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Faust, Faustus  n.  Doctor Johann Faust, a person born at Kundling (Knittlingen), Würtemberg, or at Roda, near Weimar, and said to have died in 1538. He was a man of licentious character, a magician, astrologer, alchemist, and soothsayer, who boasted of performing the miracles of Christ. German legend has it that he sold his soul to the devil in exchange for knowledge. It was believed that he was carried off at last by the devil, who had lived with him in the form of a black dog. Note: The legends of Faust were gathered from the then recent traditions concerning him in a book which appeared at the book-fair at Frankfurt-on-the-Main in 1587. It was called "The History of Dr. Faustus, the Notorious Magician and Master of the Black Art, etc." Soon after its appearance it became known in England. "A metrical version of it into English was licensed by Aylmer, Bishop of London, before the end of the year. In 1588 there was a rimed version of it into German, also a translation into low German, and a new edition of the original with some slight changes. In 1689 there appeared a version of the first German Faust book into, French, by Victor Palma Cayet. The English prose version was made from the second edition of the original, that of 1588, and is undated, but probably was made at once. There was a revised edition of it in 1592. In 1592 there was a Dutch translation from the second German edition. This gives the time of the carrying off of Faustus by the devil as the night between the twenty-third and twenty-fourth of October, 1538. The English version also gives 1538 as the year, and it is a date, as we have seen, consistent with trustworthy references to his actual life. Marlowe's play ('The Tragical History of Doctor Faustus') was probably written in 1588, soon after the original story had found its way to England. He treated the legend as a poet, bringing out with all his power its central thought man in the pride of knowledge turning from his God." This play was brought to Germany about the beginning of the 17th century, and, after passing through various developments on the stage, finally became a puppet-play, which is still in existence. Lessing wrote parts of two versions of the story. Müller, the painter, published two fragments of his dramatized life of Faust in 1778. Goethe's tragedy (which see) was not published till 1808. Klinger published a romance "Faust's Leben, Thaten und Höllenfahrt" (1791: Borrow translated it in 1826). Klingemann published a tragedy on the subject (1815), Heine a ballet "Der Doctor Faust, ein Tanzpoem" (1851), and Lenau an epic "Faust" (1836). W. G. Wills adapted a play from Goethe's "Faust," which Henry Irving produced in 1885. Calderon's play "El Magico Prodigioso" strongly resembles Goethe's and Marlowe's plays, though founded on the legend of St. Cyprian.






Collaborative International Dictionary of English 0.48








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"Faust" Quotes from Famous Books



... conditions of life than those under which they live. In his remarks on "the pleasure from exertion" Darwin has a point of contact with the practical idealism of former times—with the ideas of Lessing and Goethe, of Condorcet and Fichte. The continual striving which was the condition of salvation to Faust's soul, is also the condition of salvation to mankind. There is a holy fire which we ought to keep burning, if adaptation is really to be improvement. If, as I have tried to show in my Philosophy of Religion, the innermost core of all religion is faith in the persistence ...
— Evolution in Modern Thought • Ernst Haeckel

... "John Faust Cudlington, a German, was requested, in a company of gay people, to perform in their presence some tricks of his trade. He promised to show them a vine loaded with grapes, ripe and ready to gather. They thought, as it was the month of December, he could not execute his promise. ...
— International Weekly Miscellany Vol. I. No. 3, July 15, 1850 • Various

... Dublin, or among the Wicklow Mountains. We have the old prospect of bricks and smoke, the old crowd of busy stupid faces, the old occupations, the old sleepy amusements; and the latest news that reaches us daily has an air of tiresome, doting antiquity. The world has nothing for it but to exclaim with Faust, "Give me my youth again." And as for me, my month of Cornish amusement is over; and I must tie myself to my old employments. I have not much to tell you about these; but perhaps you may like to hear of my expedition to ...
— The Life of John Sterling • Thomas Carlyle

... of the period, that of Faust, or Dr. Faustus, has obtained the most lasting popularity. There are good reasons for believing that the hero of this tale was a real personage, who lived in Suabia in the early part of the sixteenth century. ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta

... advised you to undertake Faust. It is mad stuff, and goes quite beyond all ordinary feeling. But since you have done it of your own accord, without asking my advice, you will see how you will get through. Faust is so strange an individual that only few can sympathize with his internal condition. Then the character of Mephistopheles is, on account of his irony, and also because he is a living result of an ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke

... were one of the children of the Gods. In all the great legendary figures of the middle ages I detected the feature of divine possession, especially in the two who had completely fascinated the poets of the nineteenth century, Don Juan and Faust. The first was the symbol of magic power over women, the second of the thirst for knowledge giving dominion over humanity and Nature. Among my comrades, in Vilsing, even in the hunch-backed fellow with the unsuccessful moustache, I had seen how the Don Juan type which had turned their ...
— Recollections Of My Childhood And Youth • George Brandes

... "Adelaide," but "Mignon," "The Serenade," the "Adieu," and all the many-colored ballads on love,—plain, fantastic, descriptive, sad, and sweet,—so that we might enjoy an epitome of our life-long musical pleasures, and not have to cry, like Faust, but in vain, "Give me my ...
— Lippincott's Magazine, September, 1885 • Various

... both the House and Senate, and that a woman should be nominated for State Superintendent of Public Instruction by both parties. For this office the Republican and the Democratic women presented candidates,—Mrs. Emma J. McVicker and Miss Ada Faust,—but both conventions gave the nomination to men. Meantime Dr. John R. Park, the superintendent, died suddenly and Gov. Wells appointed Mrs. McVicker as his successor for ...
— The History of Woman Suffrage, Volume IV • Various

... sketcher or scribbler of crude and rude genius, whose unhewn blocks of verse had in them some veins of rare enough metal to be quarried and polished by Shakespeare. What most impressed the author of "Faust" in the work of Marlowe was a quality the want of which in the author of "Manfred" is proof enough to consign his best work to the second or third class at most. "How greatly it is all planned!" the first requisite of all great work, and one of which the highest genius ...
— The Age of Shakespeare • Algernon Charles Swinburne

... as leaning on the trunk of a tree, holding in his right hand a roll of parchment, and in his left a wreath. The pedestal, which is also of bronze, contains bas reliefs, representing scenes from Faust, Wilhelm Meister and Egmont. In the evening Goethe's house, in a street near, was illuminated by arches of lamps between the windows, and hung with wreaths of flowers. Four pillars of colored lamps lighted the statue. At nine o'clock the choir of singers came again in a procession, ...
— Views a-foot • J. Bayard Taylor

... When each had numbered more than fourscore years; And Theophrastus at fourscore and ten Had but begun his "Characters of Men;" Chaucer at Woodstock with his nightingales, At sixty wrote the Canterbury Tales; Goethe at Weimar, toiling to the last, Completed Faust when eighty years were past: These are indeed exceptions; but they show How far the Gulf Stream of our youth may flow Into the arctic regions of our lives, Where little else than ...
— The Arena - Volume 18, No. 92, July, 1897 • Various

... bloc, a series which should include every great imaginative work of the Western world! Thus in 1855 we find him noting the following projects, to be carried out in ten years' time:—illustrations of schylus, Lucan, Ovid, Shakespeare, Goethe (Faust), Lamartine (Mditations), Racine, Corneille, Schiller, Boccaccio, Montaigne, Plutarch's Lives—these names among others. The jottings in question were written for a friend who had undertaken to write ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards

... of Faust reminds us of the many similar weird tales which have long held a prominent place in family traditions. But in the majority of cases the devil is cheated out of his bargain by some spell against which his influence is powerless. According to ...
— Strange Pages from Family Papers • T. F. Thiselton Dyer

... it not in spirit and tendency so unspeakably wicked as to excite in every rightminded reader a feeling of amazement and disgust. With a hard, brutal audacity, a blasphemous irreverence, and a sneering mockery which would do honor to the devil of Faust, it takes issue with the moral sense of mankind and the precepts of Christianity. Having ascertained that the exports of sugar and spices from the West Indies have diminished since emancipation,—and that the ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier

... In Goethe's "Faust" is an allusion to a mysterious legend that had its rise in storied Tegel. On May Eighteenth, in the year Seventeen Hundred Seventy-eight. Goethe came here, walking over from Berlin, dined, and walked on to Potsdam. But before ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard

... as Faust sold his to Mephistopheles. Your Lieutenant became your master; you found it convenient to believe his version of every thing, and to justify him in every thing, and you ended in making all his devilments your own, and adopting the whole infernal ...
— The American Indian as Participant in the Civil War • Annie Heloise Abel

... part of a novel. This book, written under the influence of his youthful embarrassments, amatory and pecuniary, was of a very fierce, gloomy and passionate sort—the Byronic despair, the Wertherian despondency, the mocking bitterness of Mephistopheles of Faust, were all reproduced and developed in the character of the hero; for our youth had just been learning the German language, and imitated, as almost all clever lads do, his favorite poets and writers. Passages in the volumes once so loved, and now read so seldom, still ...
— The History of Pendennis, Vol. 2 - His Fortunes and Misfortunes, His Friends and His Greatest Enemy • William Makepeace Thackeray

... born of a philosophical conception which relates it to Goethe's "Faust," has been received with particular interest. Andreyev, in writing it, has come very near to solving the question of the meaning of life, and its justification. And, to the person who ponders a while over this work, it will appear that it is ...
— Contemporary Russian Novelists • Serge Persky

... flashing bayonet of his pride. Other men who broke the laws of justice and charity lied to all the world. He at any rate would not lie to himself. He was more than Byronic now: not the spiritual rebel, Don Juan; not the philosophical rebel, Faust; but a new psychological rebel of his own century—defying the sentimental a priori ...
— Flappers and Philosophers • F. Scott Fitzgerald

... the nineteenth century next to "Faust." It is in the same set with "Agamemnon," with "Lear," with the literature that we now instinctively regard as high ...
— The Wallypug in London • G. E. Farrow

... Faust, Coster, and Gutenberg, invented the Book, craftsmen as obscure as many a great artist of those times appropriated paper to the uses of typography. In the fifteenth century, that naive and vigorous age, names were given to the various formats as well ...
— Two Poets - Lost Illusions Part I • Honore de Balzac

... A mode of aerial conveyance made use of on occasion by the personage named, in the popular Faust legend.] ...
— Weird Tales. Vol. I • E. T. A. Hoffmann

... dominate their lives instead of God. "He for God only; she for God in him," phrases the idea of Milton and of ancient Islam; it is the formula of sexual infatuation, a formula quite easily inverted, as the end of Goethe's Faust ("The woman soul leadeth us upward and on") may witness. The whole drift of modern religious feeling is against this exaggeration of sexual feeling, these moods of sexual slavishness, in spiritual ...
— God The Invisible King • Herbert George Wells

... not the creation of a single poet, nor even of many poets, but is in fact the creation of the people,—indeed, of many peoples widely separated in time and space, and is thus in a sense the voice of the race,—it resembles in this respect the Faust legends, which are the basis of Goethe's world-poem; or the mediaeval visions of a future state, which found their supreme and final expression in Dante's 'Divina Commedia,' which sums up within itself the art, the religion, ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner

... speech was aimed to please The crow, and it succeeded: He thought no bird in all the trees Could sing as well as he did. In flattery completely doused, He gave the "Jewel Song" from "Faust." ...
— Fables for the Frivolous • Guy Whitmore Carryl

... of sensations, emotions and feelings; in ringing the changes on these, till vitality fails, disillusion or satiety supervenes, and old age or death closes the play. Often the appetite remains, when vitality fails, and Faust rejuvenated, would run the same gauntlet again. The pity of it is that thousands of these victims of either satiety or Tantalus seem never to dream that there are other values, or anything else, or ...
— The New Avatar and The Destiny of the Soul - The Findings of Natural Science Reduced to Practical Studies - in Psychology • Jirah D. Buck

... Passion Flower, Taxonia, Wild Rose, Apple Blossom, Orange with Flowers, Virginia Creeper, Fish and Bulrushes, Winter Cherry, Corn Flower, Hops, Carnations, Cherry, Daisy Powdered, Primrose Powdered, Faust Motto, Iris Seed, Japanese, Jessamine, Lantern Plant, Periwinkle, Potato, Zynia, Tiger Lily, Geranium, Burrage, Corncockle, Hawthorn, Daffodil, Iris, Love-in-a-Mist, &c. &c., with many ...
— Handbook of Embroidery • L. Higgin

... the order reported, are Walters, Fodermaier, Gellatly, Faust, Bates. Lancaster, does not bear well and is not hardy in the northern areas. Best yields reported are from Walters and Bates. Other reports are inadequate or absent. ...
— Northern Nut Growers Association Thirty-Fourth Annual Report 1943 • Various

... never could care for at all, Goethe's Faust, in Hayward's Prose Translation; Eighth Edition. Hayward quotes from Goethe himself, that, though of course much of a Poem must evaporate in a Prose Translation, yet the Essence must remain. Well; I distinguish as little of that Essential Poetry in the Faust now as when I first read it—longer ago than 'Le Bon Pasteur,' and in other subsequent Attempts. I was tempted to think this was some Defect—great Defect—in myself: but a Note at the end of the Volume ...
— Letters of Edward FitzGerald to Fanny Kemble (1871-1883) • Edward FitzGerald

... Haerlem, who first found out the method of impressing characters on paper, by means of carved blocks of wood. If moveable types be considered as a criterion, the merit of the discovery is due to John Gutenberg, of Mentz; and Schoeffer, in conjunction with Faust, was the first who founded Types of Metal."—Coxe, vol. i. p. ...
— The Author's Printing and Publishing Assistant • Frederick Saunders

... in wearing tights. Our leading actresses play in travestie. In Faust Trebelli Bettini wears tights, and I'm sure no one can say anything ...
— A Mummer's Wife • George Moore

... room were The Nineteenth Century and After, The Quarterly Review, the Times, and several books; among them Goethe's "Faust," Maspero's "Manual of Egyptian Archaeology," "A Companion to Greek Studies," Guy de Maupassant's "Fort Comme la Mort," D'Annunzio's "Trionfo della Morte," and Hawthorne's "Scarlet Letter." There was also a volume of Emerson's "Essays." In a little basket under ...
— Bella Donna - A Novel • Robert Hichens

... at the bread and butter—she ate the latter as if it were a peculiarly distasteful medicine in the solid—the girl tidied the room. It was the only really well-furnished room in the cottage; Nell's little chamber in the roof was as plain as Marguerite's in "Faust," and Dick's was Spartan in its Character; but a Wolfer—Mrs. Lorton was a distant, a very distant connection by a remote marriage of the noble family of that name—cannot live without a certain amount of luxury, and, as ...
— Nell, of Shorne Mills - or, One Heart's Burden • Charles Garvice

