"Dialogue" Quotes from Famous Books
 ... first play was not exposed to so untoward a fate. It was well received. As might be expected in a beginner, and as indeed the references in the Preface to Wycherley and Congreve would lead us to expect, it was an obvious attempt in the manner of those then all-popular writers. The dialogue is ready and witty. But the characters have that obvious defect which Lord Beaconsfield recognised when he spoke in later life of his own earliest efforts. "Books written by boys," he says, "which pretend ...
— Fielding - (English Men of Letters Series) • Austin Dobson
... added hastily another remark, which was drowned in the recurring creak of the engine close at hand The first watcher, if he had come no nearer than his original position, was too far off to hear any part of this dialogue, on account of the roar of the falling water, which could reach him ...
— Desperate Remedies • Thomas Hardy
... ball. I invited him to stay and dine with me, and he accepted! We got on very affably. He expands over his dinner. Food appears to agree with him. If there's any Bernard Shaw in New York just now, I believe that I might spare a couple of hours Saturday afternoon for a matinee. G. B. S.'s dialogue would afford such a life-giving contrast to ...
— Dear Enemy • Jean Webster
... and the woman felt helpless against it; so utterly, so completely helpless that it was useless to protest by any word or gesture. She could have gotten up and explained the true motive behind this man's speech; she could have repeated the dialogue in his office; she could have asserted his unspeakable treachery; but she saw with an unerring instinct that against the skill of the man her effort would be wholly useless. With his resources and his dominating cunning he would not only make her words appear obviously false, but he would make ...
— The Sleuth of St. James's Square • Melville Davisson Post
... opened by himself, I thought good to discourse with him to the full, partly to see the end and drift of his induced talk, and consequently to touch his quick in the suspected cause of Antwerp." And thus, word for word, taken down faithfully the same day, proceeded the dialogue that wintry morning, near three centuries ago. From that simple record—mouldering unseen and unthought of for ages, beneath piles of official dust—the forms of the illustrious Fleming and the bold Welsh colonel, seem to start, for a brief moment, out of the three hundred years of ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... hymns are certain poems in Dialogue form, which from their curious and elliptic character have been the subject of much discussion among scholars. Professor Oldenberg, in drawing attention to their peculiarities, had expressed his opinion that these poems were the ...
— From Ritual to Romance • Jessie L. Weston
... intellect, a merciless hunting down of the tender and unfledged thought,' through the means of 'instructive' little books, wherein an insipid tale goes feebly wriggling through an unmerciful load of moral, religious and scientific preaching; or an apparently simple dialogue involves subjects of the highest difficulty, which are chattered over between two juvenile prodigies, or delivered to them in mouthfuls, curiously adapted to their powers of swallowing. 'The minor manners and duties,' says our correspondent, 'are quite overlooked by misguided parents now-a-days;' ...
— Knickerbocker, or New-York Monthly Magazine, March 1844 - Volume 23, Number 3 • Various
... the snake shaped Egyptian hieroglyphs frequently turns into an Arabic [Symbol: gimel], i.e., gimel. I do not know whether this fact has any significance here. With respect to the above passages that mention the "will of the Most High," I refer to the dialogue which concerns the "G"; e.g., "Does it mean nothing else?" "Something that is greater than you." "Who is greater than I?" etc. "It is Gott, whom the English call God. Consider this mysterious star; it is the symbol of the Spirit.... The image ...
— Hidden Symbolism of Alchemy and the Occult Arts • Herbert Silberer
... is to be presented, and hint at the progress of the same; that the instruments must be employed according to the degree of interest and passion; that the composer should avoid too marked a disparity in the dialogue-between the air and recitative, in order not to break the sense of a period, or interrupt the energy of the action.... Finally, I have even felt compelled to sacrifice rules to the ...
— The Great German Composers • George T. Ferris
... dialogue, the first speech of Goliath is simple vaunt. Confident in his huge bulk and strength, he strides occasionally from side to side while speaking, elevating his arms and throwing his limbs about as if anxious to display his powerful sinews and muscular proportions. He speaks ...
— The Universal Reciter - 81 Choice Pieces of Rare Poetical Gems • Various
... Elgiva's decided on charades. A cast was chosen consisting of eight girls who were considered to act best, Betty, Chrissie, and Marjorie being among the number. No parts were to be learnt, but a general outline of each charade was to be arranged beforehand, the performers filling in impromptu dialogue as they went along. To hit on a suitable word, and think out some telling scenes, now occupied the wits of each of the chosen eight. They compared notes constantly; indeed, when any happy thought occurred to one, she made haste to communicate it ...
— A Patriotic Schoolgirl • Angela Brazil
... one day busy at his Dictionary, when the following dialogue ensued. 'ADAMS. This is a great work, Sir. How are you to get all the etymologies? JOHNSON. Why, Sir, here is a shelf with Junius, and Skinner[543], and others; and there is a Welch gentleman who has published a collection of Welch proverbs, who will help me with the Welch[544]. ...
— Life Of Johnson, Vol. 1 • Boswell, Edited by Birkbeck Hill
... The dialogue is nothing if not original, and the characters are very unique. There is something striking on every ...
— Susan Clegg and a Man in the House • Anne Warner
... am.' This tone of love and interest combined seemed to me so grotesque that I laughingly promised him what he asked; you see how I keep my promise. He went to a distance, and Herment approached. Then commenced a dialogue, wherein the gestures meant one thing while the voice declared another. 'You have good friends,' said Herment; 'friends in good places, who are greatly interested for you.' I naturally thought of Madame de Maine. 'Ah, monsieur,' I cried, 'have you ...
— The Regent's Daughter • Alexandre Dumas (Pere)
... theatres as recent critics have named it. This play as a fabric of plot is a very slight affair; but as a satirical picture of the manners of the time, proceeding by means of vivid caricature, couched in witty and brilliant dialogue and sustained by that righteous indignation which must lie at the heart of all true satire — as a realisation, in short, of the classical ideal of comedy — there had been nothing like Jonson's comedy since the days of Aristophanes. "Every Man in His Humour," ...
— Epicoene - Or, The Silent Woman • Ben Jonson
... the onely man that findes good in it which others brag of, but do not; for it is meate, drinke, and clothes to him. No man opens his ware with greater seriousnesse, or challenges your judgement more in the approbation. His shop is the Randevous of spitting, where men dialogue with their noses, and their communication is smoake. It is the place onely where Spaine is commended, and prefer'd before England itselfe. He should be well experienc'd in the world: for he ha's daily tryall of mens nostrils, and none is better acquainted ...
— The Social History of Smoking • G. L. Apperson
... A soliloquy is as the drawing called a section of a thing: it shows the inside of the man. Soliloquy is only rare, not unnatural, and in art serves to reveal more of nature. In the drama it is the lifting of a veil through which dialogue passes. The scene is for the moment shifted into the lonely spiritual world, and here we begin to know Hamlet. Such is his wretchedness, both in mind and circumstance, that he could well wish to vanish from the ...
— The Tragedie of Hamlet, Prince of Denmark - A Study with the Text of the Folio of 1623 • George MacDonald
... we have since recollected, that during this little dialogue Mrs. Mirvan was conversing with the lady of the house. And very soon after, another gentleman, who seemed about six-and-twenty years old, gaily but not foppishly dressed, and indeed extremely handsome, with an air of mixed politeness and gallantry, desired to know if I was engaged, or ...
— Evelina • Fanny Burney
... had told the story, dialogue and all, like a machine. We did not doubt its correctness. The memory of Albert had passed into a ...
