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Esthetics   Listen
noun
Esthetics, AEsthetics  n.  The theory or philosophy of taste; the science of the beautiful in nature and art; esp. that which treats of the expression and embodiment of beauty by art.






Collaborative International Dictionary of English 0.48








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"Esthetics" Quotes from Famous Books



... influence of the revival of ancient art which arose with Winckelmann towards the close of the last century, a gospel of esthetics was preached. Its apostles were chiefly Germans, and among them Schiller and Goethe are not inconspicuous names. The latter, before his long life was closed, began to see the emptiness of such teachings, and the violence perpetrated on the mind by forcing on the religious sentiment ...
— The Religious Sentiment - Its Source and Aim: A Contribution to the Science and - Philosophy of Religion • Daniel G. Brinton

... means been idle in this field of esthetics; it has developed experimental methods for determining the preferences of individuals and of social groups. But it must be confessed that the results offer little that ...
— Psychology - A Study Of Mental Life • Robert S. Woodworth

... little jeu d'esprit, precisely as the blank impossibilities of Lilliput, of Laputa, of the Yahoos, &c., had licensed those. If, therefore, any man thinks it worth his while to tilt against so mere a foam-bubble of gaiety as this lecture on the aesthetics of murder, I shelter myself for the moment under the Telamonian shield of the Dean. But, in reality, my own little paper may plead a privileged excuse for its extravagance, such as is altogether wanting to the Dean's. Nobody can pretend, for a moment, on behalf ...
— The Notebook of an English Opium-Eater • Thomas de Quincey

... announcement of them. It does not care twopence whether the method of their revelation is new or old, academic or futuristic. It only asks that the revelation shall be genuine. It is concerned with form, because beauty and truth demand perfect expression. But it is a mere heresy in aesthetics to say that perfect expression is the whole of art that matters. It is the spirit that breaks through the form that is the main interest of criticism. Form, we know, has a permanence of its own: so ...
— The Art of Letters • Robert Lynd

... usually been discussed under the head of aesthetic emotions. As to what rightfully belongs under the head of aesthetics is in dispute—writers on the subject varying tremendously in their opinions. Most of the recent writers, however, agree that the stimulus for aesthetic appreciation must be a sense percept or an image of some ...
— How to Teach • George Drayton Strayer and Naomi Norsworthy

... was appointed teacher of the students of the Royal Academy, having been preceded by a clever, talkative, scientific expounder of aesthetics, who delighted to tell the young men how everything was done, how to copy this, and how to express that. A student came up to the new master, "How should I do this, sir?" "Suppose you try." Another, "What does this mean, Mr. Etty?" "Suppose you look." ...
— McGuffey's Sixth Eclectic Reader • William Holmes McGuffey

... art becomes impressionism. What it then produces may indeed be picturesque, melodramatic, sensual, but it will not be beautiful because there will be no imaginative wholeness in it. In other words, the artist who divorces aesthetics from ethics does gain creative license, but he gains it at the expense of a balanced and harmonious expression. If you do not believe it, compare the Venus de Milo with the Venus de Medici or a Rubens fleshy, spilling-out-of-her-clothes ...
— Preaching and Paganism • Albert Parker Fitch

... soles!—and he went in for top-boots splendidly belegged and coquettishly beautified with what, had he been a lady, he might have described as an insertion of lace. At last came the boot-blacking parlor, late nineteenth century, commercial, practical, convenient, and an important factor in civic aesthetics. Not that the parlor is beautiful in itself. It is a cave without architectural pretensions, but it accomplishes unwittingly an important mission: it removes from public view the man who ...
— The Perfect Gentleman • Ralph Bergengren

... the University of Jena, where the dignity of Professorship was associated with that of Member of the Council, he now commenced a course of lectures on Aesthetics, and joined his brother Frederick in the editorship of the Athenaeum, (3 vols., Berlin, 1796-1800,) an Aesthetico-critical journal, intended, while observing a rigorous but an impartial spirit of criticism, to ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black

... themselves either to generalities or to details, but Spencer addressed himself to everything. He dealt in logical, metaphysical, and ethical first principles, in cosmogony and geology, in physics, and chemistry after a fashion, in biology, psychology, sociology, politics, and aesthetics. Hardly any subject can be named which has not at least been touched on in some one of his many volumes. His erudition was prodigious. His civic conscience and his social courage both were admirable. His life was ...
— Memories and Studies • William James

... architectural design, are now everywhere apparent. The responsibilities of architects are greater than they have ever before been; the growing demand of the times calls for intelligent studies in all that relates to architecture, whether it be in the realm of aesthetics, in sciences that relate to construction, in the nature and properties of the materials used, in the atmosphere that surrounds us, or in the availability of the thousand-and-one useful and ingenious inventions that tend to promote the ...
— Scientific American, Volume XLIII., No. 25, December 18, 1880 • Various

... must be done to stem the tide, and again she fell back upon luncheon. They had bought some provisions on their way to the station in Paris. He might subsist on scenery and aesthetics if he pleased—as for her, she was a common person with common ...
— The History of David Grieve • Mrs. Humphry Ward

