faces of beautiful women. It flashed back from armour of brightly polished steel, and drew dull gleams from armour of bronze. The hues of rare porcelain, of the rich inlays of Oriental or Renaissance cabinets, mingled with the hues of the pictures, the tapestry, the Persian rugs about the polished floor to fill the hall with a rich ...
— Arsene Lupin • Edgar Jepson
... one time 12,000 students from all parts of Europe. These universities continued to exert a powerful influence until Catholicism triumphed over the abortive attempts at religious reform, and there settled down over the brilliant Italy of the Renaissance an unprogressive and anti-intellectual influence from which she ...
— Colleges in America • John Marshall Barker
... shutting the gate upon that sackcloth which is the sign of death. A recent writer allows that Shakespeare, Raleigh, Bacon, and all the Elizabethans shuddered at the horror and mystery of death; the sunniest spirits of the English Renaissance quailed to think of it. He then goes on to observe that there was something in this fear of the child's vast and unreasoned dread of darkness and mystery, and such a way of viewing death has become obsolete through the scientific and philosophic developments of the later ...
— The world's great sermons, Volume 8 - Talmage to Knox Little • Grenville Kleiser
... best to a limited circle. But Ciceronian prose is practically the prose of the human race; not only of the Roman empire of the first and second centuries, but of Lactantius and Augustine, of the mediaeval Church, of the earlier and later Renaissance, and even now, when the Renaissance is a piece of past history, of the modern world to which the Renaissance ...
— Latin Literature • J. W. Mackail
... those of the less elaborate doorway in the other transept, but some of the foliage on the capitals here is almost Early English. This doorway is approached by five steps, and was once covered by a Renaissance porch. ...
— Bell's Cathedrals: The Cathedral Church of Ripon - A Short History of the Church and a Description of Its Fabric • Cecil Walter Charles Hallett
... definitely to prevail and to modify the whole trend of English poetry. First of all Jonson was a classicist, that is, he believed in restraint and precedent in art in opposition to the prevalent ungoverned and irresponsible Renaissance spirit. Jonson believed that there was a professional way of doing things which might be reached by a study of the best examples, and he found these examples for the most part among the ancients. To confine our attention to the drama, Jonson objected to the amateurishness and haphazard nature of ...
— The Poetaster - Or, His Arraignment • Ben Jonson
... The renaissance introduces new ideas into civilization; it resuscitates the traditions of antique science and seeks to unite them to the truths of Christianity. The art of the middle ages, as a vessel of too limited capacity, is broken by the new flood poured into it. These ...
— The Works of Frederich Schiller in English • Frederich Schiller
... soul's life. Rather to us, the pictures, the statues, the books, the furniture, the wardrobes, the letters, and the scandals that have been left behind, speak to us of those days; for these we value them. And we are right, the value of the Renaissance lies in these things, I say "the scandals" of those days; for a part of what comes under that head was perhaps the manifestation of a morality based on a wider experience; though its association with obvious vices and its ...
— Albert Durer • T. Sturge Moore
... is independent of its date or country. The current literary taste varies, we know, at different periods and in different places. There are successive fashions and schools of literature and literary principle—an Attic, an Alexandrian, an Augustan, a Renaissance Italian, an Elizabethan, a Louis Quatorze, a Queen Anne, a nineteenth century Romantic. And yet from each and all of these there will stand out one or two writers, sometimes more, whom we have enthroned in the literary Pantheon, and whose place there among ...
— Platform Monologues • T. G. Tucker
... the civilized efforts of ages. Replacing nothing he thus plunges the world into darkness and barbarism. He destroyed the Graeco-Roman civilization and the world reverted to utter darkness for four centuries. Then Charlemagne came and there was a renaissance of civilization and law, and literature. Education and the arts again flourished, but after him came again the conquering Hun and then followed another long era of darkness ...
— The Red Watch - With the First Canadian Division in Flanders • J. A. Currie
... division of the house with screens or light partitions instead of walls lent itself to a style of decoration which was quite as different in its exigencies and character from Occidental mural decorations as was Japanese architecture from Gothic or Renaissance. The first native school of decorative artists was the Yamato-ryu, founded in the eleventh century by Fujiwara Motomitsu and reaching the height of its powers in the twelfth century. In the thirteenth century Fujiwara Tsunetaka, a great painter of this ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi
... fact that the inspiration in Spain came from Islam and in Italy from Christianity produced some consequences. In Spain the Jews followed Arab models of style. In Italy the influence of classical models was felt at the time of the Renaissance. Most noteworthy of all was the indebtedness of the Hebrew poets ...