— Short Story Classics (American) Vol. 2 • Various
... the house (a reward for her name!) hearing the dialogue in the yard, pushed her head through the crack of the kitchen door, and, as she tossed a lump of dough from hand to hand and gazed eagerly out, addressed the soldiers: "Ain't that old General Lee?" "Yes; General Lee and his son and other officers come to ...
— Detailed Minutiae of Soldier life in the Army of Northern Virginia, 1861-1865 • Carlton McCarthy
... answer or to serve, saw none of the hints, which Achilles at length suffered to become so broad, that Zosimus and the Protospathaire exchanged expressive glances, as calling on each other to notice the by-play of the leader of the Varangians. In the meanwhile, the dialogue between the Emperor and his soldier continued:—"How," said Alexius, "did this draught ...
— Waverley Volume XII • Sir Walter Scott
... acting is that which makes the spectator forget that it is acting. The part and the player become one. The actor, in himself and in the words he utters, is the unregarded vehicle of the dramatist's idea. In a play like Ibsen's "Ghosts," the stage, the actors, the dialogue merge and fall away, and the overwhelming meaning stands revealed in its complete intensity. As the play opens, it cuts out a segment from the chaos of human life; step by step it excludes all that is unessential, stroke by stroke with an inevitableness ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... all work of a dramatic kind, comes last. Just put the terms of the problem the other way round. Give descriptions, to which our language lends itself so admirably, instead of diffuse dialogue, magnificent in Scott's work, but colorless in your own. Lead naturally up to your dialogue. Plunge straight into the action. Treat your subject from different points of view, sometimes in a side-light, ...
— A Distinguished Provincial at Paris • Honore de Balzac
... horizontally between the roof and floor, the upper part concealed from the audience, while the lower section represents the interior of a royal palace at Athens. Three soundings of the cornet announce the opening of the play with its stately dialogue, in which Theseus, Duke of Athens, and Hippolyta, Queen of the Amazons, anticipate their approaching nuptials. Egeus enters with his daughter Hermia to bring complaint to the Duke that she will not marry Demetrius, the husband he has selected for her, but is bewitched with love for Lysander. The ...
— Shakespeare's Christmas Gift to Queen Bess • Anna Benneson McMahan
... it, and they rehearsed it together. As to the dialogue, that was so constructed that it could be varied considerably according to the cues, which could be foreseen to a certain extent; but not precisely, since they were to be given by Helen Rolleston, who ...
— Foul Play • Charles Reade
... pause in the dialogue. The young man was well pleased that this very interesting young woman wished to know him properly, as she put it, and if there could be found the least bit of foundation on which might be built a conventional acquaintance he ...
— The Squirrel Inn • Frank R. Stockton
... of I 4, device of Io. Steels, Concordia, with doves on square and astronomical globe. On verso of title, In Scholam Apitianam Praefatio. Sheet A3 Mensam Amititiae Sacram esse, etc. On sheet A6 The dialogue by Erasmus of Rotterdam between Apitivs and Spvdvs to verso of sheet A8; follows: Conviviarvm qvis nvmervs esse debeat [etc.] ex Aulo Gellio; Praecepta C{oe}narvm by Horace; De Ciborvm Ratione by Michaele Savonarola ...
— Cooking and Dining in Imperial Rome • Apicius
... best of my power, save to glance at the silent audience, as though praying them to note such and such points carefully. I began to feel as I did in the schools long ago, when the viva voce examiner was putting me through my facings; and was really glad when the one-sided dialogue ended. The queries were very simple for the most part, relating chiefly to the sympathies and intentions of Great Britain, with regard to the war. On the latter point I could, of course, give no information beyond vague surmises, practically worthless; as to the former, I thought myself justified ...
— Border and Bastille • George A. Lawrence
... a fresh-looking elderly gentleman in conversation with a beggar, who, leaning on his crutch, was recounting the hardships he had undergone, and explaining the wretchedness of his present condition. This was a very interesting dialogue to Harley; he was rude enough, therefore, to slacken his pace as he approached, and at last to make a full stop at the gentleman's back, who was just then expressing his compassion for the beggar, and regretting that he had ...
— The Man of Feeling • Henry Mackenzie
... The dialogue continued in an undertone. Mme. Jenkins advanced, bowing, smiling, while the doctor, stopping a tray that was being borne round, brought her a glass of claret with the alacrity of a mother, an impresario, a lover. Calumny, calumny, ineffaceable defilement! To ...
— The Nabob • Alphonse Daudet
... Monsignor BENSON'S eyes, since it enabled Mr. Mallock to resume the religious life and habit for which he had been originally intended. For the rest the book is written in a most captivating manner, and with a plausibility of incident and dialogue only too rare in novels of the Restoration period. Evidently the author has studied his authorities (and more particularly Mr. PEPYS) with a praiseworthy diligence. But in view of the anti-Protestant bias which he naturally exhibits I feel bound to bid him have a care. If he intends to pursue ...
— Punch or the London Charivari, Vol. 147, October 7, 1914 • Various
... Then the traditional dialogue, punctuated by slaps in the face, began between the mountebank and his clown, and the entire audience applauded these souvenirs of the classic farce, fallen from the theatre to the stage of the mountebank, and whose humor, coarse ...
— Ten Tales • Francois Coppee
... rest at the Press Club, whither he went every afternoon, he found his keenest pleasure. He was also fond of the theater, not to sit with a box party, but to loiter with Richmond—to enjoy the natural, to growl at the tame, and to leave the place whenever a tiresome dialogue came on. Ellen sometimes drew him into society, and on Sundays he usually went with Mrs. Witherspoon to a Congregational church where a preacher who had taught his countenance the artifice of a severe solemnity denounced ...
— The Colossus - A Novel • Opie Read
... Mr. H. M. HARWOOD, must be congratulated on a farce that at its best was really excellent fun. And he may take it for flattery, if he likes, when I say that a good deal of his dialogue might be adapted into the French without offending our gallant Allies on the ground of a too ...
— Punch, or the London Charivari, Volume 150, February 2, 1916 • Various
... religious periodicals, and among them in the "Prospective Review," by my friend James Martineau. I had been about the same time attacked in a book called the "Eclipse of Faith," written (chiefly against my treatise on the Soul) in the form of a Platonic Dialogue; in which a sceptic, a certain Harrington, is made to indulge in a great deal of loose and bantering argumentation, with the view of ridiculing my religion, and doing so by ways of which ...
— Phases of Faith - Passages from the History of My Creed • Francis William Newman
... who mimic their motions and sing praises of the different flowers they pretend to alight upon, to the accompaniment of a band of fair musicians. But the most interesting part of the affair is a spirited dialogue, in which they cleverly criticise, under floral appellations, the different ladies of the court, in a manner equally gratifying and flattering ...
— Sketches of Japanese Manners and Customs • J. M. W. Silver
... readers, you have a taste for refined morality and delicate sentiment, for chaste acting and spirited dialogue, for scenery painted on the spot, but like nothing in nature except canvas and colour—go to the Victoria and see "Mary Clifford." It may, perhaps, startle you to learn that the incidents are faithfully copied from the "Newgate Calendar," ...
— Punch, or the London Charivari, Vol. 1, August 21, 1841 • Various
... unrelieved by change of manner and variety of incident. The comic scenes, written evidently with as little of labor as of relish, are for the most part scarcely more than transcripts, thrown into the form of dialogue, from a popular prose History of Dr. Faustus, and therefore should be set down as little to the discredit as to the credit of the poet. Few masterpieces of any age in any language can stand beside ...