... shown on previous occasions that he found Ann Veronica interesting and that he wished to interest her. He was a civil servant of some standing, and after a previous conversation upon aesthetics of a sententious, nebulous, and sympathetic character, he had sent her a small volume, which he described as the fruits of his leisure and which was as a matter of fact rather carefully finished verse. It dealt with fine aspects of Mr. Manning's feelings, and as Ann ...
— Ann Veronica • H. G. Wells

... geographical outlines and other horticultural allusions to their holy lands and spiritual history, seen beside so many houses, temples and monasteries in Japan. In their floral art, no people excels the Japanese in making leaf and bloom teach history, religion, philosophy, aesthetics ...
— The Religions of Japan - From the Dawn of History to the Era of Meiji • William Elliot Griffis

... memorability. The twenty years which follow from 1798 to 1818 may with equal accuracy be styled the "critical period." It was during these years that he did his best work as a journalist, and all his work as a public lecturer on aesthetics. It was during them that he said his say, and even his final say, so far as any public modes of expression were concerned, on politics and on art. From 1818 to his death his life was devoted entirely to metaphysics and theology, and with such close ...
— English Men of Letters: Coleridge • H. D. Traill

... comparison raised no smile on his listeners' faces, only Nejdanov remarked that if young people were fools enough to interest themselves in aesthetics, they deserved no pity whatever, even if Skoropikin did lead ...
— Virgin Soil • Ivan S. Turgenev

... the coarseness of the strings and pulleys. In a similar way, psychology itself, when pushed to any nicety, discovers an abhorrent baldness, but rather from the fault of our analysis than from any poverty native to the mind. And perhaps in aesthetics the reason is the same: those disclosures which seem fatal to the dignity of art seem so perhaps only in the proportion of our ignorance; and those conscious and unconscious artifices which it seems unworthy of the serious artist to employ were yet, if we had ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 16 (of 25) • Robert Louis Stevenson

... discontented With a world of dust and stones and flesh too ailing: Even before the question grew to problem And drove you bickering into metaphysics, You met on lower planes the same great dragon, Seeking release, some fleeting satisfaction, In strange aesthetics . . . You tried, as I remember, One after one, strange cults, and some, too, morbid, The cruder first, more violent sensations, Gorgeously carnal things, conceived and acted With splendid animal thirst . . . Then, by degrees,— ...
— The House of Dust - A Symphony • Conrad Aiken

... its buildings, has its own architectural rules, rules as unchangeable as anatomical peculiarities. Each group builds according to the same set of principles, conforming to the laws of a very elementary system of aesthetics; but often circumstances beyond the architect's control—the space at her disposal, the unevenness of the site, the nature of the material and other accidental causes—interfere with the worker's plans and disturb the structure. Then ...
— The Life of the Spider • J. Henri Fabre

... was seen what superstition would do in collecting the wealth of the world round the shrines of the gods. How many a man has since learned to regret the lost labor of his household; and yet what god has been the better? There may be a question of aesthetics, indeed, with which ...
— The Life of Cicero - Volume II. • Anthony Trollope

... personal cleanliness which obtains among a coat-wearing than among a blouse-wearing population. Cleanliness is very truly reputed to be next to godliness, and it may be worth while making some sacrifice of convenience and taste for the sake of it: it belongs to morals rather than to aesthetics, and should accordingly take precedence of any thing ...
— The International Monthly, Volume 3, No. 1, April, 1851 • Various

... perforce to yield to the demands of dramatic treatment. This implies not that program music is without a definite structure, only that the form is different—modified by the needs of the subject. As there is no other point in aesthetics which has caused more loose thinking, a few further comments may be pertinent. Some critics go so far as to deny the right of existence to all program music.[166] Of course there is good as well as bad program music, but to condemn it per se is simply to fly in the face of facts, ...
— Music: An Art and a Language • Walter Raymond Spalding

... reality of these visions, which inflamed my desire all the more by seeming to hint a promise that my desire should be satisfied. And for all that the motive force of my exaltation was a longing for aesthetic enjoyments, the guide-books ministered even more to it than books on aesthetics, and, more again than the guide-books, the railway time-tables. What moved me was the thought that this Florence which I could see, so near and yet inaccessible, in my imagination, if the tract which separated ...
— Swann's Way - (vol. 1 of Remembrance of Things Past) • Marcel Proust

... Oscar Wilde described himself on leaving Oxford as a "Professor of AEsthetics, and a Critic of Art"—an announcement to me at once infinitely ludicrous and pathetic. "Ludicrous" because it betrays such complete ignorance of life all given over to men industrious with muck-rakes: "Gadarene swine," as Carlyle called them, "busily grubbing and grunting in search ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris

... finds outward expression to compare with that of the city-man who comes out for a Sunday in the country, but Thoreau is that rare country-man and Debussy the city-man with his weekend flights into country-aesthetics. We would be inclined to say that Thoreau leaned towards ...
— Essays Before a Sonata • Charles Ives

