"Paolo" Quotes from Famous Books
 ... under her touch—trembling, my every nerve a-quiver and my breath shortened—and suddenly there flashed through my mind a line of Dante's in the story of Paolo and Francesca: ...
— The Strolling Saint • Raphael Sabatini
... new castle. There were 600 Spanish infantry in the town and 100 in the castle, and 100 cavalry. The governor of Breda, Edward Lanzavecchia, was absent superintending the erection of new fortifications at Gertruydenberg, and in his absence the town was under the command of his son Paolo. ...
— By England's Aid • G. A. Henty
... day—it was the last of many days, Nor could we know when such days might be given Again—we read how Dante trod the ways Of utmost Hell, and how his heart was riven By sad Francesca, whose sin was forgiven So far that, on her Paolo fixing gaze, She supt on his again, and thought it Heaven, She knew her gentler fate ...
— Helen Redeemed and Other Poems • Maurice Hewlett
... portraits of the Catholic Queen, Isabella; Niccolo Orsino, Count of Pittigliano; Gianjacomo Trivulzi, and many other relatives and friends of the said Pope, in particular Caesar Borgia and his brother and sisters, with many talented men of those times. At Monte Oliveto in Naples, in the Chapel of Paolo Tolosa, there is a panel with an Assumption by the hand of Pinturicchio. This master made an infinite number of other works throughout all Italy, which, since they are of no great excellence, and wrought ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 04 (of 10), Filippino Lippi to Domenico Puligo • Giorgio Vasari
... Do you know that the nephew of Fra Paolo Sarpi, kinsman of the Brancadori, count in the Kingdom of Naples, secretary to the viceroy of Catalonia, makes pretension to the hand of Marie Lothundiaz? When another man claims a right in the matter he ...
— The Resources of Quinola • Honore de Balzac
... never saw or heard anything worse; indeed the Emperor could not refrain from smiling at him. I meanwhile had already uncovered my piece; and observing that the Emperor had turned his eyes towards me with a very gracious look, I advanced at once and said: "Sacred Majesty, our most holy Father, Pope Paolo, sends this book of the Virgin as a present to your Majesty, the which is written in a fair clerk's hand, and illuminated by the greatest master who ever professed that art; and this rich cover of gold and jewels is unfinished, as you here behold it, by reason of my illness: wherefore his Holiness, ...
— The Autobiography of Benvenuto Cellini • Benvenuto Cellini
... sounded, and the door was opened by a man in the costume Pignana wore. The three then crossed a long paved court, and through a vestibule entered a corridor leading into a vast hall, which had been the refectory of the monastery of San Paolo. A few torches lit up the room; around a table in the centre of which were thirty men all dressed like those we have described. They arose when Monte-Leone entered, and bowed with respect. The Count took his seat ...
— The International Monthly, Volume 3, No. 1, April, 1851 • Various
... us say, in one of the larger town-houses on the Caelian Hill, looking across the narrow valley towards the Palatine, somewhere near the modern church of SS. Giovanni e Paolo. It is before day-break that the loud bell has awakened the household slaves and set them to their work. In the road below and away in the city the carts, which are forbidden during the full daytime, are still rumbling with their loads of produce or building-material. ...
— Life in the Roman World of Nero and St. Paul • T. G. Tucker
... narrow streets. Once in the crowd there was little danger of impertinent observation. Disguise was as often useful to the oligarchy of Venice as it was absolutely necessary to elude its despotism, and to render the town tolerable to the citizen. Paolo saw swarthy, bare-legged men of the Lagunes, entering occasionally into the cathedral. He followed, and found himself standing near the dimly lighted altar at which masses were still saying for the ...
— The Bravo • J. Fenimore Cooper
... of the modern style," and his family at home, are uncommonly amusing. Harry Fludyer at Cambridge is the title of the book, published by CHATTO AND WINDUS. Well, to quote the ancient witticism in vogue tempore EDOUARDI RECTI et DON PAOLO BEDFORDI (the great Adelphoi, or rather the great "Fill-Adelphians," as they were once called), "Things is werry much as they used to was" at Cambridge, and University life of to-day differs very little from that of yesterday, ...
— Punch, Or The London Charivari, Vol. 99., December 27, 1890 • Various
... Hamilton when a boy. A sweet child, with the hair cut straight along the forehead, as worn by children some fifty years ago, and hanging luxuriantly down his neck On the same side of the room, behind a bronze of the Laocoon, is a wonderful sketch by Paolo Veronese, the drawing and composition in the grand style, touched with great sweetness and juiciness. Two small upright Bassans, painted conjointly by both, bearing their names; the point of ...
— Recollections of the late William Beckford - of Fonthill, Wilts and Lansdown, Bath • Henry Venn Lansdown
... allude to Krishna in his second avatar; the Church, it is true, governs in his name, but not unfrequently gives him the lie, if he happens to have said anything which it dislikes. Did you never hear the reply which Padre Paolo Segani made to the French Protestant, Jean Anthoine Guerin, who had asked him whether it was easier for Christ to have been mistaken in His Gospel, than for the Pope to ...
— The Romany Rye - A Sequel to 'Lavengro' • George Borrow
... and tableaux vivants constituted the method of collecting the money, and the selections would have made Rabelais chuckle. We had the most flagitiously erotic passages (rendered in costume) from opera and opera bouffe, living reproductions of the tragic pose of Paolo and Francesca that would hare inspired Cabanel anew; of 'Ginevra Da Siena,' of 'Vivien,'—a carnival of the carnal! where nurseries were robbed to supply the mimic ballet, and where bald-headed clergyman, and white-haired mothers in Israel ...
— At the Mercy of Tiberius • August Evans Wilson
... announces that the Prince Boccari, chief of a redoubtable secret society, in despair at seeing his friends accuse him of treachery, in consequence of suspicions excited in their minds by Fra Paolo himself, has ...
