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More "Watteau" Quotes from Famous Books
 ... Veronese, were men of their time, sharing and interpreting the ideals of those around them, and were recognized and patronized as such. Rembrandt's greatest contemporary, Rubens, was painter in ordinary to half the courts of Europe, and Velazquez was the friend and companion of his king. Watteau and Boucher and Fragonard painted for the frivolous nobility of the eighteenth century just what that nobility wanted, and even the precursors of the Revolution, sober and honest Chardin, Greuze the sentimental, had no difficulty in making themselves understood, until the revolutionist ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... blushes, as if he had been guilty of spying on Adam and Eve in their nuptial bower. Alas, if one could but muffle his speech with the unconscious lisp of infancy, or veil and tone his picture to correspond to the perspective of antiquity, he might feel at least that, like Watteau, he had dealt worthily, if not truly, with that ideal age which we ever think of ...
— Unwritten Literature of Hawaii - The Sacred Songs of the Hula • Nathaniel Bright Emerson
... Street: the growing hum of the season, that made one feel right in it, even if one wasn't. Everything was peacefully happy, harsh and hard things seemed unreal; the world seemed made for birds and butterflies, light sentiment, colour, perfume and gay music. In this London life seemed like a Watteau picture. ...
— Bird of Paradise • Ada Leverson
... end of the 15th century there were always musette players[17] at the French court, and we find the instrument fully developed at the beginning of the 17th century when Mersenne[18] gives a full description of all its parts. The chief characteristic of the musette was a certain rustic Watteau-like grace. The face of the performer was no longer distorted by inflating the bag; for the long cumbersome drones was substituted a short barrel droner, containing the necessary lengths of tubing ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 2 - "Baconthorpe" to "Bankruptcy" • Various
... search of penance. In the centre of the room lay in hopeless confusion a pile of all sorts and varieties of garments, many of them of most antiquated description. Plumed hats and velvet knee-breeches of the cavalier period, Jersey jackets and tea-gowns, with Watteau plaits, such as were in fashion when Victoria was queen, were mingled with articles of a more recent date. On the top lay an open volume, the pages of which were brown with dust. Maggie picked ...
— The King's Men - A Tale of To-morrow • Robert Grant, John Boyle O'Reilly, J. S. Dale, and John T.
... my bank and said to a blue-eyed, Watteau type of beauty, "I want to see the manager, please. Concerning an important investment in War Loan," I added hastily, fearing lest the damsel should conclude that I wanted an ...
— Punch, or The London Charivari, Vol. 152, February 21st, 1917 • Various
... There is that about the mountains, with their roaring diapason of the noble pines, their rugged summits and far dying tints, purple, and gold, and azure, which no painter could express, had the genius of Titian and Watteau, and the atmosphere of Poussin, to speak over its creations. No! let them speak for themselves as all great things must—happy is he, who, by right of birth, ...
— The Last of the Foresters • John Esten Cooke
... WATTEAU Shepherdess And I were a gipsy lad, I'd teach you tunes that the blackbird trills And show you the dance of the daffodils, The white moon rising over the hills, And Night in her ...
— Punch, or the London Charivari, Vol. 150, June 7, 1916 • Various
... elegant knick-knacks for the boudoir; many are kept constantly busy delineating for the respect of future generations his lordship, or her ladyship's family. The painting of the eighteenth century is brilliant illustration still touched with art. For instance, in Watteau, Canaletto, Crome, Cotman, and Guardi there is some art, some brilliance, and a great deal of charming illustration. In Tiepolo there is hardly anything but brilliance; only when one sees his work beside that ...
— Art • Clive Bell
... Galantes' was derived by Blanc from the title conferred on Watteau by the French Academy. Of the artists therein mentioned, Watteau occupied the realm of poetry; Lancret that of the conventional, the fashionable; Pater that of vulgar, jovial reality; Boucher, the most distinctively French of artists, that of ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... a fan by Watteau, A fine water spaniel,—so great was his zeal,— A chatelaine watch, or a full set of Poe, And then at the end sent a ...
— Cap and Gown - A Treasury of College Verse • Selected by Frederic Knowles
... the disorder of her appearance. Over her rough peasant's clothes, some article of cast-off apparel cuts a strange and lamentable figure: a muslin morning-wrap, once white and covered with filmy lace; long, faded ribbons, which fasten a showy Watteau pleat to the back, with ravelled ends spreading over the thick red-cotton skirt; old pink-satin slippers, with pointed heels that sink into the mud. In point of fact, I could say the exact number of times when I have seen her and why I ...