— The Age of Shakespeare • Algernon Charles Swinburne
... does, the right thing from the wrong motive. There is a story told of an incident that occurred in Flanders, which shows clearly the view held in certain quarters. The Honourable Artillery Company were relieving some regulars in the trenches when the following dialogue ensued between a typical Tommy ...
— The Amateur Army • Patrick MacGill
... reporter) "the Earl answered little. Nor was anything said afterwards by either of the prisoners, either in the thrust-and-parry dialogue with Coke that followed, or when they spoke at large to the question why judgment should not be pronounced, which at all altered the complexion of the case. They were both found guilty and sentence ...
— Bacon - English Men Of Letters, Edited By John Morley • Richard William Church
... previously and rightly enlisted for poor betrayed Fred, is demanded for Gerda in her difficulty with the almond. As usual, Miss YOUNG unfolds her plot with admirable directness, chiefly through a natural and unforced dialogue, so easy that it disguises ...
— Punch, or the London Charivari, Volume 158, April 21, 1920 • Various
... protestations of joy. From time to time, amid the whirl of words, I could hear a gentle and softly modulated voice, which struck pleasantly upon my ear after the long weeks during which I had listened only to the rude dialect of the dalesmen. For an hour I could hear the dialogue beneath—the high voice and the low, with clatter of cup and clink of spoon, until at last a light, quick step passed my study door, and I knew that my new fellow lodger had sought ...
— Danger! and Other Stories • Arthur Conan Doyle
... upon an idea. We had, however, only a few hours to execute it in. I changed the story: instead of the play ending happily, I made the father kill his daughter accidentally, and then die of grief. All the dialogue had to be improvised by the leading actress and myself. I played the father, and Signora Piamonti the daughter. Such was the success of our invention that the piece was played eight nights in succession, and a rival actor, hearing of the triumph ...
— Lippincott's Magazine of Popular Literature and Science Vol. XV., No. 85. January, 1875. • Various
... that followed were to be found an illustrated poem telling of the awful fate of John Rogers, burned at the stake while his wife and their ten children looked on, and a dialogue between Christ, a youth and the devil, in which the youth was ...
— Journeys Through Bookland, Vol. 5 • Charles Sylvester
... consisted of but a single actor, who related some narrative of mythological or legendary interest, and a chorus, who relieved the monotony of such a performance by the interspersing of a few songs and dances. To AEschylus belongs the credit of creating the dialogue in the Greek drama by the ...
— Prometheus Bound and Seven Against Thebes • Aeschylus
... rendering of American folk-life, because of its subtle characterization, and the successful manner in which it reveals the essentially racy humor of the American countryside with the utmost economy of means. The characterization is achieved almost entirely through dialogue, and the portraiture of the characters is rendered inimitably in a phrase or two. In this story, as well as in "The Band," Miss Babcock has earned the right to a place beside Francis Buzzell as a regional story writer, fairly comparable to ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various
... and criticized him. When she said, "He seems to have rather a brassy expression," Mr. Alcott could scarcely hold his face. This was the first part: the second consisted of the scene from the "Two Buzzards" already mentioned, and for the third a witty dialogue about Mr. Sanborn's school. As more than half of the audience was composed of Mr. Sanborn's pupils this ...
— Sketches from Concord and Appledore • Frank Preston Stearns
... du Lit Nuptial; entretiens comiques, written by a long-forgotten author, Samuel Chapuzeau, in which a servant, dressed in his master's clothes, is well received by a certain lady who had rejected the master. But as the witty dialogue is the principal merit in Moliere's play, it is really of no great consequence who ...
— The Pretentious Young Ladies • Moliere
... the eloquence of Borrow, though the thought might have been his; it may not be in that grand style of which we hear so much and read so little, but—and this is the substance of the matter—it is interesting, it is moving, and worth pages of choppy dialogue. You read it, first of all, it may be in your youth, when your heart burnt within you as you wondered what was going to happen, but you can return to it in sober age and read it over again with a smile ...
— Lavengro - The Scholar, The Gypsy, The Priest • George Borrow
... Marquis of Villa, is an Italian Nobleman of the highest estimation among his countrymen, for Genius, Literature,and military accomplishments. To Him Torquato Tasso addressed his "Dialogue on Friendship," for he was much the friend of Tasso, who has also celebrated him among the other princes of his country, in his poem entitled "Jerusalem Conquered" ...
— Poemata (William Cowper, trans.) • John Milton
... stories. Novels are being sold by the five thousand which have far less ability in characterization or in grouping. The persons remain in one's memory as real individuals, which is saying a good deal; the dialogue, though excessive in quantity, is neither tame nor flippant; and there is an attractive compactness in the plot, which is all comprised within one house in an unknown city. But this plot soon gets beyond the author's grasp, nevertheless; she creates individualities, and can do nothing with ...
— The Atlantic Monthly, Volume 15, No. 89, March, 1865 • Various
... I mentioned this dialogue for no other purpose than to observe how dangerous it is to talk disrespectfully of men in high positions; for it was carried to Cromwell, who remembered it with a great deal of resentment on an occasion which I shall mention hereafter, and ...
— The Memoirs of Cardinal de Retz, Complete • Jean Francois Paul de Gondi, Cardinal de Retz
... 4 blank. Wanting A 2, containing the verses of Field, Jonson, and Chapman. Commendatory verses signed: Fr. Beaumont, Nath. Field, Ben Ionson, G. Chapman, Shack. Marmyon. Dialogue 'by way of prologue' (by Sir W. Davenant). The first edition appeared undated in 1609 or early ...
— Catalogue of the Books Presented by Edward Capell to the Library of Trinity College in Cambridge • W. W. Greg
... a poison label on a bottle that says "Drink Me," Emmeline innocently tries to eat "the never-wake-up berries" and receives a stern rebuke and a lecture about poison from Paddy Button. "The Poetry of Learning" chapter echoes Alice's dialogue with the caterpillar. Like the wily creature smoking a hookah, Paddy smokes a pipe and shouts "Hurroo!" as the children teach him to write his name in the sand. The children lose "all count of time," just as the Mad Hatter does. Whereas Alice grows nine feet ...
— The Blue Lagoon - A Romance • H. de Vere Stacpoole
... one which had long existed on the spot; and in which, from the year 1278, an annual festival had been held on Lady-day, in which the Annunciation was represented in the manner of our English mysteries (and under the same title: "una sacra rappresentazione di quel mistero"), with dialogue, and music both vocal and instrumental. Scrovegno's purchase of the ground could not be allowed to interfere with the national custom; but he is reported by some writers to have rebuilt the chapel with greater costliness, in order, as far as possible, to efface the ...
— Giotto and his works in Padua • John Ruskin
... the people suffer from are attributed to our Government, and the Queen's English officials are held up to execration as types of everything that is at once brutal and tyrannical. The second pamphlet gives us a dialogue between a native barrister, and a farmer called Rambaksh, and between them as much evil is said of us and our rule as can well be packed into so short a space. As an instance of the way in which the English officials ...
— Gold, Sport, And Coffee Planting In Mysore • Robert H. Elliot
... the end of the dialogue, because Mr. Payne was obliged to break off his harangue and dodge the stove-lifter flung at him by the outraged lightkeeper. As the lifter was about to be followed by the teakettle, Ezra took to his heels, bolted from the house and ...
— The Woman-Haters • Joseph C. Lincoln
... every verse was a precept and it may be said of Shakespeare, that from his works may be collected a system of civil and oeconomical prudence. Yet his real power is not shown in the splendour of particular passages, but by the progress of his fable, and the tenour of his dialogue; and he that tries to recommend him by select quotations, will succeed like the pedant in Hierocles, who, when he offered his house to sale, carried a brick in his ...