... I will launch them against a common enemy, an enemy we have hood-winked and waylaid, and whom we shall try to catch unarmed. Then when the hour of triumph shall sound, I will rise up; from Germany, in her intoxication, I will snatch a covenant, which, like that of Faust with Mephistopheles, she has signed with her blood, and by which she also, like Faust, has traded her soul away for the good ...
— The Meaning of the War - Life & Matter in Conflict • Henri Bergson

... conspirator," said I affectionately, "and have all the lower traits of the Yankee character. But I will use you to carry me to Kehl, as Faust used Mephistopheles. By the by, your carriage is a comfortable one and saves my time. I have two hours before I need return to ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XII. No. 31. October, 1873. • Various

... who were eager to detect impostors: and amongst them some of the most zealous votaries of the occult arts—for example, Trittheim and the learned Humanist, Conrad Muth or Mutianus, both of whom professed to have regarded Faust as a fraudulent person. But this did not imply any disbelief in the possibility of the alleged pretensions. In the Faust-myth is embodied, moreover, the opposition between the new learning on its physical ...
— German Culture Past and Present • Ernest Belfort Bax

... with a sort of rapture. She had never heard of "Faust," but the whole was a New England version of the "Jewel Song." As Marguerite had been tempted to guilty love by jewels, so Sylvia was striving to have Rose tempted by jewels to innocent celibacy. But she was working by methods of which she ...
— The Shoulders of Atlas - A Novel • Mary E. Wilkins Freeman

... the calm, the cheerfulness, the disinterested objectivity have disappeared: the dialogue of the mind with itself has commenced; modern problems have presented themselves; we hear already the doubts, we witness the discouragement, of Hamlet and of Faust. ...
— English Critical Essays - Nineteenth Century • Various

... for art, then, are feeling, intuition, sentiment, soul, a fresh and vigorous sense of real things,—in fact, all that makes for life, health, and wholeness. Goethe is more truly an artist in the first part of Faust than in the second; Arnold has a more ...
— Whitman - A Study • John Burroughs

... to the car, Dr. Gamble was talking spiritedly with Her Majesty about Roger Bacon. "Before my time, of course," the Queen was saying, "but I'm sure he was a most interesting man. Now when dear old Marlowe wrote his 'Faust,' he and I had several long ...
— That Sweet Little Old Lady • Gordon Randall Garrett (AKA Mark Phillips)

... It was a purely commercial transaction, and it had not even the redeeming element of risk to one's self, or of offense against a social or disciplinary code. I came away feeling that I had touched bottom in my sexual experiences, and I understood what it was that Faust saw when the red mouse sprang from the mouth of the witch in ...
— Studies in the Psychology of Sex, Volume 2 (of 6) • Havelock Ellis

... poltroon, nor did it enable Byron to become a religious force like Shelley. Let us, then, leave Byron's Don Juan out of account. Mozart's is the last of the true Don Juans; for by the time he was of age, his cousin Faust had, in the hands of Goethe, taken his place and carried both his warfare and his reconciliation with the gods far beyond mere lovemaking into politics, high art, schemes for reclaiming new continents from ...
— Man And Superman • George Bernard Shaw

... "Columbia" will be the proper thing to play, and when the crowd demands the newest rag-time. She will feel an atmospheric change as unswervingly as any barometer, and switch in a moment from "Good-bye Girls, Good-bye" to the love duet from Faust. She can play Chopin just as well as she can play Sousa, and she will tactfully strike up "It's Always Fair Weather" when she sees a crowd of young fellows sit down at a table; "There'll Be a Hot Time in ...
— Greenwich Village • Anna Alice Chapin

... cosmopolitan chefs 'd' oeuvre, en bloc, a series which should include every great imaginative work of the Western world! Thus in 1855 we find him noting the following projects, to be carried out in ten years' time:—illustrations of AEschylus, Lucan, Ovid, Shakespeare, Goethe (Faust), Lamartine (Meditations), Racine, Corneille, Schiller, Boccaccio, Montaigne, Plutarch's Lives—these names among others. The jottings in question were written for a friend who had undertaken ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards

... room, which was blazing with light and resounding with music. As the guests were now nearly all assembled, the gentlemen selected partners and opened the ball with a grand promenade to the music of the grand march in "Faust." ...
— Cruel As The Grave • Mrs. Emma D. E. N. Southworth

... to feel at one's ease with the jeunesse doree of dead ages. Here—what do you find in a huge stone well sunk into the bowels of the earth? About as enticing as a plunge into a dry cistern, suddenly unroofed? If spectres we must hunt, do let them be festive, like those Faust danced with on ...
— At the Mercy of Tiberius • August Evans Wilson

... immovable way Mills began charging his pipe. I felt extremely embarrassed all at once, but became positively annoyed when I saw our Prax enter the cafe in a sort of mediaeval costume very much like what Faust wears in the third act. I have no doubt it was meant for a purely operatic Faust. A light mantle floated from his shoulders. He strode theatrically up to our table and addressing me as "Young Ulysses" proposed I should go outside on the fields of asphalt and help him gather a few marguerites to ...
— The Arrow of Gold - a story between two notes • Joseph Conrad

... declared that the robber was Faust of Mayence, the partner of Gutenburg, and that it was thus that the honor of the invention passed from Holland to Germany where Gutenberg produced his invention of movable type twelve years later. There ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various

... in Goethe's "Faust" where he likens History to the Book with Seven Seals described in Revelation, which no one in heaven, or on the earth or under the earth, was able to open and read therein. All sorts of guesses have been hazarded ...
— The Mind in the Making - The Relation of Intelligence to Social Reform • James Harvey Robinson

... if I had, I should have tortured her to death to strike new chords out of her nature,—and wept at my work! I had not the courage to tear myself abruptly away. I suggested an hour of the opera—I gave her the public as a protector—and they sang 'Faust.' It was then that, knowing myself so well, I looked out into the auditorium and saw you! It was Providence that put you in my way. I thought it was accident. I am sure I need ...
— Told in a French Garden - August, 1914 • Mildred Aldrich

... which cannot be translated, but which is too good to be lost. The French for daughter-in-law is belle fille, literally "beautiful girl." To Fougas' address "Ma belle fille!" Mme. Langevin replies: "I am not beautiful, and I am not a girl." It suggests the similar retort received by Faust from Marguerite, when he addressed her ...
— The Man With The Broken Ear • Edmond About

... life a bare mediaeval chronicle, and to create from a few meagre suggestions a vital and impressive work of art. One thinks instinctively, in seeking for some adequate parallel, of what Goethe did with the materials of the Faust legend, or of what Shakespeare did with the indications offered for 'King Lear' and 'Cymbeline' by Holinshed's chronicle-history. And the two greatest names in modern literature are suggested not only by this general fact of creative power, but also more specifically by certain characters ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various

... after the completion of his "cure," Sand read Faust far the first time. At first he was amazed at that work, which seemed to him an orgy of genius; then, when he had entirely finished it, he reconsidered his first impression, ...
— CELEBRATED CRIMES, COMPLETE - KARL-LUDWIG SAND—1819 • ALEXANDRE DUMAS, PERE

... he admitted. "Given an inversion of their relative positions, I feel like Faust befriended by Mephistopheles. I felt it when he stood by my side on the hilltop, seven years ago. I felt it when he thrust that money into my hand, and bade me go and see what I could make of life, bade me go, ...
— The Moving Finger • E. Phillips Oppenheim

