"Lear" Quotes from Famous Books
 ... your single magnificent self! Of the heights of humanity you know nothing! You asserted the other day that, in certain circumstances, a barber or a scrubwoman might as fittingly be the protagonist of a tragedy as Lady Macbeth or King Lear! ...
— The Dramatic Works of Gerhart Hauptmann - Volume II • Gerhart Hauptmann
... will derive inspiration from the national past; he will go back to the time of the Roses, to the time of the Plantagenets, to the time of Magna Charta, and, passing over the Anglo-Saxon period, he will take from the Britons the stories of Lear and of Cymbeline. ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... until the Hoosiers had made a few hundred thousands, and then, when they thought they were going to make millions, letting it down and scooping them. My habit of listening intently to Uncle Nate's telegrammatic style of talk caused him to like me. I resembled King Lear: I talked with those who were wise, and said little, and Nathan's aphorisms about trade and politics made good paragraphs when boiled ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 26, September 1880 • Various
... our little life is rounded with a sleep." The easy-going persons who reluct at the idea of a pessimistic Shakespeare should turn the pages of Troilus and Cressida, Measure for Measure, and Timon of Athens. What we guessed as we read Hamlet and Lear grows a certainty as ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys
... the delight of the Washington playgoers in the Jackson Administration. His wonderful impersonations of Richard III., Iago, King Lear, Othello, Shylock, and Sir Giles Overreach were as grand as his private life was intemperate and eccentric. He was a short, dumpy man, with features resembling those of the Roman Emperors, before his nose was broken in a quarrel, and ...
— Perley's Reminiscences, Vol. 1-2 - of Sixty Years in the National Metropolis • Benjamin Perley Poore
... are now within a foot Of the extreme verge; for all beneath the moon Would I not leap upright! KING LEAR. ...
— An Old Sailor's Yarns • Nathaniel Ames
... talk about the Santa Clans doings and the principal actor in them, and no end of speculations as to his inducements and purposes to be served in taking so much trouble. For Shampuashuh people were shrewd, and did not believe, any more than King Lear, that anything could come of nothing. That he was not moved by general benevolence, poured out upon the school of the white church, was generally agreed. "What's we to him?" asked pertinently one of the old ladies; and vain efforts were ...
— Nobody • Susan Warner
... talent, the effort has resolved itself into a begging of the question. Shakespeare made Hamlet comprehensible to the groundlings by diluting that half of him which was Shakespeare with a half which was a college sophomore. In the same way he saved Lear by making him, in large part, a tedious and obscene old donkey—the blood brother of any average ancient of any average English tap-room. Tackling Caesar, he was rescued by Brutus' knife. George Bernard Shaw, facing the same difficulty, resolved it by drawing ...
— A Book of Prefaces • H. L. Mencken
... dramatists; you have read Shakespeare?" "Yes, every play again and again." "Which do you like best?" "I like them all, the historical and the imaginative; I have never seen one acted, but to me King Lear is his masterpiece." ...
— London's Underworld • Thomas Holmes
... those sudden leaps from society, and M. Egiste Brancadori, who kept the Marzocco, was one of those unconscious buffoons of whom he was continually in search in real life, one of those whom he called his "Thebans", in reference to King Lear. "I'll talk a word with this same learned Theban," cried the mad king, one knows not why, when he meets "poor ...
— Cosmopolis, Complete • Paul Bourget
... could I tell the wonders of an isle That in that fairest lake had placed been, I could e'en Dido of her grief beguile; Or rob from aged Lear his bitter teen: For sure so fair a place was never seen, Of all that ever charm'd romantic eye: It seem'd an emerald in the silver sheen Of the bright waters; or as when on high, Through clouds of fleecy ...
— Poems 1817 • John Keats
... no in titles nor in rank; It's no in wealth like Lon'on bank, To purchase peace and rest; It's no in makin muckle mair; It's no in books, it's no in lear, To make us truly blest; If happiness hae not her seat And centre in the breast, We may be wise, or rich, or great, But never can be blest: Nae treasures, nor pleasures, Could make us happy lang; The heart ay's the part ay That ...
— The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. • Robert Burns and Allan Cunningham
... heroic type. Coriolanus—Caesar—Antony, stand in flawed strength, and fall by their vanities;—Hamlet is indolent, and drowsily speculative; Romeo an impatient boy; the Merchant of Venice languidly submissive to adverse fortune; Kent, in King Lear, is entirely noble at heart, but too rough and unpolished to be of true use at the critical time, and he sinks into the office of a servant only. Orlando, no less noble, is yet the despairing toy of chance, followed, comforted, saved, by Rosalind. ...
— Harvard Classics Volume 28 - Essays English and American • Various
... looked at one of the plays, beyond the names of them, which shows that Saintsbury was right, and I do care more for life than for poetry. No—I take it back. Do you know one of the tragedies—a Bible tragedy too—David—was written in his third period—much about the same time as Lear? The comedy, April Rain, is also a late work. Beckett is a fine ranting piece, like Richard II., but very fine for the stage. Irving is to play it this autumn when I'm in town; the part rather suits him—but who is ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 23 (of 25) • Robert Louis Stevenson
... de Lear's son, Calvin. He's going to succeed his venerable and pious poppy in Kensington ...
— Bohemian Days - Three American Tales • Geo. Alfred Townsend
... of the body with its means, and lived to complain of an ungrateful child. He may think he did his duty; oh yes, good easy man! and say so too, very, very bitterly; and the world may echo his most partial verdict, crying shame on the unnatural Goneril and Regan, bad daughters who despise the Lear in old age, or on the dissolute and graceless youth, whose education cost so much, and yields so very little. But money cannot compensate that maiden or that youth for early and habitual injustice done to their budding minds, their sensitive hearts, their craving souls, in higher, ...
— The Complete Prose Works of Martin Farquhar Tupper • Martin Farquhar Tupper
... to the orderly-room 'bout eleven, and you can fill up the chit and I'll fire it in for you. It's only a matter of form. It goes through to Colonel Lear ...
— Simon Called Peter • Robert Keable
... that from boyhood his handwriting was beautifully neat, almost like copper-plate, in its precision and elegance, we shall understand what a task it must have been for him to keep up his correspondence. A little later he employed a young New Hampshire graduate of Harvard, Tobias Lear, who graduated in 1783, who served him as secretary until his death, and undoubtedly lightened the epistolary cares of the General. But Washington continued to carry on much of the letter-writing, especially ...
— George Washington • William Roscoe Thayer
... and particularly in sky forms and tones, the expression and character are always such as support vigorously the action of his group. We say vigorously; for Mr. Rothermel, in his Italian pictures, revealed an artistic nature related to humanity in its most agitated moods, as in the "Lear," and in the "Saint Agnese,"—this beautiful picture being, however, a higher conception, inasmuch as in it the spirit might find some rest in the stillness of the maiden Agnese, already saint and about to be martyr, and in the ...