— The Wandering Jew, Complete • Eugene Sue
... was at Stafford House, April 13, 1864, when, in a palace gallery that recalled Paolo Veronese's pictures of Christ in his scenes of miracle, Garibaldi, in his gray capote over his red shirt, received all London, and three duchesses literally worshipped at his feet. Here, at all ...
— The Education of Henry Adams • Henry Adams
... the ratification of its contents any negotiation was useless, and he would only undertake it under this condition. Then an eager search was instituted, and the charter of privileges was found among the archives of the town in the monastery of San Paolo. Armed with this the Archbishop went to the Carmine, where he was received with rejoicings. The adjacent market was now the head-quarters of the leaders of the people. Here business was transacted, from here orders were issued; ...
— The Great Events by Famous Historians, Volume 11 • Various
... the brethren. The pope was not asked to sanction the Rule but only to give his approbation to the missions of the little band. Some of the cardinals expressed their doubts about the mode of life provided for in the rules. "But," replied Giovanni di San Paolo, "if we hold that to observe gospel perfection and make profession of it is an irrational and impossible innovation, are we not convicted of blasphemy against Christ, the Author ...
— A Short History of Monks and Monasteries • Alfred Wesley Wishart
... still in its own possession;—it is discouraging, I say, to observe that the beginning of such more faithful and accurate observation in former art, is exactly coeval with the commencement of its decline. The feverish and ungraceful natural history of Paul, called, "of the birds," Paolo degli Uccelli, produced, indeed, no harmful result on the minds of his contemporaries, they watched in him, with only contemptuous admiration, the fantasy of zoological instinct which filled his house with painted dogs, cats, and birds, because he was too ...
— Love's Meinie - Three Lectures on Greek and English Birds • John Ruskin
... marry him when once she had seen him, came to the father and urged him to act with discretion, so that no scandal might arise over the matter. It happened that there was a younger son of the house of Malatesta, Paolo by name, who was young and handsome and possessed of most courtly and winning manners, and it was advised that he be sent to marry Francesca by proxy in his brother's stead, and that she should be kept in ignorance regarding the real state of affairs until it was too late to withdraw her word. ...
— Women of the Romance Countries • John R. Effinger
... had heard rumours of some projected enterprise and who suspected that the object aimed at was Gertruydenberg, had suddenly taken his departure for that city, leaving as his lieutenant his nephew Paolo, a raw lad quite incompetent to provide for ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... stated by Fuccarius, that one of these instruments had at this time been brought to Florence; and Sirturus assures us that a Frenchman, calling himself a partner of the Dutch inventor, came to Milan in May 1609, and offered a telescope to the Count de Fuentes. In a letter from Lorenzo Pignoria to Paolo Gualdo, dated from Padua, on the 31st of August 1609, it is expressly said, that, at the re-election of the professors, Galileo had contrived to obtain 1000 florins for life, which was alleged to be on account of an eye-glass like the one which was ...
— The Martyrs of Science, or, The lives of Galileo, Tycho Brahe, and Kepler • David Brewster
... Thomas Grimes, he gave that striking clock, which he had long worn in his pocket; to his dear friend and executor, Dr. King—late Bishop of Chichester—that Model of Gold of the Synod of Dort, with which the States presented him at his last being at the Hague; and the two pictures of Padre Paolo and Fulgentio, men of his acquaintance when he travelled Italy, and of great note in that nation for their remarkable learning.—To his ancient friend Dr. Brook—that married him—Master of Trinity College in Cambridge, he gave the picture ...
— Devotions Upon Emergent Occasions - Together with Death's Duel • John Donne
... Prince Hans in Kelder eighty thousand Ducketts, which is his Mother's Estate, he Leaues Likewise to his Child and Mother Teresa 291 thousand Ducketts which hee calls Legacies. Hee was buried in the Church of St. Fran'co Di Paolo out of the Porta Capuana (for hee dyed of this Religion). He left 400 pounds for a Lapide to have his name and quality engrauen vpon it for hee called himself Don Jacopo Stuarto, and this is the end of that Princely Cheate or ...
— The Valet's Tragedy and Other Stories • Andrew Lang
... Perhaps both Corner and the Padre founded their diluted information on the short sentence of Sansovino: "Finalmente, l'anno 1075, fu ridotta a perfezione da Paolo Barbetta, sul modello del corpo di mezzo della chiesa di S. Marco." Sansovino, however, gives 842, instead of 864, as the date ...
— The Stones of Venice, Volume III (of 3) • John Ruskin
... Harding, across the table from me, wretchedly fluttered the pages of a popular magazine and looked ill-natured and horribly unkempt. The new table-cloths had not yet been laid for dinner. The sawdust on the floor was mostly mire. Angelina, the cook, was screaming at Paolo and Francesca, who were trying to boil the cat. It was ...
— The Patient Observer - And His Friends • Simeon Strunsky
... was wanted I furnished myself,) Mr. Kirkup did not afford me any assistance. At this stage of the business, I met indeed with a most valuable ally, without whom I believe I should have been beaten; and that was Paolo Feroni, a Florentine nobleman and artist, to whom I have before expressed and now repeat my best acknowledgments. At the end of this long contention against obstacles which often eluded my grasp, the Grand Duke, in consequence of a second memorial I presented to him, ...
— The International Monthly Magazine, Volume 1, No. 1, August 1850 - of Literature, Science and Art. • Various
... Renaissance architecture. (But the upper story of the Pavilion, with the Caryatides, is an age later.) Observe even the decoration lavished on the beautiful chimneys. Pierre Lescot was the architect of this earliest wing; the exquisite sculpture is by Jean Goujon, a Frenchman, and the Italian, Paolo Ponzio. Examine much of it. The crossed K's of certain panels stand for ...
— Seeing Europe with Famous Authors, Volume 3 • Various
... looking at a splendid Paolo Veronese, we hurried out into the Prato della Valle (which has changed its name to something else not half so pretty, though more patriotic), and Sir Ralph took Beechy away, so that Aunt Kathryn and I were left to the Prince. He hardly talked to her at all, which hurt her feelings ...