— Preface to Shakespeare • Samuel Johnson
... introduce them she laughed in his face. As she had said in the beginning she wished to do, she harked back to old days (the earlier stages of what might be termed the Morrison regime), and it seemed to afford her great delight to recall the happenings of that epoch. The conversation became a dialogue of reminiscence which would have been entirely unintelligible to a third person, and was, indeed, so to Captain Stewart, who once came across the room, made a feeble effort to attach himself, ...
— Jason • Justus Miles Forman
... afternoon, the walk or ride, and then at last after tea arrived the blessed hour. The chapter was all ready to be written, and the thing flowed equably and clearly from the pen. The passage written, I would turn to some previous chapter, which had been type-written, smooth out the creases, enrich the dialogue, retouch the descriptions, omit, correct, clarify. Perhaps in the evening I would read a passage aloud, if we were alone; and how often would Maud, with her perfect instinct, lay her finger on a weak place, show me that something was abrupt or lengthy, expose ...
— The Altar Fire • Arthur Christopher Benson
... his wig shook again; and who roared and bellowed out his bombast, until every phrase swelled upon the ear like the sound of a kettle-drum. I might as well have attempted to fill out his clothes as his characters. When we had a dialogue together, I was nothing before him, with my slender voice and discriminating manner. I might as well have attempted to parry a cudgel with a small sword. If he found me in any way gaining ground upon him, he would take refuge in his mighty voice, and throw his tones like peals ...
— Tales of a Traveller • Washington Irving
... comprehend, that the Molly Swash was not absolutely standing still while the dialogue related was going on, and the thoughts we have recorded were passing through her master's mind. On the contrary, she was not only in motion, but that motion was gradually increasing, and by the time all was said that ...
— Jack Tier or The Florida Reef • James Fenimore Cooper
... consisting of a short conventional introduction in praise of Spring, followed by a dialogue between a young man and a girl, in which the metre changes for the last two stanzas, may be classed among the pastorals, although it is a somewhat irregular ...
— Wine, Women, and Song - Mediaeval Latin Students' songs; Now first translated into English verse • Various
... dramatic. 'Joseph' has outlived 'Titus.'" [Footnote: "Die Moderne Opera," p. 92.] Carl Maria von Weber admired Mehul's opera greatly, and within recent years Felix Weingartner has edited a German edition for which he composed recitatives to take the place of the spoken dialogue of ...
— A Second Book of Operas • Henry Edward Krehbiel
... Johnson, in his own tragedy "Irene," conformed to the rules of Aristotle. He pronounced "Cato" "unquestionably the noblest production of Addison's genius," but acknowledge that its success had "introduced, or confirmed among us, the use of dialogue too declamatory, of unaffecting elegance and chill philosophy." On the other hand Addison had small regard for poetic justice, which Johnson thought ought to be observed. Addison praised old English ballads, which Johnson thought mean ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... the "spectacle" of Caractacus produced by Thomas Sheridan at Drury Lane Theatre. It was Beaumont's tragedy of Bonduca, minus the dialogue.) ...
— Character Sketches of Romance, Fiction and the Drama, Vol 1 - A Revised American Edition of the Reader's Handbook • The Rev. E. Cobham Brewer, LL.D.
... consciences at all. Jem and I had wilfully gone thieving, but we were far from being utterly hardened, and the school-mistress's generosity weighed heavily upon ours. Repentance and the desire to make atonement seem to go pretty naturally together, and in my case they led to the following dialogue with Jem, on the subject of two exquisite little bantam hens and a cock, which were our joint property, and which were known in the farmyard as "the Major ...
— We and the World, Part I - A Book for Boys • Juliana Horatia Ewing
... absorbed another glass of the cherry cordial, which he had to pour out himself as Rebecca had retired to a corner where the host turned over the leaves of photographic album as a cover to their dialogue. ...
— The Son of Clemenceau • Alexandre (fils) Dumas
... point a third voice intervened in the dialogue. It was Charmian's, reduced to a sort of ...
— The Way of Ambition • Robert Hichens
... form; f Faulty coordination; g Too detailed subordination 87. Letters: a Heading; b Inside address and greeting; c Body, Language; d Close; e Outside address; f Miscellaneous directions; g Model business letter; h Formal notes 88. Paragraphs: a Indention; b Length; c Dialogue 89. ...
— The Century Handbook of Writing • Garland Greever
... through my mind was perhaps as subtle as the finest sophistry; it was a sort of dialogue between the mind and the conscience. "If I should lose Brigitte?" I said to the mind. "She departs with you," said the conscience. "If she deceives me?"—"How can she deceive you? Has she not made out her will asking for prayers for you?"—"If Smith ...
— Serge Panine • Georges Ohnet
... like 'em enough to send 'em. I have just been reading a book, which I may be too partial to, as it was the delight of my childhood; but I will recommend it to you,—it is Izaak Walton's "Complete Angler." All the scientific part you may omit in reading. The dialogue is very simple, full of pastoral beauties, and will charm you. Many pretty old verses are interspersed. This letter, which would be a week's work reading only, I do not wish you to answer in less than a month. I shall be richly content ...
— The Best Letters of Charles Lamb • Charles Lamb
... perpetration, and Claude made the pen-and-ink sketches with which it was illustrated. In the few years that had elapsed since the writing of this burlesque Perrault had acquired more sense and taste, and his new poems—in particular the "Portrait d'Iris" and the "Dialogue entre l'Amour et l'Amitie"—were found charming by his contemporaries. They were issued anonymously, and Quinault, himself a poet of established reputation, used some of them to forward his suit with a young lady, allowing her to think that they were his own. Perrault, when told of Quinault's pretensions, ...
— The Fairy Tales of Charles Perrault • Charles Perrault
... that Plato,—whose philosophy and religion were but exotic at home, and a mere opposition to the finite in all things, genuine prophet and anticipator as he was of the Protestant Christian aera,—should have given in his Dialogue of the Banquet, a justification of our Shakespeare. For he relates that, when all the other guests had either dispersed or fallen asleep, Socrates only, together with Aristophanes and Agathon, remained awake, and that, while he continued ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... name of the law!" At that terrible summons bolts and locks gave way before an invisible hand, and the moment after the Sub-prefect was in the passage, confronting a waiter half-dressed and ghastly pale. This was the short dialogue which ...
— After Dark • Wilkie Collins
... branch of the aristocracy, whom he designated as Lady Barbara B.; and how these three gentlemen continued their various recitals all at one and the same time, edifying the company by some such composite style of dialogue as the following:— ...
— Frank Fairlegh - Scenes From The Life Of A Private Pupil • Frank E. Smedley
... than Cicero, but with less of general misfortune, because only a few people knew that they had done so." This must be taken for what it is worth. The treatise, let it have been written by whom it might, is full of wit, and is charming in language and feeling. It is a dialogue after the manner of Cicero himself, and is the work of an author well conversant with the subjects in hand. But it is, no doubt, the case that those two unfortunate lines which have been quoted became ...
— Life of Cicero - Volume One • Anthony Trollope
... view has considerable affinity to that which is expounded in a portion of Plato's dialogue Phaedo, and which has been thus summarised. 'Death is merely the separation of soul and body. And this is the very consummation at which Philosophy aims: the body hinders thought,—the mind attains to truth by retiring into herself. Through no bodily sense does she perceive justice, ...
— Adonais • Shelley
... I could feel Blandina simper. But at that minute Josiah interrupted the dialogue by askin' where Samantha wuz, and I come forward and jined 'em. Blandina looked radiantly happy, and I motioned to Molly and Josiah to come on, I knowed they would rather have our room than our company. ...