— Atlantic Monthly, Vol. 9, No. 52, February, 1862 • Various
... adopt children from other countries, or dwindle in numbers, or both. Dynasties and aristocracies which have disregarded the laws of nature have decreased in numbers and degenerated in stature; 'mariages de convenance' leave their enfeebling stamp on the offspring of them (King Lear). The marriage of near relations, or the marrying in and in of the same family tends constantly to weakness or idiocy in the children, sometimes assuming the form as they grow older of passionate ...
— The Republic • Plato
... Topeka: his voice, though low, had a thrill of power in it; his hand-clasp was firm and full of meaning; and when I looked into his blue eyes I recalled the words which the Earl of Kent said to King Lear: ...
— The Price of the Prairie - A Story of Kansas • Margaret Hill McCarter
... a man "fourscore and upwards," like Lear, and like Lear, too, "mightily abused," about five feet seven, a little stooping, but still vigorous and alert; with a pleasant, fresh countenance, and the complexion of a middle-aged, plump, healthy woman, such as Rubens or Gilbert Stuart would gloat over in portraiture, and love ...
— The Atlantic Monthly, Volume 16, No. 97, November, 1865 • Various
... commanding brigades in General Butler's division; Lieutenant-Colonels Garland and Wilson, commanding brigades in General Twiggs' division; Colonels Mitchell, Campbell, Davis, and Wood, commanding the Ohio, Tennessee, Mississippi, and 2d Texas regiments, respectively; and Majors Lear, Allen, and Abercrombie, commanding the 3d, 4th, and 1st regiments of infantry; all of whom served under my eye, and conducted their commands with coolness and gallantry against the enemy. Colonel Mitchell, Lieutenant-Colonel ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... Southards, Mrs. Gray, Anne, Miriam and I. Anne, Miss Southard and Mr. Southard left New York City for California last week. Mr. Southard and Anne are to appear as joint stars in film productions of 'As You Like It,' 'Hamlet,' 'King Lear' and possibly other Shakespearian plays. It is their first experience in posing before the camera. Anne sent you her love. She will write you as soon as ...
— Grace Harlowe's Return to Overton Campus • Jessie Graham Flower
... already well beloved in the reading, I had the good fortune to see, I must think, in an impressionable hour, played by Mrs. Scott Siddons. Nothing has ever more moved, more delighted, more refreshed me; nor has the influence quite passed away. Kent's brief speech over the dying Lear had a great effect upon my mind, and was the burthen of my reflections for long, so profoundly, so touchingly generous did it appear in sense, so overpowering in expression. Perhaps my dearest and best friend outside of Shakespeare is D'Artagnan—the elderly D'Artagnan ...
— The Art of Writing and Other Essays • Robert Louis Stevenson
... likely to charm the reader by its freshness and originality. But one point, we must confess, is not new, and that is the representation of Shakespeare as a lawyer. The supposition, that the author of "Macbeth," "Hamlet," and "King Lear," was a bustling young attorney, is of respectable age, and has years enough upon its beard, if not discretion. It has been brought forward afresh by two members of the profession for which is claimed the honor of having Shakespeare's name upon its ...
— Atlantic Monthly, Vol. 4, No. 21, July, 1859 • Various
... his books, besides cheating and plaguing him in the economy of his house, etc., etc. His feelings on such an outrage, both as a parent and a scholar, must have been singularly painful. Hayley compares him to Lear. See part third, Life of Milton, by W. Hayley (or Hailey, as spelt ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... 'History of Spanish Literature' may be found his touching letter to De Guzman at the Moorish court. He is, like Lear, poor and discrowned, but not like him, weak. His prelates have stirred up strife, his nobles have betrayed him. If Heaven wills, he is ready to pay generously for help. If not, says the royal philosopher, still, generosity and loyalty ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... and its most usual surnominal forms are Hensman and Hinxman. Historians now regard Hengist and Horsa, stallion and mare, as nicknames assumed by Jutish braves on the war-path. Sumpter, Old Fr. sommetier, from Somme, burden, was used both of a packhorse and its driver, its interpretation in King Lear being a matter ...
— The Romance of Names • Ernest Weekley
... wonder how you made him!" exclaimed Abraham, turning up his nose at his parent, and then looking to the ceiling with emotion—"You unnatural old Lear! you bloodless ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 365, March, 1846 • Various
... know that the Bible suffers by a comparison with Shakespeare. They know that there is nothing within the lids of what they call "the sacred book" that can for one moment stand side by side with "Lear" or "Hamlet" or "Julius Caesar" or "Antony and Cleopatra" or with any other play written by the immortal man. They know what a poor figure the Davids and the Abrahams and the Jeremiahs and the Lots, the ...
— The Works of Robert G. Ingersoll, Volume VIII. - Interviews • Robert Green Ingersoll
... days I took delight In LEAR'S immortal Dong, Whose nose was luminously bright, Who sang a silvery song. He did not terrify the birds With strange and unpropitious words Of double-edged ontong; I'm sure he ...
— Punch, or the London Charivari, Vol. 153, Sept. 19, 1917 • Various
... to have got into Bacon's Essays. I dare say I couldn't light upon all these now; but, having been turning over Essai 9, Lib. III. De la Vanite, I find one sentence which comes to the point: 'Car parfois c'est bien choisir de ne choisir pas.' In the same Essay is a piece of King Lear, perhaps; 'De ce mesme papier ou il vient d'escrire l'arrest de condemnation contre un Adultere, le Juge en desrobe un lopin pour en faire un poulet a la femme de son compaignon.' One doesn't talk of such things as of plagiarisms, of course; as if Bacon and Shakespeare ...
— Letters of Edward FitzGerald in Two Volumes - Vol. II • Edward FitzGerald
... do better than follow Dr. Prior on this word: "Harlock, as usually printed in 'King Lear' ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... if we may judge from the accounts which we have of their poor commons, would have used far different words, in addressing the Faculty, from King Lear, who, speaking to his ...
— A Collection of College Words and Customs • Benjamin Homer Hall
... the floor, The ghost's white fingers on thy shoulders laid, And then the lonely duel in the glade, The broken swords, the stifled scream, the gore, Thy grand revengeful eyes when all is o'er,— These things are well enough,—but thou wert made For more august creation! frenzied Lear Should at thy bidding wander on the heath With the shrill fool to mock him, Romeo For thee should lure his love, and desperate fear Pluck Richard's recreant dagger from its sheath— Thou trumpet set for Shakespeare's lips ...
— Poems • Oscar Wilde
... like the poetical traditions of every people in primitive times. There can be no doubt that Geoffrey collected a number of these old stories and wove them into his narrative. Thus, the story of King Lear and his daughters has the ring of a genuine popular tradition about it, though the dates and pseudo-historical setting were probably supplied by Geoffrey. Again, there were certainly prophecies attributed to ...
