... he found himself so deeply interested in the evolution of Venetian art, and in tracing the spirit of the people as shown by the mythology illustrated in the pictures and sculptures, that his practical manual became a sketch of art history, "St. Mark's Rest"—as a sort of companion to "Mornings in Florence," which he had been working at during his last visit to Italy. His intention was to supersede "Stones of Venice" by a smaller book, giving more prominence to the ethical side of history, which should illustrate Carpaccio as ... — The Life of John Ruskin • W. G. Collingwood
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