— Chapters on Jewish Literature • Israel Abrahams
... and what he borrowed he proved a good right to, for he used it with a high intelligence and to admirable effect. It seems to me that though he added little or nothing to the resources of art, as Rossetti undoubtedly did, he employed the precedents of past art, and especially of the Italian renaissance, to better effect than any other artist of our epoch; and, in borrowing as he did, he only followed the example of most of the great old masters, who used material of any kind found in their predecessors' works, in perfectly good ...
— The Autobiography of a Journalist, Volume II • William James Stillman
... time, before the Germans came, Dives had a lovely chateau, part of it very old, with a round turret under a tall pointed hat; the other part comparatively young—as young as the Renaissance—and all built of that pale, rose-pink colour which most chateaux of this forestland, and this Ile-de-France used to wear in happy days before ...
— Everyman's Land • C. N. Williamson and A. M. Williamson
... once upon a summer night Beneath the pallid moonlight's eerie glimmer I saw where, wrought in marble dimly bright, A ruin of the Renaissance did shimmer. ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... German Renaissance of the new humanism, the Hellenic has become the truly German.... As the Peloponnesian War divided the States of Hellas into two camps, so this war has divided the States of Europe. But this time it will be Athens and her spiritual power that ...
— Gems (?) of German Thought • Various
... endeavored to present his views on the race problem in the United States. Primarily polemic and ex-parte, this work will hardly attract the attention of the investigator. But when an author like this one, a man of reputation and influence among his people, writes on such subjects as the "renaissance" of the Negro, his constitutional status, and discusses Alexander Hamilton, Frederick Douglass, and Abraham Lincoln, the serious reader might well pause to give this work more ...
— The Journal of Negro History, Volume 2, 1917 • Various
... To be quite frank, he seems to me to pursue it ruthlessly, cruelly, unscrupulously. He is a man of high ideals, but without principle. In that respect he reminds one of the great spirits of the Italian Renaissance—Benvenuto Cellini and so forth—men who could pore for hours with conscientious artistic care over the detail of a hem in a sculptured robe, yet could steal out in the midst of their disinterested toil to plunge a knife in ...
— Hilda Wade - A Woman With Tenacity Of Purpose • Grant Allen
... were erected by the State of Washington with the understanding that they were afterward to be used by the university. Most of the structures followed the French Renaissance design. In the forestry building, which was 320 feet long and 140 feet broad, and built of logs in the rough, there were displayed the timber resources of Alaska and the Northwest. An out-door farm illustrated the agricultural resources ...
— History of the United States, Volume 6 (of 6) • E. Benjamin Andrews
... doubtless this renaissance of mental activity that reminded us of the Kawa and of William Henry Thomas. Great heavens, what would he think of us? Here nearly a month had elapsed, we were mostly married and had never given him a thought. We were filled with compunction. On top of this Triplett came to us with ...
— The Cruise of the Kawa • Walter E. Traprock
... You didn't know I had a profession, I expect; I've just thought of it. I'm going to be a buyer for the Ignorant Rich. Make their houses liveable-in. They tell me what they want—I get hold of it for them. Turn them out an Italian drawing-room—Della Robbia mantel-piece, Florentine fire-irons, Renaissance ceiling, tapestries and so on. Things they haven't energy to find for themselves or intelligence to know when they see them. I love finding them, and I'm practised at cheating. One has to cheat if one's poor but eager.... A poor trade, ...
— The Lee Shore • Rose Macaulay
... against the clerical specialist. The church, it must be remembered, was often regarded as consisting not of the whole body of the faithful, but simply of the clergy, who continued to claim a monopoly of its privileges after they had ceased to enjoy a monopoly of its intelligence and virtue. The Renaissance had been a new birth of secular learning, not a revival of clerical learning. Others besides the clergy could now read and write and understand; town chronicles took the place of monastic chronicles, secular poets of divines; and a middle class ...