... when I tried to kindle my heart at the cold altar of Goethe, I did read a great deal of his prose and somewhat of his poetry, but it was to be ten years yet before I should go faithfully through with his Faust and come to know its power. For the present, I read 'Wilhelm Meister' and the 'Wahlverwandschaften,' and worshipped him much at second-hand through Heine. In the mean time I invested such Germans as I met with the halo of their national poetry, and there was ...
— Henry James, Jr. • William Dean Howells

... the time came when he had no money left. He went back to his old home, Mainz, and there met a rich goldsmith named Fust (or Faust). ...
— Famous Men of the Middle Ages • John H. Haaren

... another, and he was taking up various bits of work before India was well out of sight. He had laid in a supply of literature suitable both for instruction and amusement. The day after leaving Bombay he got through the best part of a volume of Sainte-Beuve. He had also brought a 'Faust' and Auerbach's 'Auf der Hoehe,' as he was anxious to improve himself in German, and he filled up odd spaces of time with the help of an Italian grammar. He was writing long letters to friends in India, although letter-writing ...
— The Life of Sir James Fitzjames Stephen, Bart., K.C.S.I. - A Judge of the High Court of Justice • Sir Leslie Stephen

... women what the cry of the soul for its release from passion is? Every generation has its secret pessimists, brooding over the anarchy of the spirit, the issues of a distracted life. We need not ask with Faust, "Where is that place which men call 'Hell'?" nor wait for ...
— Preaching and Paganism • Albert Parker Fitch

... Epistolica de Johanne Fausto," (printed at Altorf, in 1676,) that the magician of that name had never existed, and that all the strange things which had been related of him referred to the printer John Faust, or Fust,—who had, indeed, been confounded with him before, although he lived nearly a century earlier. And when we think of the superstitious fear and monkish prejudice with which the great invention of printing was at first regarded, such a confusion ...
— The Atlantic Monthly, Volume 2, Issue 12, October, 1858 • Various

... information was desired concerning Belleguise, and the arrest of Martin was ordered. On the 24th of March, Lachaussee had been broken on the wheel. As to Exili, the beginner of it all, he had disappeared like Mephistopheles after Faust's end, and nothing was heard of him. Towards the end of the year Martin was released for want of sufficient evidence. But the Marquise de Brinvilliers remained at Liege, and although she was shut up in a convent she had by no means ...
— CELEBRATED CRIMES, COMPLETE - THE MARQUISE DE BRINVILLIERS • ALEXANDRE DUMAS, PERE

... waltzed like an angel, and so far his dictionary did not contain the word "fear;" but he knew nothing of poetry or art, and only liked some kinds of music, amongst which, it is to be feared, "Soldiers of the Queen," and the now much-abused chorus from "Faust," ranked high in his estimation. He was just simply a healthy young Englishman, clean-limbed and clean-minded, with a tremendous appetite for pleasure, a magnificent frame, and a heart as light and buoyant as a cork; therefore, though an artist or a poet would have been thrilled to ...
— At Love's Cost • Charles Garvice

... phenomena of light, heat, and electricity are seen to be due to the rhythmical vibration of atoms. There is thus no such thing as rest: from the planet to the ultimate particle, all things are endlessly moving: and the mystic song of the Earth-Spirit in "Faust" is recognized as the expression of ...
— Atlantic Monthly,Volume 14, No. 82, August, 1864 - A Magazine Of Literature, Art, And Politics • Various

... music, fifteen concertos for violin and orchestra, nine symphonies, four oratories, of which "The Last Judgment" is perhaps the best, ten operas, many concert overtures, etc.—in all more than 200 works, many of them of large dimensions. His best operas are "Jessonda" (1823), "Faust" (1818), "The Alchemist" (1832) and "The Crusaders" (1845). His orchestral works are richly instrumented, and the coloring is sweet and mellow, yet at ...
— A Popular History of the Art of Music - From the Earliest Times Until the Present • W. S. B. Mathews

... on the table for his copy of "Faust." It had become his habit to pick it up when he did not care to sit face to face with his own thoughts. It seemed to hold some word for everything in life. Its universality made it ...
— The Glory Of The Conquered • Susan Glaspell

... racial and religious elements in Pennsylvania the following books contribute much valuable information: A. B. Faust, "The German Element in the United States," 2 vols. (1909); A. C. Myers, "Immigration of the Irish Quakers into Pennsylvania, 1682-1750" (1909); S. W. Pennypacker, "Settlement of Germantown, Pennsylvania, and the Beginning of German Immigration to ...
— The Quaker Colonies - A Chronicle of the Proprietors of the Delaware, Volume 8 - in The Chronicles Of America Series • Sydney G. Fisher

... the art of printing, for the original inventor was Laurentius John Coster, of Haerlem, who made his first essay with wooden types about the year 1430. The art was communicated by his servant to John Faust and John Guttenberg, of Mentz. It was carried to perfection by Peter Shoeffer, the son-in-law of Faustus, who invented the modes of casting ...
— The Christian Foundation, Or, Scientific and Religious Journal, - Volume I, No. 10. October, 1880 • Various

... (the original tree had a figured grain), Ohio, Stabler, Ten Eyck, and Thomas. Of pecan, there were five varieties, Busseron, Butterick, Greenriver, Indiana and Posey. In the group of heartnuts, there were two named varieties, Bates and Faust, and one of which Mr. Gerber appeared not to have the name. He simply called it a "sport." There were filberts of various kinds, Barcelona, DuChilly and Jones Hybrids, being the ones bearing variety designations. Also there ...
— Northern Nut Growers Association Report of the Proceedings at the Thirty-Seventh Annual Report • Various

... was the opportunity I had dreamed about and longed for in the barren winter evenings at Nantucket when I sat poring over Coleridge's translations of Schiller's plays and Bayard Taylor's version of Goethe's Faust. ...
— Vanished Arizona - Recollections of the Army Life by a New England Woman • Martha Summerhayes

... Cervantes has typified the two opposing poles of our dual nature—the imagination and the understanding as they appear in contradiction. This is the only comprehensive satire ever written, for it is utterly independent of time, place, and manners. Faust gives us the natural history of the human intellect, Mephistopheles being merely the projected impersonation of that scepticism which is the invariable result of a purely intellectual culture. These four books are the only ones in which universal ...
— The Function Of The Poet And Other Essays • James Russell Lowell

... me read to her the scene between Faust and Mephistopheles, in which the latter appears as a wandering scholar. Her glance hung on me with ...
— Venus in Furs • Leopold von Sacher-Masoch

... evoked his essential spirit—in characters which rested on spiritualised intellect, or on sensibility to fragile loveliness, the joy that is unattainable, the glory that fades, and the beauty that perishes—he was peerless. Hamlet, Richelieu, Faust, Manfred, Jacques, Esmond, Sydney Carton, and Sir Edward Mortimer are all, in different ways, suggestive of the personality that Booth was fitted to illustrate. It is the loftiest type that human nature affords, because it is the embodied supremacy of the soul, and because therein it denotes ...
— [19th Century Actor] Autobiographies • George Iles

... good. But had it been bad, why should we pronounce it dishonest? Scott tells us that one of his best friends predicted the failure of Waverley. Herder adjured Goethe not to take so unpromising a subject as Faust. Hume tried to dissuade Robertson from writing the History of Charles the fifth. Nay, Pope himself was one of those who prophesied that Cato would never succeed on the stage, and advised Addison to print it without ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay

