"Atelier" Quotes from Famous Books
 ... part, I have grown up among works of art. My whole existence has been moulded on them, and I feel an inexpressible void without them. I shall be most happy to introduce you into my atelier, and show you my notes on the various Musees. I preserved them merely as a trifling memorial; but many connoisseurs have told me that I ought to print them as a Catalogue raisonnee, for private circulation, ...
— The Young Step-Mother • Charlotte M. Yonge
... general thing, was busy, (though I had my fits of abstraction, like other men of genius, during which I did nothing but lie on my bed and smoke pipes over French novels, or join parties of pleasure into the country or within the barriers,) through the day, and often till late in the evening, in the atelier of one or another of the most renowned ...
— Atlantic Monthly, Vol. 5, No. 27, January, 1860 • Various
... he went to Schinner's, to learn the secrets of the powerful and magnificent color which distinguishes that master. Master and scholars were all discreet; at any rate Pierre discovered none of their secrets. From there he went to Sommervieux' atelier, to acquire that portion of the art of painting which is called composition, but composition was shy and distant to him. Then he tried to snatch from Decamps and Granet the mystery of their interior effects. The two masters were not ...
— Pierre Grassou • Honore de Balzac
... and friend was unrestful and full of tender foreboding even in seeming repose. Pretty close on this must have followed the Madonna and Child with St. Stephen, St. Ambrose and St. Maurice, No 439 in the Louvre, in which the rich colour-harmonies strike a somewhat deeper note. An atelier repetition of this fine original is No. 166 in the Vienna Gallery; the only material variation traceable in this last-named example being that in lieu of St. Ambrose, wearing a kind of biretta, we have St. ...
— The Earlier Work of Titian • Claude Phillips
... of the Rue Saint-Honore; this figure was an exponent of the latest fashions and inventions, and, changing continually, was watched and copied by all Europe. Alterations in style frequently originated at the supper of a mistress, in the box of a dancer or in the atelier of a fine modiste; therefore, in that respect, that century differed little from the present one. Trade depended largely upon foreign patronage. Fortunes were made by the modistes, who were the great artists of ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme
... me gently by the arm, and led me before the row of statuettes. "I perceive by your conversation, signore, that you are a patron of the arts. Allow me to request your honourable attention for these modest products of my own ingenuity. They are brand-new, fresh from my atelier, and have never been exhibited in public. I have brought them here to receive the verdict of this dear lady, who is a good critic, for all she may pretend to the contrary. I am the inventor of this peculiar style of statuette—of subject, manner, material, everything. Touch ...
— The Madonna of the Future • Henry James
... be found in every picture gallery canvases attributed, not to any single painter, but to an atelier, to the school of some great master. One finds charming pieces among them. Nor are they invariably the work of pupils who painted under the direction of some famous man. Quite as often they are the handiwork of artists who appeared independent enough to their patrons and to themselves. ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... innovators, whose example was then undermining the over-classic influence of David's school, the most formidable and influential of whom, a youth about his own age, and a fellow-student in his father's atelier, was then painting a great picture, sadly decried at the time, but now considered one of the masterpieces of the French school in the Louvre—the "Raft of the Medusa." Gericault was his companion in the studio and in the field, at the easel and on horseback; and ...
— Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art, (Vol. 2 of 3) • Shearjashub Spooner
... Petherick traces the career of Stradivari from his earliest insight into the mysteries of the craft to his highest achievements. Numerous illustrations lend attraction to the volume, not the least being a view of Stradivari's atelier, from a painting by Rinaldi, the sketch of which was ...
— Violin Making - 'The Strad' Library, No. IX. • Walter H. Mayson
... Zuccarelli and Wilson at Venice is the only instance I know in which foreign travel benefited any English landscape painter. Foreign travel is all very well when the artist has grown up. Paris has been the tomb of many English art students. M. Bordeaux, who gave Mr. Hind's hero tips in the atelier, seems to have been as 'convincing' as the famous barrel of the same name. Far better will the English student be under Mr. Tonks at the Slade; or even at the Royal Academy, where, owing to the doctrine of contraries, out of sheer rebellion he may ...
— Masques & Phases • Robert Ross
... horrified. The Assumption is an exception to all the convents; besides the regular studies they have professors from the Sorbonne, Lycee Henry IV and other colleges to come in and give lectures on foreign literature, history, art, etc. Besides this unheard of privilege they have an atelier for drawing with Ducet to correct, and living models, men, women and children. Of course Mama never imagined such a thing possible in a convent, the general idea of convents not going beyond wax flowers. Here are the privileges ...
— Nelka - Mrs. Helen de Smirnoff Moukhanoff, 1878-1963, a Biographical Sketch • Michael Moukhanoff
... Gibbon's phrase, 'the golden tombs whence a worm emerges in the form of a butterfly'—carefully disengaging the almost imperceptible film of silk therein concealed, transferring it to the spinning-wheel, where it is spun into what looks like a thread of solid gold. Throughout the vast atelier hundreds of shuttles are swiftly plied, and on first entering the eye is dazzled with the brilliance of these broad bands of silk, bright, lustrous, metallic, as if of solid gold. This flash of gold ...
— The Roof of France • Matilda Betham-Edwards
... doctor had assumed his sternest look, the door of Vane's little atelier was darkened, and Mr Deering stood therein, looking bright, cheery of aspect, and, in appearance, ten years younger than on the night when he upset the table, and the Little Manor House was within an inch of being ...
— The Weathercock - Being the Adventures of a Boy with a Bias • George Manville Fenn
... there were two women, both in the garments of the ancient atelier. One was bemarked with clay; the other was stained with paint. Laodice knew at a glance that she looked at ...
— The City of Delight - A Love Drama of the Siege and Fall of Jerusalem • Elizabeth Miller |