— Samantha at the St. Louis Exposition • Marietta Holley
... Herr Klesmer," said Mrs. Arrowpoint, rising; and presently bringing him to Gwendolen, she left them to a dialogue which was agreeable on both sides, Herr Klesmer being a felicitous combination of the German, the Sclave and the Semite, with grand features, brown hair floating in artistic fashion, and brown eyes in spectacles. His English had little foreignness except its fluency; and his alarming ...
— Daniel Deronda • George Eliot
... the external part or body of tragedy. Its soul, which was the most important and essential addition of AEschylus, consisted in the vivacity and spirit of the action, sustained by the dialogue of the persons of the drama introduced by him; in the artful working up of the stronger passions, especially of terror and pity, which, by alternately afflicting and agitating the soul with mournful or terrible objects, produce a grateful pleasure and delight from that very trouble and emotion; ...
— The Ancient History of the Egyptians, Carthaginians, Assyrians, • Charles Rollin
... replied, 'but less than I do Circourt. She has considerable talent, but she thinks and reads only to converse. She has no originality, no convictions. She says what she thinks that she can say well; like a person writing a dialogue or an exercise. Whether the opinion which she expresses be right or wrong, or the story that she tells be true or false, is no concern of hers, ...
— Correspondence & Conversations of Alexis de Tocqueville with Nassau William Senior from 1834 to 1859, Vol. 2 • Alexis de Tocqueville
... first words he had spoken to her. She never contributed to the dialogue of the dining-room, and he had been too shy to seek her out in ...
— The Man with Two Left Feet - and Other Stories • P. G. Wodehouse
... a small volley of retorts from those with whom he had been disputing, and who rose as he did. The stranger said something very sprightly in French, running the back of one finger down the rank of books, and a lively dialogue followed. ...
— The Grandissimes • George Washington Cable
... Neri, as old readings say, Met a young stranger in Rome's streets one day, And being ever courteously inclined To give young folks a sober turn of mind, He fell into discourse with him, and thus The dialogue they held comes ...
— De La Salle Fifth Reader • Brothers of the Christian Schools
... had listened to the brief dialogue in feverish suspense, now came to the rescue, asking Lionel to give them the benefit of his clear, ringing tenor ...
— Dora Thorne • Charlotte M. Braeme
... peerless maid, How can I fitly sing The priceless decorative aid To dialogue you bring, Enabling serious folk, whose brains Are commonplace and crude, To soar to ...
— Punch, or the London Charivari, Vol. 153, Aug 15, 1917 • Various
... invited guests, but for any who choose to come; all are welcome. At these there are often plays given by amateurs, and improvised from plots which supply the outline, while the performers supply the dialogue and action, as in the old Italian comedies. The Altrurians are so quick and fine, in fact, that they often remind me of the Italians more than any other people. One night there was for my benefit an American play, as the Altrurians imagined it from what they had read ...
— Through the Eye of the Needle - A Romance • W. D. Howells
... haughty spirit of Catharine scoffed at the remonstrances, and despised the interests of a country, whose cabinet adopted language so unfitting the dignity and real power of the mighty British empire? The expressions of this dialogue would have been humiliating to the smallest of the "square-league" sovereignties of the Continent. The answer of the empress was precisely what she might have addressed to the envoy of Poland or the Crimea. "Sir, you are aware of my sentiments relative to your nation; ...
— Blackwood's Edinburgh Magazine, Volume 56, Number 348 • Various
... comedy by the addressee, a well-known and meritorious author, and sent by him shortly before to Liszt.] reconciles me with the "newspaper geese." It will, without plagiarism, win its laurels on the stage. The dialogue and action are full of humor and wit...and the final catastrophe of the thrashing must make an impression ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... harmony being sustained by the chorus and instruments. The Gospel text is in recitative form throughout, the part of the evangelist, or narrator, being assigned to a tenor voice, while those of the persons incidentally introduced are given to other singers. In the dialogue, wherever the words of Jesus occur, the accompaniment is furnished by a string quartette, which serves to distinguish them from the others, and invests them with a peculiar gentleness and grace. The incidental choruses, sung by the People and the Apostles, ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... 1818 saw no important work from Hoffmann's pen; but in 1819 appeared Die seltsame Leiden eines Theaterdirekters, a book written in the form of a dialogue, which was due to the example of his favourite, Diderot's "Rameau's Nephew" (by Goethe), and which conveys a tolerably faithful account of Hoffmann's experiences in the capacity indicated whilst in the town on the Regnitz, and indeed is useful as illustrating the condition ...
— Weird Tales, Vol. II. • E. T. A. Hoffmann
... cry is too useful with the crowd to lead to the conviction that anything one could say would lead to its disuse. In the dialogue of Lucian's to which we have referred, and after the theist has been refuted by the Atheist, Hermes consoles the chief deity, Zeus, by telling him that even though a few may have been won over by the arguments of the Atheist, the vast majority, "the whole mass of uneducated Greeks and the Barbarians ...
— Theism or Atheism - The Great Alternative • Chapman Cohen
... little or no plot. Foote did not care for continuous story; he could generally secure the favour of the audience by the wit of his dialogue and a quick succession of lively incidents. In the first act Lady Pentweazle sits for her portrait in a broadly humorous scene. Puff is an impudent trader in sham antiquities and objects of virtu; Carmine, an artist constrained by poverty ...
— Art in England - Notes and Studies • Dutton Cook
... there might be some corresponding change in the attitude of the Papal authorities on the great question of the stability of the earth. He accordingly proceeded with the preparation of the chief work of his life, "The Dialogue of the two Systems." It was submitted for inspection by the constituted authorities. The Pope himself thought that, if a few conditions which he laid down were duly complied with, there could be no objection to the publication of the work. In the first place, the title of the book was ...
— Great Astronomers • R. S. Ball
... Paper I laid down some Thoughts upon Devotion in general, and shall here shew what were the Notions of the most refined Heathens on this Subject, as they are represented in Plato's Dialogue upon Prayer, entitled, Alcibiades the Second, which doubtless gave Occasion to Juvenal's tenth Satire, and to the second Satire of Persius; as the last of these Authors has almost transcribed the preceding Dialogue, entitled Alcibiades ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... or hill, or eminence, termed Drumsnab, I would be proud to hold some dialogue with you, Sir Duncan, on the nature of the sconce to be there constructed; and whether the angles thereof should be acute or obtuse—anent whilk I have heard the great Velt-Mareschal Bannier hold a learned argument with General Tiefenbach during ...
— A Legend of Montrose • Sir Walter Scott
... dialogue Aunt Camilla was moving gently forward upon her niece. When she reached her she stooped, or rather drooped—for stooping implies a bend of bone and muscle, and her graceful body seemed to be held together by ...
— Jerome, A Poor Man - A Novel • Mary E. Wilkins Freeman
... our monstrous, momentous dialogue. I can't now make out how long that dialogue went on. It spread itself, I know, in heavy fragments over either three days or four. I remember myself grouped with Marion, talking sitting on our bed in her room, ...
— Tono Bungay • H. G. Wells
... of course to make this experiment. A few passes threw Mr. Vankirk into the mesmeric sleep. His breathing became immediately more easy, and he seemed to suffer no physical uneasiness. The following conversation then ensued:—V. in the dialogue representing ...
— The Works of Edgar Allan Poe - Volume 2 (of 5) of the Raven Edition • Edgar Allan Poe
... feature of the performance was aptly presented by the following imaginary dialogue which ...