... rejoicing with one's friends, feeling the special rapture of united comprehension, of mind touching mind, like the little thrill of voice touching voice on the resolving sevenths of the old duets in thirds. Or even when, remembering some graver page—say the dedication of "Faust" to Goethe's dead contemporaries—one fetches the book and reaches it silently to the other one, not daring to read it out loud.... It is when these things happen that one is really getting the good of books; and that one feels that there really is something astonishing and mysterious in ...
— Hortus Vitae - Essays on the Gardening of Life • Violet Paget, AKA Vernon Lee

... Shelley, then by Keats. His first published works, Pauline and Paracelsus, were what he called soul-studies, the one of a visionary, "a star-treader" (its hero was Shelley), the other of a medieval astrologer somewhat like Faust. These two works, if one had the patience of a puzzle-worker to read them, would be found typical of all the longer poems that Browning produced in his sixty years ...
— Outlines of English and American Literature • William J. Long

... the STRANGER jocularly by the ear and leads him round the table.) Sit down and tremble, young man! (They both sit down.) Well? What shall we do? Call for wine—and a woman? No! That's too old a trick, as old as Doctor Faust! Bon! We modern are in search of mental dissipation.... So you're on your way to those holy men up there, who think that they who sleep can't sin; to the cowardly ones, who've given up the battle of life, because they were defeated once or ...
— The Road to Damascus - A Trilogy • August Strindberg

... form, they produced lyrics on secular subjects, whose grace, beauty, harmony, and wealth of thought rank them with the finest creations of the age. The spirit of the prophets and psalmists revived in these Spanish poets. At their head stands Solomon ibn Gabirol, the Faust of Saragossa, whose poems are the first tinged with Weltschmerz, that peculiar ferment characteristic of a modern school of poets.[47] Our accounts of Gabirol's life are meagre, but they leave the clear impression that he was not a favorite of fortune, and passed a bleak childhood ...
— Jewish Literature and Other Essays • Gustav Karpeles

... him aggressive. As he strode over a gutter, he apostrophized a bearded portress who was worthy to meet Faust on the Brocken, and who had a ...
— Les Miserables - Complete in Five Volumes • Victor Hugo

... drew near. In the last two years of his course his soul-revolt often took the form of open protest to his preceptors against indulgences and the sacramental graces, against the arbitrary Index Expurgatorius, and the Church's stubborn opposition to modern progression. Like Faust, his studies were convincing him more and more firmly of the emptiness of human hypotheses and undemonstrable philosophy. The growing conviction that the Holy Church was more worldly than spiritual filled his shrinking soul at times with horror. The limiting thought of Rome was often stifling ...
— Carmen Ariza • Charles Francis Stocking

... human soul is either wise or happy is in that one single moment when the hour of my own shining or of the moon's beaming seems to that single soul to be past and present and future, to be at once the creation and the end of all things. Faust knew ...
— Bebee • Ouida

... undertakings on a large scale, and more especially of such as partake of an imitative character. When a juvenile and facile writer's taste is still unsettled, and his own style is as yet unformed, he eagerly tries his hand at the reproduction of the work of others; translates the "Iliad" or "Faust," or suits himself with unsuspecting promptitude to the production of masques, or pastorals, or life dramas—or whatever may be the prevailing fashion in poetry—after the manner of the favourite literary models of the day. A priori, therefore, everything is in favour of the belief hitherto ...
— Chaucer • Adolphus William Ward

... aesthetic aridity, to borrow the expression of religious mystics) had coincided with a deliberate intention to see or hear works of art, and a consequent clearing away of other claims, and on our attention, in fact, to an effort made more or less in vacuo; on the contrary, our Faust-moments ("Stay, thou art beautiful!") of plenitude and consummation, have always come when our activity was already flowing, our attention stimulated, and when, so to speak, the special artistic impressions were caught up into our other interests, ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee

... of the admirers of Pauline Leroux. We have heard of swoons and hysterics along the more impressionable audiences of La Scala, during the performance of the ballet of "La Vestale;" and have witnessed with admiration the striking effect of the fascinative scene in "Faust." ...
— Blackwood's Edinburgh Magazine, No. 341, March, 1844, Vol. 55 • Various

... the son of Achmet, the son of Muhammed, the son of Rushd) was born in 1126 at Cordova, Spain. His father and grandfather, the latter a celebrated jurist and canonist, had been judges in that city. He first studied theology and canon law, and later medicine and philosophy; thus, like Faust, covering the whole field of mediaeal science. His life was cast in the most brilliant period of Western Muslim culture, in the splendor of that rationalism which preceded the great darkness of religious fanaticism. As a young man, he was introduced by Ibn Tufail (Abubacer), ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various

... where it was supplemented by a scarf through which a glimpse of her throat was visible in a nest of soft Tourkaris lace. She was reading a little ivory-bound volume—a miniature edition of the second part of Goethe's "Faust." ...
— Cashel Byron's Profession • George Bernard Shaw

... in the bottom of the gondola, while Hillard lay sprawled across the cushions on the seat. The prima donna was singing the jewel-song from Faust, and not badly. Sometimes the low hum of voices floated across the cadence of the song. Merrihew scanned the faces of all those near him, but never a face took on familiar lines. An Adriatic liner loomed up gray and shadowy behind them, and some of the crew ...
— The Lure of the Mask • Harold MacGrath

... Symposium (The Banquet). Tacitus' Germany and Agricola. | Xenophon's Memorabilia, Terence: Andria, Adelphi, and | complete. Phormio. | Goethe's Egmont. Virgil's AEneid, the 1st Six Books.| Goethe's Faust. Virgil's Eclogues and Georgics. | Goethe's Iphigenia In Tauris. AEschylus' Prometheus Bound, and | Goethe's Hermann and Dorothea. Seven Against Thebes. | Lessing's Minna von Barnhelm. Aristophanes' Clouds. | Lessing's Nathan the Wise. Aristophanes' Birds, and Frogs. | Schiller's Maid of Orleans. ...
— Iphigenia in Tauris • Johann Wolfgang von Goethe

... to love triumphant in a woman's breast. Beauty, which in itself is diabolical, the servant of the lords of Hades, attains to apotheosis through affection. In Armida we already surmise das ewig Weibliche of Goethe's Faust, Gretchen saving her lover's soul before Madonna's ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds

... give me back the joyous hours When I, myself, was ripening too; When song, the fount flung up its showers Of beauty, ever fresh and new." GOETHE'S FAUST. ...
— Lessons in Life - A Series of Familiar Essays • Timothy Titcomb

... act like that," he murmured, as he rode into the Morteyn gate, and, with a smart slap of his hand on Faust's withers, he sent that intelligent animal at a trot towards the stables, where a groom awaited him ...
— Lorraine - A romance • Robert W. Chambers

... Rankin, quite wrong," said Quinny, who would have stated the other side quite as imperiously. "What you cite is a variation of quite another theme, the Faust theme—old age longing for youth, the man who has loved longing for the love of his youth, which is youth itself. The triangle is the theme of jealousy, the most destructive and, therefore, the most ...
— Murder in Any Degree • Owen Johnson

... his industrious companions, Faust and Schoffer, ever have believed that, by the division of labor, their sublime invention would fall into the domain of ignorance—I had almost said idiocy? There are few men so weak-minded, so UNLETTERED, as the mass of workers who follow the various branches of the ...
— The Philosophy of Misery • Joseph-Pierre Proudhon