— Mediaeval Wales - Chiefly in the Twelfth and Thirteenth Centuries: Six Popular Lectures • A. G. Little
... the fret of heart and soul, The loneliness and passion of King Lear; No more bewilderment and broken words Of wild ...
— The Miracle and Other Poems • Virna Sheard
... the gear Is gone where glint the pawky een. And aye the stound is birkin lear Where sconnered yowies wheeped yestreen, The creeshie rax wi' skelpin' kaes Nae mair the howdie bicker whangs, Nor weanies in their wee bit claes Glour light as lammies ...
— The Book of Humorous Verse • Various
... no in titles nor in rank; It's no in wealth like Lon'on bank, To purchase peace and rest. It's no in makin' muckle mair; It's no in books; it's no in lear; To make us ...
— The End of the Rainbow • Marian Keith
... revising my edition of Shakspeare, and remember that I formerly misrepresented your opinion of Lear. Be pleased to write the paragraph as you would have it, and send it[335]. If you have any remarks of your own upon that or any other play, I shall gladly ...
— Life Of Johnson, Vol. 2 • Boswell
... traitors and villains, were single-minded, earnest, valiant men; and, as for even O'Flynn, and those worse than him, what was really the matter with them was, that they were too honest—they spoke out too much of their whole minds. Bewildered, like Lear, amid the social storm, they had determined, like him, to become "unsophisticated," "to owe the worm no silk, the cat no perfume"—seeing, indeed, that if they had, they could not have paid for them; so ...
— Alton Locke, Tailor And Poet • Rev. Charles Kingsley et al
... worked out the math for the interplanetary ships? I did! Without me they would never have been built!" He turned dramatically, as though he were playing King Lear. "And what do I get for it?" He pointed an accusing finger at Arcot. "What do I get? He is called 'Earth's most brilliant physicist', and I, who did all the hard work, am referred to as 'his mathematical assistant'." He shook his head solemnly. ...
— Islands of Space • John W Campbell
... having been always a heresy with him, and the deplorable length of dialogue to the small amount of action in their plays making them sadly tiresome. The first that he saw at the principal theatre was a version of Balzac's Pere Goriot. "The domestic Lear I thought at first was going to be very clever. But he was too pitiful—perhaps the Italian reality would be. He was immensely applauded, though." He afterwards saw a version of Dumas' preposterous play of Kean, in which most of the representatives of English actors wore red hats with steeple crowns, ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... forgiven. We walked, too, in the gardens of the Nymphenburg Palace where the mad king used to play. We visited the State Theatre, where Wagnerian opera still holds the patient ear, and there we heard, not Wagner, but Shakespeare's "Lear," done in a jog-trot, uninspired, later-Victorian style. One felt as if the theatre had slept for thirty years and then, awakening, had resumed in the same style as before. It is often said reproachfully in Germany that Queen Victoria would never have made the late ...
— Europe—Whither Bound? - Being Letters of Travel from the Capitals of Europe in the Year 1921 • Stephen Graham
... movement. His humorous illustrated poems, such as Max und Moritz, Der heilige Antonius von Padua, Die Fromme Helene, Hans Huckebein and Die Erlebnisse Knopps des Junggesellen, play, in the German nursery, the same part that Edward Lear's nonsense verses do in England. The types created by him have become household words in his country. He invented the series of comic sketches illustrating a story in scenes without words, which have inspired Caran d'Ache and ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... reminiscence of a very poignant kind. Browning told us that he did not know Landor very well, but that he saw him in the last years of his life under circumstances of a terribly pathetic kind. Landor played almost exactly the part of King Lear—though from a different reason—and got almost exactly King Lear's reward. Landor, it will be remembered, was originally a rich man. It will also be remembered that he was possessed of a very arbitrary and turbulent nature and quarrelled with many members of his family, and especially ...
— The Adventure of Living • John St. Loe Strachey
... abandonment of revenge, though the Dummy could have no knowledge of his words, he gestured with a dignity that conveyed all the meaning of Lying Bill's relation of the incident. In the expression and motion of the dramatic mute the aged uncle had the sublimity of Lear. For Vava, in a mask and an attitude, by some cryptic understanding encompassed the resignation and appeal ...
— Mystic Isles of the South Seas. • Frederick O'Brien
... comforted, good madam; the great rage, You see is cured in him: and yet it is danger To make him even o'er the time he has lost. Desire him to go in: trouble him no more, Till further settling. KING LEAR. ...
— Waverley Volume XII • Sir Walter Scott
... learn," she said, "here learn the sacred lore;" This fancy realiz'd, the bard shall see, And his best commentator breathe in thee. She spoke: her magic powers the actor tried; Then Hamlet moraliz'd and Richard died; The dagger gleam'd before the murderer's eye, And for old Lear each bosom heav'd sigh; Then Romeo drew the sympathetic tear, With him and Cibber Love lay bleeding here. Enchanting Cibber! from that warbling throat No more pale Sorrow pours the liquid note. Her voice suppress'd, and Garrick's genius fled, Melpomene declined her drooping head; She mourn'd their ...
— The Mirror of Taste, and Dramatic Censor - Vol I, No. 2, February 1810 • Samuel James Arnold
... English literature. Burbage was the first great actor that England ever saw, the original representative of many of Shakespeare's noblest creations, among others, of Shylock, Richard, Romeo, Hamlet, Lear, Othello, and Macbeth. We may fairly conclude Burbage's acting to have had all the best characteristics of Natural, as opposed to Artificial acting. The principles of the former are so clearly laid down by Shakespeare, in Hamlet's advice to the players, that, perhaps, I cannot ...
— The Drama • Henry Irving
... I had aimed at giving it an air of distinction had already been compared by one of my teachers to Persian hieroglyphics. In this composition I had constructed a drama in which I had drawn largely upon Shakespeare's Hamlet, King Lear, and Macbeth, and Goethe's Gotz van Berlichingen. The plot was really based on a modification of Hamlet, the difference consisting in the fact that my hero is so completely carried away by the appearance ...
— My Life, Volume I • Richard Wagner
... sold, Which few pence had made too dear On its blank to have enscrolled Beatrice, Lucifer, or Lear! ...
— An Anthology of Australian Verse • Bertram Stevens
... become part of him, feel with him, judge, behold with him; but we think of him as little as of ourselves. Do we think of Aeschylus while we wait on the silence of Cassandra,[G] or of Shakspeare, while we listen to the wailing of Lear? Not so. The power of the masters is shown by their self-annihilation. It is commensurate with the degree in which they themselves appear not in their work. The harp of the minstrel is untruly touched, if his own glory ...