— The History of England - A Study in Political Evolution • A. F. Pollard
... Hohenschwangau, the king has a hunting-lodge at Linderhof, which is being fitted up with great elegance in the Renaissance style, and a palace on Lake Starnberg, where he spends the greater part of his time, its nearness to Munich making ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XII. No. 31. October, 1873. • Various
... should "soon be compelled to devour each other." The Commanders-in-Chief and the Deputies specialised in poison, as became men whose wealth and learning enabled them to keep in touch with the Italian Renaissance. Bluff, straightforward troopers like Mountjoy, Malby, Wilmot, Bagenal, Chichester, and the rest, not pretending to such refinements, did their best in the way of hanging, stabbing, and burning. In those days as ...
— The Open Secret of Ireland • T. M. Kettle
... above all, the scientific concern in the country and its inhabitants, to which both brought the most solid and methodical qualifications. It is true, the wealth of Italy, both of antiquity and of the Renaissance, in matters literary and artistic, so exuberantly mirrored in Goethe's book of travel, is not to be found in Moltke's work. But this lack is counterbalanced by those portions dealing with historical events which Moltke actually experienced and even influenced; events, ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. X. • Kuno Francke
... a layman. At Queen's College, Oxford, which was founded by a courtier, French was allowed as a regular alternative for Latin, and at Jesus College, Oxford, conversation might be in Greek, Latin, or Hebrew. In spite of the influence of the Renaissance, it seems unlikely that either Greek or Hebrew was much used as an alternative to Latin, but the Latin-speaking rule had become less rigid and in sixteenth-century statutes more generous provision is made for dispensations from it. ...
— Life in the Medieval University • Robert S. Rait
... procedure of this new spirit are in no way a return to scepticism or a reaction against thought cannot be better demonstrated than by this resurrection of metaphysics, this renaissance of idealism, which is certainly one of the most distinctive features of our epoch. Undoubtedly philosophy in France has never known so prosperous and so pregnant a moment. Notwithstanding, it is not a return to the old dreams of dialectic construction. Everything is ...
— A New Philosophy: Henri Bergson • Edouard le Roy
... extended a broad basin from which grassy terraces and broad walks led on the southward to one of the most magnificent edifices raised for the exposition, the Agricultural Building. In style of architecture it pertained to the classic renaissance and was erected at a cost of ...
— By Water to the Columbian Exposition • Johanna S. Wisthaler
... Portfolio paper so soon as I am done with this story, that has played me out; the story is to be called When the Devil was well: scene, Italy, Renaissance; colour, purely imaginary of course, my own unregenerate idea of what Italy then was. O, when shall I find the story of my dreams, that shall never halt nor wander nor step aside, but go ever before its face, ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 23 (of 25) • Robert Louis Stevenson
... which the date is fixed by definite examples both in Verona and Florence, and which still exists in noble masses in the retired streets and courts of either city; too soon superseded, in the great thoroughfares, by the effeminate and monotonous luxury of Venetian renaissance, or by the heaps of quarried stone which rise into the ruggedness of their native cliffs, in ...
— Val d'Arno • John Ruskin
... painting. It is this which has made the France of the past three centuries, and especially the France of to-day—as we get farther and farther away from the great art epochs—both in amount and general excellence of artistic activity, comparable only with the Italy of the Renaissance and the ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... settled by rogues. Were you to spread a tent over America, you would have the most beautiful, the most comfortable penitentiary in the world. The natural form that survives and triumphs in America is the great rascal, the great Renaissance idiot. In fact, it is the one form that will triumph throughout the world. You'll see some day how the great American rascal will get the whole of Europe, including England, into his clutches. Europe is also dabbling a little in Renaissance ...
— Atlantis • Gerhart Hauptmann
... little catalogue of the casts in the Museum, prepared by Mr. H.W. Kent, the curator, to whom we are indebted for the figures which we shall quote, shows 124 numbers in the Greek and Roman section, and 103 in that of the Renaissance. Among these are some of the largest casts made, such as the selection from the Pergamon reliefs, the Nike of Samothrace and the Font of Siena. They were all made expressly for the Museum, and imported from London, Paris, Berlin, Munich, Florence, Rome, Naples and Athens. ...