... and sufferings await us at every moment. "Privation is thy lot, privation! That is the eternal song which resounds at every moment, which, our whole life through, each hour sings hoarsely to our ears!" laments Faust. What remains, then, for man? "Everything cries to us that we must resign ourselves." "There are few men, however, who, conscious of the privations and sufferings in store for them in life, and ...
— The Great Events by Famous Historians, v. 13 • Various

... that Hilda, at eighteen years of age, was like the majority of young girls as old as she, would be to imagine that human character is not influenced by its surroundings. She was neither a village Gretchen, such as Faust loved and ruined, nor was she the omniscient damsel of modern society. During the greater part of her existence she had lived without any companions but her mother and the faithful Berbel. But she had grown up in a wild forest country, in a huge dismantled stronghold, ...
— Greifenstein • F. Marion Crawford

... temperament: he was born in the better middle classes; he was well off; splendidly handsome; thoroughly educated; his genius was recognized on all hands when he was in his teens; and it was developed by travel and princely patronage. Yet what did Goethe do in proof of his advantages? "Faust" is the only play he ever wrote that can rank at all with a dozen of Shakespeare's. Poor Shakespeare brought it further in the sixteenth century than even Goethe at full strain could bring it in the nineteenth. I find Shakespeare ...
— The Man Shakespeare • Frank Harris

... knows how to create and which a man never refuses. Paquita responded to that passion which is felt by all really great men for the infinite—that mysterious passion so dramatically expressed in Faust, so poetically translated in Manfred, and which urged Don Juan to search the heart of women, in his hope to find there that limitless thought in pursuit of which so many hunters after spectres have started, which wise men think to discover in science, and which mystics find ...
— The Girl with the Golden Eyes • Honore de Balzac

... Zadig and Micromegas Goethe's Faust, and Autobiography Thackeray's Vanity Fair Pendennis Dickens' Pickwick David Copperfield Lytton's Last Days of Pompeii George Eliot's Adam Bede Kingsley's Westward Ho! ...
— The Pleasures of Life • Sir John Lubbock

... were out for a Tuesday performance of "Faust," preparations began in the household to attend. Saturday shopping and supper were hurried through and by six o'clock Lorraine was at the sewing machine tucking chiffon for hats and bodices. After ten hours' work in ...
— The Woman Who Toils - Being the Experiences of Two Gentlewomen as Factory Girls • Mrs. John Van Vorst and Marie Van Vorst

... locked-up care: it is emancipated, glorified, incapable of real extermination; it has reached a changeless condition; the chrysalis of illegible cacography has burst its bonds, and flies living through the world on the wings of those true Daedali, Faust, and Gutenberg: the transition-state is passed: henceforth for his brain-child set free from that nervous slumber, its parent calmly can expect the oblivion of no more than a death-like sleep, if he be not indeed buoyed up with certain hope of immortality. "'Tis ...
— The Complete Prose Works of Martin Farquhar Tupper • Martin Farquhar Tupper

... scribes, whose interests were in some degree considered by the printer. Hence we find in early books a large space left to be filled in by the hand of the scribe with the proper letter indicated by a small type letter placed in the midst. The famous Psalter printed by Faust and Scheffer, at Mentz, in 1497, is the first book having large initial letters printed in red and blue inks, in imitation of the ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli

... later, because its shell rapidly smashed the strongest fortifications of reinforced concrete, our military authorities promptly acquired. Must we be ashamed of this instrument of destruction and take from the lips of the "cultured world" the wry reproach that from "Faust" and the Ninth Symphony we have sunk our national pride to the 42-centimeter guns? No! Only firm will and determination to achieve, that is to say, German power, distinguishes the host of warriors now embattled on the five huge fields of blood from the race of ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various

... all heart!" murmured Felix. He struck an attitude, and sang with exquisite feeling the opening bars of the Jewel Song from "Faust." As applied to the earthly tabernacle of madame's generous soul, the effect of that impassioned address was ludicrous. But Felix recked little of that. He threw the hundred-franc note on ...
— A Son of the Immortals • Louis Tracy

... immediately preceding the war, but his spirit had permeated the political thought of a whole generation. To the living influence of Nietzsche there is a host of witnesses. Gerhart Hauptmann, near the beginning of the war, averred that the cultured German soldier carried "Zarathustra," along with "Faust" and the Bible, in his knapsack. Nor was this an idle guess. Professor Deissmann, of Berlin, tells us that he enquired into the matter, and learned from book-sellers that the books most in demand among soldiers were the New Testament, ...
— Gems (?) of German Thought • Various

... the road came another stanza from the wine bibbers, now homeward bound. They were still howling about Margharita in long sustained cadences. And Spencer knew his Faust. It was to the moon that the lovesick maiden confided her dreams, and Mephisto was at hand to jog the elbow of his bewitched philosopher at exactly the ...
— The Silent Barrier • Louis Tracy

... really does know something about music, but who actually has no prejudices.) "Her voice is such a one as MARGARET must have had when she sang by her spinning-wheel, before fate threw her in the way of FAUST. And these professional musicians will tear her reputation to pieces among themselves! Why should musical people be, of all others, ...
— Punchinello, Vol. 2, No. 29, October 15, 1870 • Various

... If Faust had really any hand In printing, I can understand The fate which legends more than hint;— The devil take ...
— The Works of Frederich Schiller in English • Frederich Schiller

... continues that John Faust, of Mayence ... became acquainted with Castaldi, and passed some time with him, at his Scriptorium,... ...
— The Travels of Marco Polo Volume 1 • Marco Polo and Rustichello of Pisa

... once introduced to a German philosopher-painter before Tintoret's "Massacre of the Innocents." He looked at it superciliously, and said it "wanted to be restored." He had been himself several years employed in painting a "Faust" in a red jerkin and blue fire; which made Tintoret appear ...
— The Stones of Venice, Volume III (of 3) • John Ruskin

... flower of his profession had assembled to do him honor. Once between the courses, when he rose, as was his habit, to walk about, he wandered into the drawing-room, and, seating himself at the orchestrelle, began to play the beautiful "Flower Song" from Faust. It was a thing I had not seen him do before, and I never ...
— The Boys' Life of Mark Twain • Albert Bigelow Paine

... sweets." "That" replied, or is said to have replied, Thackeray, "is because you are a sot, and a glutton." And the whole science of aesthetics is, in the depth of it, expressed by one passage of Goethe's in the end of the 2nd part of Faust;—the notable one that follows the song of the Lemures, when the angels enter to dispute with the fiends for the soul of Faust. They enter singing—"Pardon to sinners and life to the dust." Mephistopheles hears them first, and exclaims to his troop, ...
— The Crown of Wild Olive • John Ruskin

... literature of their country more than the Russians themselves. Yet the coveted equality was denied them, and the emancipation granted to the degraded muzhiks was withheld from them, because of a religion they hardly professed. They were like Faust when he found himself tempted but not satisfied by the pleasures of life, when food hovered before his eager lips while he begged for nourishment in vain. The liberals, on the other hand, preached and practiced ...
— The Haskalah Movement in Russia • Jacob S. Raisin

... by Dr. Arne, is taken from a movement in "Rinaldo." Thus the new life of music is ever growing rich with the dead leaves of the past. The most celebrated of these operas was entitled "Otto." It was a work composed of one long string of exquisite gems, like Mozart's "Don Giovanni" and Gounod's "Faust." Dr. Pepusch, who had never quite forgiven Handel for superseding him as the best organist in England, remarked, of one of the airs, "That great bear must have been inspired when he wrote that air." The celebrated Madame ...
— The Great German Composers • George T. Ferris