— Modern Painters Volume I (of V) • John Ruskin
... King Lear. Apple, balm, burdock, cork, corn, crab, fumiter, hemlock, harlock, nettles, cuckoo-flowers, darnel, flax, hawthorn, lily, marjoram, oak, oats, peascod, rosemary, vines, ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... string,—while a harp and three flutes carry the burden of the accompaniment gracefully); a pleasant "Reverie" for string orchestra, harp, and organ; and two impromptus for string orchestra, a "Meditation" representing Cordelia brooding tenderly over the slumbering King Lear,—art ministering very tenderly to the mood,—and ...
— Contemporary American Composers • Rupert Hughes
... feared Donal micht hae ta'en to makin' sangs himsel'; no 'at there was ony ill i' that, she said, gien there wasna ony ill i' the sangs themsel's; but it was jist some trifflin' like, she said, an' they luikit for better frae Donal, wi' a' his buik lear, an' his Euclid—or what ...
— Sir Gibbie • George MacDonald
... yet I am, alas! without Instruction in the art of fippling, Though something may be found about It in the works of LEAR or KIPLING. ...
— Punch, or the London Charivari, Volume 159, August 11, 1920 • Various
... his every impersonation on the stage, minutely from some living model? Surely observation and natural originality is more than the photographic copying of your "conscientious" artist! Worse feebleness still it is when an artist has to paint a well-known character, say King Lear or Mary Queen of Scots, and goes about hunting for a living person as near as possible in appearance to the original, and then costumes and slavishly reproduces him or her, without any show of judgment or insight after the model is once selected. And this lack of insight into ...
— The Confessions of a Caricaturist, Vol. 1 (of 2) • Harry Furniss
... ones vied with one another in attempts to set her mind at rest by undertaking everything, and promising for themselves and the children perfect regularity and harmony. Sophy, with a bluntness that King Lear would have highly disapproved, said, 'She was glad mamma was going, but she knew they should be all at sixes and sevens. She would do her best, and very bad it ...
— The Young Step-Mother • Charlotte M. Yonge
... (1733-1816), the patron of whose imagination was his "Saint Guillaume" of Stratford, though he knew no English, had in a fashion presented Hamlet (1769) and Romeo and Juliet to his countrymen; King Lear, Macbeth, King John, Othello (1792) followed. But Ducis came a generation too soon for a true Shakespearian rendering; simple and heroic in his character as a man, he belonged to an age of philosophers and sentimentalists, an age of "virtue" and ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden
... 'Julius Casar' presents the material failure of an unpractical idealist (Brutus); 'Hamlet' the struggle of a perplexed and divided soul; 'Othello' the ruin of a noble life by an evil one through the terrible power of jealousy; 'King Lear' unnatural ingratitude working its hateful will and yet thwarted at the end by its own excess and by faithful love; and 'Macbeth' the destruction of a large nature by material ambition. Without doubt this is the ...
— A History of English Literature • Robert Huntington Fletcher
... night. Anon, a reverend form With tattered robe and forehead bare, That challenge all the torments of the air, Goes by! And the pent feelings choke in one long sigh, While, as the mimic thunder rolls, you hear The noble wreck of Lear Reproach like things of life the ancient skies, And commune with the storm! Lo! next a dim and silent chamber, where Wrapt in glad dreams, in which, perchance, the Moor Tells his strange story o'er, The gentle Desdemona chastely lies, Unconscious ...
— War Poetry of the South • Various
... the subject, and to let it burst out. I do not at all believe in the painful pinching and pulling together of a particular bit of work. That sort of process is excellent practice, but it seems to me like the receipt in one of Edwin Lear's Nonsense Books for making some noisome dish, into which all sorts of ingredients of a loathsome kind were to be put; and the directions end with the words: 'Serve up in a cloth, and throw all out of the window as soon as possible.' It is an ...
— At Large • Arthur Christopher Benson
... virtue, Thou art incestuous: caitiff, to pieces shake, That under covert and convenient seeming Hast practised on man's life: close pent-up guilts, Rive your concealing continents, and cry These dreadful summoners grace. — Lear. ...
— Alvira: the Heroine of Vesuvius • A. J. O'Reilly
... 31st, I took Louisa, at half-past seven, to the house of Mr. Hawes, an under Secretary of State, to see a beautiful children's masque. It was an impersonation of the "Old Year" dressed a little like LEAR with snowy hair and draperies. OLD YEAR played his part inimitably, at times with great pathos, and then introducing witty hits at all the doings of his reign, such as exploding cotton, the new planet, a subject which he put at ...
— Letters from England 1846-1849 • Elizabeth Davis Bancroft (Mrs. George Bancroft)
... Lear is the most tremendous effort of Shakspeare as a poet; Hamlet as a philosopher or meditater; and Othello is the union of the two. There is something gigantic and unformed in the former two; but in the latter, every thing assumes its due place and ...
— Specimens of the Table Talk of S.T.Coleridge • Coleridge
... (or Burbadge) was the first of the great English tragic actors, and was the original of the greater number of Shakespeare's heroes—Hamlet, Othello, Lear, Shylock, Macbeth, Richard III., Romeo, Brutus, etc. Dick Tarleton, one of the privileged scapegraces of social life, was regarded by his contemporaries as the most witty of clowns and comedians. The clown was a permitted character in the old theatres, and ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... Parallels.—The beginning recalls "King Lear." For "loving like salt," see the parallels collected by Cosquin, i. 288. The whole story is a version of the numerous class of Cinderella stories, the particular variety being the Catskin sub-species analogous ...
— English Fairy Tales • Joseph Jacobs (coll. & ed.)
... them, in accidental journeys, or by the violence of rival claimants to their thrones. The pretended records contain a vast number of legends, of very little interest or value, as the reader will readily admit when we tell him that the famous story of King Lear is the most entertaining one in the whole collection. It ...
— King Alfred of England - Makers of History • Jacob Abbott
... first. There is this important difference between the writer of nonsense verses and their illustrator; the former must let himself go as much as he can, the latter must hold himself in. In Greybeards at Play, Chesterton took the bit between his teeth, and bolted faster than Edward Lear had ever done. The antitheses of such verses as the ...
— G. K. Chesterton, A Critical Study • Julius West
... LEAR. Aged about 8 years. A Tom Cat killed in single combat with Tom the Templar whilst defending his hearth and home. England expects every cat to do ...
— The Junior Classics Volume 8 - Animal and Nature Stories • Selected and arranged by William Patten
... attention to Latin and Wordsworth's Excursion (all this was Greek to Kim). French, too was vital, and the best was to be picked up in Chandernagore a few miles from Calcutta. Also a man might go far, as he himself had done, by strict attention to plays called Lear and Julius Caesar, both much in demand by examiners. Lear was not so full of historical allusions as Julius Caesar; the book cost four annas, but could be bought second-hand in Bow Bazar for two. Still more important than ...