— My Friend the Chauffeur • C. N. Williamson and A. M. Williamson
... studios of the Giottesques; no, they issue out of the workshops of the stone-mason, of the goldsmith, of the worker in bronze, of the sculptor. Vasari has preserved the tradition that Masolino and Paolo Uccello were apprentices of Ghiberti; he has remarked that their greatest contemporary, Masaccio, "trod in the steps of Brunelleschi and of Donatello." Pollaiolo and Verrocchio we know to have been equally excellent ...
— The Contemporary Review, Volume 36, September 1879 • Various
... repentance, painful to see in one so pure, the expression of admiring tenderness for me whom she regarded as noble while reproaching herself for an imaginary wrong. Surely she loved as Laura loved Petrarch, and not as Francesca da Rimini loved Paolo,—a terrible discovery for him who had dreamed the ...
— The Lily of the Valley • Honore de Balzac
... may land me at once," said the Greek. "Paolo, do you remain on board till I send for you, and let not a man quit the vessel on any excuse," he whispered. "Such provisions as they require, the boatman can bring off for them, and I will manage to make ...
— The Pirate of the Mediterranean - A Tale of the Sea • W.H.G. Kingston
... cheek. Here was a fortunate moment; the deity of it unbent and smiled. Her heart beat in her throat between the words of her thought; yet she recalled, for support, all the romances she had read, and their eloquent portraitures of love, and, remembering that just as Rebecca loved Ivanhoe, as Paolo loved Francesca, so Hazel and Vane loved each other, "I must! I must!" she kept saying chokingly to herself. Mr. St. George had taken up a book. How should she dare disturb him? At last a hesitating voice came ...
— The Atlantic Monthly, Volume 13, No. 80, June, 1864 • Various
... equable maternity of soul, good, bad, and indifferent alike, rather than to art, distinguishing, rejecting, refining. Commission and omission! sins of the former surely had the natural preference. And how would Paolo and Francesca have read this lesson? How would Henry, and Margaret of the "Memoirs," and other susceptible persons then present, read it, especially if the opposition between practical good and evil traversed diametrically another distinction, ...
— Gaston de Latour: an unfinished romance • Walter Horatio Pater
... at best, was provincial, local, distorted. His Christ is the Christ of morbid Seminarists and ascetic undergraduates; not the Christ that Leonardo da Vinci saw breaking bread with his disciples; not the Christ that Paolo Veronese saw moving among the crowds of the street ...
— Suspended Judgments - Essays on Books and Sensations • John Cowper Powys
... invited the Gisbornes to stay with her at the Baths. They arrived on August 25, but the circumstances seemed imperative for Mary to go to Este, and she left on the 31st with a servant, Paolo, as attendant. They were detained a day at Florence, and did not reach Este till poor little Clara was dangerously ill from dysentery, which reduced her to a state of fever and weakness. Mary endured the misery of an incompetent doctor ...
— Mrs. Shelley • Lucy M. Rossetti
... "Rapagnetto"—a purely personal contribution to the legend. Yet, the plain fact, as proven by his birth certificate, is that the author of "The Child of Pleasure" was born at Pescara, on the 12th of March, 1863, the son of Francesco Paolo d'Annunzio and Luisa de Benedictis. Il Piacere, to give this novel its Italian name, was published when d'Annunzio was only twenty-six years of age, and except for an unimportant and imitative volume of short stories, it was his first sustained prose ...
— The Child of Pleasure • Gabriele D'Annunzio
... to the statue which we must continue to call Poggio is a striking figure of Justice surmounting the tomb of Tommaso Mocenigo in the Church of San Giovanni e Paolo at Venice. Mocenigo died in 1423, and the tomb was made by two indifferent Florentine artists, whose poor and imitative work must be referred to later on in connection with the St. George. But the Justice, a vigorous and original figure, holding a scroll and looking downwards, ...
— Donatello • David Lindsay, Earl of Crawford
... like daffodils half smothered in snowdrops, and among them, Diana, with the crescent on her forehead, is the fairest. Her dream-like beauty need fear no comparison with the Diana of the Camera di S. Paolo. Apollo and Bacchus are scarcely less lovely in their bloom of earliest manhood; honey-pale, as Greeks would say; like statues of living electron; realising Simaetha's picture of ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... print completed was after Titian's St. Peter Martyr at the Dominican Church of Sts. Giovanni and Paolo. In coloring it is similar to the Rembrandt print, with gray-green sky, yellow lights, and cool brown shadows. While attractive and forceful, it is not as effective as the Rembrandt because Titian, with his greater range of color, presented ...
— John Baptist Jackson - 18th-Century Master of the Color Woodcut • Jacob Kainen
... called "Kecherches sur le Commerce," published in Amsterdam, 1779, is a plate representing a vessel of the latter part of the fifteenth century. It is taken from a picture in the church of St. Giovanni e Paolo in Venice. The vessel bears much resemblance to those said to have been sketched by Columbus; it has two masts, one of which is extremely small with a latine sail. The mainmast has a large square sail. The vessel has a high poop and prow, is decked at each end, and ...
— The Life and Voyages of Christopher Columbus (Vol. II) • Washington Irving
... Morani's No. 80 to Domenico Irolli's heavily painted "Violin Player" (64), and Enrico Lionne's gorgeous purple figures in the extreme of Impressionism. One of Nomellini's effects in light and shade appears in No. 86, on the east wall. Paolo Sala's "Along the Thames" (100) deserves better place and notice. Irolli, Lionne and ...
— The Jewel City • Ben Macomber
... contour of some object at another part of the composition, and although no actual line connects them, a unity is thus set up between them. (See diagrams, pages 166 and 168, illustrating line compositions of pictures by Botticelli and Paolo Veronese). This imaginary following through of contours across spaces in a composition should always be looked out for and sought after, as nothing serves to unite a picture like this relationship of remote parts. The flow ...