— The Choice of Life • Georgette Leblanc
... artists succeeded in carrying the elegance of the 18th century through the storm into the period beyond, notably Prud'hon, who has been called the Watteau of the Revolution. His portraits of the women of the Bonaparte family, Josephine, Hortense, Pauline, have all the grace and fascination of the earlier age, merge with it the abandon of the Directoire period, and touch ...
— The French Revolution - A Short History • R. M. Johnston
... the dowager Marquise of the proverb just played. And a little further, in the shadow of the doorway, stood Angelot in powdered wig, silk coat, and sword, looking like a handsome courtier from a group by Watteau, and his eyes showed plainly enough what woman, if not what cause, attracted him at the moment. As to causes, Monsieur Joseph and the Vicomte des Barres were deep in talk close by; two Chouans consulting in the very ...
— Angelot - A Story of the First Empire • Eleanor Price
... else. But the boy contrived to support his mother and sister. That fellow, who is now as arrogant a stickler for the dignity of art as you or my Lord Chancellor may be for that of the bar, stooped then to deal clandestinely with fancy shops, and imitate Watteau on fans. I have two hand-screens that he painted for a shop in Rathbone Place. I suppose he may have got ten shillings for them, and now any admirer of Frank's would give L100 ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton
... Tiepolo has been stigmatised as extravagant, mannered, as just equal to painting cupids, nymphs, and parroquets. In the last century he experienced the effect of the profound discredit into which the whole of eighteenth-century art had fallen. In France, David had obliterated Watteau; and the reputation of Pompeo Battoni, a sort of Italian David, effaced Tiepolo and his contemporaries. When the delegates of the French Republic inspected Italian churches and palaces, and decided what works of art should be sent to the Louvre, they singled out the Bolognese, ...
— The Venetian School of Painting • Evelyn March Phillipps
... take the evidence of Vandyck, Watteau, Francois Boucher, and Greuze, in whose pictures they are so frequently introduced, all the toy Spaniels of bygone days had much longer noses and smaller, flatter heads than those of the present time, and they had much longer ears, these in many ...
— Dogs and All About Them • Robert Leighton
... Andre Watteau, whose very name spells sophisticated pastorals of exceeding loveliness. Watteau worked with Audran when he was producing his most inspired set of tapestry, on which we must dwell for a bit for pure pleasure. This set is ...
— The Tapestry Book • Helen Churchill Candee
... the dining-room is a secretaire given to Louis XVI. by the States of Burgundy, and portraits of the King and Marie Antoinette. The Cabinet de Travail of the queen was a cabinet given to her on her marriage by the town of Paris; in the Salle de Rception are four pictures by Watteau; the Boudoir has a Svres bust of the queen; in the Chambre—coucher is the queen's bed, and a portrait of the Dauphin by Lebrun. These simple rooms are a standing defense of the queen from the false accusations brought against her at the Revolution as to her extravagance ...
— Seeing Europe with Famous Authors, Volume 3 • Various
... n'avez toutes pris cette condition que pour vivre plus doucement et sans contrainte.' No wonder that to Fontenelle Theocritus' shepherds 'sentent trop la campagne[4].' But the hour of pastoralism had come, and while the ladies and gallants of the court were playing the parts of Watteau swains and shepherdesses amid the trim hedges and smooth lawns of Versailles, the gates were already bursting before the flood, which was to sweep in devastation over the land, and to purge the old order ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg
... astonish me. There were fine gentlemen with swords and silk waistcoats and silver shoe-buckles, and ladies in filmy summer gowns. Greuze ruled the mode in France then, but New Orleans had not got beyond Watteau. As for Nick and me, we knew nothing of Greuze and Watteau then, and we could only stare in astonishment. And for once we saw an officer of the Louisiana Regiment resplendent in a uniform that might ...
— The Crossing • Winston Churchill
... no Boucher we have here, nor Watteau: cosmetics and rosettes are far away; tunics are short, and cheeks are nut-brown. It is Teniers, rather:—boors, indeed; but they are live boors, and ...
