"Critic" Quotes from Famous Books
 ... institution; but, alas, the pulpit itself, has no adequate system of ethics—its theology has starved its ethics, and it lifts its followers, in the main, no higher than the level of exterior respectability. The task remains for some able critic to show how many of the important duties of life, though plainly implied by the fundamental law of Christianity, are ignored ...
— Buchanan's Journal of Man, August 1887 - Volume 1, Number 7 • Various
... first really heartless play. In the others the chivalry of the eighteenth century Irishman and the romance of the disciple of Theophile Gautier (Oscar was really old-fashioned in the Irish way, except as a critic of morals) not only gave a certain kindness and gallantry to the serious passages and to the handling of the women, but provided that proximity of emotion without which laughter, however irresistible, ...
— Oscar Wilde, Volume 2 (of 2) - His Life and Confessions • Frank Harris
... "Sir," said the critic, Fancher, looking at me, "I understand that in Ireland the chastity of the women is so great that no child is born without a birthmark in the shape of the initials of ...
— The O'Ruddy - A Romance • Stephen Crane
... play was a failure. After the first act, many left the theatre; at the end of the second, most of the others started out. A cynical critic as he rose from his aisle seat raised ...
— Jokes For All Occasions - Selected and Edited by One of America's Foremost Public Speakers • Anonymous
... a candid critic, I would ask you if the likeness can be considered correct when you give her no legs? You will see at the ballet that you are in error about women at present, Richard. That admirable institution which our venerable elders have imported from ...
— The Shaving of Shagpat • George Meredith
... A critic absurdly complains that I do not account for this. Account for what? I still hold the authenticity of nearly all the Pauline epistles, and that the Pauline Acts are compiled from some valuable source, from chap. xiii. onward; but it was ...
— Phases of Faith - Passages from the History of My Creed • Francis William Newman
... passage cited by M. M. E. at p. 38., I should have supposed that the Munich critic had referred to some other book with the same title. No one who has read this can suppose it was written by Tieck. The Catholic-romantic school, of which he was the most distinguished member, furnishes the ...
— Notes and Queries, Number 215, December 10, 1853 • Various
... crimes of Rome are authenticated, the case is not the same with its virtues. An able critic has shown that nothing is more problematic than the history of the three or four first ages of that city. As the confusions of the state increased, so do the confusions in its story. The empire had masters, whose names are only known from medals. It is uncertain of what princes several empresses ...
— Historic Doubts on the Life and Reign of King Richard the Third • Horace Walpole
... with four or five of these languages at least he had an intimate, scholarly acquaintance. His judgment of men and things may not always have been sound, but he was a shrewd observer of contemporary events. "The cleverest critic of the life of his time" is the verdict of Mr. Reginald Poole. {3} He changed his opinions often: he was never ashamed of being inconsistent. In early life he was, perhaps naturally, an admirer of the Angevin dynasty; ...
— The Itinerary of Archibishop Baldwin through Wales • Giraldus Cambrensis
... such toleration as there was rarely extended to active teaching and propaganda. Even in liberal Athens the hemlock was in the last resort at the service of the ancient gods and the ancient morals against the sceptical critic. ...
— An Englishman Looks at the World • H. G. Wells
... meaning. Still it must be admitted that all vulgarisms, as far as practicable, should be indignantly spurned from our noble English language—a language unequalled for excellence in fluency, capacity, and strength. A stern critic may also, and in truth, aver that terms are included on our roll the which are not altogether of maritime usage. This we have admitted, but the allegation will be greatly weakened on scrutiny, for they are here given in the sense entertained of them in nautic parlance. Such ...
— The Sailor's Word-Book • William Henry Smyth
... if we measure him, not by priority of merit, but living duration of influence, not on a comparison with obscure forerunners, but with great and famous successors, we shall instal this ragged and disreputable figure in a far higher niche in glory's temple than was ever dreamed of by the critic. It is, in itself, a memorable fact that before 1542, in the very dawn of printing, and while modern France was in the making, the works of Villon ran through seven different editions. Out of him flows much of Rabelais; ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 3 (of 25) • Robert Louis Stevenson
... innovation in a living language is absurd, unless we put a stop to thinking. When a language becomes fixt it becomes a dead language. Men must leave it for a living one, in which they can express their ideas with all their changes, extensions and corrections. The duty of the critic in this case is only to keep a steady watch over the innovations that are offered, and require a rigid conformity to the general principles of the idiom. Noah Webster, to whose philological labors our language will ...
— The Columbiad • Joel Barlow
... night of some play. I was dramatic critic for the Saturday Review, and, weary of meeting the same lot of people over and over again at first nights, had recently sent a circular to the managers asking that I might have seats for second nights ...
— Seven Men • Max Beerbohm
... surroundings, since the day when, about a hundred years before, while the blossom of the Renaissance was barely expanded, the popinjay King Henry II looked on at the first crude sketch of a French classical play. Stage, scenery, appointments, audience, critic, music, actors, and authors, all now bore witness to and adorned, as they were in fact the most elaborate ...
— The Great Events by Famous Historians, Volume 11 • Various
... gallop, the pace of pilgrims riding to the shrine of St Thomas. John Dennis, known as Dennis the Critic, says of Pope— ...
— The Romance of Words (4th ed.) • Ernest Weekley
... are. But who supports things as they are? Things as they are have become insupportable. If you make any of the constitutional changes that have been proposed, we are told, parliamentary government, as Englishmen now know it, is at an end; and our critic stands amazed at those "who deem it a slighter danger to innovate on the Act of Union than to remodel the procedure of the House of Commons." As if that were the alternative. Great changes in the rules may do other good things, but no single competent authority believes that in this particular ...
— Handbook of Home Rule (1887) • W. E. Gladstone et al.
... into a beautiful home and a profitable investment, must simply stand for what it is worth. It may give useful hints, to be followed on a smaller or a larger scale, or it may arouse criticisms which will work for good, both to the critic and to the author. I do not claim experience, excepting the most limited; I do not claim originality, except that most of this work was new to me; I do not claim hardships or difficulties, for I had none; but I do claim that I made good, that I arrived, that my experiment was physically ...
— The Fat of the Land - The Story of an American Farm • John Williams Streeter
... Lamb. for MSS. aut. Muretus, by what Dav. calls an "arguta hariolatio," read an for aut and put a note of interrogation at contulerunt. C.F. Hermann (Schneidewin's Philologus VII. 466) introduces by conj. a sad confusion into the text, but no other good critic since Madvig's remarks in Em. 125 has impugned Lambinus' reading. Goerenz indeed, followed by the faithful Schutz, kept the MSS. reading with the insertion of aut between sed and ut at the ...
— Academica • Marcus Tullius Cicero
... know, was a great lover of the drama,—a true patron and admirer of playwrights and play-actors. He was, perhaps, the greatest theatrical critic that ever lived. Many of the happiest hours of his life were passed in reading the works of the old English dramatists, and in witnessing the performances of favorite actors. He once had hopes of being a successful dramatist himself, and to that end devoted many of his spare hours ...
— Atlantic Monthly, Volume 11, Issue 67, May, 1863 • Various
... Cesari, colled Josepin or the Chevalier d'Arpin, a painter of the Roman school, born in 1560 or 1568, died in 1640. He posed as an artistic critic in Rome during the later years of his life, and his judgment was claimed by his friends to be authoritative and final in all matters connected ...