— The Practice and Science Of Drawing • Harold Speed
... Paolo Sarpi: Istoria del Concilio Tridentino. 1619. (P. Sarpi: Histoire du Concile du Trente, French translation by Amelot de la ...
— The Age of the Reformation • Preserved Smith
... ascribing the first successful use of such mines on any extended scale to the celebrated Spanish engineer, Pedro Navarro, when serving under Gonsalvo of Cordova, in his Italian campaigns at the beginning of the sixteenth century. Guicciardini, ubi supra.—Paolo Giovio, de Vita Magni Gonsalvi, (Vitae Illustrium Virorum, Basiliae, 1578,) lib. 2.— Aleson, Annales de Navarra, tom. v. lib. 35, ...
— The History of the Reign of Ferdinand and Isabella The Catholic, V2 • William H. Prescott
... were the carnal sinners, whose punishment was to be beaten hither and thither by the winds,—Semiramis, Dido, Cleopatra, Paris, Tristan, and all those who had sinned for love, and here Dante conversed with the spirit of Francesca da Rimini, whom he had known in life, and her lover Paolo, slain for their sin by her husband. Though there is no greater sorrow than to be mindful of the happy time in misery, she assured Dante that the sorrows of Hell were lightened by the ...
— National Epics • Kate Milner Rabb
... carnal sinners are punished, Dante sees, among others, Semiramis, Dido, Cleopatra, Helen, Achilles, Paris. The poet's attention is suddenly attracted by two spirits, who prove to be Francesca da Rimini and her lover, Paolo, murdered by her husband when Dante was twenty-four years old. The scandal of their illicit love and the penalty they paid by their lives must have been so generally known that Dante, though attached to her family by the memory of hospitality received from her nephew, Guido Novello ...
— Dante: "The Central Man of All the World" • John T. Slattery
... Patrick had infused into their life together. Sara recognized it as the outcome of a love and fidelity as beautiful and devoted as it is rare. Patrick's love for her mother had partaken of the enduring qualities of the great passions of history. Paolo and Francesca, Abelard and Heloise—even they could have known no deeper, no more lasting love than that of Patrick Lovell ...
— The Hermit of Far End • Margaret Pedler
... after reaching S. Paolo de Loanda was to call upon Mr. Commissioner Vredenburg, who had lately taken up the undesirable appointment, and who, moreover, had brought a pretty French wife from Para. I had warned him that he was risking her life and that of her child; he bravely made the attempt and nearly ...
— Two Trips to Gorilla Land and the Cataracts of the Congo Volume 2 • Richard F. Burton
... supplied its place more effectively. When d'Annunzio's "Francesca da Rimini" was put on the stage in Rome, a pot of basil was brought daily from Naples in order that it might be laid on the window-sill of the room in which Francesca and Paolo read of Lancelot and Guinevere. In an interview published in one of the English papers, d'Annunzio declared that he had all his stage decorations made in precious metal by fine craftsmen, and that he had done this for an artistic purpose, and not only for the beauty of the ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... refinement, the aristocracy of poetry and passion; Lotto sympathetically laid bare the heart's secrets and showed the pathetic helplessness of humanity. Tintoretto communicated his own savage grandeur, his own unrest, to those whom he depicted; Paolo Veronese charmed without arriere-pensee by the intensity of vitality which with perfect simplicity he preserved in his sitters. Yet to Titian must be conceded absolute supremacy in the rendering not only of the outward but of the essential dignity, the refinement of type and ...
— The Later works of Titian • Claude Phillips
... "Good beer," says Dr. Paolo Mantegazza, a celebrated Italian writer on medicine, "is certainly one of the most healthy of alcoholic drinks. The bitter tonic, the richness of the alimentary principle which it contains, and its digestibility make it a real liquid food, which, for many temperaments, ...
— The Galaxy - Vol. 23, No. 1 • Various
... did not then lose any fact of the majesty, and beauty, and pathos of the great certain measures for the sake of that fourth dimension of the poem which is not yet made palpable or visible. I took my sad heart's fill of the sad story of "Paolo and Francesca," which I already knew in Leigh Hunt's adorable dilution, and most of the lines read themselves into my memory, where they linger yet. I supped on the horrors of Ugolino's fate with the strong gust of youth, which finds ...
— Henry James, Jr. • William Dean Howells
... from an aesthetic point of view, that could be done with Rome would be to destroy everything except St. Paolo fuori le Mure, of later date than ...
— The Life and Letters of Thomas Henry Huxley Volume 2 • Leonard Huxley
... rather superficial, and Art to have declined from its ancient dignity. But see how they took hold of men, and what men they took hold of. In the midst of that bloody and shameless fifteenth century, when only force seems sacred, men hunted these shadows as if they were wealth and power. Paolo Uccello could not be got away from his drawing to his meals or his rest, and only replied to his wife's remonstrances, "Ah, this perspective is so delightful!" With what ardor Mantegna and Luca Signorelli seized upon a new trait or action! Leonardo da Vinci, "the first ...
— The Atlantic Monthly, Volume 13, No. 77, March, 1864 • Various
... very intimate friends, both of the family of Saveli, in Rome; the name of one of whom was Bucciolo; that of the other Pietro Paolo, both of good birth and easy circumstances. Expressing a mutual wish to study for a while together at Bologna they took leave of their relatives and set out. One of them attached himself to the study ...
— Supplemental Nights, Volume 2 • Richard F. Burton
... continuing and completing the action of a play, as prologues in modern times have been converted into introductory chapters, explanatory of events to be presently exhibited upon the scene. Yet the interminable drama of "Marie Antoinette," by Signor Paolo Giacometti, in which Madame Ristori was wont to perform, presents an instance of this kind. "Marie Antoinette" is in five acts, with a prologue exhibiting the queen's life at Versailles, in 1786, and an epilogue showing her ...