— Personal Reminiscences of Early Days in California with Other Sketches; To Which Is Added the Story of His Attempted Assassination by a Former Associate on the Supreme Bench of the State • Stephen Field; George C. Gorham
... his observation, the pilot, in fact, did not make any maneuver or in any way shake the machine in order to dodge the firing. He simply sent the airplane a bit higher and calmly lowered it again over the spot to be photographed, as if he were master of the air. The following dialogue occurred: ...
— Georges Guynemer - Knight of the Air • Henry Bordeaux
... the same little dialogue with each hero that addressed me, and as there were but four slow dances on the programme for the evening, I was soon in a trying dilemma. Amiable and courteous as these fashionable lions were acknowledged to be, they could not get themselves to ...
— The Doctor's Daughter • "Vera"
... straight begin to examine if there be life, if there be motion, if man be any other than an ox;—["If Montaigne has copied all this from Plato's Theatetes, p.127, F. as it is plain by all which he has added immediately after, that he has taken it from that dialogue, he has grossly mistaken Plato's sentiment, who says here no more than this, that the philosopher is so ignorant of what his neighbour does, that he scarce knows whether he is a man, or some other animal:—Coste."]—what it is to do and to suffer? what ...
— The Essays of Montaigne, Complete • Michel de Montaigne
... for the Theatre-Lyrique, Paris, spoken dialogue was used in place of the recitatives subsequently added by the composer when the work passed, ten years later, into the repertoire of the Opera. In its earlier form, therefore, it belonged to the category of opera-comique, in which tenors were then permitted to use ...
— Style in Singing • W. E. Haslam
... of a longer or shorter kind. Luther's speech in particular was circulated from notes made partly by himself, partly by others. Day after day, and especially during the sittings of the Diet, a number of other short tracts and fly-sheets set forth, mainly in the form of a dialogue, a popular discussion and explanation of his cause. His fate at Worms was immediately proclaimed in a book called 'The Passion of Dr. Martin Luther,' the title of which sufficiently indicated the analogy suggested. Then came the stirring ...
— Life of Luther • Julius Koestlin
... Take, for instance, the "negro so black that charcoal made a chalk-mark on him," or the "shingle painted to look so like stone that it sank in water,"—itself overpersuaded by the skill of the painter. We overheard the following dialogue last winter. (Thermometer,—12 deg..) "Cold, this morning."—"That's so. Hear what happened to Joe?"—"No, I didn't."—"Well, the doctors had ben givin' him one thing another with merc'ry in't, and he walked out down to the Post-Office and back, and when he come home he kind ...
— Atlantic Monthly, Vol. 4, No. 25, November, 1859 • Various
... enough for Fleda's wit to work upon; she had a singular knack at putting loose ends of talk together. If more had been wanting, the tones of her grandfather's voice would have filled up every gap in the meaning of the scattered words that came to her ear. Her heart sank fast as the dialogue went on, and she needed no commentary or explanation to interpret the bitter little laugh with which it closed. It was a chill upon all the rosy joys and hopes of a most joyful and hopeful ...
— Queechy • Susan Warner
... at Slains, author of a poetical dialogue between the gardeners and tailors on the origin of their crafts, and a most curious Latin and English poem called the 'Buttery College of Slains,' which resembled much in language and style ...
— Notes and Queries, Number 192, July 2, 1853 • Various
... joke. A little worried frown gathered on their patient master's brow as this went on, but he never lost his temper or failed to make his corrections with courtesy. Susan at first, from force of habit, bent her attention on the page of French dialogue which she and Sophia Jane had to learn; but too soon the bad example round her had its effect. She began to return Sophia Jane's nudges, to listen to her whispers, to look out of the window opposite, and to make no sort of effort to learn her lesson. True, when the time came to say it, ...
— Susan - A Story for Children • Amy Walton
... our intellectual form of play, sitting quietly by the fire or lying prone in bed, we rouse many hot feelings for which we can find no outlet. Substitutes are not acceptable to the mature mind, which desires the thing itself; and even to rehearse a triumphant dialogue with one's enemy, although it is perhaps the most satisfactory piece of play still left within our reach, is not entirely satisfying, and is even apt to lead to a visit and an interview which may be the ...
— The Pocket R.L.S. - Being Favourite Passages from the Works of Stevenson • Robert Louis Stevenson
... excellent comedian, JOHN SIMON, was his principal ally in this way, and nothing could have been better than the sympathy between the two funny men. To CHARLES DARLING naturally fell the fat of the dialogue, but no one enjoyed the treat more than JOHN SIMON, in whose dictionary the word jealousy does not exist. LESLIE SCOTT also did his best to "feed" his principal, and the ...
— Punch, or the London Charivari, Vol. 152, May 23, 1917 • Various
... intermixed with the more conventionalized signs, will be found in the present paper. In especial, reference is made to the Address of Kin Ch[e]-[)e]ss, Natci's Narrative, the Dialogue between Alaskan Indians, ...
— Sign Language Among North American Indians Compared With That Among Other Peoples And Deaf-Mutes • Garrick Mallery
... means of the surgeon's leaving the door open the doctor heard Murphy's voice naming Robinson peevishly, he drew softly to the top of the stairs, where he heard the foregoing dialogue; and as soon as Murphy had uttered his last words, and was moving downwards, the doctor immediately sallied from his post, running as fast as he could, and crying, Stop ...
— Amelia (Complete) • Henry Fielding
... Such a child may have no interest in the verses, may laugh at the sentiment, even if he can be induced to read or listen to the rhymes. Sometimes interest can be created and good effects produced by making prominent every feature except the moral. This can be made into a little play or dialogue ...
— Journeys Through Bookland, Vol. 10 - The Guide • Charles Herbert Sylvester
... I pass to Francia! Quite another style, but none the less good. And in the first place I admire enormously your Dodore. This is the first time that anyone has made a Paris gamin real; he is not too generous, nor too intemperate, nor too much of a vaudevillist. The dialogue with his sister, when he consents to her becoming a kept woman, is a feat. Your Madame de Thievre, with her shawl which she slips up and down over her fat shoulders, isn't she decidedly of the Restoration! And the uncle who wants to confiscate his ...
— The George Sand-Gustave Flaubert Letters • George Sand, Gustave Flaubert
... and the statues in the temples. The king entered the chapel where the statue was kept, and performed in its presence the invocatory rites, and questioned it upon the subject which occupied his mind. The priest replied under direct inspiration from on high, and the dialogue thus entered upon might last a long time. Interminable discourses, whose records cover the walls of the Theban temples, inform us what the Pharaoh said on such occasions, and in what emphatic tones the gods replied. Sometimes the ...
— History Of Egypt, Chaldaea, Syria, Babylonia, and Assyria, Volume 2 (of 12) • G. Maspero
... And in that short dialogue Mr. Smith showed that he had instantaneously grasped the whole method of dealing with the press. The interview in the paper next day said that Mr. Smith, while unwilling to state positively that the principle of tariff discrimination ...
— Sunshine Sketches of a Little Town • Stephen Leacock
... germ that later developed into the Opera-Comique. Harrassed not only by the Theatre-Francais and the Theatre- Italien, but also by the Opera itself, they saw themselves obliged by the Court to abandon, in turn, dialogue and even monologue, and to depend upon placards as a means of expressing the plot to the audience. However, in spite of difficulties and opposition the Theatre de ...
— A Selection from the Comedies of Marivaux • Pierre Carlet de Chamblain de Marivaux
... of ways; the one as it is an energy, the other as it is a substance. First, therefore, as it is an action, Plato (See Plato, "Phaedrus," p. 248 C; "Timaeus," p.41 E; "Republic," x. p.617 D.) has under a type described it, saying thus in his dialogue entitled Phaedrus: "And this is a sanction of Adrastea (or an inevitable ordinance), that whatever soul being an attendant on God," &c. And in his treatise called Timaeus: "The laws which God in the nature of the universe has established for immortal souls." And in his book of ...