— Weird Tales. Vol. I • E. T. A. Hoffmann
... rude peasants say." His estimates of certain situations are masterpieces of picturesque concision. "Why did I stop and sign the preliminaries of Leoben? Because I played vingt-et-un and was satisfied with twenty." His insight into (dramatic) character is that of the most sagacious critic. "The 'Mahomet' of Voltaire is neither a prophet nor an Arab, only an impostor graduated out of the Ecole Polytechnique."—"Madame de Genlis tries to define virtue as if she were the discoverer of it."—(On Madame de Stael): "This woman ...
— The Origins of Contemporary France, Volume 5 (of 6) - The Modern Regime, Volume 1 (of 2)(Napoleon I.) • Hippolyte A. Taine
... you have said before. And above all, in art, work to please yourself—that Other Self that stands over and behind you, looking over your shoulder, watching your every act, word and deed—knowing your every thought. Michelangelo would not paint a picture on order. "I have a critic who is more exacting than you," said Meissonier—"it ...
— Little Journeys to the Homes of the Great, Volume 5 (of 14) • Elbert Hubbard
... street of these rude cabins a group of ragged comrades was crowding at the heels of a man who hugged a leather apron to his chest with both arms. Jabez Rockwell was in hot haste to join the chase; nevertheless he halted to cry back at his critic: ...
— The Junior Classics • Various
... a little more blame, and he would have suspected himself of genius; as it was, he was content to stand distinguished from the ruck of the popular and the respectable by virtue of that imagination which his critic had allowed to him. He was not a great painter, and he knew it; but he was a brilliantly clever one, and he knew that also, and in the fact and his intimate knowledge of it lay the secret of his success. ...
— The Return of the Prodigal • May Sinclair
... cultivated men, he distrusted popularity: like all men who believe in their own individual judgment, he doubted collective wisdom. Yet now that his protegee had been accepted by others, he questioned that judgment and became her critic. It struck him that her sudden outburst was strained; it seemed to him that in this mere contortion of passion the sibyl's robe had become rudely disarranged. He spoke to Hamlin, and even approached ...
— A Sappho of Green Springs • Bret Harte
... by Mrs. Mary Jones rather brightened him until he considered that the enlivenment was due to a purchase by money, of which he was incapable, and he rejected it, like an honourable man. Simultaneously, the state of depression threw critic shades on a prized sentence or two among his recent confections. It was rejected for the best of reasons and the most discomforting: because it racked our English; signifying, that he had not yet learnt the right use ...
— The Shaving of Shagpat • George Meredith
... gift of humour. As some actors have only to show their face and utter a word or two, in order to convulse an audience with merriment, so here does almost every sentence hold good and honest laughter. Not, perhaps, objects the superfine and too dainty critic, humour of the most delicate sort—not humour that for its rare and exquisite quality can be placed beside the masterpieces in that kind of Lamb, or Sterne, or Goldsmith, or Washington Irving. Granted freely; not humour of that special character. But very ...
— Life of Charles Dickens • Frank Marzials
... Pythagoric and Platonic principles more clearly than those that were prior to him; for neither are the writings of Numenius, Cronius, Moderatus, and Thrasyllus, to be compared with those of Plotinus on this subject." After such a testimony as this from such a consummate critic as Longinus, the writings of Plotinus have nothing to fear from the imbecile censure of modern critics. I shall only further observe, that Longinus, in the above testimony, does not give the least hint of his having found any polluted streams, or corruption of the doctrines of Plato, ...
— Introduction to the Philosophy and Writings of Plato • Thomas Taylor
... is worn by the old German students." You will pardon me for treating such an awful person as this somewhat lightly; but there is always, I think, such a dash of the ridiculous in the French sublime, that the critic should try and do justice to both, or he may fail in giving a fair account of either. This character of Hebronius, the type of Mrs. Sand's convictions—if convictions they may be called—or, at least, the allegory under which her doubts are represented, is, in parts, very ...
— The Paris Sketch Book Of Mr. M. A. Titmarsh • William Makepeace Thackeray
... Churchill," said Beauclerc; "I am really anxious, I know you are such a good critic, will you show me these faults? blame as well as praise must always he valuable ...
— Helen • Maria Edgeworth
... conventional type, no good "model." It is an age of "Go-as-you-please," and of tous les genres sont bons, surtout le genre ennuyeux. In almost any age of English literature, or indeed of any other literature, an experienced critic can detect the tone of the epoch at once in prose or verse. There is in them an unmistakeable Zeit-Geist in phraseology and form. The Elizabethan drama, essay, or philosophy could not be mistaken for ...
— Studies in Early Victorian Literature • Frederic Harrison
... of course it's true. Amory's dead. I tell you he is dead. The first sign of life he shows, he is dead. He can't appear. We have him at a deadlock, like the fellow in the play—the 'Critic,' hey?—dev'lish amusing play, that 'Critic.' Monstrous witty man, Sheridan; and so was his son. By Gad, sir, when I was ...
— The History of Pendennis • William Makepeace Thackeray
... discoverer of America have furnished an almost inexhaustible theme for the critic, the biographer, and the historian. In the year 1892 there was celebrated an event which has come by common consent to be regarded as a world-famous epoch, worthy to be held in everlasting remembrance. We commemorated the man whose discovery almost ...
— Great Men and Famous Women. Vol. 5 of 8 • Various
... to the stone-mason critic, (and Mr. Bowles acknowledges he has heard worse public critics in his time,) he observed, that the lines might ...
— The Mirror of Literature, Amusement, and Instruction, - Vol. 12, Issue 328, August 23, 1828 • Various
... the critic who tells you the handicap's absolute rot, For this is chucked in, and that's hopeless, and somebody ought to be shot. How is it he can't make a fortune himself when he knows such ...
— Saltbush Bill, J.P., and Other Verses • A. B. Paterson
... those with which, in days when there existed for me no critic less gentle than yourself, I brought to you my childish manuscripts; feelings only such as those which have, in later years, associated with your heart all that has moved or occupied my own,—lead me once more to seek assurance ...
— Lucile • Owen Meredith
... unknown man. What they desired was a commonplace, and when he said this, she—well, she said nothing. From the first she had insisted on his reading aloud to her everything he wrote. Unconsciously to herself she had become a critic. She was beginning to fear that he was only at home in the lower levels. When he soared, he floundered. It was only among the hacks that he held his own. Even then, at times, he lagged behind. So far from hinting to him her fears, she would almost rather have ...
— The Harmsworth Magazine, v. 1, 1898-1899, No. 2 • Various
... strike back with something more tangible than a sarcastic verse. He quite admitted, even to himself, that a critic had every right to criticise—that was what he was for—but he claimed that a man who pretended to be an author's friend and who praised his books to his face, had no right to go behind his back ...
— The Face And The Mask • Robert Barr
... the passage at length in order to give the critic's argument its widest scope. But, alas, who does not see the argument's fallacy? Who does not perceive that this reenforced skyscraper is a cardboard column liable to fall with the first push that ...