— A Book of the Play - Studies and Illustrations of Histrionic Story, Life, and Character • Dutton Cook
... in the church of SS. Giovanni e Paolo, in the heart of Venice. There, in the dim quietness of the old church, they lie at rest together, undisturbed by the voices of the passers-by in the square outside, or the lapping of the water against the steps, as the tides ...
— Knights of Art - Stories of the Italian Painters • Amy Steedman
... same.) "I rejoice to think of your coming back," he writes another time, "to show the stage what an actress should be." "A thousand thanks for the photographs. I like the profile best. It is most Paolo Veronesish and gives the right notion of your Portia, although the color hardly suggests the golden gorgeousness of your dress and the blonde glory of the hair and complexion.... I hope you have seen the quiet little boxes at ——'s foolish article." (This refers to ...
— The Story of My Life - Recollections and Reflections • Ellen Terry
... genius on works that pretend to no other merit, in which is neither expression, character, nor dignity, and where none are interested in the subject. We cannot refuse the character of genius to the 'Marriage' of Paolo Veronese, without opposing the general sense of mankind, (great authorities have called it the triumph of painting,) or to the Altar of St Augustine at Antwerp, by Rubens, which equally deserves that title, and for the same reason. Neither of these pictures have any interesting ...
— Blackwood's Edinburgh Magazine, No. CCCXXVIII. February, 1843. Vol. LIII. • Various
... Augusta, written by one C. Crispolti of Perugia—the date of the work in question is 1648. In it is recorded that 'one day, towards the close of the fifteenth century, whilst many of the principal gentry had come to Perugia to honour the wedding of Giovanni Paolo Baglioni, and some lancers were riding down the street by his palace, Giovanni Baptisti Danti unexpectedly and by means of a contrivance of wings that he had constructed proportionate to the size of his body took off from the top of a tower near by, and with a horrible ...
— A History of Aeronautics • E. Charles Vivian
... and Falieri is said to have acknowledged the justice of his sentence. He had never made any attempt to justify or defend himself, but frankly and at once avowed his guilt and made no attempt to escape from its penalties. His body was conveyed privately to the Church of St. Giovanni and St. Paolo, the great "Zanipolo"—with which all visitors to Venice are familiar—and was buried in secrecy and silence in the atrio of a little chapel behind the great church—where no doubt for centuries the pavement was worn by many feet with little thought of those ...
— The Great Events by Famous Historians, Volume 07 • Various
... steps, mounting the splendid marble staircase upon which the masterpieces of Titian and of Paolo Veronese looked down. At the head of the stairs, there was a painted door, which he had but to open to find himself face to face with those who were still telling each other that he ...
— Master Tales of Mystery, Volume 3 • Collected and Arranged by Francis J. Reynolds
... Gasparo's pupil, Giovanni Paolo Maggini (1581-1631), improved the principles of violin-building, and gave the world the modern viola and violoncello. A rich viola-like quality characterizes the Maggini violin. De Beriot used one in his concerts, and its plaintive tone was thought well suited to his style. ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... death of his two sons, Rocco and Cristoforo—one being assassinated by a surgeon, and the other by Paolo Corso, while he was attending mass. The inhuman father showed every sign of joy on hearing this news; saying that nothing would exceed his pleasure if all his children died, and that, when the grave should receive the last, he would, as a demonstration ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... years old, and the Bacchus eighteen.(25) The said Messer Iacopo desired also that he would carve him a little Cupid.(26) Both of these works may still be seen in the house of Messer Giuliano and Messer Paolo Galli, courteous and worthy gentlemen, with whom Michael Angelo has always retained ...
— Michael Angelo Buonarroti • Charles Holroyd
... [139] Paolo Antonio Foscarini (1580-1616), who taught theology and philosophy at Naples and Messina, was one of the first to champion the theories of Copernicus. This was in his Lettera sopra l'opinione de' Pittagorici e del Copernico, della mobilita della Terra e stabilita del Sole, e il nuovo pittagorico ...
— A Budget of Paradoxes, Volume I (of II) • Augustus De Morgan
... 5th, we sang for the first time Roeder's heavy mass. We often sang Concone's three-voice mass, Verdi's mass and Dominus, Palestrina's Libera, Paolo Giorza, and Regina Coeli. The choir library was complete with all kinds of masses, small and large. Many of them we sang. Some of them were very old and written in manuscript. I remember the professor gave me at rehearsal a celebrated old heavy ...
— Sixty Years of California Song • Margaret Blake-Alverson
... a great arched ceiling, after the narrative manner of Paolo Veronese, lent such vastness to the apartment that moving across it, or sitting in her great overstuffed armchair beside a window, she hardly struck a note. Great wealth lay in canopied silence over that room. A rug out of Persia, so large that countless extra years and countless pairs ...
— Every Soul Hath Its Song • Fannie Hurst
... Paolo Baccari deals with "The Supreme Duty." He says that the intervention of Italy was not merely to complete Unification by uniting all Italians of the Peninsula and the Adriatic littoral under one flag and government, but to register herself as standing for justice, law, and humanity against organized ...
— New York Times Current History; The European War, Vol 2, No. 5, August, 1915 • Various
... Tiber begins—here men first mingled blood with its unsullied waves. On another little tributary is Anghiara, where in 1440 a terrible battle was fought between the Milanese troops, under command of the gallant free-lance Piccinino, and the Floren-tines, led by Giovanni Paolo (commonly called Giampaolo) Orsini; and a little farther, on the main stream, Citta di Castello recalls the story of a long siege which it valiantly sustained against Braccio da Montone, surnamed Fortebraccio (Strongarm), another ...
— Lippincott's Magazine of Popular Literature and Science Vol. XV., No. 85. January, 1875. • Various
... ancient church of San Fermo, restored in 1319, offers some of the earliest pictures after the first dawn of the revival of painting, by Stefano da Zevio. To the church of St. George, beyond the Adige, one of the great works of Paolo Veronese, which do so much honour to himself and to his native city, has been restored, after having been carried to Paris. Indeed, there is not one of the many churches of Verona which is not interesting on account of its antiquity, the works of art contained in ...
