"Iconoclasm" Quotes from Famous Books
... We have seen as yet nothing like this work; nor shall we see anything superior to it. All are nether millstones, so carefully smashed that one can hardly help suspecting the kind of superstitious feeling which suggested iconoclasm. The venerable Shaykh Afnn showed a touching ignorance concerning the labours of the ancients; and, when lectured about the Nabat (Nabathans), only ... — The Land of Midian, Vol. 2 • Richard Burton
... little with Mrs. Medhurst, who was always equable, nice, and apparently in a pleased mood. She also had been receiving long confidential letters from his father, and she expressed the fear that at the rate the latter was now going in the direction of iconoclasm ... — Cleo The Magnificent - The Muse of the Real • Louis Zangwill
... bard will ever contravene the Bible. If the time ever comes when iconoclasm does its extremest in one direction against the Books of the Bible in its present form, the collection must still survive in another, and dominate just as much as hitherto, or more than hitherto, through its divine ... — Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman
... this respectable clobber and feel like a man again. Stand by, all hands, to jump on the captain's tall hat. (He puts the hat down and prepares to jump on it. The effect is startling, and takes him completely aback. His followers, far from appreciating his iconoclasm, are shocked into scandalized sobriety, except Redbrook, who is ... — Captain Brassbound's Conversion • George Bernard Shaw
... strongly marked by distinct characteristics. The first commences with the reign of Leo III., the Isaurian, in 716, and terminates with that of Michael III., in 867. It comprises the whole history of the predominance of iconoclasm in the established church, of the reaction which reinstated the Orthodox in power, and restored the ... — The World's Greatest Books, Vol XII. - Modern History • Arthur Mee
... north of the Alps, from the time of the Roman catacombs and basilicas down to the Renaissance. It gives likewise a history of Christian mythology, iconography and symbolism; all that great body of popular beliefs about angels, devils, saints, martyrs, anchorites, miracles, etc., which Protestant iconoclasm and the pagan spirit of the cinque-cento had long ago swept into the dust-bin as sheer idolatry and superstition. Lord Lindsay's treatment of these matters is reverential, though his own Protestantism is proof against their charm. His tone is moderate; he has no quarrel ... — A History of English Romanticism in the Nineteenth Century • Henry A. Beers |