— Fighting France • Stephane Lauzanne
... sensitive and pampered taste of a democratic century can approve of?—There is no doubt these coming ones will be least able to dispense with the serious and not unscrupulous qualities which distinguish the critic from the skeptic I mean the certainty as to standards of worth, the conscious employment of a unity of method, the wary courage, the standing-alone, and the capacity for self-responsibility, indeed, they will avow ...
— Beyond Good and Evil • Friedrich Nietzsche
... Street, are you? It is a seething hell. Now, forgive, forget; meet me frankly at the Century for dinner, and I may be able to make your fortune and save your friendship. Burn this; don't answer, even by wire, as I shall be swinging around by Pittsburg. Wade is your only critic. He wants the place for his nephew, Tom. We can't blame him. Blood is thicker than water, after all; but we'll beat him at his own game. ...
— The Midnight Passenger • Richard Henry Savage
... on the natives as a work of their countrymen. The subject was a dialogue between a lover and a rich coy mistress: the expressions were proper to the occasion, and in some degree characteristic. It passed with several, but an old lady who was a more discerning critic than the others remarked that it was "katta katta saja"—mere conversation; meaning that it was destitute of the quaint and figurative expressions which adorn their own poetry. Their language in common speaking is proverbial and sententious. If a young woman prove with ...
— The History of Sumatra - Containing An Account Of The Government, Laws, Customs And - Manners Of The Native Inhabitants • William Marsden
... of criticism, such as that of the monumental planning of modern Paris as derived from forest rides, the critic need only walk through any French forest, or even to consult a Baedeker, or other guide-book, with its maps of any historic dwelling and its surroundings, from Chantilly or Fontainebleau to minor ones, to see that this plan, originally ...
— Civics: as Applied Sociology • Patrick Geddes
... He is known chiefly as a musical critic and author; for thirty-eight years he was connected with the "London Athenaeum." His books ...
— McGuffey's Sixth Eclectic Reader • William Holmes McGuffey
... delight to us all. He was at this time a small, brown-bearded man of thirty-five, whose quick humor, keen insight and unfailing interest in all things literary made him a caustic corrective of the bombast to which our local reviewers were sadly liable. Although a merciless critic of Chicago, he was a native of the city, and his comment on its life had to be confronted with such equanimity as our self-elected social ...
— A Daughter of the Middle Border • Hamlin Garland
... might leave it to my opponents. However, after having quoted the two Emperors, Iquoted a more humble personage, Protagoras, and referred to other attempts at purism in language; but all that is, of course, passed over by my critic, as not answering ...
— Chips from a German Workshop - Volume IV - Essays chiefly on the Science of Language • Max Muller
... ability as a Divine in the Introduction to his Commentary on the Psalms. Jones of Nayland is found to have lived till 1800. Bp. Horsley, a great champion of orthodoxy of belief, as well as an excellent commentator, critic, and Sermon writer, lived till 1806. Not seven years have elapsed since there was to be seen among ourselves a venerable Divine, who was declared in 1838, by the chief promoter of the 'Tracts for the Times,' to have "been reserved to report to a forgetful generation what was the Theology ...
— Inspiration and Interpretation - Seven Sermons Preached Before the University of Oxford • John Burgon
... The critic who condemns as wholly discordant the variant notes of our multitudinous verse-writers may point out that we should have had more right to expect concord if we had shown some discernment in sifting true poets from false. ...
— The Poet's Poet • Elizabeth Atkins
... crime and physical beauty is a very saving grace, and, as these things all happened in the earliest chapters, I readily foresaw an ultimate end of the happiest nature and a solution of all difficulties worked out in defiance of the probabilities. A disappointed prophet is a captious critic and, the story turning out quite otherwise, I was very much on the alert for latent faults. Of these I found none. True, I did not altogether like Jim Westfield, but then I doubt if I was altogether meant to. ...
— Punch, or the London Charivari, Vol. 146, June 3, 1914 • Various
... in this masquing age Maketh Unknowns so many and so shy? What but the critic's page? One hath a cast, he hides from the world's eye; Another hath a wen,—he won't show where; A third has sandy hair, A hunch upon his back, or legs awry, Things for a vile reviewer to espy! Another hath a mangel-wurzel nose,— Finally, this is dimpled, Like a pale ...
— The Poetical Works of Thomas Hood • Thomas Hood
... kindly critic of character, Edison tells many anecdotes of the men who gathered around him in various capacities at that quiet corner of New Jersey—Menlo Park—and later at Orange, in the Llewellyn Park laboratory; and these serve to ...
— Edison, His Life and Inventions • Frank Lewis Dyer and Thomas Commerford Martin
... Applied Arts sent Paul Horti as its representative. Mr. Paul Horti is a well known art critic of Hungary. Mr. R.E. Rombauer was also ...
— Final Report of the Louisiana Purchase Exposition Commission • Louisiana Purchase Exposition Commission
... born in 1840, and received his musical education in the Conservatory at Milan, where he studied for nine years. In 1866 he became a musical critic for several Italian papers, and about the same time wrote several poems of more than ordinary merit. Both in literature and music his taste was diversified; and he combined the two talents in a remarkable degree in his opera of "Mephistopheles," the only work by which ...
— The Standard Operas (12th edition) • George P. Upton
... an excellent provincial tailor, who is also keen Captain Smith in the Sheffingham Terriers. As tailor his chief customer, as soldier his contemptuous scandalised critic, is Sir Dennys Broughton, whose wayward flapper daughter Betty is in the early fierce stages of revolt against the stuffiness of life at Grange Court, meets Smith over some boys' club work, and, finding brains and dreams in him (a formidable contrast ...
— Punch, Or The London Charivari, Volume 152, March 21, 1917 • Various
... carrying out this plan. Through the serpent he approached the woman and said, "Yea, hath God said, Ye shall not eat of any tree of the garden?" God had spoken; the first word to man had come from His lips. Satan's first work was to make God's creature doubt God's Word. The first destructive critic who denied that God hath spoken was Satan. Every man, no matter what learning he may claim, who denies the inspiration of the Bible, and that the Bible is the revelation and Word of God, is the mouthpiece of Satan. Emboldened by the woman's answer he said "Ye shall not surely die," an out ...
— Studies in Prophecy • Arno C. Gaebelein
... liars of most of us,—not absolute liars, but such careless handlers of truth that its sharp corners get terribly rounded. I love truth as chiefest among the virtues; I trust it runs in my blood; but I would never be a critic, because I know I could not always tell it. I might write a criticism of a book that happened to please me; that is ...
— Atlantic Monthly, Vol. 1, No. 5, March, 1858 • Various
... may rejoin our critic, "it is clearly useless to set up any ideal standard of family discipline. There can be no advantage in elaborating and recommending methods that are in advance of the time." Again we contend for the contrary. Just as in the case of political government, though pure rectitude may ...
— Essays on Education and Kindred Subjects - Everyman's Library • Herbert Spencer
... had not the unnatural habits of his ancestors accumulated for him a certain portion of malady and deformity. In the most perfect specimen of civilized man, something is still found wanting by the physiological critic. Can a return to nature, then, instantaneously eradicate predispositions that have been slowly taking root in the silence of innumerable ages?—Indubitably not. All that I contend for is, that from the moment of the relinquishing all unnatural habits no ...