... that attraction will ever diminish; it will ever increase, although its forms may change; and finally, along with this betterment of the emotions, and of the sense of justice—of right and of ethics and of aesthetics—we find the constant effort and desire of all mankind, in all stages of culture, to find out what is true, as distinct from that which is not true. You will not be mistaken if you seek for this in the soul of the rudest savage; he, too, ...
— Scientific American Supplement, No. 1178, June 25, 1898 • Various

... painters and sculptors. It is true that love is the theme of western writers also but with them the idea of love is entirely free from divine signification. (As a corollary), the more the divine background disappears, the more the prudishness of the police becomes the standard of ethics and aesthetics alike. Under such an aegis the arts are necessarily degraded to the level of the merely sentimental or the merely sensual and while the sentimental is everywhere applauded, the sensual is a ...
— The Loves of Krishna in Indian Painting and Poetry • W. G. Archer

... aesthetic style, it will be useful to our purpose here to confine the discussion to the neglected qualities. As a rule, a durable, useful, and comfortable article is a beautiful one. At least it has the beauty of "grace," by which terms the old writers on aesthetics characterized perfect adaptation to purpose, and the beauty of what they called "homeliness," or, as we would now say, since this term has been perverted, of "hominess," the suggestion of adding to the ...
— Practical Suggestions for Mother and Housewife • Marion Mills Miller

... drapes—oh-h! those drapes!! Yellow, s'help me! And those bisque figures that you get with every pound of tea you buy; and this, this, THIS," he whimpered, waving his hands at the decorated sewer-pipe with its gilded cat-tails. "Oh, speak to me of this; speak to me of art; speak to me of aesthetics. Cat-tails, GILDED. Of course, why not GILDED!" He wrung his hands. "'Somewhere people are happy. Somewhere little children are ...
— Blix • Frank Norris

... the learning of the Church was of pagan origin. St. Augustine was a professor of rhetoric and the author of a treatise on aesthetics before he wrote the City of God, and his Confessions. In fact, he never quite got over being a professor of rhetoric. Clement of Alexandria was a product of the same rhetoric schools and an excellent teacher of his subject before he recognized the divine origin of Christianity. ...
— Rhetoric and Poetry in the Renaissance - A Study of Rhetorical Terms in English Renaissance Literary Criticism • Donald Lemen Clark

... of its unexpected contacts, of the choice and rare personalities that drift on it as if on the sea; of the distinction that letters and art gave to it, the nobility and consolations there are in aesthetics, of the privileges they confer on individuals and (this was the first connected statement I caught) that Mills agreed with her in the general point of view as to the inner worth of individualities and in the particular instance of it on which she had opened to him her innermost heart. Mills ...
— The Arrow of Gold - a story between two notes • Joseph Conrad

... Lord Verulam, "is man added to Nature" (homo additus naturae); and we may modernize his statement, and adapt it to the demands of aesthetics, if we define art to be Nature infused with and shaped by the imaginative faculty of man; thus, as Bacon says elsewhere, "conforming the shows of things to the desires of the mind." Art always platonizes: it results from a certain finer instinct for form, order, proportion, a certain ...
— The Function Of The Poet And Other Essays • James Russell Lowell

... I fear that colonial girls are not of those who dress merely for themselves; they like to be admired, and they appreciate the value of dress from a flirtation point of view. Their taste is rather the outcome of a desire to please others than of a sense of aesthetics. It is relative, and not absolute. When once the finery has served its purpose, they are ready to renounce all the pomps and vanities of this wicked world. And if the moralist says that this argues some laxness of ideas before marriage, let him remember ...
— Town Life in Australia - 1883 • R. E. N. (Richard) Twopeny

... with apprehension the revolutionary sayings and doings of his second son, which had been the more disconcerting because they flowed from the young reactionary in such a gay flood of high spirits. Harry had no more shared the reverent attitude of his family toward household aesthetics than toward social values. A house was a place to keep the weather from you, he had said laughingly. If you could have it pretty and well-ordered without too much bother, well and good; but might the Lord protect him from ...
— The Squirrel-Cage • Dorothy Canfield

... the charge of atheism and irreligion are those so often heard against monism, that it destroys the poetry of life and fails to satisfy the spiritual wants of human nature; we are told, in particular, that aesthetics—certainly a most important department both in theoretical philosophy and in practical life—is prejudiced by a monistic philosophy. But David Friedrich Strauss, one of our subtlest exponents of aesthetics and also one of our noblest writers, has already refuted such a charge; and shown how, on the ...
— Monism as Connecting Religion and Science • Ernst Haeckel

... century could exist without the India-rubber tree. If that plant were destroyed, civilization would be left gasping, helpless and crippled; and of late years, not content with making it serviceable in every department of practical life, men have brought the shrub into the domain of aesthetics by using ...
— The Philistines • Arlo Bates

... there is here, but a paradox of language, and not of fact. Men made bridges before there was a science of bridge-building; they cured disease before they knew medicine. Art came before aesthetics, and righteousness before ethics. Conduct and theory react upon each other. Hypothesis is confirmed and modified by action, and action is guided by hypothesis. If it is a paradox to ask for a human politics before we understand humanity or politics, it is what Mr. Chesterton describes as ...
— A Preface to Politics • Walter Lippmann

