"Pianissimo" Quotes from Famous Books
 ... interposition of a piece of cloth between the hammer and the strings, the piano, harp, or celeste. The more complete sourdine, which muted all the strings by contact of a long strip of leather, acted as the staccato, pizzicato, or pianissimo. The Germans further displayed that ingenuity in fancy stops Mersenne had attributed to them in harpsichords more than a hundred and fifty years before, by a bassoon pedal, a card which by a rotatory half-cylinder just impinging upon the strings produced ...
— Scientific American Supplement, No. 385, May 19, 1883 • Various
... moment there was silence; then the tones came like a breath, soft and pianissimo, clear as the trill of a bird in the forest wooing its mate. It rose and fell, swelling out, filling the spaces, echoing ...
— The Black Cross • Olive M. Briggs
... Etty talks more than she did, too. While I am talking nonsense with Little Handsome, I hear her amusing my good aunty, and I catch a few words, her utterance having a peculiar distinctness, and the lowest tones being fine and clear, like those of a good singer on a pianissimo strain. It is a peculiarly ladylike articulation; was she born and bred in Ratborough, I wonder? She never speaks while we are singing. Does she like music, then? I asked her once, but what sort of answer is "Yes!" to such a question? And that ...
— Autumn Leaves - Original Pieces in Prose and Verse • Various
... seen by the STRANGER. At the fourth table CAESAR and the DOCTOR are seated, in shabby clothes. They are the farthest down stage. Dessert has just been handed round and the guests have golden goblets in front of them. The band is playing a passage in the middle of Mendelssohn's Dead March pianissimo. The guests are talking to one ...
— The Road to Damascus - A Trilogy • August Strindberg
... melody, color, and emotion. His orchestration is more varied, euphonious, and enchanting than Beethoven's, and in this direction he did for the symphony what Weber did for the opera. By using the brass instruments pianissimo, for color instead of for loudness, he opened a path in which later masters, including Wagner, eagerly followed him. Schubert was also the first composer who revealed the exquisite beauty and the great emotional power of the freest modulation from key to key. His poetic ...
— Beacon Lights of History, Volume XIV • John Lord
... the center aisle, eager for good seats but afraid to go too far, the organist wipes his palms upon his trousers legs, squares his shoulders, and plunges into the program that he has played at all weddings for fifteen years past. It begins with Mendelssohn's Spring Song, pianissimo. Then comes Rubinstein's Melody in F, with a touch of forte toward the close, and then Nevin's "Oh, That We Two Were Maying" and then the Chopin waltz in A flat, Opus 69, No. 1, and then the Spring Song again, and then a free fantasia ...
— A Book of Burlesques • H. L. Mencken |
