"Genevan" Quotes from Famous Books
 ... to be confined within the established bounds. Every vain jest and unprofitable word was deemed an item in the account of criminality, and whatever wit, or semblance thereof, came into existence, its birthplace was generally the pulpit, and its parent some sour old Genevan divine. The specimens of humor and satire, preserved in the sermons and controversial tracts of those days, are occasionally the apt expressions of pungent thoughts; but oftener they are cruel torturings and twistings of trite ideas, ...
— Dr. Bullivant - (From: "The Doliver Romance and Other Pieces: Tales and Sketches") • Nathaniel Hawthorne
... and most profanely witty. The Hungarian delighted, and far more at ease than he had imagined possible, casting a glance on the papers, ventured to inquire what new work? "Ah, nothing!"—le faible Enfant de ma Vieillesse—a tragedy. "May I ask the subject?" "The subject is wholly Genevan," replied Voltaire, "the name, Empro-Giro, and the dramatis personae Carin-Caro, Dupins-Simon, and Carcail Briffon, &c." He then began to repeat, with great animation, a number of passages, to which his visitor listened in perfect raptures, ...
— The Mirror of Literature, Amusement, and Instruction - Volume XII. F, No. 325, August 2, 1828. • Various
... they met a Swiss woman, the wife of a Genevan, one De Lesdernier, who had been for thirty years established in Nova Scotia, but, becoming compromised in the attempt to revolutionize the colony, was compelled to fly to New England, and had settled at Machias, on the northeastern extremity of the Maine frontier. ...
— Albert Gallatin - American Statesmen Series, Vol. XIII • John Austin Stevens
... change. It is unquestionably exceedingly mortifying to see, while the specimens of the Venetian and Flemish colourists are at this day so pure and fresh, though painted centuries before our schools, our comparatively recent productions so obscured and otherwise injured. Tingry, excellent authority, the Genevan chemical professor, laments the practice of the English painters of mixing varnish with their colours, which, he says, shows that they prefer a temporary brilliancy to lasting beauty; for that it is impossible, that with this practice, pictures should either retain ...
— Blackwood's Edinburgh Magazine, Vol. 53, No. 331, May, 1843 • Various |