— The Complete Poetical Works of Percy Bysshe Shelley Volume I • Percy Bysshe Shelley
... There were moments indeed when, if it appeared to lack volume or vehemence, he was ready himself to supply what was deficient." Mr. CARR has in his time played many parts. He made a start at the Bar, but did not get further than the position of a Junior, which suited him admirably. As a critic, he cannot plead in extenuation the dictum of DISRAELI that critics are those who have failed in Literature and Art. He has written several successful plays, was English editor of L'Art, was among the founders of the New Gallery, and remains established as one of our best after-dinner ...
— Punch, or the London Charivari, Vol. 147, October 28, 1914 • Various
... subjoined to the different plays. In other respects he is not superior to the rest; in some, particularly in illustrating his author from antecedent or contemporary writers, he is inferior to them. A German critic of our own days, Schlegel, has surpassed him even in that which he ...
— Lives of the English Poets - From Johnson to Kirke White, Designed as a Continuation of - Johnson's Lives • Henry Francis Cary
... Palamas," says Eugene Clement, a French critic, in a recent article on the poet, "presents itself today with an imposing greatness. Without speaking about his early collections, in which already a talent of singular power is revealed, we may say that the four or five ...
— Life Immovable - First Part • Kostes Palamas
... clear-headedness in pronouncing 'that there is little in the technique of palliatae to excite our admiration.' Again we insist (to borrow the jargon of the modern dramatic critic) it was but a "vehicle" for ...
— The Dramatic Values in Plautus • Wilton Wallace Blancke
... one of the Newcastle papers, that for a man to be in difficulty or sorrow was a passport to his help and sympathy. My mother was the daughter of Thomas Wemyss, of Darlington, a well known Biblical scholar and critic, a kinsman of the poet Campbell, and a direct descendant of the Stewarts of Ascog, Bute, a family which traced its descent in unbroken succession—with the bar sinister at the start—from Robert II. ...
— Memoirs of Sir Wemyss Reid 1842-1885 • Stuart J. Reid, ed.
... subjoined extracts record the impression made by Mr. Newman's preaching on contemporaries well qualified to judge, and standing respectively in very different relations to the movement. This is the judgment of a very close observer, and very independent critic, James Mozley. In an article in the Christian Remembrancer, January 1846 (p. 169), after speaking of the obvious reasons of Mr. Newman's influence, ...
— The Oxford Movement - Twelve Years, 1833-1845 • R.W. Church
... has ever been tolerated before; it is therefore left to the author's own choice to secure his favorites, numerously and easily, if he but pay attention to give his work the exact tinge of the "couleur locale" which predominates in the spot where his plot is laid; but because the eye of the critic has become familiar with such unworthy productions as these, it must scan with more eager justice any pages which are a happy exception to this miserable reality; it must not hesitate to discern whether the motive has been merely to arouse emotional tendencies, by clothing life's dangerous ...
— Honor Edgeworth • Vera
... and sat without speaking. For several moments they continued the silence, then turned slowly and looked at each other; then looked slowly and gravely away, as if to an audience in front of them. They knew how to do it; but probably a critic in the first row would have concluded that Cora felt it even more than Valentine ...
— The Flirt • Booth Tarkington
... he mounted the scaffolding and pretended to chip away at the nose with his chisel. Meanwhile he let drop some marble chips and dust upon the head of the critic beneath. ...
— Knights of Art - Stories of the Italian Painters • Amy Steedman
... sculpture living men. On the part of the Persians, these military undertakings were not of the base kind so common in antiquity; they were the carrying out of a policy conceived with great ability, their object being to obtain countries for tribute and not for devastation. The great critic Niebuhr, by whose opinions I am guided in the views I express of these events, admits that the Greek accounts, when examined, present little that was possible. The Persian empire does not seem to have suffered at all; and Plato, whose opinion must be considered as of very great ...
— History of the Intellectual Development of Europe, Volume I (of 2) - Revised Edition • John William Draper
... and Mrs. Cooper Jekyll as to the Countess Palotta, who had nothing but pride to rattle in her little bag; and when finally she too drove away, it was with the uneasy sense of dissatisfaction that goes with the dramatic critic from a production in which he has honestly to confess that ...
— Who Cares? • Cosmo Hamilton
... treasurer to refuse his salary, and say that it had been already paid. Sosibius complained to the king, and the book of receipts was sent for, in which Philadelphus found the names of Soter, Sosigines, Bion, and Apollonius, and showing to the critic one syllable of his name in each of those words, said that putting them together, they must be taken as the receipt for his salary. Other authors wrote on lighter matters. Apollodorus Gelous, the physician, addressed to Philadelphus a volume of ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 10 (of 12) • S. Rappoport
... of poetry has his favourite poem and his favourite poet, and it has always seemed to me that one of the hardest tasks of the critic is to decide on the position of a poet among poets, or of a poet in relation to life. For myself, to speak modestly, I cannot see how I could condemn the taste of the man who thinks that Browning and ...
— Confessions of a Book-Lover • Maurice Francis Egan
... judgment, my ear, and my imagination were not fully satisfied, which since his time I cannot equally say of any one actor whatsoever." The enchantment of his voice was such, adds the same excellent dramatic critic, that the multitude no more cared for sense in the words he spoke, "than our musical connoiseurs think it essential in the celebrated ...
— Old and New London - Volume I • Walter Thornbury
... developed that virtue of its masters, which with their sincerity and simplicity, or moderation, forms a most beautiful trinity of graces; I mean their freedom. You will indeed hear full many a yard-stick critic as he goes about with his load of pigeon-holed boxes to take measure of each author, and label him, and duly relegate him to convenient pigeon-hole,—such critic you will hear discourse much about classicism, and romanticism, and realism, and of their prevalence ...
— Lectures on Russian Literature - Pushkin, Gogol, Turgenef, Tolstoy • Ivan Panin
... neglected negro gardens of the South. Near every negro hut is a garden patch large enough to supply the family with vegetables for the entire year, but it usually is neglected. "If they have any garden at all," says a negro critic from Tuskegee, "it is apt to be choked with weeds and other noxious growths. With every advantage of soil and climate and with a steady market if they live near any city or large town, few of the colored farmers get any benefit from this, one of the most profitable of all industries." ...
— Our Foreigners - A Chronicle of Americans in the Making • Samuel P. Orth
... as any author listens to his friends or his editor. Miss Sullivan, who is an excellent critic, made suggestions at many points in the course of composition and revision. One newspaper suggested that Miss Keller had been led into writing the book and had been influenced to put certain things into it by zealous friends. As a matter of ...
— Story of My Life • Helen Keller
... He not let us sleep in peace, without setting us here to taste of every pain and mortification, to become acquainted with every grief, and then to perish miserably?" Old questions these, which the sprightly critic justly condemns as morbid and futile, and not to be dangled before a merry world of make-believe. Perhaps he is right. It is better to play at marbles on a sepulchre than to lift the lid and peep inside. But, for all that, they will arise when we sit alone ...
— Jess • H. Rider Haggard
... most agreeably, and Newman indulged in a series of impartial hand-shakes, accompanied by a "Happy to make your acquaintance, sir." He looked at Madame de Cintre, but she was not looking at him. If his personal self-consciousness had been of a nature to make him constantly refer to her, as the critic before whom, in company, he played his part, he might have found it a flattering proof of her confidence that he never caught her eyes resting upon him. It is a reflection Newman did not make, but we nevertheless risk it, that in spite ...