— Essays and Miscellanies - The Complete Works Volume 3 • Plutarch
... they need it,— You're not always sure of your game when you've treed it. Just conceive such a change taking place in one's mistress! What romance would be left?—who can flatter or kiss trees? 20 And, for mercy's sake, how could one keep up a dialogue With a dull wooden thing that will live and will die a log,— Not to say that the thought would forever intrude That you've less chance to win her the more she is wood? Ah! it went to my heart, and the memory still grieves, ...
— The Complete Poetical Works of James Russell Lowell • James Lowell
... this dialogue, and was well aware that farther argument would only kindle the knight's resentment still more highly, ventured at last, in her anxiety, to make a sign to her cousin to break off the interview, and to retire, since her father commanded his absence in a manner so peremptory. Unhappily, she was ...
— Woodstock; or, The Cavalier • Sir Walter Scott
... were nothing but two thin brown lines mingling with the gloom. Out of all this shadow rose a profound peace. Gwynplaine, half seated, held Dea in his embrace. They spoke, they cried, they babbled, they murmured in a mad dialogue of joy! How are we to paint ...
— The Man Who Laughs • Victor Hugo
... dramatic realism. There is a fondness for rapid transitions from one scene to another, as may be illustrated by the {53} fact that the Greek word for "immediately" occurs no less than forty-one times. In i. 27 the actual form of an original dialogue is shown in the abrupt and broken sentences employed. St. Mark uses different tenses of the Greek verb—present, perfect, imperfect, and aorist—with singular freedom, not because he did not know Greek well enough to write with more regularity, but because he is carried away ...
— The Books of the New Testament • Leighton Pullan
... his breast with the utmost earnestness, while in the other he offers a coin for a pair of slippers, two pairs of boots, three hats, and a large bundle of clothes, to an old woman, who, evidently astonished all over, exclaims, 'A shilling!' is an illustration of conscientiousness. A dialogue of two fishwomen at Billingsgate illustrates language, and a riot at Donnybrook Fair explains the ...
— Continental Monthly, Vol. III, No IV, April 1863 - Devoted to Literature and National Policy • Various
... orators, of which he could make nothing but they were 'very much surprised' - his way of pronouncing obliged - and as he could understand nothing that fell from me except the same form of words, the dialogue languished and all business had to be laid aside. We had kava, and then a dish of arrowroot; one end of the house was screened off for us with a fine tapa, and we lay and slept, the three of us heads ...
— Vailima Letters • Robert Louis Stevenson
... customs has been sought in the rambling treatise on heraldry written by Gerard Legh and issued, in 1564, under the title: "Accedens of Armorie" (approximately, Introduction to Heraldry). This is cast in the form of a dialogue between Gerard the Herehaught (Herold) and the Caligat Knight, the latter term designating an inferior kind of knight with no claim to nobility; indeed, an old writer renders it "a souldior on foot". The writer manages to weave in much material slightly or not at all connected with ...
— Shakespeare and Precious Stones • George Frederick Kunz
... 'gestorben' (dead), he was at a loss for the English equivalent; so, hastily pulling out his dictionary (a huge 8vo.), he turned to the word 'sterben,' (to die),—and there found——; but what he found will be best collected from the dialogue which followed, as reported ...
— The Uncollected Writings of Thomas de Quincey, Vol. 2 - With a Preface and Annotations by James Hogg • Thomas de Quincey
... even in the absence of forms or of doctrines, we have living religion. One sees from this why "natural religion, so-called, is not properly a religion. It cuts man off from prayer. It leaves him and God in mutual remoteness, with no intimate commerce, no interior dialogue, no interchange, no action of God in man, no return of man to God. At bottom this pretended religion is only a philosophy. Born at epochs of rationalism, of critical investigations, it never was anything but an abstraction. An artificial ...
— The Varieties of Religious Experience • William James
... Bitts?" said Herman, to the carpenter, who had been within hearing during the dialogue with the ...
— Down the Rhine - Young America in Germany • Oliver Optic
... and whether she had liked it or not at first, she had learned to do it with perfect ease and indifference, neither letting her voice drag languidly and hesitatingly when she was tired, nor falling into that nerve-rending fault of readers who vainly endeavour to personate the characters in dialogue, and to give impressiveness in the descriptive portions. She never made a remark, or asked her hearer's opinion. If the Countess was in the humour to sleep, the reading was soporific; if she desired ...
— Doctor Claudius, A True Story • F. Marion Crawford
... device to our occasion by thrusting into my perfectly modern three-act play a totally extraneous act in which my hero, enchanted by the air of the Sierra, has a dream in which his Mozartian ancestor appears and philosophizes at great length in a Shavio-Socratic dialogue with the lady, the ...
— Man And Superman • George Bernard Shaw
... of carnage; orders for assembling and signals for attack were circulated with regularity and confidence; Trestaillon reviewed his satellites, and urged them on to the perpetration of crimes, holding with one of those wretches the following dialogue: ...
— Fox's Book of Martyrs - Or A History of the Lives, Sufferings, and Triumphant - Deaths of the Primitive Protestant Martyrs • John Fox
... contemplation of these luxuriant groves, set in the luminous Attic landscape, and within sight of Athens, explains a hundred passages of poets and philosophers. Turn to the opening scenes of the 'Lysis' and the 'Charmides.' The action of the latter dialogue is laid in the palaestra of Taureas. Socrates has just returned from the camp at Potidaea, and after answering the questions of his friends, has begun to satisfy ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... here," called Aunt Maria, who had overheard the dialogue. "Certainly they can put their loads in the wagons. I told Mr. Coronado to tell ...
— Overland • John William De Forest
... returned Adelheid, who had wept and smiled by turns during the interrupted dialogue of her father and his friend, "that I can repeat most of your youthful histories. The castle of Willading is deep among the mountains, and it is rare indeed for the foot of stranger to enter its gates. During the long evenings of our severe ...
— The Headsman - The Abbaye des Vignerons • James Fenimore Cooper
... been exaggerated by national feeling on either side; but that it existed is not to be denied. Already in those ages the national character and temperament of French and English differed largely from one another; though the reasons why they so differed, remain a matter of argument. In a dialogue, dated from the middle of the fourteenth century, the French interlocutor attributes this difference to the respective national beverages: "WE are nourished with the pure juice of the grape, while naught but the dregs is sold to the English, who will ...
— Chaucer • Adolphus William Ward
... sick man was much worse. His ravings were incessant. The minister, sitting in his chair in the living room, by the cook stove, could hear the steady stream of shouts, oaths, and muttered fragments of dialogue with imaginary persons. Sympathy for the sufferer he felt, of course, and yet he, as well as Dr. Parker and old Capen, had heard enough to realize that the world would be none the worse for losing this particular specimen of humanity. The fellow had undoubtedly ...
— Keziah Coffin • Joseph C. Lincoln
... of paint and tinsel and silk attire, of cheap sentiment and high and mighty dialogue! Will there not always be rosin enough for ...
— The Gilded Age, Part 2. • Mark Twain (Samuel Clemens) and Charles Dudley Warner
... was capable of a great force of thinking, appears abundantly clear from that scene between Aesop and a country gentleman, who comes to complain of the bad conduct of those in power. The dialogue is at once sensible and animated. Aesop shews him what he reckoned the oppressions of the administration, flowed from the prejudices of ignorance, contemplated through the medium of popular discontent. In the interview between the Beau and the Philosopher, there ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Vol. IV • Theophilus Cibber
... already quoted, and well calculated, as he suggested, to put ideas of freedom and emancipation into the heads of the slaves, he was suddenly interrupted by the judge, when the following curious dialogue occurred: ...