— Kim • Rudyard Kipling
... Dutton, The Tortoise and the Geese; The Lark and her Young Ones, in Scudder, Book of Fables and Folk-Stories; The Monk and the Bird, in Scudder, Book of legends; The Owl and his School, in Ramaswami Raju, Indian Fables; The Owl and the Pussy-Cat, Lear (poem), in Story-Telling Poems; The Partridge and the Crow, in Dutton, The Tortoise and the Geese; The Pious Robin, in Brown, Curious Book of Birds; The Rustic and the Nightingale, in Dutton, The Tortoise and the Geese; The Sparrows, Thaxter (poem), in Story-Telling Poems; The Sparrows ...
— Good Stories For Great Holidays - Arranged for Story-Telling and Reading Aloud and for the - Children's Own Reading • Frances Jenkins Olcott
... in an accent much broader than the provincial dialect—"na, my faither was owre puir for giein me ony buke lear." This seemed to satisfy the damsel, and she intrusted him with the letter in its unclosed state, only enjoining him to show it to nobody, and give it into the ...
— Wilson's Tales of the Borders and of Scotland, Volume III • Various
... great power of wrath, inheriting the high, hasty temper of his mother. Tobias Lear, his intimate friend and private secretary, says that in the winter of 1791, an officer brought a letter telling of General St. Clair's disastrous defeat by the Indians. It must be delivered to the President himself. He left his family and guests at table, glanced over the contents, ...
— The True Citizen, How To Become One • W. F. Markwick, D. D. and W. A. Smith, A. B.
... my guardian angel ever since my blindness. She does all my writing, reads the plays and my notes to refresh my memory. She was reading King Lear this afternoon, and I was much stirred by the sad trials of the poor old king. I mentally compared my lot with his and found that the advantage is mine. He had no home, two ungrateful daughters, and, as far as I can learn, no 'shadow of a rock in ...
— The Unknown Wrestler • H. A. (Hiram Alfred) Cody
... analogy with the interest excited in us by similar dramas in our own language. Few, I trust, would be rash or ignorant enough, to compare Schiller with Shakspeare, yet, merely as illustration, I would say, that we should proceed to the perusal of Wallenstein, not from Lear or Othello, but from Richard the Second, or the three parts of Henry the Sixth. We scarcely expect rapidity in an historical drama; and many prolix speeches are pardoned from characters, whose names and actions have formed the most amusing ...
— The Life of Samuel Taylor Coleridge - 1838 • James Gillman
... halcyon's bill?: "It was anciently believed that this bird (the king-fisher), if hung up, would vary with the wind, and by that means shew from what quarter it blew." STEEVENS (apud Dodsley's O. P.),—who refers to the note on the following passage of Shakespeare's KING LEAR, ...
— The Jew of Malta • Christopher Marlowe
... trace of exaggeration in saying: Many people frequent theaters ostensibly for the purpose of understanding the great dramatists, and, leading thereto, seeing noted tragedians act Lear, Richard III, Julius Caesar, Hamlet, and at the end of years of attendance have no conception of these dramas as a whole. They had heard one voice among the many; but when the many voices blended, ...
— A Hero and Some Other Folks • William A. Quayle
... Saints' Day, after wandering awhile about a swampy churchyard in the suburb of Maria Hilf, to see the melancholy spot of light which glimmered at each grave-head, I went to the Burg Theatre, and witnessed Shakespeare's play of "King Lear" (and the best actor in Vienna played the Fool); and further, that I spent the evening of Christmas Day in Daum's coffee-house in reading Galignani's Messenger, in order to bring myself, in imagination at least, ...
— A Tramp's Wallet - stored by an English goldsmith during his wanderings in Germany and France • William Duthie
... find that movable stocks were in use, which could be brought out whenever occasion required. A set of these exists at Garstang, Lancashire. The quotation already given from King Lear, "Fetch forth the stocks," seems to imply that in Shakespeare's time they were movable. Beverley stocks were movable, and in Notes and Queries we find an account of a mob at Shrewsbury dragging around the town in the stocks an incorrigible ...
— Vanishing England • P. H. Ditchfield
... perhaps there is something in the Shakespearian width of sympathy and in the Shakespearian humour which lies beyond Hazlitt's sphere. His criticism of Hamlet is feeble; he does not do justice to Mercutio or to Jaques; but he sympathises more heartily with the tremendous passion of Lear and Othello, and finds something congenial to his taste in Coriolanus and Timon of Athens. It is characteristic, too, that he evidently understands Shakespeare better on the stage than in the closet. When he can associate Iago and Shylock with the visible ...
— Hours in a Library - New Edition, with Additions. Vol. II (of 3) • Leslie Stephen
... and yet how often do we imitate those Dumb Beasts in our own degree! fondling them indeed when they are Kittens and Puppies, but fighting Tooth and Nail with them when they be full grown. But there is as much to be said on the one side as on the other; and for every poor old Lear wandering up and down, pursued by the spite of Goneril and Regan, shall you find a Cordelia whose heart is broken ...
— The Strange Adventures of Captain Dangerous, Vol. 2 of 3 • George Augustus Sala
... individual genius; but greatness like theirs is never more than the highest degree of an excellence which prevails widely round it, and forms the environment in which it grows. No single mind in single contact with the facts of nature could have created out of itself a Pallas, a Madonna, or a Lear: such vast conceptions are the growth of ages, the creations of a nation's spirit; and artist and poet, filled full with the power of that spirit, have but given them form, and nothing more than ...
— Shakespeare: His Life, Art, And Characters, Volume I. • H. N. Hudson
... talk frankly enough to David. At such times his language took an exasperating Shakespearean turn. He was abominably fond of posing as Lear or Jaques—as a man much buffeted, and acquainted with all the ugly secrets of life. Purcell stood generally for 'the enemy;' and to Purcell his half-mad fancy attributed most of his misfortunes. It was Purcell who had undermined his ...
— The History of David Grieve • Mrs. Humphry Ward
... the Captain, throwing off his assumption of the tragic father. The Oedipus Coloneus, the Lear—the venerable victim of winter winds and men's ingratitude—was transformed in a moment into an elderly Jeremy Diddler, lined with Lord Foppington. "He shall repeat it; I will have him at your feet to-morrow. Yes, Di, my love, I pledge myself to bring ...
— Charlotte's Inheritance • M. E. Braddon
... Lear. Meane time we shal expresse our darker purpose. Giue me the Map there. Know, that we haue diuided In three our Kingdome: and 'tis our fast intent, To shake all Cares and Businesse from our Age, Conferring them on yonger strengths, while we Vnburthen'd crawle toward death. ...
— The First Folio [35 Plays] • William Shakespeare
... consoling than other philosophy. On the second and far more poignant terror that still survives in the very nature of death, he hardly touches. I mean the severance of love, the disappearance of the beloved. "No, no, no life," cries Lear: ...