... word Pram[a]n[a]ni, which in a book of aesthetics means proportions, in a book of logic means the proofs by which the truth of a proposition is ascertained. All proofs of truth are credentials of relationship. Individual facts have to produce such passports to show that they are not expatriated, that they are not a break in the unity of ...
— Creative Unity • Rabindranath Tagore

... grandeur of the mountains. Why are quiet rural beauty and illimitable freedom and lofty splendor not reflected in poem and novel and ballad and picture? The Canadian may answer—We go in more for athletics than aesthetics: we are living literature, not writing it. In our snow-covered prairies edged by the violet mist, lined in silver and pricked at night by the diamond light of a million stars, we are living art, not painting it. That our mountains ...
— The Canadian Commonwealth • Agnes C. Laut

... MAL has been made the Sphinx of this particular occasion. Every one has determined to put you off the scent. The word, among other acceptations, has that of mal [evil], a substantive that signifies, in aesthetics, the opposite of good; of mal [pain, disease, complaint], a substantive that enters into a thousand pathological expressions; then malle [a mail-bag], and finally malle [a trunk], that box of various forms, covered with all kinds of skin, ...
— Analytical Studies • Honore de Balzac

... and get his head on her breast! How he used to lie there when he was a big boy, listening to the same old stories night after night,—the same old stories! Something homely and warm and true was waking in him to-night that had been dead for years and years; this was no matter of aesthetics or taste, it was real, real. He wondered if people felt in this way who had homes, or those simple folk who loved ...
— The Atlantic Monthly, Volume 15, No. 91, May, 1865 • Various

... human progress is not a mere growth of the animal race. It has its total meaning in the understanding of man as a soul, determined by purposes and ideals. Not the laws of physiology, but the demands of logic, ethics, aesthetics, and religion control the man who makes history and who serves civilization. He who says that the child's questions ought to be answered truthfully means in this connection that lowest truth of all, the truth of physiology, and forgets ...
— Psychology and Social Sanity • Hugo Muensterberg

... unloading of these works. Editions de luxe ... were published and sold by the picture dealers; ...every crafty device known to the picture trade was resorted to in order to discredit and destroy the heretofore universally accepted standards of aesthetics."[756] ...
— Secret Societies And Subversive Movements • Nesta H. Webster

... the small group of early eighteenth-century critics who tended to reject the aesthetics based upon authority and pre-established definitions of the genres, and to evolve one logically from the nature of the human mind and the sources of its enjoyment; in other words, who turned attention from the objective work of art to the subjective response. These ...
— A Full Enquiry into the Nature of the Pastoral (1717) • Thomas Purney

... the subject, though not affecting the degree of probability which may belong to this theory, seems to us to be very loose scientifically, and philosophically most misleading."—"Pall Mall Gazette.") This is not at all improbable, as it is almost a lifetime since I attended to the philosophy of aesthetics, and did not then think that I should ever make use of my conclusions. Can you refer me to any one or two books (for my power of reading is not great) which would illumine me? or can you explain in one or two sentences how I ...
— More Letters of Charles Darwin - Volume I (of II) • Charles Darwin

... But the merely means that he has everything in common with the educated Londoner—and a little over. His traditions are ours, his standards are ours, his ideals are ours. He is busied with the same problems of ethics, of aesthetics, of style, even of grammar. I had not been three days in New York when I found myself plunged in a hot discussion of the "split infinitive," in which I was ranged with two Americans against a recreant Briton who defended the ...
— America To-day, Observations and Reflections • William Archer

... of beauty has its reign over bread as well as over all other things; it has its laws of aesthetics; and that bread which is so prepared that it can be formed into separate and well-proportioned loaves, each one carefully worked and moulded, will develop the most beautiful results. After being moulded, the loaves should stand a little while, just ...
— Household Papers and Stories • Harriet Beecher Stowe

... in hand. The Germans, (to whom we are undeniably indebted for the first philosophic appreciation of the poet,) being debarred by their alienage from the tempting parliament of verbal commentary and conflict, have made themselves such ample amends by expatiations in the unfenced field of aesthetics and of that constructive criticism which is too often confined to the architecture of Castles in Spain, that we feel as if Dogberry had charged us in relation to them with that hopelessly bewildering commission to "comprehend all vagrom men" which we have hitherto considered ...
— Atlantic Monthly Vol. 3, No. 16, February, 1859 • Various

... to be settled on lofty moral grounds. An elevated morality is the professed aim of all enlightened lawgivers; and the prosperity of nations is built upon it, for it is righteousness which exalteth them. Culture is desirable; but the welfare of nations is based on morals rather than on aesthetics. On this point Moses, or even Epictetus, is a greater authority than Goethe. All the ordinances of Moses tend to this end. They are the publication of natural religion,—that God is a rewarder of virtuous actions, and punishes wicked deeds. Moses, from first to last, ...
— Beacon Lights of History, Volume II • John Lord