— The American • Henry James
... his birth; this is a mistake; so also is his notice of the painter's introduction of the Virago into his picture of the "Modern Midnight Conversation." No female figure appears in this subject. It is in the third plate of the "Rake's Progress" the woman alluded to is introduced. A small critic might here find a fit subject for vituperation, and loudly condemn Cunningham as a writer who was too idle to examine the works he was describing; pouncing on his minute errors, and forgetting the totality of his generous labors. Much of this spirit infests ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various
... about it and offices for the officers thereof, and a fine palace for the bishop." In later times Motley, the historian, thought it "too neat." Henry James calls it "a blonde beauty among churches," and even hints that it is a little banal. Another American critic, Mrs. Van Rensselaer, in a sympathetic study of the cathedral which appeared in "The Century Magazine," says: "If we think it feeble, it will be because we cannot see strength where it has been brought to perfect poise and ease. If our verdict is 'banal,' it will be ...
— Bell's Cathedrals: The Cathedral Church of Salisbury - A Description of its Fabric and a Brief History of the See of Sarum • Gleeson White
... ago her father, now usually dozing in his chair while she worked, would have been a most able and affectionate critic; but now—She rejoiced when a day passed without his asking for her mother, and wondering why she did ...
— Solomon Crow's Christmas Pockets and Other Tales • Ruth McEnery Stuart
... spirit of the age which he was the last to touch lived on in Dryden. He loved and studied Chaucer and Spenser even while he was copying Moliere and Corneille. His noblest panegyric was pronounced over Shakspere. At the time when Rymer, the accepted critic of the Restoration, declared "our poetry of the last age as rude as our architecture," and sneered at "that Paradise Lost of Milton's which some are pleased to call a poem," Dryden saw in it "one of the greatest, most noble and sublime poems which either this age or nation hath produced." ...
— History of the English People, Volume VI (of 8) - Puritan England, 1642-1660; The Revolution, 1660-1683 • John Richard Green
... to his volume, "'Poems of Wordsworth' chosen and edited by Matthew Arnold," that distinguished poet and critic has said (p. xxv.), "I can read with pleasure and edification ... everything of Wordsworth, I think, except ...
— The Poetical Works of William Wordsworth, Vol. III • William Wordsworth
... attraction of that lower truth which makes so much of external realities, realism lost sight of the larger demands of art which include selection, adaptation, and that enlargement of effect marking the distinction between art and so-called reality. No critic is now timid about saying a good word for the author of "Pickwick" and "Copperfield." A few years ago it was otherwise. Present-day critics such as Henley, Lang, and Chesterton have assured the luke-warm that there is room in English literature ...
— Masters of the English Novel - A Study Of Principles And Personalities • Richard Burton
... war, Great Britain fought chiefly with her main weapon, the navy, leaving the land war to her allies. A contemporary critic remarked that she "worked with her navy and played with her army"; though the latter did useful service in colonial conquests and in Egypt, the two expeditionary forces to the Low Countries in 1793 ...
— A History of Sea Power • William Oliver Stevens and Allan Westcott
... am the severest critic you ever have in the congregation. If you only knew how nervous you sometimes make me!—when you get started on some exciting passage and make a gesture that would throw a stone image into a fit, ...
— The Crucifixion of Philip Strong • Charles M. Sheldon
... glowed with a sense of his own generous wisdom. He had never felt so keen a self-approval. Indeed, that emotion seldom came to solace him; for the most part he was the severest critic of his own doings and sayings. But for once it appeared to him that he uttered golden words, the ripe fruit of experience and reflection. That personal unrest had anything to do with the counsel he offered to his wife, ...
— The Whirlpool • George Gissing
... The accusation which our critic brings that the American spirit has been almost Europeanized away, in its social forms, would be less grounded in the observance of a later visitor. The customs of good society must be the same everywhere in some measure, but the student of the competitive ...
— Through the Eye of the Needle - A Romance • W. D. Howells
... paleographers of the age; Mr. Collier has made a formal reply; the Department of Public Records has spoken through Mr. Duffus Hardy; the "Edinburgh Review" has taken up the controversy on one side and "Fraser's Magazine" on the other; the London "Critic" has kept up a galling fire on Mr. Collier, his folio, and his friends, to which the "Athenaeum" has replied by an occasional shot, red-hot; the author of "Literary Cookery," (said to be Mr. Arthur Edmund Brae,) a well-read, ingenious, ...
— Atlantic Monthly, Volume 8, No. 47, September, 1861 • Various
... their own personal experience." This were a grievous fault if it were true, so much we have to take upon trust in natural history as well as in other history, and in life in general. "Mr. Burroughs might have remembered," says another critic discussing the same subject, "that nobody has seen quite so many things as everybody." How true! If I have ever been guilty of denying the truth of what everybody has seen, my critic has just ground for complaint. I was conscious, in the paper referred to,[4] of denying only the ...
— Ways of Nature • John Burroughs
... estimate generally entertained of French criticism by foreigners to consider this coldness, which once reached something like positive hostility in M. Ferdinand Brunetiere, the chief French literary critic of our generation. I regret to see that M. Lanson, the latest historian of French literature, has not dared to separate himself from the academic grex. "On ne saurait nier," he says, "que quelques ...
— The Flourishing of Romance and the Rise of Allegory - (Periods of European Literature, vol. II) • George Saintsbury
... are as a beast before God. When you come upon a man who is a sot in his senses and in his understanding, you expect him to be the same in his spiritual life. But to meet with an expert in science, a classical scholar, an author or a critic in letters, a leader in political or ecclesiastical or municipal life, and yet to discover that he is as stupid as any sot in the things of his own soul, is one of the saddest and most disheartening sights you can see. Much sadder and much more disheartening than to see ...
— Bunyan Characters (Second Series) • Alexander Whyte
... disposition, and an enthusiastic, idiotic piety. I say idiotic piety because I was then but a child. Though it cost the schoolmaster some thrashings, I made an excellent English scholar; and by the time I was ten or eleven years of age, I was a critic in substantives, verbs, and particles. In my infant and boyish days, too, I owe much to an old woman who resided in the family, remarkable for her ignorance, credulity, and superstition. She had, I suppose, the largest collection in the country of tales and songs concerning ...
— Stories of Achievement, Volume IV (of 6) - Authors and Journalists • Various
... Moreau, a remarkable union of technical ability and poetical fancy—hallucinations of an opium-smoker who should be able to paint his visions with all the confidence and knowledge of a master. Paul de Saint-Victor, the eminent critic, has called these canvases "painted dreams;" and they cannot be better described. Hercules fighting the Hydra of Lerna, Salome, Jacob and the Angel, Moses exposed upon the Nile, are dazzling phantoms, which, eluding the literal text of history, recede to the depths of an unknown ...
— Lippincott's Magazine, Vol. 22, November, 1878 - of Popular Literature and Science • Various
... for the most part be found also to obscure. Of a life, too, which for the last twenty years was passed in the very front of literature, every leader of a literary company, whether officer or subaltern, naturally becomes either author or critic, so that little less than the recollection that it was once the request of the deceased, and twice the desire of those whose will I ever delighted to comply with, should have engaged me to add my little ...