— The Mirror of Literature, Amusement, and Instruction - Volume 14, No. 399, Supplementary Number • Various
... as Podesta in 1225 by his son Paolo, who became Guelf and fought in Innocent IV.'s quarrel against the emperor Frederick II.; Frederick was able to turn the Traversari out of Ravenna in 1240 and to hold the city for eight years, but in 1248 the pope retook it and the Traversari ...
— Ravenna, A Study • Edward Hutton
... ever known him by. I never knew him personally. I never even set eyes on him. And yet I seem to see him more clearly than many men, my brothers, for instance, with whom I passed my daily life for many years. He lives in my imagination with the distinctness of a Paolo Malatesta or a Romeo. But I daresay you have never read Dante ...
— The Trembling of a Leaf - Little Stories of the South Sea Islands • William Somerset Maugham
... "Why, that's the Princess di Sereno, don't you know, the only child of the California millionaire who died about ten years ago, so suddenly while his wife and little daughter were in Europe! The girl married that Roman prince, Paolo di Sereno, who used to make such a sensation going about in an aeroplane, and gambling high at Monte Carlo—awfully handsome man, a lot older than she. He must have been nearly forty, and she seventeen, when she married him. Her mother made the match, of course: girl just out ...
— The Port of Adventure • Charles Norris Williamson and Alice Muriel Williamson
... Venice herself was disposed to grant privileges, such as an exemption from all taxes, to those noblemen and burgesses and highly placed clergy who were well disposed to her. But as for schools, she could not ignore an anonymous work of the end of the sixteenth century, which was attributed to Fra Paolo Sarpi, the learned councillor of the Republic; he warned them in this book that "if you wish the Dalmatians to remain faithful to you, then keep them in ignorance," and again: "In proportion as Dalmatia is ...
— The Birth of Yugoslavia, Volume 1 • Henry Baerlein
... preserve the crops; but that year, if you will believe me, they had no effect whatever. At Nicosia the inhabitants, bare-headed and bare-foot, carried the crucifixes through all the wards of the town and scourged each other with iron whips. It was all in vain. Even the great St. Francis of Paolo himself, who annually performs the miracle of rain and is carried every spring through the market-gardens, either could not or would not help. Masses, vespers, concerts, illuminations, fire-works—nothing ...
— The Golden Bough - A study of magic and religion • Sir James George Frazer
... "Paolo and his regiment go up to the front this afternoon," Roderigo replied. "We have just come to relieve them for a short time, then we ...
— Lucia Rudini - Somewhere in Italy • Martha Trent
... National Gallery. It is quaint and imperfect, but of great interest." [Ruskin.] Paolo Uccello (c. 1397-1475), a Florentine painter of the Renaissance, the first of the naturalists. His real name was Paolo di Dono, but he was called Uccello from his fondness ...
— Selections From the Works of John Ruskin • John Ruskin
... Indicopleustes, who lived hundreds of years before you were born, says it is flat; and he got it from the Bible. You're no good Christian to be taking up with such heathenish notions!" Thought Columbus, "I will write to Paolo Toscanelli, at Florence, and see ...
— Ten Great Events in History • James Johonnot
... then, is as good a German Italian church as can be found; but, for the reasons stated, it is not particularly interesting as a piece of architecture. Its wealth is in its frescos. In the quadrangle of the cloister is a series of pictures by Paolo Uccello, who, by the introduction of linear perspective, of which he is esteemed the inventor, made a new epoch in art. In the "chapel of the Spaniards" is a famous collection of frescos by Giotto's scholars. A large, thoughtful, ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... the British Museum. This drawing may have been made while Leonardo still frequented the studio of Andrea del Verrocchio, who in 1479 was commissioned to execute the equestrian statue of Bartolommeo Colleoni, which was completed twenty years later and still adorns the Campo di San Giovanni e Paolo in Venice. ...
— Leonardo da Vinci • Maurice W. Brockwell
... of master and pupil was probably concerned, in each succession, in the gradual loss of the substance of the old method. The possibility of learning to sing by imitation was only gradually lost to sight. This is well expressed by Paolo Guetta. "The aphorism 'listen and imitate,' which was the device of the ancient school, coming down by way of tradition, underwent the fate of all sane precepts passed along from generation to generation. Through elimination ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor
... daughter of Regina Negri an inn-keeper is betrothed to Pietro Montalto, Captain of the Bersaglieri; and the wedding is fixed for the following morning. Before her betrothal Giovanna has carried on a flirtation with Paolo Tosta, a wild fellow, who unfortunately took the girl's play seriously, and seeing the friend of his childhood estranged from him, has turned smuggler and head of a band of Anarchists. Giovanna is afraid of him, and trembles for her bridegroom, ...
— The Standard Operaglass - Detailed Plots of One Hundred and Fifty-one Celebrated Operas • Charles Annesley
... make first word a word descriptive of the kind of building: Temple of Mars; Cathedral of Notre Dame; Basilica of S. Paolo. ...
— A Library Primer • John Cotton Dana
... Paolo," he said, after inspecting Brian's face and lifting his nerveless hand; "and return with him yourself. We ...
— Under False Pretences - A Novel • Adeline Sergeant
... madman, unawares. She seemed to hear a cry of rage, answered by a sigh of terror; then a double shot resounded, the room filled with smoke, and, struck down in their guilty love, Serge and Jeanne rolled in death, interlaced in each other's arms, like Paolo and Francesca de Rimini, those sad lovers of whom Dante ...
— Serge Panine, Complete • Georges Ohnet
... I became aware it was Aniela I was searching for. Of course, only her and always her. What could another life matter to me without her? I found her at last, and we roamed about together like the shadow of Paolo with the shadow of Francesca di Rimini. I write this down because I see in it an almost terrifying proof how far my whole being has been ...
