"Apologue" Quotes from Famous Books
... time this apologue amused me; in the light of later events it assumed a tragic significance. Oscar Wilde ought to have known that in this world every real superiority is pursued with hatred, and every worker of miracles ... — Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... mind, like a text which gathers atmosphere and discloses significance under the special treatment of the preacher. It is said that he had, artistically, the allegorizing temperament, and he in fact did use all those forms of imagery—the fable, apologue, parable—which belong to this mode of presentation; but in his most effective work the allegory is more subtly embodied,—it exists in suggestion, and its appeal is as much emotional as didactic. The nucleus of this new mystery is the ... — Nathaniel Hawthorne • George E. Woodberry
... Mr Malachi Mulligan now appeared in the doorway as the students were finishing their apologue accompanied with a friend whom he had just rencountered, a young gentleman, his name Alec Bannon, who had late come to town, it being his intention to buy a colour or a cornetcy in the fencibles and list for the wars. Mr Mulligan was civil enough to express some relish of it all the ... — Ulysses • James Joyce
... being moved by the arts of oratory. Indeed, the book is one that must everywhere be welcome, both for its manner and for its matter. The application of the "Truths" is generally enforced by a felicitous apologue or figure; in some cases the lesson is conveyed in a beautiful metaphor standing alone. The extracts are brief, and the point, never ... — The Atlantic Monthly, Volume 18, No. 109, November, 1866 • Various
... figures, made precis of the reports of money markets, dissected and analysed the balance sheets of railway companies, decoded messages from London or from Paris, transcribed formulae as abstract, as remote from tangible things as the x and y of algebraic equations. These men all worked—the apologue of the quadratic equation held my mind—moving their symbols here and there, extracting roots, dissolving close-knit phrases into factors, cancelling, simplifying, but always dealing with symbols meaningless, unreal in themselves. Behind them was Ascher, Ascher and ... — Gossamer - 1915 • George A. Birmingham |