— Anecdotes of the late Samuel Johnson, LL.D. - during the last twenty years of his life • Hester Lynch Piozzi
... editorial and still less in the critical part of his work. "I do not profess," he wrote, "the art and mystery of reviewing, and am not ambitious of being wise or facetious at the expense of others." He was never a good critic, for he was too soft-hearted, and too little in conceit with his own judgment to give an unfavorable opinion. And this was in the period of "slashing" criticism, when it was the proper thing, unless an author could show good reason for being declared the greatest man of the age, to hang, ...
— Washington Irving • Henry W. Boynton
... to be a crushing retort. He had scornfully called Balaam's ass the first great critic, and the inference was plain until a writer in Vanity Fair called his attention to the fact ...
— Whistler Stories • Don C. Seitz
... more recent authors. I find no indication of such an interpretation in Taine's English Literature, or in Grant White's edition of Shakespeare. Professor Edward Dowden, universally recognized as a fair and competent critic, says: "The natural sense, I am convinced, is the true one."[4] Hallam says: "No one can doubt that they express not only real but intense emotions of the heart."[5] Professor Tyler, in a work relating to the Sonnets, ...
— Testimony of the Sonnets as to the Authorship of the Shakespearean Plays and Poems • Jesse Johnson
... lights in that new sect which prides itself upon the cultivation of abstract beauty, and occasionally touches the verge of concrete ugliness. There were a newspaper man—the editor of a fashionable journal—and a middle-aged man of letters, playwright, critic, humourist, a man whose society was in demand everywhere, and who said sharp things with the most supreme good-nature. The only ladies whose society Mr. Smithson had deemed worthy the occasion were a fashionable ...
— Phantom Fortune, A Novel • M. E. Braddon
... to say that Mr. Potter conceived at once a humorous opposition to the artistic enthusiasm of the critic, and, plunging into the garden, took a mischievous delight in its wildness and the victorious struggle of nature with the formality of art. At every step through the tangled labyrinth he could see where precision and order had been invaded, and even the rigid masonry broken or upheaved ...
— Under the Redwoods • Bret Harte
... pessimism. When he had written one of his merriest couplets, he would stop his work and sigh with Dorfling over the tragedy of life. The papers treated his farces as rubbish, but the public adored them. The earnest critic would hardly touch his name with a pair of tongs, but the theatre managers fought for possession of his work. He had a beautiful wife who worshiped him, two wonderful children, and the appearance and ...
— The Malady of the Century • Max Nordau
... the barges Never an eight goes flashing by; Never a blatant coach on the marge is Urging his crew to do or die; Never the critic we knew enlarges, Fluent, on ...
— A Treasury of War Poetry - British and American Poems of the World War 1914-1917 • Edited, with Introduction and Notes, by George Herbert Clarke
... sweet presence, always looking up to him, had been like the perpetual swinging of a censer perpetually giving the fragrant incense that his vanity craved. And now all this was changed. The gentle acolyte was gone, the censer no longer swung, and instead there was a keen critic armed with words as hard as stones. No, there was nothing strange in the fact that, when William Pressley finally turned his gaze on Ruth, he looked at her as if she had been a stranger whom he had never ...
— Round Anvil Rock - A Romance • Nancy Huston Banks
... the preservation of our State; deeming you one of the rare and sage counsellors of the age." It is true that this admiration was in part attributed to the singular coincidence of Barneveld's views of policy with the King's own. Sully, on his part, was a severe critic of that policy. He believed that better terms might have been exacted from Spain in the late negotiations, and strongly objected to the cavilling and equivocal language of the treaty. Rude in pen as in speech, he ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... the masquerade is at its height. Nobody drops his domino. The unities, the fictions of the piece it would be an impertinence to break. The chapter of fascinations is very long. Great is paint; nay, God is the painter; and we rightly accuse the critic who destroys too many illusions. Society does not love its unmaskers. It was wittily, if somewhat bitterly, said by D'Alembert, "Un etat de vapeur etait un etat tres facheux, parcequ'il nous faisait voir les choses comme elles sont." I find men victims of illusion in all parts of life. Children, ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... author has done.... We can heartily recommend 'A Duet' to all classes of readers. It is a good book to put into the hands of the young of either sex. It will interest the general reader, and it should delight the critic, for it is a work of art. This story taken with the best of his previous work gives Dr. Doyle a very high place in modern ...
— The King's Mirror • Anthony Hope
... old man thirty years ago. Fifteen years ago I was at the height of my strength. I am beginning to feel now a little more tolerant towards the boy who wrote this than the man who criticised it in 1865; but he was quite right.' The critic of 1865, I may note, is specially hard upon the lad of 1850 for his ignorance of sound utilitarian authorities. He writes against an allusion to Hobbes, 'Ignorant blasphemy of the greatest of English philosophers!' The ...
— The Life of Sir James Fitzjames Stephen, Bart., K.C.S.I. - A Judge of the High Court of Justice • Sir Leslie Stephen
... "general diffusion of beauty," is the kind of conventional criticism that might pass in a paper read to a literary society. But somehow, in a critic who deliberately writes a book, we look for a greater and more personal mastery of his authors than Mr. Compton-Rickett gives evidence of in the too facile eloquence of ...
— The Art of Letters • Robert Lynd
... with the spirit and the understanding also; 'not in the miserable, scandalous doggerel of Sternhold and Hopkins, but in psalms and hymns which are both sense and poetry, such as would sooner provoke a critic to turn Christian than a Christian to turn critic;' they were to sing 'not lolling at their ease, or in the indecent posture of sitting, but all standing before God, praising Him lustily and with a good courage;' there was to be 'no repetition of words, no dwelling ...
— The English Church in the Eighteenth Century • Charles J. Abbey and John H. Overton
... for I cannot leave my daughter in such total abandonment. I trust my grandson; he can take care of our rooms; especially if you keep an eye on him. If I were what I once was I would ask you the name of my critic, the former magistrate you spoke of; there were but few of them ...
— The Brotherhood of Consolation • Honore de Balzac
... slightest turns of Sterne's pen bear inspiration. No less a critic than the severe Hazlitt was satisfied that "his works ...
— The Lock and Key Library • Julian Hawthorne, Ed.
... subordinate as those in Corot's landscapes. And yet these human struggles are intensely real, the human drama intensely genuine. Whatever may be thought of the wisdom of presenting the sex problem so frankly, Mr. Allen's sharpest critic must confess that in no other American book is atmosphere so pervasive, so potential, so charged with passion ...
— James Lane Allen: A Sketch of his Life and Work • Macmillan Company
... did teach—that the spiritual universe is an aspect of the material universe, as his critic makes him say, it is his fundamental and most distinctive idea that both are attributes or aspects of a ...
— Life and Matter - A Criticism of Professor Haeckel's 'Riddle of the Universe' • Oliver Lodge
... neighborhood. His account to some extent filled the gaps that Don Sebastian's narrative had left, but now he came to put the different points together and consider them as a whole, their significance seemed less. He began to see how a hostile critic would look at the thing. Much of his evidence was based upon conjecture that might be denied. Yet, while it was not convincing, it ...