— Without Dogma • Henryk Sienkiewicz
... her donkey stumbled and fell, and the wood which he was carrying rolled to a considerable distance. Francesca was looking about her in considerable embarrassment, not able to lift it up again, when a Roman nobleman, Paolo Lelli Petrucci, a friend of her husband's, chanced to pass by. Astonished at seeing her in such a predicament, he hastened to her assistance; and she received it with as much serenity and composure as if her occupation had been the most natural ...
— The Life of St. Frances of Rome, and Others • Georgiana Fullerton
... of bronze gates in ecclesiastical architecture. The gates of St. Paolo Fuori le Mura in Rome were made in 1070, in Constantinople, by Stauracius the Founder. Many authorities think that those at St. Mark's in Venice were similarly produced. The bronze doors in Rome are composed of fifty-four small designs, not in relief, but with the outlines ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... life of Fra Paolo Sarpi gave me the first hint of this great personality, but my own portrait has been carefully studied from the volumes of his collected works which later responded to my search; these were collected and preserved ...
— A Golden Book of Venice • Mrs. Lawrence Turnbull
... written for the instrument. Of these the earliest known is a "Romanesca per violone Solo e Basso se piaci," and some dances, by Biagio Marini, published in 1620. This contains the "shake." Then there is a "Toccata" for violin solo, by Paolo Quagliati, published in 1623, and a collection of violin pieces by Carlo Farina, published in 1627 at Dresden, in which the variety of bowing, double stopping, and chords shows a great advance in the ...
— Famous Violinists of To-day and Yesterday • Henry C. Lahee
... the idea, just imagine, of opening a patriotic subscription for the purpose of erecting a statue to General Paolo Paoli, or some such name; in any case, to a great countryman of his own. Money flowed accordingly into the Territorial. Unfortunately, that state of things did not last. By the end of a couple of months the statue was eaten up before it had been made, ...
— The Nabob • Alphonse Daudet
... of the century the confidence in the status of the imponderables was rudely shaken in the minds of philosophers by the revival of the old idea of Fra Paolo and Bacon and Boyle, that heat, at any rate, is not a material fluid, but merely a mode of motion or vibration among the particles of "ponderable" matter. The new champion of the old doctrine as to the nature of heat was a very distinguished philosopher and diplomatist of the ...
— A History of Science, Volume 3(of 5) • Henry Smith Williams
... far as the gate of San Paolo, and, on approaching it, I saw the gray sharp pyramid of Caius Cestius pointing upward close to the two dark-brown, battlemented Gothic towers of the gateway, each of these very different pieces of architecture ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... of Guglielmo della Porta and Algardi. In the square before the front is a Corinthian column, which is considered a masterpiece of its kind. The largest church in Rome next to St. Peter's was the Basilica di San Paolo fuori delle Mura, on the road to Ostia, burnt a few years since. The church of S. Lorenzo, without the city, possesses some rare monuments of antiquity. The church of San Pietro in Vincola contains the celebrated statue of Moses, by Michael Angelo. ...
— Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) • S. Spooner
... sight of the old town of Classis. Not a vestige of the Roman city remains, not a dwelling or a ruined tower, nothing but the ancient church of S. Apollinare in Classe. Of all desolate buildings this is the most desolate. Not even the deserted grandeur of S. Paolo beyond the walls of Rome can equal it. Its bare round campanile gazes at the sky, which here vaults only sea and plain—a perfect dome, star-spangled like the roof of Galla Placidia's tomb. Ravenna lies ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... seas. About this time, too, he seems to have arrived at the conclusion that much of the world remained undiscovered, and step by step to have conceived that design of reaching Asia by sailing west which was to result in the discovery of America. In 1474 we find him expounding his views to Paolo Toscanelli, the Florentine physician and cosmographer, and receiving ...
— Christopher Columbus and His Monument Columbia • Various
... with the sage. So ended Master judge's inquest on the death of hapless Pasquino, who with his Simona, swollen as they were, were buried by Stramba, Atticciato, Guccio Imbratta, and Malagevole in the church of San Paolo, of which, as it so happened, they ...
— The Decameron, Volume I • Giovanni Boccaccio
... FERRARI, PAOLO, Italian dramatist, born at Modena; produced his first play at the age of 25; his numerous works, chiefly comedies, and all marked by a fresh and piquant style, are the finest product of the modern Italian drama; ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... of the Chapel of the Palace had been given in 1414 to Simone d'Antonio and Antonio Paolo Martini, but they did not satisfy the public, so it was taken from them and given to Domenico di Nicolo, August 26, 1415. The tarsie are 21 in number, and represent the clauses of the apostles' creed and the symbols of the apostles. The unsuccessful work was given to the prior of the Servites. ...
— Intarsia and Marquetry • F. Hamilton Jackson
... Figueredo was born at Ourem, Portugal, in 1586, and was admitted into the Society in 1603. He was sent to the Indias, and ministered at Salsette; he was rector of Chaul and of Tana, and of the residence of San Paolo Vecchio at Goa, where he died May 8, 1650. See ...
— The Philippine Islands, 1493-1898 (Vol 27 of 55) • Various
... grammarians might become more important than the theologians, engaged the council of Trent to fix the seal of their infallibility on all the books of Scripture contained in the Latin Vulgate, in the number of which the Apocalypse was fortunately included. (Fr. Paolo, Istoria del Concilio Tridentino, l. ii.) 3. The advantage of turning those mysterious prophecies against the See of Rome, inspired the Protestants with uncommon veneration for so useful an ally. See the ingenious and elegant discourses of the present bishop of Litchfield on ...
— The History of The Decline and Fall of the Roman Empire - Volume 1 • Edward Gibbon
... and I had to hear his favourite passages from the Italian poets. And then there came the plots of Jules Verne's stories and marvellous narrations about l'uomo cavallo, l'uomo volante, l'uomo pesce. The last of these personages turned out to be Paolo Boynton (so pronounced), who had swam the Arno in his diving dress, passing the several bridges, and when he came to the great weir "allora tutti stare con bocca aperta." Meanwhile the storm grew serious, and our conversation changed. Francesco told me about the terrible sun-stricken sand shores ...