— Personal Memoir Of Daniel Drayton - For Four Years And Four Months A Prisoner (For Charity's Sake) In Washington Jail • Daniel Drayton
... first time since it was produced! I felt that, however bad it was as a play, it was first-rate journalism. I've told you that I kept thinking how clever of you it was to write it. You mustn't think I didn't enjoy myself. The construction's quite tolerable, and the dialogue's admirable—not a word too much, not a syllable put in for 'cleverness,' no epigrams for epigrams' sake. And you've got a ...
— The Education of Eric Lane • Stephen McKenna
... their wanderings the Romanese gave to those of their people who came behind intimation as to the direction which they took; but it now inspired me with greater interest than ever—now that I had learnt that the proper meaning of it was the leaves of trees. I had, as I have said in my dialogue with Ursula, been very eager to learn the word for leaf in the Romanian language, but had never learnt it till this day; so patteran signified leaf, the leaf of a tree; and no one at present knew that but myself and Ursula, who had learnt it from Mrs. Herne, the last, ...
— The Romany Rye - A Sequel to 'Lavengro' • George Borrow
... unfortunate Laurence Howel published in 1717 (the year in which he was committed to Newgate) a little volume, entitled Desiderius; or, the Original Pilgrim, a Divine Dialogue, showing the most compendious Way to arrive at the Love of God. Rendered into English, and explained, with Notes. By Laurence Howel, A.M. London; printed by William Redmayne, for the Author, 1717. In the preface he tells us, that the work was originally ...
— Notes and Queries, Number 79, May 3, 1851 • Various
... of the dialogue in the early part of Canto V? of the games in the latter part? Show how Canto ...
— Teachers' Outlines for Studies in English - Based on the Requirements for Admission to College • Gilbert Sykes Blakely
... of this brief dialogue; probably if he had been present he would have missed its significance. He would never have connected it with the flood of paragraphs that appeared in the Press announcing that the acumen of the publisher had discovered a new author of genius—paragraphs wherein he was compared ...
— The Ghost Ship • Richard Middleton
... had awaited the issue of the foregoing dialogue with commendable patience. Most of the band were restrained, by the secret awe with which they regarded the mysterious character of Obed; while a few of the more intelligent chiefs gladly profited by the opportunity, to arrange their thoughts ...
— The Prairie • J. Fenimore Cooper
... not bear being written down—but it amused us both. "Come, what shall we do to-day?" I can hear him say. "Dr. Waddilove and Mr. Bland might have a walk and discuss the signs of the times?" And then the ridiculous dialogue would begin. ...
— Father Payne • Arthur Christopher Benson
... hypostasis it would be necessary to have mastered the whole of Plato's philosophy as comprised in the Parmenides and the Timaeus; and he would dogmatize rashly who without this arduous preparation should claim Plato as the champion of an unconditional immortality. Certainly in the Phaedo the dialogue popularly supposed to contain all Plato's teaching on the subject—the immortality allotted to the impure soul is of a very questionable character, and we should rather infer from the account there given that the human ...
— Five Years Of Theosophy • Various
... professor—and talked to this snapshot in a dialogue he would have recently accepted as a perfect examination paper for matriculation ...
— In a Little Town • Rupert Hughes
... only by the higher ranks in England, are a favourite amusement of all ranks in France. The qualities which are most highly prized in the comedies, are, interest and variety of incident and situation, wit and liveliness of dialogue, and a certain elevation and elegance ...
— Travels in France during the years 1814-1815 • Archibald Alison
... question. For instance, in referring to the mad race for wealth and position that keeps a man away from home so many hours of the day that his wife and child scarce know him she introduces the following dialogue: ...
— Quit Your Worrying! • George Wharton James
... beauty in this dialogue, arising from the exact regard to character preserved throughout. Indeed, this forms one of our author's peculiar excellencies; as it is a very difficult attainment, and always manifests a ...
— The Works of John Bunyan • John Bunyan
... dialogue again is character, marshalled so as continually to stimulate interest or excitement. The reason good dialogue is seldom found in plays is merely that it is hard to write, for it requires not only a knowledge of what interests or excites, but ...
— Forsyte Saga • John Galsworthy
... approach biography in that way. You look through the book, and you see it isn't divided up into dialogue, as a story is, and there are no illustrations, only pictures of crabbed-looking people, and so you decide that you are not going to like it, and consequently you don't like it, no matter how likeable ...
— American Men of Action • Burton E. Stevenson
... was cut short by Sarah and her mistress entering the kitchen together in some commotion. They had been improving the time which Mr. Moore and Miss Helstone had spent in dialogue by a short dispute on the subject of "cafe au lait," which Sarah said was the queerest mess she ever saw, and a waste of God's good gifts, as it was "the nature of coffee to be boiled in water," and which mademoiselle affirmed to be "un breuvage royal," ...
— Shirley • Charlotte Bronte
... given before the Royal Commission of Vivisection in 1906, by Sir William Osler, M.D., Fellow of the Royal Society, and Regius Professor of Medicine at the University of Oxford. In the course of his examination, the following dialogue occurred:[1] ...
— An Ethical Problem - Or, Sidelights upon Scientific Experimentation on Man and Animals • Albert Leffingwell
... a French sentinel—"Qui vive?" A Highland officer of Fraser's regiment, who spoke French fluently, answered the challenge. "France." "A quel regiment?" "De la Reine," answered the Highlander. As it happened the French expected a flotilla of provision boats, and after a little further dialogue, in which the cool Highlander completely deceived the French sentries, the British were allowed to slip past in the darkness. The tiny cove was safely reached, the boats stole silently up without a blunder, twenty-four ...
— Deeds that Won the Empire - Historic Battle Scenes • W. H. Fitchett
... contained in this composition runs in the form of a dialogue. One of the disputants says: "You say to me that the Church of Rome is corrupt. What then? to cut off a limb is a strange way of saving it from the influence of some constitutional ailment. Indigestion may cause cramp in the extremities; yet we spare our ...
— Apologia Pro Vita Sua • John Henry Cardinal Newman
... case, as we are in the case of every other Greek philosopher, to estimate his teachings largely from hearsay evidence. Plato himself speaks to us directly. It is true, the literary form which he always adopted, namely, the dialogue, does not give quite the same certainty as to when he is expressing his own opinions that a more direct narrative would have given; yet, in the main, there is little doubt as to the tenor of his own opinions—except, indeed, such doubt as always attaches to the philosophical ...
— A History of Science, Volume 1(of 5) • Henry Smith Williams
... in that fa- vored land, every one has to think for himself. Here we have no need to think, because our monarch anticipates all our wants, and our political opinions are formed for us by the journals to which we subscribe. Oh, think how much more brilliant this dialogue would have been, if we had been accustomed to exercise our reflective powers! They say that in England the conversation of the very meanest is a corus- ...
— The Complete Plays of Gilbert and Sullivan - The 14 Gilbert And Sullivan Plays • William Schwenk Gilbert and Arthur Sullivan
... twenty-five cents, which had run a long term of years, was just expiring. One bright June morning the mayor's secretary telephoned the secretary of the Mogul from Delaware that His Honor of Boston, desired converse with the Gas King. If those who overheard the dialogue can be credited, the parley ...
— Frenzied Finance - Vol. 1: The Crime of Amalgamated • Thomas W. Lawson |