— Essays in Rebellion • Henry W. Nevinson
... was a period of poverty with the Strick family, and Loveday was sent to fetch the evening milk from the farm at the crest of the hill. On the way, she came upon Cherry Cotton and Primrose Lear, seated upon a granite stile, their heads together over something Cherry held in her lap. Cherry heard approaching footsteps, and whipped her apron over the object she and her friend had been so busily discussing. Loveday was hurt rather than angered by the unkind action, for there was ...
— The White Riband - A Young Female's Folly • Fryniwyd Tennyson Jesse
... 27th—'chateau finished, galleries splendid'—and on the 30th, dinner at the Embassy. They returned to London on the 31st. A few dinners in town are noted, and a visit to Covent Garden on March 5th, to see Salvini in 'King Lear.' To Foxholes ...
— Memoirs of the Life and Correspondence of Henry Reeve, C.B., D.C.L. - In Two Volumes. VOL. II. • John Knox Laughton
... Mr. Lear, rather surprised by these words. "The doctor will give you relief, I trust, ...
— From Farm House to the White House • William M. Thayer
... promulgated are received with wild enthusiasm. In Italy, during the most frenzied period of Garibaldian worship, my old friend, Lear the artist, asked a patriotic inn-keeper, who was in a wild state of excitement, to give him breakfast, to which the man replied: "Colazione! Che colazione! Tutto e amore e liberta!" In the Albanian village ...
— Political and Literary essays, 1908-1913 • Evelyn Baring
... Imperator, so as to get what he could of power and wealth and dignity in the scramble, was, I think, Caesar's purpose. The rest grew upon him. As Shakspeare, sitting down to write a play that might serve his theatre, composed some Lear or Tempest—that has lived and will live forever, because of the genius which was unknown to himself—so did Caesar, by his genius, find his way to a power which he had not premeditated. A much longer time is ...
— Life of Cicero - Volume One • Anthony Trollope
... 'Hamlet, Othello, and Lear were roles in which he [Burbage] gained especial renown. But Burbage and Shakespeare were popularly credited with co-operation in less solemn enterprises. They were reputed to be companions in many sportive ...
— Testimony of the Sonnets as to the Authorship of the Shakespearean Plays and Poems • Jesse Johnson
... period of great poets may rest assured that he is a critic born—may rest assured that had he lived in the days of the Elizabethans he would have joined the author of ‘The Returne from Parnassus’ in despising the unacademic author of ‘Hamlet’ and ‘Lear.’ Among this band of great contemporary poets what is the special position held by him who, having set his triumphant hand to everything from the sampler up to the epic, has now, by way of recreation, or rather by way of opening a necessary safety-valve ...
— Old Familiar Faces • Theodore Watts-Dunton
... be capable of instantaneous abandonment to his part, and of as instantaneous withdrawal from it,—like the elder Booth, joking one minute at a side-scene and in the next having the big tears of a realized Lear running down his cheeks. An eminent critic says,—"Genius always lights its own fire,"—and this constant double process of mind,—one of self-direction and self-control, the other of absolute abandonment and identification,—each ...
— Atlantic Monthly Vol. 6, No. 33, July, 1860 • Various
... to be printed 'bide, as if a contraction of abide. Cf. Shakespeare, Lear, iii. 4. 29: "That bide the pelting of this ...
— The Lady of the Lake • Sir Walter Scott
... very much in the manner in which Shakspeare's fools and jesters—in some respects the wisest and thoughtfullest characters in his works—talk. If his words be "light as air," they vent "truths deep as the centre." If the Fool in "Lear" had written letters to his friends and acquaintances, I think they would have marvellously resembled this epistle to Patmore; and if, in saying this, I compliment the Fool, I hope I do not derogate from the genius of Elia. Jaques, it will be remembered, ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... beauty in her time. She was once taken out to dinner by General Washington when he was President. Madam Hancock, whose husband had been President of the Continental Congress and Governor of Massachusetts, complained to General Washington's Secretary, Mr. Lear, that that honor belonged to her. The Secretary told General Washington, the next day, what she said. The General answered that it was his privilege to give his arm to the handsomest woman in the room. Whether the reply was communicated to Mrs. Hancock, ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar
... his contracted strengths and crippled rage. } He who could tame his vast ambition down To please some scatter'd gleanings of a town, And, if some hundred auditors supplied Their meagre meed of claps, was satisfied, How had he felt, when that dread curse of Lear's Had burst tremendous on a thousand ears, While deep-struck wonder from applauding bands Return'd the tribute of as many hands! Rude were his guests; he never made his bow To such an audience as salutes us now. He lack'd the balm of labor, female ...
— The Works of Charles and Mary Lamb IV - Poems and Plays • Charles and Mary Lamb
... Father of Christendom, under whose sheltering shadow once slept in peace for near a thousand years the now storm-tossed nations of Western and Central Christendom, couldst thou indeed, when turned out a houseless[47] fugitive like Lear upon a night of tempest, still retain aught of thy ancient prestige, and through the might of belief rule over those who have ...
— The Posthumous Works of Thomas De Quincey, Vol. II (2 vols) • Thomas De Quincey
... Like another Lear, your daughters shall neither esteem nor respect you, and the lines you dictate shall be to them but the idle vaporings of a mind diseased. Your acute ears shall hear these daughters express the wish that you were dead; and then in your blindness you will give yourself into the keeping of a ...
— Little Journeys to the Homes of the Great, Volume 5 (of 14) • Elbert Hubbard
... resembling the Gregorian chant or the sequences of Notker of Tubilo), the other voices would sing songs in the vernacular, and, strangest of all, one voice would repeat some Latin word, or even a "nonsense word" (to use Edward Lear's term) but much more slowly than the other voices. Thus the needs of the Mystery were as well met by incipient counterpoint on the one hand, as, on the other, the secular song-play engendered the sense ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... had an idea I would find you here, and—but what's the matter with you, man? Have you got the plague? or has your mysterious inamorata jilted you? or what other annoyance has happened to make you look as woebegone as old King Lear, sent adrift by his tender daughters to ...
— The Midnight Queen • May Agnes Fleming
... there is something picturesque in the big, comfortable shoulders of the Cote. That delicate critic M. Emile Montegut, in a charming record of travel through this region published some years ago, praises Shakespeare for having talked (in "Lear") of "waterish Burgundy." Vinous Burgundy would surely be more to the point. I stopped at Beaune in pursuit of the picturesque, but I might almost have seen the little I discovered without stopping. It is a drowsy Burgundian ...
— A Little Tour in France • Henry James
... December, 1799, Washington made the tour, as usual, of his plantations. The weather was very bad. There was rain, hail, and snow falling at different times, and a cold wind blowing. It was after three o'clock when he returned. Mr. Lear, his secretary, brought him some letters to be franked, for he intended to send them to the post office that afternoon. Washington franked the letters, but said that the weather was too bad to send a servant out with them. Lear noticed ...