... new field for investigation, he should be made aware of some of the wider questions which the study of poetry involves. The first of these questions has to do with the relations of the study of poetry to the general field of Aesthetics. ...
— A Study of Poetry • Bliss Perry

... growing clearer in men's minds—a system which not only sees how labour can be freed from its present fetters, and organized unwastefully, so as to produce the greatest possible amount of wealth for the community and for every member of it, but which bears with it its own ethics and religion and aesthetics: that is the hope and promise of a new and higher life in all ways. So that even if those unforeseen economical events above spoken of were to happen, and put off for a while the end of our Capitalist system, the latter ...
— Signs of Change • William Morris

... feet of various kales sown in April. There's just enough overspray to keep the plants from getting gnarly. I prefer kale to not get very stunted, if only for aesthetics: on my soil, one vanity fertigation about mid-July keeps this row looking impressive all summer. Other gardens with poorer soil might need more support. This much kale may seem an enormous oversupply, but between ...
— Gardening Without Irrigation: or without much, anyway • Steve Solomon

... is intended to form part of a series, on which I have been engaged for many years. I am gradually working my way towards the concrete expression of a theory, or system of aesthetics, of ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons

... on this theme, fell into a reverie over Rembrandt's strange conception of Christian aesthetics. It is evident that in his mode of depicting Gospel scenes this painter still exhales a breath of the Old Testament; his church, even if he had meant to paint it as it was in his day, would still be a synagogue, so strong is the odour of the Jew in all his work; he is possessed by the imagery, ...
— The Cathedral • Joris-Karl Huysmans

... all that is bad in country life. In London he would keep his place. He would belong to a brainless club, and his wife would give brainless dinner parties. But down here he acts the little god with his gentility, and his patronage, and his sham aesthetics, and every one—even your ...
— A Room With A View • E. M. Forster

... tribute to a great predecessor we must leave these Discourses, which need, to be properly appreciated, to be studied as a whole; as indeed they form Leighton's deliberate exposition of his whole principles of Aesthetics. In working this out, Discourse by Discourse, he was not content to rely upon convenient literary sources, or previously acquired knowledge of his subject; but undertook special journeys, and spent long periods, abroad, to procure his own evidence ...
— Frederic Lord Leighton - An Illustrated Record of His Life and Work • Ernest Rhys

... included in my plan of proofs and illustrations I have been obliged to leave out for lack of space. Such are: Demonism, Primitive Religion, and Witchcraft; The Status of Women; War; Evolution and the Mores; Usury; Gambling; Societal Organization and Classes; Mortuary Usages; Oaths; Taboos; Ethics; AEsthetics; and Democracy. The first four of these are written. I may be able to publish them soon, separately. My next task is to ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner

... Tolstoy is and remains the glorified Russian peasant uttering his heart to the world. The voice of this man alone is sufficient to tell the outside world that the Russian democracy is a creation not of form and economics but of spirit and aesthetics. ...
— Defenders of Democracy • The Militia of Mercy

... dragons or the Gothic gargoyles or the goblinish old women of Rembrandt were in the least intended to be comic. Their extravagance was not the extravagance of satire, but simply the extravagance of vitality; and here lies the whole key of the place of ugliness in aesthetics. We like to see a crag jut out in shameless decision from the cliff, we like to see the red pines stand up hardily upon a high cliff, we like to see a chasm cloven from end to end of a mountain. With equally noble enthusiasm we like to see a nose ...
— The Defendant • G.K. Chesterton

... soon time to drive home, and she traversed the distance with a preoccupied mind. The idea of so modern a man in science and aesthetics as the young surgeon springing out of relics so ancient was a kind of novelty she had never before experienced. The combination lent him a social and intellectual interest which she dreaded, so much weight did it add to the strange influence he ...
— The Woodlanders • Thomas Hardy

... inspiration such as has been felt by no later age, but to the combatants themselves, and the spectators, the plastic beauty of the human form grew to be more than its prowess or its strength, and gymnastic became a training in aesthetics as much as, or more ...
— The Greek View of Life • Goldsworthy Lowes Dickinson

... through tone color and tone character is so great, so important, that it is impossible to do it justice in this little work. I have written more fully on this and kindred subjects in my other works, therefore I shall here touch but lightly upon the aesthetics of the ...
— The Renaissance of the Vocal Art • Edmund Myer

... shown by some of these birthright Quakers, upon matters outside of their wonted and trodden ethical territories, is due to their long refusal to recognize aesthetic values, and to see discriminations in the field in which ethics and aesthetics ...
— Quaker Hill - A Sociological Study • Warren H. Wilson

... beegums alive with the nectar builders; along the garden walks were frames for freighted grape-vines. The work of regeneration had been pushed beyond the limits of utilitarianism over into a certain crude domain of aesthetics. On one front window-sill what had been the annual Christmas box of raisins had been turned into a little hot-bed of flowering plants; and under the panes of glass a dense forest of them, sun-drawn, looked like a harvest field swept ...
— The Mettle of the Pasture • James Lane Allen

