"Japanese" Quotes from Famous Books
 ... a plush-bottomed and gilt hammock-chair near a tiled fireplace, with Japanese fans on the mantel and a glow of coals in the grate. Lifting her hands, she glanced wearily here and there into the many pages. It was not her fault they were so prosy, so completely uninteresting—from "My darling wife" at the beginning, ...
— Typhoon • Joseph Conrad
... oldest art traditions in the world, can justly be expected to outdo the rest of the world. We find Japan again, as on previous occasions, excelling in its typical arrangement of a number of small pavilions in an irregular garden. The entire Japanese display, architectural and all, is so perfect a unit that one cannot speak of the buildings alone without thinking of the gardens. The Japanese sense of detail and love of the picturesque are disclosed at every turn. We still have with ...
— The Art of the Exposition • Eugen Neuhaus
... English-speaking people the word signifies a "total" and also a problem in arithmetic. A painting of a landscape does not attempt to imitate the scene; it uses colors and forms as symbols which serve for expression. The meaning attaching to these symbols derives from common acceptance and usage, Japanese painting, rendering the abstract spirit of movement of a wave, for example, rather than the concrete details of its surface appearance, differs fundamentally from the painting of the western world; it is none the less pregnant with meaning for those who know the convention. ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... forever looking about the room, and thinking of the family she had met downstairs. Of course, when one lived in a house like this, one could afford to dress and act as one liked. She was aroused from her reflections by the soft but penetrating notes of a Japanese gong, followed by a gentle knock on the door and the entrance of an elderly maid, who informed her it was time to ...
— The Crossing • Winston Churchill
... over the lake. Outlining its irregular border, broken by small promontories and inlets, thousands of blooming plants creep down to the water's edge and venture out into its placid depths—periwinkles, primroses, daffodils, heliotrope, pampas grass, white and yellow callas, Spanish and Japanese iris and myriads of others whose names and gay, nodding blossoms are more or less familiar. Fountains play in the edge of the lake, the charming spirited group here illustrated being "Wind and Spray" by ...
— The Architecture and Landscape Gardening of the Exposition • Louis Christian Mullgardt
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