— Atlantic Monthly, Vol. XI., April, 1863, No. LXVI. - A Magazine Of Literature, Art, And Politics. • Various
... such as may have been seen by many readers in the famous old Philipse house,—Washington's head-quarters,—in the town of Yorkers. The fire-places, worthy of the wide-throated central chimney, were bordered by pictured tiles, some of them with Scripture stories, some with Watteau-like figures,—tall damsels in slim waists and with spread enough of skirt for a modern ballroom, with bowing, reclining, or musical swains of what everybody calls the "conventional" sort,—that is, the swain adapted to genteel ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... it will be, my dear duke, a most charming idyl; in true Watteau style, I will be the sweet shepherdess, and lead your highness by a little ribbon. But where is ...
— Old Fritz and the New Era • Louise Muhlbach
... the next day was spent in H——, a snug town with a little park like a clean handkerchief, streets with coloured shops, neat and fresh-painted like toys from a toy-shop, little blue trains, statues of bewigged eighteenth-century kings and dukes, and a restaurant, painted Watteau-fashion with bright green groves, ladies in hoops and powder, and long-legged sheep. Here we wandered, five of us. Nikitin told us that he would meet us at the station that evening. He had his own business in the place. The little town was delivered over to the Russian army but seemed happy enough ...
— The Dark Forest • Hugh Walpole
... it is called, and the magnificent brocades, all of which any enriched tradesman could have procured for money; but he also noted such treasures as only princes can select and find, can pay for and give away; two pictures by Greuze, two by Watteau, two heads by Vandyck, two landscapes by Ruysdael, and two by le Guaspre, a Rembrandt, a Holbein, a Murillo, and a Titian, two paintings, by Teniers, and a pair by Metzu, a Van Huysum, and an Abraham Mignon—in short, two hundred thousand francs' worth of pictures superbly ...
— Poor Relations • Honore de Balzac
... bushes, when just as I was hand-frigging myself two delicious looking little girls stood before me, holding up their frocks, and showing me their rosebuds of hairless slits, as they also rubbed and frigged their little cunts, smiling and telling me they could. They were exquisitely dressed in the Watteau style, looking almost like Dresden figures, being so chic and delicate; then, seating themselves one on each side me on the grass, they proceeded to handle and play with my great big prick, allowing me at the same time to frig their two ...
— Forbidden Fruit • Anonymous
... fairies and nymphs, and on the wall-hangings more fairies and nymphs, and all the charming figures of the pastoral mythology—the Corydons, the Phylises, the Rosalinds—animated with their sylvan loves one of those sunny Cytherean landscapes originated by the fanciful imagination of Antoine Watteau. ...
— The Child of Pleasure • Gabriele D'Annunzio
... trace the personal feelings and motives lying behind the artist's fictions; for the suffering soul covers its pains with subtle disguises; yet even when we do not know them, we can divine them. We are certain, for example, that Watteau's gay pictured visions were the projection—and confession—of his own disappointed dreams. The great advantage of art over ordinary expression, in this respect, is its universality. Art is the confessional of the ...
— The Principles Of Aesthetics • Dewitt H. Parker
... of the magnificently furnished Palais Mazarin, now the National Library. On the completion of her work in remodelling this palace and furnishing it with the most costly and beautiful panel paintings by Watteau and other artists, she inaugurated her ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme
... was low, and the long shadows of the trees were black on the dim lawn. People were assembling for supper, and passing to and fro under low-hanging branches; and the gaily-colored gowns of the women glimmered through a faint blue haze like that with which Boucher and Watteau and Fragonard loved to veil, and thereby to make wistful, somehow, the antics of those fine parroquet-like manikins who figure in ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell
... that was—now one of our most dashing—I should say, charitable, ladies. Plenty of men at Service's church now. She's dressed in Watteau-fashion to-night, so if you see any one skipping around, looking as though she had just stepped from the Embarkation for the Island of Venus, set her down for the ...
— The Strollers • Frederic S. Isham
... the most marvelous boudoir possible to imagine. It was small and octagonal, hung with lilac and silver, with furniture and portieres of tapestry. Buhl tables, covered with splendid china; a Persian carpet, and the ceiling painted by Watteau, who was then coming into fashion. At this sight, the chevalier found it difficult to believe that he had been summoned on grave matters, and almost returned to ...
— The Conspirators - The Chevalier d'Harmental • Alexandre Dumas (Pere)
... and at last presents us with a series of pictures having all the charm of tone and the minute fidelity to nature which were the praise of the Dutch school of painters, but with a higher sentiment, a more refined humor, and an airy elegance that recalls the better moods of Watteau. We do not remember any Italian studies so faithful or the result of such continuous opportunity, unless it be the "Roba di Roma" of Mr. Story, and what may be found scattered in the works of Henri Beyle. But Mr. Story's volumes recorded ...