— The American Architect and Building News, Vol. 27, No. 733, January 11, 1890 • Various
... of his life thereafter is one of travel and adventure in many lands. It is the period of the Renaissance, when wars and conquests, intrigues and romances, poetry and song flourish,—in all of which our Abbe is equally at home! He goes with the Duc de Guise to escort the young widowed Queen, Mary, back to her Scottish throne. He visits Marguerite de Valois in her retirement and ...
— Memoirs And Historical Chronicles Of The Courts Of Europe - Marguerite de Valois, Madame de Pompadour, and Catherine de Medici • Various
... the first to be transformed by the industrial revolution, and its foreign trade by 1850 reached all parts of the world, the secondary schools of England had remained largely untouched by the change. They were still mainly the Renaissance Latin grammar schools they had been ever since Dean Colet (1510) marked out the lines for such instruction by founding his reformed grammar school at St. Pauls (p. 275). Their courses of instruction contained little that was modern, and in their aims and purposes they went ...
— THE HISTORY OF EDUCATION • ELLWOOD P. CUBBERLEY
... concern us very nearly. Most of the writers of the Paston Letters were, though in some cases of good rank and fairly educated, persons entirely unacademic in character, and their society was that of the last trouble and convulsion through which the Early Middle Ages struggled into the Renaissance, so long delayed with us. Ascham was one of our chief representatives of the Renaissance itself—that is to say, of a type at once scholarly and man-of-the-worldly, a courtier and a diplomatist as well as a "don" ...
— A Letter Book - Selected with an Introduction on the History and Art of Letter-Writing • George Saintsbury
... Then there were photographs from the Greeks, and a mezzotint from Sir Joshua—all very English. The works of Jane Austen, too, in deference, perhaps, to some one else's standard. Carlyle was a prize. There were books upon the Italian painters of the Renaissance, a Manual of the Diseases of the Horse, and all the usual text-books. Listless is the air in an empty room, just swelling the curtain; the flowers in the jar shift. One fibre in the wicker arm-chair creaks, though ...
— Jacob's Room • Virginia Woolf
... in the room and many loose papers on the desk, which Giles saw were manuscripts. "I write sometimes," said Franklin, smiling in his sour way. "It distracts my mind from worries. I am writing a history of Florence during the age of the Renaissance." ...
— A Coin of Edward VII - A Detective Story • Fergus Hume
... to a few of the other churches in Paris. The Notre Dame de Lorette, is a very beautiful church in the street Fountain St. George. It is built in the renaissance style, and the sculptures of the interior are of the highest order. The gorgeous decorations of the church are unsurpassed. The interior is one blaze of splendor, and the feelings inspired by a contemplation of it, are not the ones appropriate for a place of worship. The choir ...
— Paris: With Pen and Pencil - Its People and Literature, Its Life and Business • David W. Bartlett
... sixteenth century has been traced by the antiquaries as far back as the time of Edward III. But in its perfected shape it was a genuine offspring of the English renaissance, a cross between the vernacular mummery, or mystery-play, and the Greek drama. No great court festival was considered complete without such a public show. Many of our great dramatic writers, Beaumont, Fletcher, Ben Jonson, Middleton, ...
— Milton • Mark Pattison
... pictures on the walls, Italian saints, the Renaissance, you know, Botticelli and Luini; her writing-table is near the window, and covered with papers; she evidently writes a great deal. Merat tells me she spends her evenings writing there ...
— Sister Teresa • George Moore
... once the delicatest and nicest in modern history. It will demand broad-minded, upright men, both white and black, and in its final accomplishment American civilization will triumph. So far as white men are concerned, this fact is to-day being recognized in the South, and a happy renaissance of university education seems imminent. But the very voices that cry hail to this good work are, strange to relate, largely silent or antagonistic to the higher education of ...
— The Negro and the Nation - A History of American Slavery and Enfranchisement • George S. Merriam
... Sabinus, and Lepida; Roman altars, military boundary-stones, amphorae, vases, capitals, and pottery, all found in the neighbourhood of Poitiers: a good deal of beautiful carving from the destroyed castle of Bonnivet, fine specimens of the Renaissance, and numerous relics ...