... had been reached in fifteen hours and twenty minutes, in spite of the Sierra Divide where the snow drifts were thirty feet deep and where the Company had to keep a drove of pack mules moving in order to keep the passageway clear. From Fort Churchill into Ruby Valley went H. J. Faust; from Ruby Valley to Shell Creek the courier was "Josh" Perkins; then came Jim Gentry who carried the mail to Deep Creek, and he was followed by "Let" Huntington who pushed on to Simpson's Springs. From Simpson's to Camp Floyd rode John Fisher, and from the latter place Major Egan carried the mail ...
— The Story of the Pony Express • Glenn D. Bradley

... This is the "Faust" of Gaelic poetry, incommunicable except to the native reader, and, like that celebrated composition, an untranslatable tissue of tenderness, sublimity, and mocking ribaldry. The heroine is understood to have been a young person of virtue and beauty, in the humbler walks of life, who was quite unappropriated, ...
— The Modern Scottish Minstrel, Volume II. - The Songs of Scotland of the past half century • Various

... sympathetic; but the greatest poets long ago plundered that mine of rich motives, and have stolen what was most dramatic for popular use. The Virgin's most famous early miracle seems to have been that of the monk Theophilus, which was what one might call her salvation of Faust. Another Byzantine miracle was an original version of Shylock. Shakespeare and his fellow dramatists plundered the Church legends as freely as their masters plundered the Church treasuries, yet left a mass of dramatic material untouched. Let us pray the Virgin that it may remain untouched, ...
— Mont-Saint-Michel and Chartres • Henry Adams

... in the first place, to Giotto, think you, the, "composition of a scene," or the conception of a fact? You probably, if a fashionable person, have seen the apotheosis of Margaret in Faust? You know what care is taken, nightly, in the composition of that scene,—how the draperies are arranged for it; the lights turned off, and on; the fiddlestrings taxed for their utmost tenderness; the bassoons exhorted to a ...
— Mornings in Florence • John Ruskin

... this time, prompted by Mrs. Gisborne, he began the study of Spanish, and conceived an ardent admiration for Calderon, whose splendid and supernatural fancy tallied with his own. "I am bathing myself in the light and odour of the starry Autos," he writes to Mr. Gisborne in the autumn of 1820. "Faust", too, was a favourite. "I have been reading over and over again "Faust", and always with sensations which no other composition excites. It deepens the gloom and augments the rapidity of ideas, and would therefore seem to me an unfit study for any person who is a prey to the reproaches of memory, ...
— Percy Bysshe Shelley • John Addington Symonds

... Gross (Amalia Winter), Chancellor von M ller, who was able livingly to unroll the times of Goethe and to explain his Faust, and the soundly honest and child-like minded Eckermann belonged to the circle at Ettersburg. The evenings passed like a spiritual dream; alternately some one read aloud; even I ventured, for the first time in a foreign language ...
— The True Story of My Life • Hans Christian Andersen

... hands, "you are very kind, and so is our mutual friend; I shall be happy to make myself useful in German; and if you think a good translation from Goethe—his 'Sorrows' for example, or more particularly his 'Faust'—" ...
— Lavengro - The Scholar, The Gypsy, The Priest • George Borrow

... fields, lending a metallic relief to the hedges of green box, and to the whole landscape, still without leaves, an air of health and vigor, of youth and freshness. "Bathe, O disciple, thy thirsty soul in the dew of the dawn!" says Faust, to us, and he is right. The morning air breathes a new and laughing energy into veins and marrow. If every day is a repetition of life, every dawn gives signs as it were a new contract with existence. At dawn everything is fresh, light, simple, as ...
— Amiel's Journal • Mrs. Humphry Ward

... it was necessary to christen him on the ship's books, and the first lieutenant, who had entered him, struck with his remarkable expression of countenance, and being a German scholar, had named him Mephistopheles Faust, from whence his Christian name had been razeed to Mesty. Mesty in other points was an eccentric character; at one moment, when he remembered his lineage, he was proud to excess, at others he was grave and almost ...
— Mr. Midshipman Easy • Captain Frederick Marryat

... finely felt—I am grateful. But I had better go, all the same. I have made up my mind to go, for good and all. You can get on exceedingly well without me: your operetta is on wheels—it will go of itself. And your Mr. Bull's company fits me 'wie die Faust ins Auge.' I am neglecting my engagements. I must go ...
— Daniel Deronda • George Eliot

... mention,—the red-legged, gleaming-eyed, loud-voiced gentleman who pulls the hidden wires which set all the other puppets in motion,—Mr. Mephistopheles himself. Marguerite, studied, refined, unimpassioned in the pretty Yankee girl,—simple, warm, outpouring in the sympathetic German woman,—and Faust, gallant, ardent, winning in the bright-eyed Italian,—thoughtful, tender, fervent in the intelligent German,—are background figures in the picture your memory paints; while the ubiquitous, sneering, specious, cunning, tempting, leering, unholy Mephistopheles is a character ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various

... Friedrich Strasse. There we lived in the closest intimacy, sharing meals and outdoor exercise. Motley by that time had arrived at talking German fluently; he occupied himself not only in translating Goethe's poem "Faust," but tried his hand even in composing German verses. Enthusiastic admirer of Shakespeare, Byron, Goethe, he used to spice his conversation abundantly with quotations from these his favorite authors. A pertinacious arguer, so much so that sometimes he watched my awakening in order ...
— Memoir of John Lothrop Motley, Complete • Oliver Wendell Holmes, Sr.

... shade of Denmark fled from the sun, And the Cocklane ghost from the barn-loft cheer, The fiend of Faust was a faithful one, Agrippa's demon wrought in fear, And the devil of Martin Luther sat By the stout monk's side in ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier

... was given its premiere at Laura Keene's Theatre, New York, on February 28, 1857, for the benefit of the Shirt Sewers' Union; and was the second offering of a double bill beginning with "Faust and Marguerite." Though the critiques of the time recognized in it a "nice little play," they balked at what was considered to be a foolish nomenclature, "Comedietta." What was liked about it, particularly, was the absence of patriotic fustian, for the national ...
— Representative Plays by American Dramatists: 1856-1911: Love in '76 - An Incident of the Revolution • Oliver Bell Bunce

... beginning of the season the usual quarrelling of the stars gave to the young singer the opportunity of her life, and Nan's friend reported that the little golden-haired understudy was suddenly booked to sing the leading role in Faust on account of the illness ...
— The Root of Evil • Thomas Dixon

... Gretchen says to Faust: 'Love me as much as you like, but no kissing, that is vulgar.' I agree with Gretchen—it is vulgar. Oh, Mr. Stuart, what a surprise this is! I have just been reading a letter from your sister, and she doesn't say a word of ...
— A Terrible Secret • May Agnes Fleming

... nun aufs neue die blutige Klinge Und begehrt, dem Gefall'nen die tdliche Wunde zu spenden. Hagen, der Recke, jedoch, des eignen Schmerzes vergessend, Beugt schnell nieder das Haupt und hlt es dem Hiebe entgegen, 1370 Und es vermag der Held die geschwungene Faust nicht zu hemmen. Aber der Helm, geschmiedet mit Fleiss und trefflich bereitet, Trotzt dem Hieb, und es sprhen alsbald in die Hhe die Funken. ber die Hrte betroffen, zerspringt, o Jammer! die Klinge, Und in der Luft und im Grase erglnzen die klirrenden Teile. 1375 Aber sobald der ...
— An anthology of German literature • Calvin Thomas