... with the standard books on aesthetics. In Idler No. 76, published in 1759, Reynolds laughed at those who by mastering a few phrases posed as connoisseurs. He introduced a gentleman who had just returned from Italy, "his mouth full of nothing but the grace of Raffaelle,... and the sublimity and grand contorno of Michael ...
— A Pindarick Ode on Painting - Addressed to Joshua Reynolds, Esq. • Thomas Morrison

... taunts me, as its promulgator, with living out of the world and knowing nothing of life and men. That great austere toiler, the editor of the Daily Telegraph, upbraids me,—but kindly, and more in sorrow than in anger,—for trifling with aesthetics and poetical fancies, while he himself, in that arsenal of his in Fleet Street, is bearing the burden and heat of the day. An intelligent American newspaper, the Nation, says that it is very easy to sit in one's study and find fault with the course ...
— Culture and Anarchy • Matthew Arnold

... Walter Pater was once invited to admire a hideous wedding-present, compact of ormolu and malachite. Closing his eyes, the founder of modern aesthetics leaned back in his chair, and waving away the offending object, murmured in his softest tone, "Oh, very rich, very handsome, very expensive, I am sure. But they mustn't make any more ...
— Collections and Recollections • George William Erskine Russell

... one philosophy of manhood in whose harness are no vulnerable parts. "The Palace of Art" presents the poet's perception of the failure of culture. Ethics, not aesthetics, compel manhood; and behind ethics, theology. God must live in life, if life shall put on ...
— A Hero and Some Other Folks • William A. Quayle

... drama in verse is in its very nature nobler than drama in prose would lead us away from craftsmanship into the realm of pure aesthetics. For my own part, I doubt it. I suspect that the drama, like all literature, took its rise in verse, for the simple reason that verse is easier to make—and to memorize—than prose. Primitive peoples felt with ...
— Play-Making - A Manual of Craftsmanship • William Archer

... much energy has been employed in developing the resources of a great country, that little has been left to expend in creative imagination. The currents of genius have flowed toward trade, agriculture, and manufacturing, not aesthetics. ...
— Definitions • Henry Seidel Canby

... the matter in general, I might confine myself to referring those interested to the writings of Dr. Valfrid Vasenius, lecturer on Aesthetics at the University of Helsingfors. In the thesis which gained him his degree of Doctor of Philosophy, Henrik Ibsen's Dramatic Poetry in its First stage (1879), and also in Henrik Ibsen: The Portrait of a Skald (Jos. Seligman ...
— The Feast at Solhoug • Henrik Ibsen

... published in three years, are a proof of this. Besides this, he had exquisite artistic instincts, and his massive volume on 'The Power of Sound' was, when it appeared, the most important {308} work on aesthetics in the English language. He had also the tenderest heart and a mind of rare metaphysical power, as his volumes of essays, 'Tertium Quid,' will prove to any reader. Mr. Frederic Myers, already well known ...
— The Will to Believe - and Other Essays in Popular Philosophy • William James

... He was a critic who wrote brilliantly of music in the terms of painting, of plastic arts in the technical phraseology of music, and by him the drama was discussed purely as literature. This deliberate and delicate confusion of aesthetics clouded the public mind. He described Sordello as a vast mural fresco, a Puvis de Chavannes in tone, a symphonic drama wherein agonized the shadowy AEschylean protagonist. Even sculpture was rifled for analogies, and Van Kuyp to his bewilderment found himself called ...
— Visionaries • James Huneker

... time, and whether of colors or sounds, form what we may properly term the musical or harmonic element in every art; and the study of them is an entirely separate science. It is the branch of art-philosophy to which the word 'aesthetics' should be strictly limited, being the inquiry into the nature of things that in themselves are pleasant to the human senses or instincts, though they represent nothing, and serve for nothing, their only service being their pleasantness. Thus it is the ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin

... of branches of learning come from the Greek. In fact, nearly all the terms of learning and art, from the alphabet to the highest peaks of metaphysics and theology, come directly from the Greek— philosophy, logic, anthropology, psychology, aesthetics, grammar, rhetoric, history, philology, mathematics, arithmetic, astronomy, anatomy, geography, stenography, physiology, architecture, and hundreds more in similar domains; the subdivisions and ramifications of theology as exegesis, hermeneutics, ...
— How to Speak and Write Correctly • Joseph Devlin

... for entire centuries stolid prejudice and narrow dogmatism considered settled, and adjudicated in the High Court of Humanity for all times to come. However signal the progress of our age may be in the useful arts and in aesthetics, especially in upholstery, in chemistry, in the government of large cities, and in the purity of commerce, in pottery, pills, and poetry, and in the dignity of politics, nothing, we may venture to say, will so distinctly and so broadly characterize the ...
— Atlantic Monthly, Volume 3, Issue 17, March, 1859 • Various

... level all through, and if every element of strength in him had been purified from every weakness? What would it have been, shall we say, if he could have had the advantage of reading a few modern lectures on aesthetics? We may, perhaps, be content with Shakespeare as circumstances left him; but in reading our modern poets, the sentiment of regret is stronger. If Byron had not been driven into his wild revolt against the ...
— Hours in a Library - New Edition, with Additions. Vol. II (of 3) • Leslie Stephen