— Brandon of the Engineers • Harold Bindloss
... a moment," remarks a critic, "to realise the image, and the monstrous absurdity of a man's grasping the skies and hanging habitually suspended there, while he contemptuously bids earth roll, warns you that no genuine feeling could have suggested ...
— The Principles of Success in Literature • George Henry Lewes
... the very thing which modern poets have been too apt to do, or at least to attempt," answered a critic. "The chief benefit to be expected from this conflagration of past literature undoubtedly is, that writers will henceforth be compelled to light their lamps ...
— Earth's Holocaust (From "Mosses From An Old Manse") • Nathaniel Hawthorne
... Prime-minister, with a degree of power in Parliament and of popularity out-of-doors that no former minister, not even his own father, had ever enjoyed. As such, by the confession of one who was certainly no friendly critic,[108] "he became the greatest master of Parliamentary government that has ever existed." His administration may be regarded as a fresh starting-point in the history of the country, as the inauguration of the principle of steady amendment, improvement, and progress, in place ...
— The Constitutional History of England From 1760 to 1860 • Charles Duke Yonge
... epic of Homer is to be relied on for a faithful picture of the political life of the Greeks during the Heroic Age. We quote the following suggestive remarks on this subject from a recent writer and able Greek critic: ...
— Mosaics of Grecian History • Marcius Willson and Robert Pierpont Willson
... a large collection of manuscripts. These were sold to a bookseller. They were so full of erasures and interlineations that no printer could decipher them. It was necessary to call in the aid of a professed critic; and Theobald, the editor of Shakspeare, and the hero of the first Dunciad, was employed to ascertain the true reading. In this way a volume of miscellanies in verse and prose was got up for the market. The collection derives all its value from ...
— Critical and Historical Essays Volume 2 • Thomas Babington Macaulay
... whole story from the beginning. Five years ago I was an actress in Paris. I made two or three failures. A powerful dramatic critic had vowed to drive me off the stage. He had begun his work; and at this perilous time in my career, just as I had quarrelled with my manager, Maxime Dalahaide fell in love with me. I thought he was rich. It occurred to ...
— The Castle Of The Shadows • Alice Muriel Williamson
... the most fair-minded critic to find in the character of Joseph Smith anything to commend, except an abundance of good-nature which made him personally popular with the body of his followers. He has been credited with power as a leader, ...
— The Story of the Mormons: • William Alexander Linn
... doubt, would have commented, 'Well, and why not? I choose to understand drama through my FEELINGS.' To surrender to great art was, for him, and defnitely, a part of the critic's function—' A genuine criticism should, as I take it, repeat the colours, the light and shade, the soul and body of a work.' This contention, for which Hazlitt fought all his life and fought brilliantly, ...
— Characters of Shakespeare's Plays • William Hazlitt
... sent the letter first to his old instructor, the principal of the Brienne school. And the instructor—even though he, perhaps, agreed with this boy-critic—saw how foolish and hurtful for Napoleon's interest it would be to send such a surprising letter; and he promptly suppressed it. But the letter still exists; and a curious epistle it is for a fifteen-year-old boy to write. Here is a ...
— The Boy Life of Napoleon - Afterwards Emperor Of The French • Eugenie Foa
... steps, each kept within due bound, And elegance was sprinkled o'er his figure; Like swift Camilla, he scarce skimm'd the ground, And rather held in than put forth his vigour; And then he had an ear for music's sound, Which might defy a crotchet critic's rigour. Such classic pas—sans flaws—set off our hero, He glanced ...
— Don Juan • Lord Byron
... usual method of instruction employed by Miss Edgeworth and her followers. In "Garden Amusements" the conversation was interrupted by a note criticising a quotation from Milton as savoring too much of poetic license. Cowper also gained the anonymous critic's disapproval, although it was his point of view and not his style ...
— Forgotten Books of the American Nursery - A History of the Development of the American Story-Book • Rosalie V. Halsey
... surprised at the emphasis I laid upon the speech, but he was more surprised when I ventured the opinion that he would be in Paris within six months discussing the terms of the treaty. The Washington Post, a critic of the President, characterized this speech, in an editorial on September 29, 1918, as "a marvellous intellectual performance, and a still more ...
— Woodrow Wilson as I Know Him • Joseph P. Tumulty
... became a superior person. He united in himself the virtues and vices of a chieftain of high degree (shown by the elaborateness of his face pattern), of a tribal dandy, of a brave man able to endure pain, of the owner of a unique picture, and of an acknowledged art critic. In the rigid-looking mask, moreover, which had now taken the place of his natural face were certain lines by which any one of his fellow-tribesmen could identify him living or dead. In this way the heads of Maori chiefs have been recognised even in the glass cases of ...
— The Long White Cloud • William Pember Reeves
... creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of ...
— The Picture of Dorian Gray • Oscar Wilde
... as I can remember, whatever was written of The Weavers, no critic said that it lacked imagination. Some critics said it was too crowded with incident; that there was enough incident in it for two novels; some said that the sweep was too wide, but no critic of authority ...
— The Judgment House • Gilbert Parker
... discovered that she had dislikes which did not always coincide with his, and appreciations which set his teeth on edge. A wife in the house is a critic on the hearth—this truth was daily and unpleasantly impressed upon him: but, of course, every man knows that every woman is a fool, and a tolerant smile is the only recognition we allow to their whims. God made them as they ...
— Here are Ladies • James Stephens
... scene, playing Manfred or Cain to this adorable half-fledged creature, whom he had known five days! Supposing Elsmere had been there to hear—Elsmere with his sane eye, his laugh! As he leant over the gate he found himself quivering with impatience to be away—by himself—out of reach—the critic in him making the most bitter remorseless mock of all these heroics and despairs the other self had been indulging in. But for the life of him he could not find a word to say—a move to make. He stood hesitating, ...
— Robert Elsmere • Mrs. Humphry Ward
... never be sure that my analysis is complete, while examples may make this probable, although they can never demonstrate the fact. Instead of the word definition, I should rather employ the term exposition— a more modest expression, which the critic may accept without surrendering his doubts as to the completeness of the analysis of any such conception. As, therefore, neither empirical nor a priori conceptions are capable of definition, we have to see whether the only other kind ...
— The Critique of Pure Reason • Immanuel Kant
... in a tone of good-humored tolerance—"He has the most caustic wit of any man in Al-Kyris! He is a positive marvel of perverseness and ill-humor, well worth the four hundred golden pieces I pay him yearly for his task of being my scribe and critic. Like all of us he must live, eat and wear decent clothing,—and that his only literary skill lies in the abuse of better men than himself is his misfortune, rather than his fault. Yes! ... he is my paid Critic, paid to rail against me on all occasions public or private, for the merriment ...
— Ardath - The Story of a Dead Self • Marie Corelli
... little window. Her disappointment amounted to actual physical pain. She found no comfort, as a wiser person might have done, in certain of Miss Delia's expressions; she only realized that her best friend and her most generous critic could find nothing good in what she had done. Her duty this afternoon was only to make up the mail for the down train; then her time was her own till the next mail train came up at half-past five. At two o'clock she closed the office again and ...