— Barn and the Pyrenees - A Legendary Tour to the Country of Henri Quatre • Louisa Stuart Costello
... in the New Renaissance—yes. In the Deluge that shall engulf the world, his place is in the ...
— The Golden Scorpion • Sax Rohmer
... looped themselves on corners where no one expected them. They call these pretty old houses the best examples of domestic architecture, but warn you that the quaint peaked roofs are Gothic and the surprises are Renaissance—a mixture of which purists do not approve. But I am a pagan. I like mixtures. They give you little flutters of delight in your heart, and one of the most satisfactory of experiences is not to be able to analyse your emotions or to tell why you are pleased, but to feel at liberty to answer ...
— Abroad with the Jimmies • Lilian Bell
... period of the Renaissance, as Hadria afterwards called the short-lived epoch, little Martha was visited frequently. Her protectress had expected to have to do battle with hereditary weakness on account of her mother's sufferings, but the child shewed ...
— The Daughters of Danaus • Mona Caird
... any considerable work has been left behind. His first great scheme, as he tells us here (p. 319), was a history of learning from the Renaissance. Then he contracted his views to a history of the French school of Philology, beginning with Budaeus and the Delphin classics. Finally, his ambition was narrowed to fragments. The book on Isaac Casaubon, published ten years ago, is a definite and valuable literary product. But the great work ...
— Critical Miscellanies (Vol. 3 of 3) - Essay 5: On Pattison's Memoirs • John Morley
... self-conscious of great work, or cease to work for the sake of enjoying Art, or its results, and turn all their attention to the genius or cleverness, or character or style, self, et cetera, of the artist, or of themselves, a decadence sets in, as there did after the Renaissance, when knowledge or enjoyment of Art was limited, and guided by familiarity with names and schools and "manners," or the like, far more than by real ...
— The Mystic Will • Charles Godfrey Leland
... of the Scotists and the Thomists, was now growing out of date. Plato was extolled at the expense of Aristotle. Greek, and even Hebrew, was eagerly sought after. Latin itself was assuming another aspect; the Renaissance Latin is classical Latin, whilst Mediaeval Latin is dog-Latin. The physical universe now began to be inquired into with a perfectly fresh interest, but the inquiries were still conducted under the aegis of the old habits of thought. The universe was still a system of mysterious affinities and magical ...
— German Culture Past and Present • Ernest Belfort Bax
... Instead, I believe that the business enthusiasts will be appeased—as they were a year or two ago, for the first time in carnival history—by the inclusion of an industrial pageant glorifying the city's commercial renaissance. Also the New Orleans newspapers soothe the spirit of the Association of Commerce, at carnival time, by publishing items presumably furnished by that capable organization, showing that business is going on as usual, that bank clearings have not diminished during ...
— American Adventures - A Second Trip 'Abroad at home' • Julian Street
... Middle High German Period, culminating about 1200 A. D. This was in Germany, as elsewhere in Europe, a time of abundant literary activity. It is the period of the renaissance of the heroic legends of the first period, and their remaking into developed epic poetry; of the writing of romances of chivalry and of antiquity; of the development of the lyric poetry of the Minnesingers; of the growth of popular fables and tales and of ...
— Song and Legend From the Middle Ages • William D. McClintock and Porter Lander McClintock
... AKINDES]; Alliance of the Social Democratic Party or PSD and KINA]; Liberal Democrats' Rally for National Reconstruction-Vivoten note: as of December 1998, more than 110 political parties were officially recognized; among them are Benin Renaissance Party or PRB, Our Common Cause or NCC, Cameleon Alliance or AC, Rally for ...
— The 1999 CIA Factbook • United States. Central Intelligence Agency.
... how naturally it grew out of an advancing civilization. After this slow-moving, sleepy interval of idleness and ignorance, when there were no books, no schools, no learning of any kind, there came a great waking up, or Renaissance, which stirred the populace in every direction. Printing was invented, books written, and people, hearing of other lands, began to travel. In consequence life became busier and time more valuable. ...
— Christopher and the Clockmakers • Sara Ware Bassett
... considered a constant study of Renaissance art that recently, when about to commence his Triumph of Bacchus, Carolus copied one of Rubens’s larger canvases with all the naïveté of ...
— The Ways of Men • Eliot Gregory
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