... demon that guides him. It is as impossible to teach virtue as it is to teach genius. It would be as foolish to expect our moral systems to produce virtuous characters and saints as to expect the science of aesthetics to bring forth poets, sculptors and musicians." To ...
— Ethics in Service • William Howard Taft

... to illustrate a minute trick of style or turn of phrase, as equally he will choose a long passage or the whole "Iliad," the whole "Odyssey," to illustrate a grand rule of poetic construction, a first principle of aesthetics. For an example—'Herein,' says Aristotle, starting to show that an Epic poem must have Unity of Subject—'Herein, to repeat what we have said before, we have a further proof of Homer's superiority to the rest. He did not attempt to deal even ...
— On The Art of Reading • Arthur Quiller-Couch

... will. All competent persons agree that it is the first condition of the attainment of scientific truth. Nobody denies that men of action find in it the first law of successful achievement in the material order. Its varied but always superlative power in the region of aesthetics is only an object of recent recognition, though great work enough has been done in past ages by men whose recognition was informal and inexpress. It is plain that, in the different classes of aesthetic manifestation, there will be differences in objective shape and colour, corresponding ...
— Critical Miscellanies, Vol. I - Essay 3: Byron • John Morley

... from fainting by fanning herself vigorously, and was about to show the two ladies that they had a wrong idea of aesthetics, when a lady from the West Side, who had just been married, got up and said she felt that we were all too ignorant of aesthetics, and they should take every opportunity to become better informed. She said when she first went to keeping house she couldn't tell baking powder that ...
— Peck's Sunshine - Being a Collection of Articles Written for Peck's Sun, - Milwaukee, Wis. - 1882 • George W. Peck

... Sensation and Intuition. Studies in psychology and aesthetics. Chap, iv, "Belief: Its Varieties ...
— Introduction to the Science of Sociology • Robert E. Park

... considered what kind of an individuality he had, still less enquired into the state of his spiritual being. But the flip of a girl he professed so much to despise came along and reduced him to a condition of helpless introspection. I cannot say that it lasted very long. Psychology and metaphysics and aesthetics lay outside Jaffery's sphere. But while seeing no harm in his own simple creed of straight-riding and truth-speaking, he added to it an unshakable faith in Doria's intellectual and spiritual superiority. On his first meeting with ...
— Jaffery • William J. Locke

... historically an important piece of criticism. It is still worth reading for more than one passage of discerning analysis and apt comment on scene, speech, or character, and for certain not unfruitful excursions into the field of general aesthetics; while historically it is a sort of landmark in Shakespearian literature. Standing chronologically almost midway between Dryden and Johnson, Kames, and Richardson, the Remarks shows decisively the direction in which criticism, ...
— Some Remarks on the Tragedy of Hamlet, Prince of Denmark, Written by Mr. William Shakespeare (1736) • Anonymous

... buskin draggled in the mire. Perish my theatrical advertising columns when I cease to tell the truth! There is the sum twice told: I pays my money and I takes my choice. Never mind the change." And with these words Mr. BEZZLE stalked off, his face crimson with a rush of aesthetics to ...
— Punchinello, Vol. II. No. 38, Saturday, December 17, 1870. • Various

... very gospel and decalogue of the art. The theorists have so thoroughly mapped out the legitimate resources of the composer, and have so prescribed his course in nearly every possible position, that music is made almost more of a mathematical problem than the free expression of emotions and aesthetics. "Correct" music has now hardly more liberty than Egyptian sculpture or Byzantine painting once had. Certain dissonances are permitted, and certain others, no more dissonant, forbidden, quite arbitrarily, or on hair-splitting theories. It is as if one should write down in a book a number ...
— Contemporary American Composers • Rupert Hughes

... with the professor that these are sequences of sounds, and nothing more.' Then she sighed. In the pause which followed, her husband, the famous critic, filled his glass, stretched his legs out, and began: 'You have embarked, I see, upon the ocean of aesthetics. For my part, to-night I was thinking how much better fitted for the stage Beaumarchais' play was than this musical mongrel—this operatic adaptation. The wit, observe, is lost. And Cherubino—that sparkling little enfant terrible—becomes a sentimental fellow—a something ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds

... lectures on Aesthetics and Musical History were not given in France until after the war of 1870.[238] They were then given at the Conservatoire, and, until quite lately, were the only lectures on Music of any importance in Paris. Since 1878 they have been given in a very excellent way ...
— Musicians of To-Day • Romain Rolland

... since the earliest days. Emerson himself, though a man of unusual discernment and a diligent drinker from German spigots, nevertheless remained a dilettante in both aesthetics and metaphysics to the end of his days, and the incompleteness of his equipment never showed more plainly than in his criticism of books. Lowell, if anything, was even worse; his aesthetic theory, first and last, was nebulous and superficial, and all that remains of his pleasant essays today is ...
— A Book of Prefaces • H. L. Mencken