... in verse, like the fragments of Xenophanes. Its lessons are conveyed concretely and not abstractly; and its characters are not mere lay figures, but living poetical conceptions. Considered as a poem among classic German poems, it must rank next to, though immeasurably below, Goethe's "Faust." ...
— The Unseen World and Other Essays • John Fiske

... superhuman, shakes? Thy soul's high calling, where? Where is the breast, which from itself a world did bear, And shaped and cherished—which with joy expanded, To be our peer, with us, the Spirits, banded? Where art thou, Faust, whose voice has pierced to me, Who towards me pressed with all thine energy? He art thou, who, my presence breathing, seeing, Trembles through all the depths of being, A ...
— Faust • Johann Wolfgang Von Goethe

... the work of collecting all the elements of anguish and of grief scattered over the universe. Goethe, the patriarch of a new literature, after having painted in "Werther" the passion which leads to suicide, traced in his "Faust" the most somber human character which has ever represented evil and unhappiness. His writings began to pass from Germany into France. From his studio, surrounded by pictures and statues, rich, happy and at ease, he watched with a paternal smile, his gloomy ...
— The Confession of a Child of The Century • Alfred de Musset

... the thought, that, as he had forgiven her ignorance, she herself might surely forget it. Happy Lizzie, I envy you this easy path to knowledge! The volume she most frequently consulted was an old German "Faust," over which she used to fumble with a battered lexicon. The secret of this preference was in certain marginal notes in pencil, signed "J.". I hope they were ...
— The Atlantic Monthly, Volume 15, No. 89, March, 1865 • Various

... have been found and propagated. These varieties have been widely distributed but have not been extensively planted. The results are variable as might be expected, but generally the reports are satisfactory. In the eastern states the following varieties seem to do reasonably well: Faust, Bates, Ritchie and Stranger. In British Columbia, Messrs. J. U. and David Gellatly have located several very good strains such as Gellatly, O. K., Calendar, Walters and Rosefield. These newer varieties from the West have several good ...
— Northern Nut Growers Report of the Proceedings at the Twenty-First Annual Meeting • Northern Nut Growers Association

... am Part of that Power, not understood, Which always wills the bad And always works the good. (Mephistopheles, in Faust.) ...
— Poems with Power to Strengthen the Soul • Various

... and intertwined snakes—of uncouth vehicles, and warlike instruments, and mystic-looking symbols—of chains of interlaced knots and complex zigzags, all so crowding on each other that the tired eye feels as if it had run through a procession of Temptations of St Anthony or Faust Sabbaths. When this field of investigation and speculation is surveyed in all its affluence, one is not surprised to find that it has been taken in hand by a race of bold guessers, who, by the skilful appliance of a jingling jargon of Asiatic, Celtic, and classical phraseology, make nonsense ...
— The Book-Hunter - A New Edition, with a Memoir of the Author • John Hill Burton

... These words of Faust fit our methods of pedagogy perfectly. Take, for instance, the way history is being taught in our schools. See how the events of the world become like a cheap puppet show, where a few wire-pullers are supposed to have ...
— Mother Earth, Vol. 1 No. 2, April 1906 - Monthly Magazine Devoted to Social Science and Literature • Various

... tedious, and rhetorical in comparison with Wagner's Tristan, even though Isolde be both fourteen stone and forty, as she often is in Germany. Indeed, it needed no Wagner to convince the public of this. The voluptuous sentimentality of Gounod's Faust and Bizet's Carmen has captured the common playgoer; and there is, flatly, no future now for any drama without music except the drama of thought. The attempt to produce a genus of opera without music (and this absurdity is what our fashionable theatres have been driving at for a long time ...
— Mrs. Warren's Profession • George Bernard Shaw

... excited; weeping profusely, and throwing herself on her back that she might caress my foot with her great fore-paws. Mamie's little dog, too, Mrs. Bouncer, barked in the greatest agitation on being called down and asked by Mamie, "Who is this?" and tore round and round me, like the dog in the Faust outlines. You must know that all the farmers turned out on the road in their market-chaises to say, "Welcome home, sir!" and that all the houses along the road were dressed with flags; and that our servants, to cut out the rest, had dressed this house so that every brick of it ...
— The Letters of Charles Dickens - Vol. 3 (of 3), 1836-1870 • Charles Dickens

... new Library of Magic, &c., or Bibliothek der Zanber-Geheimnisse-und Offenbarungs-Bucher. The first volume of it is devoted to a work ascribed to that prince of magicians, our old familiar, Dr. Faustus, and bears the imposing title Doktor Johannes Faust's Magia Naturalis et Innaturalis, oder Dreifacher Hoellenzwang, leiztes Testament und Siegelkunst. It is taken from a MS. of the last century, filled with magical drawings and devices enough to summon back again from the Red ...
— Notes & Queries 1850.01.19 • Various

... poets are endowed with the power of creating beings who seem to act and speak with perfect independence, so that the poet is nothing more than the relator of what takes place. When Goethe had conceived Faust and Margarete, Mephistopheles and Wagner, they moved and had their being without any exercise of his will. But in the peculiar power which Petronius exercises, in its application to every scene, to every individual character, in everything, noble ...
— The Satyricon, Complete • Petronius Arbiter

... back upon it. Suddenly I seemed to see the old dentist, as I had for the moment before I inhaled the gas, amid his plants, in his nightcap and dressing-gown; in the twilight the figure had somewhat of a Faust-like, magical air, and he seemed to say, "C'est inutile." Again I started up, fancying that once more he had not dared to extract the tooth, but it was gone. What is worth, noticing is the mental translation I made of ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli

... works. Yet in this country, this kindred country, sprung from the same stem, and so strongly resembling her sister in so many points, they are nearly unknown. Almost the only poetical work of the greatest Poet that the world has seen for ages, that is really and generally read in England, is Faust, the translations of which are almost endless; while no single person has as yet appeared to attempt to give, in an English dress, in any collective or systematic manner, those smaller productions of the genius of Goethe which it is ...
— The Poems of Goethe • Goethe

... Life, Your nervous force, your joy, your strife!" What infamous proposal now Was made me with so calm a brow? Bursting through my lethargy, Indignantly I hurled the cry: "Is this a nightmare, or am I Drunk with some infernal wine? I am no Faust, and what is mine Is what I call my soul! Old Man! Devil or Ghost! Your hellish plan Revolts me. Let me go." "My child," And the old tones were very mild, "I have no wish to barter souls; My traffic does not ask such tolls. ...
— Sword Blades and Poppy Seed • Amy Lowell

... each of which is ruled by elemental spirits—earth by gnomes or pygmies, water by undines or nymphs, air by sylphs, fire by salamanders (cf. with this, and with Paracelsus's theory of the world as a whole, Faust's two monologues in Goethe's drama); which are to be understood as forces or sublimated substances, not as personal, demoniacal beings. To each individual being there is ascribed a vital principle, the Archeus, an individualization of the ...
— History Of Modern Philosophy - From Nicolas of Cusa to the Present Time • Richard Falckenberg

... rapidly moved forward. Probably about the sixth century A.D. the Chinese began to print a group of characters from blocks, and by the tenth century they were engaged in keeping their records in this way. Gutenberg, Faust, and others improved upon the Chinese method by a system of movable type. But what a wonderful change since the fourteenth century printing! Now, with modern type-machines, fine grades of paper made by improved machinery, and the use of immense steam presses, the making of an ordinary ...
— History of Human Society • Frank W. Blackmar



Words linked to "Faust" :   fictitious character, Faustian



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