— Washington's Birthday • Various
... Tennessee, in order to be with the Mormon people); twelfth, Polly V. Young; thirteenth, Louisa Young (these two were sisters). Next, I was sealed to my fourteenth wife, Emeline Vaughn. In 1851 I was sealed to my fifteenth wife, Mary Lear Groves. In 1856 I was sealed to my sixteenth wife, Mary Ann Williams. In 1858 Brigham gave me my seventeenth wife, Emma Batchelder. I was sealed to her while a member of the Territorial Legislature. In 1859 I was sealed to my eighteenth wife, Teressa ...
— The Mormon Menace - The Confessions of John Doyle Lee, Danite • John Doyle Lee
... thin disguise much of his own life-story? Shakespeare alone, of men of genius of the first rank, seems to have learned comparatively few of his lessons in the school of suffering. But, possibly, if more were known of Shakespeare, it would be found that Lear, Macbeth, and Hamlet are but the expressions of lessons learned as ...
— The Ascent of the Soul • Amory H. Bradford
... remember amongst other amusements which we had as children the pictures at which we were permitted to look. There was Boydell's Shakspeare, black and ghastly gallery of murky Opies, glum Northcotes, straddling Fuselis! there were Lear, Oberon, Hamlet, with starting muscles, rolling eyeballs, and long pointing quivering fingers; there was little Prince Arthur (Northcote) crying, in white satin, and bidding good Hubert not put out his eyes; there was Hubert crying; there was little ...
— John Leech's Pictures of Life and Character • William Makepeace Thackeray
... one is implored to come to the Pier Concert Hall at Flushington-on-Sea, or the like, because, "owing to your appreciative remarks about my performance as the Second Gravedigger in Hamlet, I am sure you would like to see my King Lear." These give a good deal of trouble, because it is difficult to decline without hurting feelings. Another branch lies in the simple request from people with whom one is unacquainted for introduction to managers whom one ...
— Our Stage and Its Critics • "E.F.S." of "The Westminster Gazette"
... Lear, Othello, Macbeth, Coriolanus, Antony, Timon, these are names indeed of something more than tragic purport. Only in the sunnier distance beyond, where the sunset of Shakespeare's imagination seems to melt or flow back into the sunrise, ...
— A Study of Shakespeare • Algernon Charles Swinburne
... entered that region in which Michael Angelo, Beethoven, Goethe, and the antique Athenian stage poets are great. He would really not be great at all if it were not that he had religion enough to be aware that his religionless condition was one of despair. His towering King Lear would be only a melodrama were it not for its express admission that if there is nothing more to be said of the universe than Hamlet has to say, then 'as flies to wanton boys are we to the gods: they kill us for ...
— Back to Methuselah • George Bernard Shaw
... with the mother's love which he supposes himself capable of bestowing that a universal wail arises, or that Shakspeare, the greatest of mortal minds, brought in those awful verdicts against mankind—"Lear" and ...
— The Golden Censer - The duties of to-day, the hopes of the future • John McGovern
... of character. The decrepit old rake, the Marquis de Noriolis, feeble in his folly and wandering in helplessness, but irresistible when aroused, is a striking figure; and still more striking is the portrait of his wife, now the Marquise de Noriolis, but once Fanny Lear the adventuress—a woman who has youth, beauty, wealth, everything before her, if it were not for the shame which is behind her: gay and witty, and even good-humored, she is inflexible when she is determined; ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XXVI., December, 1880. • Various
... to bring together the three most pathetic sentences in our tongue since Lear asked the question, "And have his daughters brought him to this pass?" we should select Swift's comment on the lock of Stella, "Only a woman's hair"; the cry of Tennyson's Rizpah, "The bones had moved in my side"; and ...
— Thomas Carlyle - Biography • John Nichol
... childhood and adolescence. But it is surprising to learn, as one does from his commentary, that other scenes in these very plays (Hamlet and King Lear, and in Macbeth, too) leave him unmoved, if one can so interpret the absence of any but an explanatory note on, say, Lear's speech beginning "Pray, do not mock me;/I am a very foolish fond old man." Besides this negative evidence there is also the positive evidence of many notes which display the dispassionate editorial mind at work where ...
— Notes to Shakespeare, Volume III: The Tragedies • Samuel Johnson
... Roberts (1825): "Das Ungeheuerste, das Ensetzlichste, das Schaudervollste, wenn es nicht unpoetisch werden soll, kann man auch nur in dem buntscheckigen Gewaende des Laecherlichen darstellen, gleichsam versoehnend—darum hat auch Shakespeare das Graesslichste im "Lear" durch den Narren sagen lassen, darum hat auch Goethe zu dem furchtbarsten Stoffe, zum "Faust," die Puppenspielform gewaehlt, darum hat auch der noch groessere Poet (der Urpoet, sagt Friederike), naemlich Unser-Herrgott, ...
— Types of Weltschmerz in German Poetry • Wilhelm Alfred Braun
... other remains of this time are the death of Byrhtnoth, The Fight of Finsborough, and the Chronicle of King Lear and his Daughters, the last of which is the foundation of an old play, upon which Shakspeare's tragedy of ...
— English Literature, Considered as an Interpreter of English History - Designed as a Manual of Instruction • Henry Coppee
... conceptions, no great words of consolation: patriotism, right, freedom, humanity, art? Yes; those words there are, and many men live by them and for them. And yet it seems to me that if Shakespeare could be born again he would have no cause to retract his Hamlet, his Lear. His searching glance would discover nothing new in human life: still the same motley picture—in reality so little complex—would unroll before him in its terrifying sameness. The same credulity and the same cruelty, the same lust of blood, of gold, of filth, the same vulgar pleasures, ...
— The Jew And Other Stories • Ivan Turgenev
... never morbid. He expresses everything. He stands outside his subject, and through its medium produces incomparable and artistic effects. To call an artist morbid because he deals with morbidity as his subject-matter is as silly as if one called Shakespeare mad because he wrote 'King Lear.' ...
— The Soul of Man • Oscar Wilde
... lonely days, and still more lonely nights, he thought much about the past. He knew that he had made a failure of life, and that he had nothing to live for now. At times he would endeavor to fan the coals of rebellion by reading "King Lear," "Timon of Athens," and the story of Old Aeneas. But the effect was never lasting, and when the artificial stimulation subsided he was more depressed ...
— The King's Arrow - A Tale of the United Empire Loyalists • H. A. Cody
... Shakespere's plays?... We had ever so much about Shakespere. Weren't you perfectly astonished when you found out how many other plays there were of his? I always thought there was nothing but "Hamlet," and "Romeo and Juliet," and "Macbeth," and "Richard III.," and "King Lear," and that one that Robson and Crane have—oh, ...