— A Christmas Accident and Other Stories • Annie Eliot Trumbull
... said. I—me—Mr. Bernard Effingwell Dreux, the prominent cotillion leader, the second-hand dealer, the art critic and amateur detective. I unearthed the notorious and dreaded Sicilian desperado in his lair, and now he's cooling his heels in the parish prison along ...
— The Net • Rex Beach
... accepted a pension from Louis XIV., and Gallienus devolved the burden of his Eastern provinces on a Syrian Emir. Their tastes and pursuits were as similar as their histories. Charles excelled as a wit and a critic; Gallienus as a poet and a gastronomer. Charles was curious about chemistry, and founded the Royal Society. In the third century the conception of the systematic investigation of nature did not exist. Gallienus, therefore, could not ...
— The Twilight of the Gods, and Other Tales • Richard Garnett
... do— 'T is being too epic, and I must cut down (In copying) this long canto into two; They 'll never find it out, unless I own The fact, excepting some experienced few; And then as an improvement 't will be shown: I 'll prove that such the opinion of the critic ...
— Don Juan • Lord Byron
... histories have undoubtedly been published where the authors have not printed their footnotes; but they must have had, nevertheless, precise records for their authorities. The advantage and necessity of printing the notes is that you furnish your critic an opportunity of finding you out if you have mistaken or strained your authorities. Bancroft's example is peculiar. In his earlier volumes he used footnotes, but in volume vii he changed his plan and omitted notes, whether of reference or explanation. Nor do ...
— Historical Essays • James Ford Rhodes
... daylight. I might have seen it at first.... Three experts who'd been got at; they thought I'd been got at; two Labour men who'd do anything you wanted them to do provided you called them 'level-headed.' Wagstaffe the socialist art critic who could be trusted to play the fool and make nationalization look silly, and the rest mine owners, railway managers, ...
— The Secret Places of the Heart • H. G. Wells
... rattle no longer but take root and be a strength and loveliness. Is a truth to cease to be uttered because no better form than that of some divine truism—say of St. John Boanerges—can be found for it? To the critic the truism is a sea-worn, foot-trodden pebble; to the obedient scholar, a radiant topaz, which, as he polishes it with the dust of its use, may turn ...
— Thomas Wingfold, Curate • George MacDonald
... pause here and there,' said the old gentleman, who was a great critic. '"But that our loves and comforts should increase"—emphasis on the last syllable, "crease,"—loud "even,"—one, two, three, four; then loud again, "as our days do grow;" emphasis on days. That's the way, my dear; trust ...
— Sketches by Boz - illustrative of everyday life and every-day people • Charles Dickens
... that I observed, a few weeks ago, in a magazine, an original letter, written by him about this time to Dr. Vicesimus Knox, full of high-flown sentiments, reading indeed like a romance of Scudery, and entreating the learned critic to receive him in his family, and give him the advantage of his wisdom, his ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli
... her materials will not want telling that the needle lends itself better to forms less fixed in their proportions than the human figure; the decorator will feel that there is about fine ornament a nobility of its own which stands in need of no pictorial support; the unbiassed critic will admit that figure design of any but the most severely decorative kind is really outside the scope of needle and thread; and that the desire to introduce it arises, not out of craftsmanlikeness, but out of an ambition which does not pay much regard to ...
— Art in Needlework - A Book about Embroidery • Lewis F. Day
... lavished praises upon me, warps my judgment, I must say that for some years past there have been no such finished poems of their class produced. Augurinus took as his theme the fact that I occasionally amuse myself with writing verses. I will enable you to act the critic of my criticism if I can recall the second line of the piece. I remember the others, and now I think I ...
— The Letters of the Younger Pliny - Title: The Letters of Pliny the Younger - - Series 1, Volume 1 • Pliny the Younger
... sanction of his grave authority, and even mentions the name of the young lady; apparently for the sake of adding a few black strokes to the character of Pausanias. But the supernatural part of the legend was, of course, beneath the notice of a nineteenth-century critic; and he passes it by. This part of the story is, however, essential to the psychological interest of it. For whether it be that Pausanias supposed himself, or that contemporary gossips supposed him, to be haunted by the phantom of the woman he had loved and slain, ...
— Pausanias, the Spartan - The Haunted and the Haunters, An Unfinished Historical Romance • Lord Lytton
... in astonishment, but like Brer Rabbit, I lay low to see if they cared for an explanation. I thought I saw a twinkle in my critic's ...
— Labrador Days - Tales of the Sea Toilers • Wilfred Thomason Grenfell
... Preface to the French translation of the "Conquest of Mexico," infers from the plan of the composition, that I must have carefully studied the writings of his countryman, M. de Barante. The acute critic does me but justice in supposing me familiar with the principles of that writer's historical theory, so ably developed in the Preface to his "Ducs de Bourgogne." And I have had occasion to admire ...
— The History Of The Conquest Of Peru • William H. Prescott
... we did, but after we beat em and elevated him to the Presidency, the stealins didn't come in ez fast ez we expected. Never shel I forgit the compliment he paid me. Jest after his election I presented myself afore him with my papers, an applicant for a place. He read em, and scanned me with a critic's eye. ...
— "Swingin Round the Cirkle." • Petroleum V. Nasby
... interesting English critic, [Footnote: Lord Howard Douglass, "Treatise on Naval Gunnery," p. 416.] whose remarks are generally very just, seems to me to have erred somewhat in commenting on this last sloop action. He says that the Avon was first crippled by dismantling shot from long guns. ...
— The Naval War of 1812 • Theodore Roosevelt
... "The Ideal," and, "The Ideal and Life," are essentially distinct in their mode of treatment. The first is simple and tender, and expresses feelings in which all can sympathize. As a recent and able critic, in the Foreign Quarterly Review, has observed, this poem, "still little known, contains a regret for the period of youthful faith," and may take its place among the most charming and pathetic of all those numberless effusions of genius in which individual feeling is but the echo of the universal ...
— Blackwood's Edinburgh Magazine - April 1843 • Various
... are an illiterate whore. He is my lord now; and, though you call him fool, it is well known he is a critic, gentlewoman. You never read a play in all your life; and I gained him by my wit, ...
— The Works of John Dryden, Vol. 6 (of 18) - Limberham; Oedipus; Troilus and Cressida; The Spanish Friar • John Dryden
... following note by a critic of the Outlook, referring to a Japanese play but which bears quite directly on the subject ...
— The Art of the Story-Teller • Marie L. Shedlock
... dates—but it also represents a particular period of M. Zola's own career and work. Some years, indeed, before the latter had made himself known at all widely as a novelist, he had acquired among Parisian painters and sculptors considerable notoriety as a revolutionary art critic, a fervent champion of that 'Open-air' school which came into being during the Second Empire, and which found its first real master in Edouard Manet, whose then derided works are regarded, in these later days, as masterpieces. Manet ...
— His Masterpiece • Emile Zola
... the tradition of the house declared. This morning, she held her head higher than ever, and disdained expression except that of an occasional nasal snort. She regarded the room with the air of an impartial though exacting critic; two little beds covered with rising-sun quilts, two little pine bureaus, two washstands. The sunshine lay upon the floor, and in that ...
— Meadow Grass - Tales of New England Life • Alice Brown |