... has little to say upon the experimental aspect or on its aesthetics, but much upon the theory of colour, especially as it bears upon the question—an all-important one to dyers, calico printers and artists, who have to produce such a variety of shades and tints—of the admixture of one colour upon another.... ...
— The Dyeing of Cotton Fabrics - A Practical Handbook for the Dyer and Student • Franklin Beech

... way, we have to stick to the non-psychological point of view whenever man's life, his thoughts and feelings and volitions, are to be measured with reference to ideals; that is in ethics and aesthetics and logic, sciences which ask whether the volitions are good or bad, whether the feelings are valuable or worthless, whether the thoughts are true or false. The psychologist does not care; just as the botanist is interested in the weed as much as ...
— Psychotherapy • Hugo Muensterberg

... resisting this attractive purpose and in preferring beauty to freedom. I hope that I shall succeed in convincing you that this matter of art is less foreign to the needs than to the tastes of our age; nay, that, to arrive at a solution even in the political problem, the road of aesthetics must be pursued, because it is through beauty that we arrive at freedom. But I cannot carry out this proof without my bringing to your remembrance the principles by which the reason is guided in ...
— Literary and Philosophical Essays • Various

... Poetry, Satire, and Fable; Fortiguerri, Passeroni, G. Gozzi, Parini, Ginsti, and others. —7. Romances; Verri, Manzoni, D'Azeglio, Cantu, Guerrazzi, and others. —8. History; Muratori, Vico, Giannone, Botta, Colletta, Tiraboschi, and others.—9. Aesthetics, Criticism, Philology, and Philosophy; Baretti, Parini, Giordani, Gioja, Romagnosi, Gallupi, Roemini, ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta

... analysis, or by referring their feeling to mental association; but it cannot fail to have a persuasive force for those who have faith in the instinctive utterances of the human soul: and the reliance upon it is not more extraordinary than that on which we depend in cognate subjects like aesthetics, where the taste of practical skill is trusted. Christian consciousness thus becomes a new source of facts in theological study; the living voice of the church for illustrating and confirming in some degree the utterance of ...
— History of Free Thought in Reference to The Christian Religion • Adam Storey Farrar

... bunk and spent a moment analyzing the aesthetics of the layout. It had a certain pleasing severity, the unconscious balance of complete functionalism. Soon ...
— The Sensitive Man • Poul William Anderson

... Addison Aesthetics Aigremont Albert Hall, the Albertus Magnus Andersen, Hendrik Angels and poets Animals and Man Anti-Militarism Apple, symbolism of the Architecture, Norman and Burgundian; Spanish; English Aristotle Arnold, Matthew Art Artists as writers Augustine, ...
— Impressions And Comments • Havelock Ellis

... upon the important question of the binding of books, I shall have nothing to say of the history of the art, and very little of its aesthetics. The plainest and most practical hints will be aimed at, and if my experience shall prove of value to any, I shall be well rewarded for giving it here. For other matters readers will naturally consult some of the numerous manuals of book-binding ...
— A Book for All Readers • Ainsworth Rand Spofford

... Taoism to Asiatic life has been in the realm of aesthetics. Chinese historians have always spoken of Taoism as the "art of being in the world," for it deals with the present—ourselves. It is in us that God meets with Nature, and yesterday parts from to-morrow. The Present is ...
— The Book of Tea • Kakuzo Okakura

... ideals as religion, is very imperfect and not at all Biblical. Shelley's feelings for the spirit of Beauty are exquisitely fine, but under the light of the Bible they are seen to be only latently religious. A more penetrating-vision will see in the Ideal Beauty a Moral Form, and then aesthetics will translate itself into ethics. The unmoral sentiment of a Shelley for Beauty may issue in another generation in the immoral sentiment of a Swinburne. Even thus the vision of the Aphrodite sank into the dream of a Venus. An Oscar Wilde's maunderings over an art which has ...
— The Right and Wrong Uses of the Bible • R. Heber Newton

... has put these models before him, he is neither to take much blame to himself, nor to be in anywise disheartened for the future. That in as far as he shall utterly reverse his whole poetic method, whether in morals or in aesthetics, leave undone all that he has done, and do all that he has not done, he will become, what he evidently, by grace of God, can become if he will, namely, a lasting and ...
— Literary and General Lectures and Essays • Charles Kingsley

... far from being effeminate. He was found of aesthetics and anaesthetics, and his chief interests in life were beauty and ...
— Ptomaine Street • Carolyn Wells

... advanced Mohammedans whose rules relating to family organization form an integral part of the whole cult. The emotional elements play a large part in some cases, in the fanatical creeds of the Dervish and Mahdist and in the "revivals" under nearer observation. In Greek cosmology and worship, aesthetics figured to a large degree. Temperamental and other psychological characteristics have profound effects upon religions, which we may illustrate by such extreme examples as the austerities of New England and Scotch ...
— The Doctrine of Evolution - Its Basis and Its Scope • Henry Edward Crampton



Words linked to "Esthetics" :   aesthetics, esthetical, artistic creation, esthetician



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