— New Italian sketches • John Addington Symonds
... Not upon her sister Lucia and Paolo Tosti whom she had been assigned to chaperon by reading a book to herself in the adjoining room—no, they were safely busy with piano and violin, and she was heartily bored, anyway, with their inanities. Voices from another direction had pricked ...
— The Innocent Adventuress • Mary Hastings Bradley
... with me, Excellency. In the village I am generally called Maestro Paolo. I had a surname once, though a very equivocal one; and I have forgotten THAT since ...
— Zanoni • Edward Bulwer Lytton
... of the famous pulpit at Pisa (now in the museum there), of that in the cathedral in Siena, and of the fountain at Perugia (in all of which Arnolfo probably helped), and the designer of many buildings all over Italy. Arnolfo's own unaided sculpture may be seen at its best in the ciborium in S. Paolo Fuori le Mura in Rome; but it is chiefly as an architect that he is now known. He had already given Florence her extended walls and some of her most beautiful buildings—the Or San Michele and the Badia—and simultaneously he designed S. Croce and the Palazzo ...
— A Wanderer in Florence • E. V. Lucas
... found a good deal of use for some of it, thought Mrs. Severance whimsically. It had hardly been a Paolo and Francesca diner-a-deux—both had been much too frankly hungry when they came to it and Ted's most romantic remarks so far had been devoted to a vivid appreciation of Mrs. Severance's housekeeping. But all men are very much ...
— Young People's Pride • Stephen Vincent Benet
... Accoramboni much has been written, and she has been greatly maligned by some biographers. Her story formed the basis of Webster's drama, The Tragedy of Paolo Giordano Ursini (1612), and of Ludwig Tieck's novel, Vittoria Accoramboni (1840); it is told more accurately in D. Gnoli's volume, Vittoria Accoramboni (Florence, 1870), and an excellent sketch of her life is given in Countess E. Martinengo-Cesaresco's Lombard Studies ...
— Project Gutenberg Encyclopedia
... Paolo Mantegazza has written that the nature of a weapon indicates not only the technical ability of a race but also its degree of ferocity. All those arms which serve to make suffer instead of to kill are certain signs ...
— My Friends the Savages - Notes and Observations of a Perak settler (Malay Peninsula) • Giovanni Battista Cerruti
... Andalusia all the charm of Arabic architecture, of running water, and of cypress trees, of purple flags and dark red roses. It is a spot, indeed, fit for the plaintive creatures of poets to sing their loves, for Paolo and Francesca, for Juliet and Romeo; and I am glad that there I enjoyed such ...
— The Land of The Blessed Virgin; Sketches and Impressions in Andalusia • William Somerset Maugham
... exceptional beauty, fascinated by the spell of her soulful eyes, her tall graceful figure, and delicate classic face, framed in Grecian head dress, made violent love to her, their heated imaginations and jaded senses conceiving a conquest compared with which the criminal passion of Paolo for Francesca should pale. These would-be Lotharios might as well have tried to set an iceberg on fire. Quietly, but firmly and in unmistakable terms, she let them understand that they were wasting their time and their ardor ...
— The Mask - A Story of Love and Adventure • Arthur Hornblow
... as severely in keeping as possible. The pictures consisted of photographs or engravings of sacred subjects, all of Roman Catholic origin. There was a "Virgin and Child," by Botticelli, and another by Perugini; "Our Lady of the Cat," by Baroccio; the exquisite "Vision of St. Helena," by Paolo Veronese; Correggio's "Ecce Homo"; and others less well-known; with a ghastly Crucifixion too painful to be endured, especially by a young girl, had not custom dulled all genuine perception of the horror of it. The whole effect, however, was a delicious impression of freshness and serenity, which ...
— The Heavenly Twins • Madame Sarah Grand
... as, Paolo?" said one. "I heard Messer Lorenzo say that thou shouldst be something marvelously fine; but what can be so fine as ...
— Historic Boyhoods • Rupert Sargent Holland
... young as ever, Still unabashed by Paolo and Francesca, You long for plays with literary motives, Plots oft attempted both in prose ...
— Masques & Phases • Robert Ross
... in my wrath that I would never again speak to a woman outside my own immediate family. I tried in vain to hire men nurses, and I sympathized with Paolo Orsini, who slipped a cord around the neck of Isabella di Medici, and strangled her; I almost envied Curzon of Simopetra who had never seen a woman. But I soon found that this misanthropy was unjust, that I misjudged the pure depths of life's river by a little dirty froth floating ...
— The Gentleman from Everywhere • James Henry Foss
... Florentine, Paolo Toscanelli, definitely encouraged the conviction Columbus had formed from his reading of Marco Polo's descriptions of Cipango, Cathay, and the Grand Khan, that the lands might be reached by sailing west, and there was doubtless little the ancients had written concerning the existence of islands ...
— Bartholomew de Las Casas; his life, apostolate, and writings • Francis Augustus MacNutt
... I did but utter the truth that was in my heart. San Paolo be my witness that did ye but find the stout Count Leonardo in his cups, sheer from the castle's topmost battlements would he hurl ye all! Alack-a-day, the good Lord Luigi reigns not here in ...
— Innocents abroad • Mark Twain
... her punishment, Francesca, when she comes to the tenderest part of her story, tells it with complacency and delight; and, instead of naming Paolo, which indeed she never has done from the beginning, ...
— Imaginary Conversations and Poems - A Selection • Walter Savage Landor
... FRA PAOLO, since they say the end is near, And you of all men have the gentlest eyes, Most like our father Francis; since you know How I have toiled and prayed and scourged and striven, Mothered the orphan, waked beside the sick, Gone empty that mine enemy might eat, Given bread ...
— Artemis to Actaeon and Other Worlds • Edith Wharton |