— Letters to a Daughter and A Little Sermon to School Girls • Helen Ekin Starrett
... its sounds, the cutting short of its syllables, and the softening down of its terminations, and inflections of words.' Somewhere between 1180 and 1216, the majestic speech in which Shakspeare was to write 'Macbeth' and 'King Lear,' Lord Bacon his 'Advancement of Learning,' Milton his 'Paradise Lost' and 'Areopagitica,' Burke his 'Reflections,' and Sir Walter Scott the Waverley Novels, and whose rough, but manly accents were to be spoken by at ...
— Specimens with Memoirs of the Less-known British Poets, Complete • George Gilfillan
... Hieroglyphics and other Antiquities, 6 vols. 8vo. Lond. 1813,—which was suppressed by the author after a few copies had been sold. I have the second and third volumes, being all that relates to Shakspeare. They consist of an edition of Hamlet, Lear, Othello, Merchant of Venice, and the third satire of Horace, copiously illustrated with notes and woodcuts, intended to prove that in the works in question, in common with "all the classics and the different specimens of the arts which have come down to us ...
— Notes and Queries, Number 34, June 22, 1850 • Various
... impending crag which rose near it, had acquired the name of St. Swithin's Chair. it was the scene of a peculiar superstition, of which Mr. Rubrick mentioned some curious particulars, which reminded Waverley of a rhyme quoted By Edgar in KING LEAR; and Rose was called upon to sing a little legend, in which they had been interwoven ...
— Waverley • Sir Walter Scott
... age, I became first acquainted with Shakespeare, I was displeased with his coldness, with his insensibility, which allows him to jest even in the most pathetic moments, to disturb the impression of the most harrowing scenes in "Hamlet," in "King Lear," and in "Macbeth," etc., by mixing with them the buffooneries of a madman. I was revolted by his insensibility, which allowed him to pause sometimes at places where my sensibility would bid me hasten and bear me along, and which ...
— The Works of Frederich Schiller in English • Frederich Schiller
... text that go far to justify this contention. We may be sure that Shakespeare, then at the zenith of his power, would not have stinted the measure of a work which seems to have taken more of his time than any previous play. Following closely upon "Macbeth" came "King Lear," produced at Whitehall for the Christmas festivities of 1606, and founded, like several of its predecessors, upon ...
— William Shakespeare - His Homes and Haunts • Samuel Levy Bensusan
... portentous human tragedy must seem to him only a tiny gasp for breath, the most delightful human comedy only a tiny flutter of joy. Against a background of suns dying on the other side of Aldebaran any mole trodden upon by some casual hoof may appear as significant a personage as an Oedipus or a Lear in his last agony. To be a novelist or dramatist at all such a cosmic philosopher must contract his vision to the little island we inhabit, must adjust his interest to mortal proportions and concerns, must match his narrative to the scale by which we ordinarily measure ...
— Contemporary American Novelists (1900-1920) • Carl Van Doren
... there arises in their hearts a pleasure in the growing number of his years expressly as these constitute a deduction from the unknown sum total of those which have been appointed him; and when the utmost bravery of their affection must breathe, not Serus, but CITO in cadum redeas! O royal Lear of our literature, who have spurned from your love the dearest daughter of your thought, is it only left us to say, "How friendly is Death,—Death, who restores us to free relations with the whole, when our own fierce partialities have imprisoned and bound us ...
— The Atlantic Monthly, Vol. 12, No. 72, October, 1863 • Various
... probably this last named Elizabeth that the authors of Critical Strictures had in mind. The choice is unusual, critics generally having considered Lady Macbeth to be her finest tragic role. Garrick had played Lear on 31 December 1762 (Drury Lane Calendar, as above, ...
— Critical Strictures on the New Tragedy of Elvira, Written by Mr. David Malloch (1763) • James Boswell, Andrew Erskine and George Dempster
... writer, for he could pass without incongruity from some unforeseen swift stroke of wit to elaborate reverie. I heard him say a few nights later: 'Give me "The Winter's Tale," "Daffodils that come before the swallow dare" but not "King Lear." What is "King Lear" but poor life staggering in the fog?' and the slow cadence, modulated with so great precision, sounded natural to my ears. That first night he praised Walter Pater's 'Essays on the Renaissance:' 'It is my golden book; I never travel anywhere without it; but it is ...
— Four Years • William Butler Yeats
... the humiliation of gracing Caesar's triumph, she snatches a dagger, exclaiming, "I will trust my resolution and my good hands." With the same swift instinct, Cassius trusts to his hands when he stabs Caesar: "Speak, hands, for me!" "Let me kiss your hand," says the blind Gloster to Lear. "Let me wipe it first," replies the broken old king; "it smells of mortality." How charged is this single touch with sad meaning! How it opens our eyes to the fearful purging Lear has undergone, to learn that royalty is no defence against ingratitude and cruelty! Gloster's exclamation ...
— The World I Live In • Helen Keller
... present its characters in some struggle of the wills, whether it be flippant, as in the case of Benedick and Beatrice; or delicate, as in that of Viola and Orsino; or terrible, with Macbeth; or piteous, with Lear. The crowd is more partisan than the individual; and therefore, in following this struggle of the drama, it desires always to take sides. There is no fun in seeing a foot-ball game unless you care about who wins; and ...
— The Theory of the Theatre • Clayton Hamilton
... English taste was allowed to enrich the collection of the Hermitage at St. Petersburgh; and I remember well that this engraving by Sharp was one of the few ornaments in the drawing-room of Macaulay when I last saw him, shortly before his lamented death. Next to the Doctors of the Church is his LEAR IN THE STORM, after the picture by West, now in the Boston Athenaeum, and his SORTIE FROM GIBRALTAR, after the picture by Trumbull, also in the Boston Athenaeum. Thus, through at least two of his masterpieces ...
— The Best Portraits in Engraving • Charles Sumner
... NOW WORK TOGETHER. It may easily be conceived how "sufficiencies" was, by an inarticulate speaker, or inattentive hearer, confounded with "sufficiency as", and how "abled", a word very unusual, was changed into "able". For "abled", however, an authority is not wanting. Lear uses it in the same sense, or nearly the same, with the Duke. As for "sufficiencies", D. Hamilton, in his dying speech, prays that "Charles II. may exceed both the VIRTUES and SUFFICIENCIES ...
— Preface to Shakespeare • Samuel Johnson
... stage which are sinful, vicious, and vulgar, but there are hundreds of books quite as bad and dangerous. As we choose only the best volumes to read, so be sure to select only pure plays and operas. 'Lear' would teach you the awful results of filial disobedience; 'Merchant of Venice,' the sin of avarice; 'Julius Caesar' that of unsanctified ambition. There are threads of wisdom, patience, charity, and heroism which might be gathered ...
— Infelice • Augusta Jane Evans Wilson |