— The Function Of The Poet And Other Essays • James Russell Lowell
... might be selected as most characteristic of certain recurrent moods. That one on Denys L'Auxerrois, where the sweet, perilous legend of the exiled god—has he really been ever far from us, that treacherous Son of scorched white Flesh?—leads us so far, so strangely far. That one on Watteau, the Prince of Court Painters, where his passion for things faded and withdrawn reaches its climax. For Pater, like Antoine, is one of those always ready to turn a little wearily from the pressure of ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys
... the countess, half to herself, as she picked out a veritable Watteau from the rich collection; "I am young and free, and abhor constraint, yet I have ...
— A Cardinal Sin • Eugene Sue
... reached much the same stage. The Ming picture in the British Museum known as The Earthly Paradise is inferior to the best work of Botticelli, with which it is commonly compared, but reminds us, in its finished grace and gaiety, of a painting by Watteau. Korin, towards the end of the Ming period, is about as empty as Velasquez and more brilliant than Frans Hals. The eighteenth century, one inclines to believe, was the same everywhere. Stylistic obsession and the taste for material beauty ended in mechanical prettiness, altogether inexpressive ...
— Pot-Boilers • Clive Bell
... in a very artistically-furnished room. Its floor was of polished parquetry with a few fine skins from British Columbia spread upon it here and there, and the dainty, spindle-legged chairs, the little tables, the cabinets and the Watteau figures were, he fancied, either of old French manufacture or excellent copies. The big basement heater had apparently been extinguished, but a snapping wood-fire blazed upon the English pattern hearth, and, for the light ...
— The Gold Trail • Harold Bindloss
... nothing much better than Ogilby's translations of Homer, illustrated with big florid engravings in sham antique style. The years between 1730 and 1820, saw the French "little masters" in their perfection. The dress of the middle of the eighteenth century, of the age of Watteau, was precisely suited to the gay and graceful pencils of Gravelot, Moreau, Eisen, Boucher, Cochin, Marillier, and Choffard. To understand their merits, and the limits of their art, it is enough to glance through a series of the designs for Voltaire, Corneille, or Moliere. The drawings of society ...
— The Library • Andrew Lang
... incessant flash played as it were round the burnished cornice of the chamber, and threw a lurid hue on the scenes of Watteau and Boucher that sparkled in the medallions over the lofty doors. The thunderbolts seemed to descend in clattering confusion upon the roof. Sometimes there was a moment of dead silence, broken only ...
— Sybil - or the Two Nations • Benjamin Disraeli
... they wandered through the arbour-walks of this enchanting wilderness, that its beauty had been enhanced even by this very neglect. It seemed like a forest in a beautiful romance; a green and bowery wilderness where Boccaccio would have loved to woo, and Watteau to paint. So artfully had the walks been planned, that they seemed interminable, nor was there a single point in the whole pleasaunce where the keenest eye could have detected a limit. Sometimes you wandered in those arched and winding walks ...
— Henrietta Temple - A Love Story • Benjamin Disraeli
... time, sharing and interpreting the ideals of those around them, and were recognized and patronized as such. Rembrandt's greatest contemporary, Rubens, was painter in ordinary to half the courts of Europe, and Velazquez was the friend and companion of his king. Watteau and Boucher and Fragonard painted for the frivolous nobility of the eighteenth century just what that nobility wanted, and even the precursors of the Revolution, sober and honest Chardin, Greuze the sentimental, had no difficulty in making themselves understood, until the revolutionist David ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... to the time of Gericault painting in general held itself rather pedantically aloof from poetry. Claude, Chardin, what may be called the illustrated vers de societe of the Louis Quinze painters—of Watteau and Fragonard—even Prudhon, did little to change the prevailing color and tone. Claude's art is, in manner, thoroughly classic. His personal influence was perhaps first felt by Corot. He stands by himself, at any rate, quite apart. He was the first thoroughly original French painter, if indeed ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... a chest in the garret, the dowager Marquise of the proverb just played. And a little further, in the shadow of the doorway, stood Angelot in powdered wig, silk coat, and sword, looking like a handsome courtier from a group by Watteau, and his eyes showed plainly enough what woman, if not what cause, attracted him at the moment. As to causes, Monsieur Joseph and the Vicomte des Barres were deep in talk close by; two Chouans consulting in the ...
— Angelot - A Story of the First Empire • Eleanor Price
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