"Immovability" Quotes from Famous Books
... were its stolid features so intolerable? Surely not because it hid the wearer's face. An apron would have done as much; and though I should have preferred even the apron away, it would not have been absolutely insupportable, like the mask. Was it the immovability of the mask? The doll's face was immovable, but I was not afraid of HER. Perhaps that fixed and set change coming over a real face, infused into my quickened heart some remote suggestion and dread of the universal change that is to come on every face, and ... — Some Christmas Stories • Charles Dickens
... reminding me of the inexorable laws of Nature. It is true it does not conceal the smiling glacier in front of me, with its ceaseless play of light and shadow, colour and form, but it arrests the fancy by its massive immovability. And yet, when I leave my little abode of bliss and wander forth into the heights above (ah, humiliation that there should be heights above), I find my black top subjected to a process of shrinking. As I reach the top it ignominiously permits itself to be flattened out to ... — Mountain Meditations - and some subjects of the day and the war • L. Lind-af-Hageby
... runs clear and sparkling through the valley, while over the arch rests a mountain of ice, and beside it a valley of ice; not smooth or uniform, but in pyramids, and arches, and blocks of immense size, and between them clefts and ravines. The sight and the sound of the waters rushing, and the solemn immovability of the ice, formed ... — The Life and Letters of Maria Edgeworth, Vol. 2 • Maria Edgeworth
... the question. The apparent immovability of the bullet and the want of communication with the exterior prevented them finding it out. Perhaps the projectile was falling through space. Perhaps after rising a short distance it had fallen upon the earth, or even into the Gulf of Mexico, a fall ... — The Moon-Voyage • Jules Verne
... agility, not only of the hand, but of the whole body, was necessary. Chicot did not appear to have learned in this school, but seemed to have forestalled the modern style, of which the superiority and grace is in the agility of the hands and immovability of the body. He stood erect and firm, with a wrist at once strong and supple, and with a sword which seemed a flexible reed from the point to the middle of the blade, and an inflexible steel from thence ... — The Forty-Five Guardsmen • Alexandre Dumas |